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英国文学史I.OldEnglishLiterature&TheLateMedievalAges<Beowulf>贝奥武夫:thenationalepicoftheAnglo-SaxonsEpic:longnarrativepoemsthatrecordtheadventuresorheroicdeedsofaheroenactedinvastlandscapes.Thestyleofepicisgrandandelevated.Artisticfeatures:1.UsingalliterationDefinitionofalliteration:arhetoricaldevice,meaningsomewordsinasentencebeginwiththesameconsonantsound(头韵)SomeexamplesonP52.UsingmetaphorandunderstatementDefinitionofunderstatement:expressingsomethinginacontrolledwayUnderstatementisatypicalwayforEnglishmentoexpresstheirideasGeofferyChaucer杰弗里·乔叟1340~1400(首创“双韵体”,英国文学史上一方面用伦敦方言写作。约翰·德莱顿(JohnDryden)称其为“英国诗歌之父”。代表作《坎特伯雷故事集》。)ThefatherofEnglishpoetry.writingstyle:wisdom,humor,humanity.①<TheCanterburyTales>坎特伯雷故事集:firsttimetouse‘heroiccouplet’(双韵体)bymiddleEnglish②<TroilusandCriseyde>特罗伊拉斯和克莱希德③<TheHouseofFame>声誉之宫MedievalAges’popularLiteraryform:Romance(传奇故事)Famousthree:KingArthurSirGawainandtheGreenKnightBeowulfIITheRenaissancePeriodAperiodofdramaandpoetry.TheElizabethandramaistherealmainstreamoftheEnglishRenaissance.Renaissance:theactivity,spirit,ortimeofthegreatrevivalofart,literature,andlearninginEuropebeginninginthe14thcenturyandextendingtothe17thcentury,markingthetransitionfromthemedievaltothemodernworld.ThreehistoricaleventsoftheRenaissance–rebirthorrevival:1.newdiscoveriesingeographyandastrology2.thereligiousreformationandeconomicexpansion3.rediscoveryofancientRomanandGreekcultureThemostfamousdramatists:ChristopherMarloweWilliamShakespeareBenJohnson.1.EdmundSpenser埃德蒙·斯宾塞1552~1599(后人称之为“诗人的诗人”。)Thepoets’poet.ThefirsttobeburiedinthePoet’scornerofWesterminsterAbbey①<TheFaerieQueene>仙后(forQueenElizabeth)Thethemeisnot“Armsandtheman”,butsomethingmoreromantic“Fiercewarsandfaithfullloves”.Artisticfeatures:1.UsingSpenserianStanzaDefinitionofSpenserianStanza:astanzaofninelinesababbcbcc.Eightlinesiniambicpentameter,andlastlineiniambichexameter.②<TheShepherdsCalendar>牧人日历ThethemeistolamentoverthelossofRosalind.③<Amoretti>爱情小唱?2.Thomas?More托马斯?莫尔1478~1535OneofthegreatestEnglishhumanists①<Utopia>乌托邦3.Francis?Bacon弗兰西斯·培根1561~1626(哲学家、散文家;在论述探究知识的著作中提出了知识就是力量这一著名论断;近代唯物主义哲学的奠基人和近代实验科学的先驱。)Philosopher,scientist,laythefoundationformodernscience.ThefirstEnglishessayist.?Writingstyle:brevity,compactness&powerfulness,well-arrangingandenrichingbyBiblicalallusions,metaphorsandphilosophytoman’sreason.①<TheAdvancementofLearning>学术的推动②<Essays>随笔(famousquotas:<Ofstudies>)?ThethemeofOfStudies:usesandbenefitsofstudyanddifferentwaysadoptedbydifferentpeopletopursuestudies.4.BenJonson①<ComedyofHumours>②<Volpone,orthefox>狐狸5.Christopher?Marlowe柯里斯托弗·马洛1564~1595“UniversityWits”,thepioneerofEnglishdrama(完善了无韵体诗。)Blankverse:writteninunrhymediambicpentameter.①<TheTragicalHistoryofDoctorFaustus>浮士德博士的悲剧(根据德国民间故事书写成)②<Tamburlaine>帖木耳大帝?③<TheJewofMalta>马耳他的犹太人6.WilliamShakespeare威廉·莎士比亚1564~1616?①Historicalplays:HenryVI;HenryIV:RichardIII;HenryV;RichardII;HenryVIII②FourComedies四大喜剧:<AsYouLikeIt>皆大欢喜;<TwelfthNight>第十二夜;<AMidsummerNight’SDream>仲夏夜之梦;<MerchantOfVenice>威尼斯商人③FourTragedies四大悲剧:<Hamlet>哈姆莱特;<Othello>奥赛罗;<KingLear>李尔王;<Macbeth>麦克白④ShakespeareSonnet:154<TheSonnets>Threequatrainandonecouplet,ababcdcdefefggAsonnetisalyricconsistingof14lines,usuallyiniambicpentameterrestrictedtoadefinitionrhymescheme.IIIThe17thCentury1.JohnMilton约翰·弥尔顿1608~1674(诗人、政论家;失明后写《失乐园》、《复乐园》、《力士参孙》。)①Epics:<ParadiseLost>失乐园<Paradise?Regained>复乐园②Dramaticpoem:<SamsonAgonistes>力士参孙③<Areopagitica>论出版自由?<TheDefenceoftheEnglishPeople>为英国人民声辩④<OnHisBlindness>我的失明Thissonnetiswritteniniambicpentameterrhymedinabbaabbacdecde,typicalofItaliansonnet.ItsthemeisthatpeopleusetheirtalentforGod,andtheyservehimbestshocanendurethesufferingbest.2.JohnBunyan约翰·班扬1628~1688(代表作《天路历程》,宗教寓言,被誉为“具有永恒意义的百科全书”,是英国文学史上里程碑式著作。与但丁的《神曲》、奥古斯丁的《忏悔录》并列为世界三大宗教题材文学杰作。)Puritanpoet(清教徒派诗人)①ReligionaryAllegory:<ThePilgrim’sProgress>天路历程3.JohnDonnetheMetaphysicalpoet(玄学派诗人).MetaphysicalPoetry(玄学诗):(用语)thedictionissimple,theimageryisfromtheactual,(形式)theformisfrequentlyanargumentwiththepoet’sbeloved,withgod,orwithhimself.(主题:love,religious,thought)Artisticfeatures:1.conceitsorimagery奇思妙喻2.syllogism三段论①Meditations沉思录TheFlea虱子②SongsAndSonnetsHolySonnets③Valediction:<ForbiddingMourning>IVThe18thCenturyArevivalofinterestintheoldclassicalworks,order,logic,restrainedemotion(克制情感)andaccuracyTheAgeofEnlightenment/Reason:themovementwasafurtheranceoftheRenaissanceofthe15thand16thcentries,aprogressiveintellectualmovement,reason(rationality),equality&science(the18thcentury)小说崛起:Inthemid-century,thenewlyliteraryform,modernEnglishnovelrised(realisticnovel现实主义小说)Gothicnovel(哥特式小说):mystery,horror,castles(frommiddleparttotheendofcentury)1.Alexander?Pope亚历山大·蒲柏1688~1744(18世纪英国最伟大的诗人,其诗多用“英雄双韵体”/“heroiccouplets”。词句工整、精练、富有哲理性。)OneofthefirsttointroducerationalismtoEngland.①<AnEssayonCriticism>批评论Artisticfeatures:1.Using“heroiccouplets”②<TheRapeoftheLock>卷发遇劫记③<MoralEssays>道德论<EssayonMan>人论<TheDunciad>愚人记2.SamuelJohnson塞缪尔约翰逊1709~1784①Dictionary=<ADictionaryofEnglishLanguage>英语大词典3.JonathanSwift乔纳森·斯威夫特1667~1745(十八世纪杰出的政论家和讽刺小说家amastersatirist。)①<Gulliver’sTravels>格列佛游记(fictionalwork)Fourparts:Lilliput小人国Brobdingnag大人国FlyingIsland飞岛Houyhnhnm马岛<AModestProposal>一个小小的建议②<TheBattleofBooks>书战③<ATaleofaTub>木桶的故事④<TheDrapper’sLetters>一个麻布商的书信4.DanielDefoe丹尼尔·笛福1660~1731小说家,新闻记者,小册子作者;十八世纪英国现实主义小说的奠基人。Heisthefirstwriterstudyofthelower-classpeople,hislanguageissmooth,easy,colloquialandmostlyvernacular,andheisthefounderofrealisticnovel.①<RobinsonCrusoe>鲁宾逊漂流记ItpraisethefortitudeofthehumanlaborandthePuritan.Robinsongrewfromanaiveandartlessyouthintoashrewdandhardenedman,temperedbynumeroustrialsinhiseventfullife.Itisanadventurestory,Robinson,narrateshowhegoestosea,getsshipwreckedandmaroonedonalonelyisland,strugglestolivefor24-yearsthereandfinallygetsrelievedandreturnstoEngland.②<MollFlanders>③<ColonelJacque>④<Captainsingleton>5.HenryFielding亨利·菲尔丁1707~1754(英国小说家,戏剧家,被誉为“英国小说之父”。)Heiscalled“FatherofEnglishnovel”.Hewasthefirsttowritea“Comicepicinprose”(散文体史诗),andthefirsttogivethemodernnovelitsstructureandstyle.①novels:<TheHistoryofTomJones,aFoundling>弃婴汤姆·琼斯<TheHistoryoftheAdventuresofJosephAndrews>约瑟夫·安德鲁<TheLifeofMrJonathanWild,theGreat>大诗人江奈生·威尔德<Amelia>爱米利亚②plays:<TheHistoricalRegisterfor1736>一七三六年历史记事<DonQuixoteinEngland>堂吉柯德在英国6.OliverGoldsmith奥利弗·格尔德斯密斯1730~1774①poems:<TheTraveller>旅游人<TheDesertedVillage>荒村②novel:<TheVicarofWakefield>威克菲尔德牧师传7.RichardBrinsleySheridan理查德·布林斯利·施莱登1751~1816①<TheRivals>情敌②<TheSchoolforScandal>造谣学校8.WilliamBlake威廉·布莱克1757~1827①<SongsofInnocence>天真之歌Ahappyandinnocentworldfromchildren’seye.②<SongsofExperience>经验之歌Awordofmisery,poverty,disease,warandrepressionwithamelancholytonefrommeneyes.Include:<TheChimneySweeper><London><TheTyger>LambisasymbolofpeaceandpurityTygerisasymbolofdreadandoiolence③<TheMarriageofHeavenandHell>天堂与地狱的婚姻9.RobertBurns罗伯特·彭斯1759~1796ThegreatestScottishpoetinthelate18thcentury.PoemsChieflyintheScottishDialect重要用苏格兰方言写的诗①<JohnAnderson,MyJo>约翰·安德生,我的爱人②<ARed,RedRose>一朵红红的玫瑰③<AuldLong?Syne>往昔时光④<AMan’saManforA’That>不管那一套⑤<MyHeart’sintheHighlands>我的心在那高原上⑥<BruceAtBannockburn>⑦<TheTreeOfLiberty>VTheRomanticPeriodTheromanticperiodbeganin1798thepublicationofWordsworthandColeridge’s<LyricalBallads>,andendin1832withSirWalterScott’sdeath.Romanticism:Itemphasizethespecialqualitieofeachindividual’smind.(人应当是独立自由的个体)Init,emotionoverreason,spontaneousemotion,achangefromtheouterworldofsocialcivilizationtotheinnerworldofthehumanspirit,poetryshouldbefreefromallrules,imagination,nature,commonplace.TwomajornovelistsoftheRomanticperiodareJaneAusten(realistic)andWalterScott(romantic).“TheLakePoets”湖畔诗人,wholivedinthelakedistrict.WilliamWordsworth;SamuelTaylorColeridge;RobertSouthey1.WilliamWordsworth威廉·华兹华斯1770~1850(与柯尔律治、骚塞同被称为“湖畔派”诗人。TheLakePoets)①<LyricalBallads>抒情歌谣集(withSamuelTaylorColeridge)②<IWonderedLonelyAsACloud>Theme:1.Natureembodieshumanbeingsintheirdiversecircumstance.Itisnaturethatgivehim“strengthandknowledgefullofpeace”2.Itisblisstorecolledthebeautyofnatureinpoetmindwhileheisinsolitude.Comment:Thepoetisverycheerfulwithrecallingthebeautifulsights.Inthepoemonthebeautyofnature,thereaderispresentedavividpictureoflivelyandlovelydaffodils(水仙)andpoet’sphilosophicalideasandmysticalthoughts.③LinesComposedAFewMilesAboveTinternAbbey④TheSolitaryReaper孤独的割麦女②<ThePrelude>序曲2.SamuelTaylorColeridge塞缪尔·泰勒·科尔律治1772~1834TheLake①<TheRimeoftheAncientMariner>古舟子颂②<Christabel>柯里斯塔贝尔③<KublaKhan>忽必烈汗Artisticfeatures:mysticism,demonismwithstrongimagination,astrangeterritory④<FrostatNight>半夜冰霜⑤<Dejection,anOde>忧郁颂⑥<LyricalBallads>抒情歌谣集(withWilliamWordsworth)3.GeorgeGordonByron乔治·戈登·拜伦1788~1824(拜伦式英雄Byronicheroes孤傲、狂热、浪漫,却充满了反抗精神。内心充满了孤独与苦闷,却又蔑视群小。恰尔德·哈罗德是拜伦诗歌中第一个“拜伦式英雄”。)“Byronichero”isaproud,mysteriousrebelfigureofnobleorigin,againsttyrannicalrulesormoralprinciples.①<DonJuan>唐·璜<ChildeHarold’sPilgrimage>恰尔德·哈罗德尔游记<Cain>该隐②<WhenWeTwoParted>当初我们俩分别<SheWalksInBeauty>4.PersyByssheShelley波西?比希?雪莱1792~1822①PoeticDrama:<PrometheusUnbound>解放了的普罗米修斯Theme:thedramacelebraiesman’svictoryovertyrannyandoppression②<QueenMab>麦布女王<RevoltofIslam>伊斯兰的反叛<TheCenci>钦契一家<ADefenceofPoetry>诗辩<TheNecessityofAtheism>无神论的必要性③Lyrics:<OdetotheWestWind>西风颂Theme:Theauthorexpresshiseagernesstoenjoytheboundlessfreedomfromthereality.Comparethewestwindtodestroyeroftheoldwhodrivesthelastsignsoflifefromthetrees,andpreserverofthenewwhoscattertheseadsshichsillcometolifeinthespring.Thisisapoemaboutrenewal,aboutthewindblowinglifebackintodeadthings,implyingnotjustanarcoflife(whichwouldendatdeath)butacycle,whichonlystartsagainwhensomethingdies.Comment:PercyByssheShelley's"OdetotheWestWind"iswritteniniambicpentameter.Itcontainsfivesonnetlengthstanzas,eachwithaclosingcouplet.Therhymingschemeformisababcbcdcdedee.Thetoneispoignant.Manywillagreethatthispoemisaninvocationforanunseenforcetotakecontrolandrevivelife.Artisticfeatures:Usingrerzarima(三行诗ababcbcdcdedefe…)<ToaSkylark>致云雀5.John?Keats约翰?济慈1795~1821(“美即是真,真即是美”是他的著名诗句。)①Fourgreatodes:<OdeonaGrecianUrn>希腊古瓮颂<OdetoaNightingale>夜莺颂<OdetoPsyche>心灵颂<OdeOnMelancholy>忧郁颂②<ToAutumn>秋颂?Theme:ThethemeofJohnKeats'poem,"ToAutumn",isthatchangeisbothnaturalandbeautiful.Thepoempraisesthegloriesofthefallseasonbyusingalmosteverytypeofimagerytobothcharmandappealtothereader.Comment:Thespeakerinthepoemacknowledgesthattimepassesby,butalsoassertsthatthischangeusuallyyieldssomethingnewandbetterthanwhatcamebefore.Eachofthepoem'sthreestanzasrepresentstheevolvingoftwodifferenttypesofchange.Onetypeofchangeshowninthepoemisthechangeofperiodsinaday.6.JaneAusten简·奥斯丁1775~1817Shecomparedherworkstoafineengravinguponaliterarypieceofivoryonlyinchessquire.①<SenseandSensibility>理智与感情<PrideandPrejudic>傲慢与偏见(chapterI)【ElizabethBennet&Darcy】intheendfalseprideishumbledandprejudicedissolved【Collins&CharlotteLucas】seetherealityofmarriageasanecessarystepifawomanistoavoidthewretchednessofagingspinsterhood【Lydia&Wickham】shownthedangersoffecklessrelationshipsunsupportedbymoney.【Mr.&Mrs.Bennet,Mr.Collins,LadyCatherinedeBurgh】comiccharacters<MansfieldPark>曼斯菲尔德庄园<Emma>爱玛<NorthangerAbbey>诺桑觉寺<Persuasion>劝导7.Walter?Scott沃尔特?斯科特1771~1832(历史小说之父”)Fatherofhistorynovels①<RobRoy>罗伯?罗伊②<Ivanhoe>艾凡赫VITheVictorianPeriodCommonsenseandmoralpropreity,againbecamethepredominantpreoccupation.Criticalrealistswereallconcernedaboutthefateofthecommonpeopleandeverydayevents.1.CharlesDickens查尔斯?狄更斯1812~1870(批判现实主义小说家)criticalrealistwriter①<ThePosthumousPapersofthePickwickClub>匹克威克外传②<OliverTwist>奥利弗?特维斯特(雾都孤儿)③<TheOldCuriosityShop>老古玩店④<AChristmasCarol>圣诞颂歌⑤<DombeyandSon>董贝父子⑥<DavidCopperfield>大卫?科波菲尔⑦<BleakHouse>荒凉山庄<HardTimes>艰难时世⑧<ATaleofTwoCities>双城记(London&Paris)⑨<GreatExpectations>远大前程⑩<OurMutualFriend>我们共同的朋友2.WilliamMakepeaceThackeray威廉?麦克匹斯?萨克雷1811~1863①<VanityFair>oraNovelwithoutaHero名利场(thenameisanexcerptfrom<ThePilgrim’sProgress>byJohnBunyan)②<TheBookOfSnobs>3.CharlotteBronte夏洛蒂?勃朗特1816~1855①<JaneEyre>简?爱JaneEyre,aplainlittleorphan,wassenttoLowood,acharityschool.Thereshesufferalotand8yearslatersheleftschoolandbecameabovernessatThornfieldHall.Thereshefallsinlovewiththemaster,Mr.Rochester.Itisnotedforitssharpcriticismoftheexistingsociety,e.g.charityinstitutionsuchasLowoodItisasucceroductiontothefirstgovernessheoineintheEnglishnovel,whomrepresentsthosemiddle-classworkingwomenstrugglingforrecognitionoftheirbasicrightsandequalityasahumanbeing.②<Shirley>雪莉③<Professor>教师4.EmilyBronte艾米莉?勃朗特1818~1854①<Wuthering?Heights>咆哮山庄Astoryabouttwofamilieandanintrudingstranger.【TheEarnshawFamily】Mr.Earnshaw,hiswife,thesonHindley,thedaughterCatherine,Heathcliff【TheLintonFamily】Mr.Linton,hiswife,sonEdgar,daughterIsabella②<OldStoic>5.GeorgeEliot乔治?艾略特1819~1880①<TheMillontheFloss>弗洛斯河上的磨坊②<Adam?Bede>亚当?比德③<Silas?Marner>织工马南④<Middlemarch>米德尔马契6.AlfredTennyson阿尔弗莱德?丁尼生1809~1892(维多利亚时代最具代表性的伟大诗人)PoetLaureate(桂冠诗人)①<InMemoriam>哀悼Tomemorializehisfriend②<Break,?Break,Break>冲击、冲击、冲击③<IdyllsoftheKing>国王叙事诗7.Robert?Browning罗伯特?白朗宁1812~1889①<MyLastDutchess>我已故的公爵夫人②<HomeThoughtsFromAbroad>海外乡思ElizabethBarrettBrowing:①<SonnetfromthePortuguese>葡萄牙十四行诗8.RobertLouisStevenson①<TreasureIsland>金银岛9.Thomas?Hardy托马斯?哈代1840~1928(小说多以农村生活为背景;自然主义小说家。Wessexnovels;novelsofcharacterandenvironment)⑴Novels①<TessOfTheD’Urbervilles>德伯家的苔丝Theme:experienceisastointensity,andnotastoduration②<JudeTheObscure>无名的裘德③<UnderTheGreenwoodTree>绿荫下④<FarFrom?TheMaddingCrowd>远离尘嚣⑤<TheMayorOfCasterbridge>卡斯特桥市长⑥<TheReturnoftheNative>还乡⑵PoemsWessexPoemsAndOtherVersesPoemsOfThePastAndPresentTheDynasts列国VII1900~1950The20thCenturyPlaywrights①OscarWilde②GeorgeBernardShaw1.OscarWilde奥斯卡?王尔德1856~1900(TheAestheticMovement:ArtforArt’sSake)①4Comedies:<TheImportanceOfBeingEarnest>认真的重要<LadyWindermere’sFan>温德米尔夫人的扇子<AWomanOfNoImportance>一个无足轻重的女人<AnIdealHusband>抱负的丈夫②Novel:<ThePictureOfDorianGray>多利安?格雷的画像③FairyStories:<TheHappyPrinceAndOtherTales>快乐王子故事集2.GeorgeBernardShaw乔治?伯纳?萧1856~1950(英国杰出的批判现实主义剧作家)criticalrealisticdramatist⑴Plays①PlaysUnpleasant<MrsWarren’SProfession>华伦夫人的职业<Widowers’Houses>鳏夫的房产②PlaysPleasant<ArmsAndMan>武器与人<TheManOfDestiny>左右命运的人③Plays<ManAndSuperman>人与超人<Pygmalion>匹格玛利翁<TheAppleCart>苹果车<Saint?Joan>圣女贞德Novelists(Realists)1.JosephConcrad①<LordJim>吉姆爷②<HeartOfDarkness>黑暗的心1.Whythebook’stitleisHeartofDarkness?ThestoryhappenedinCongo,theheartofAfrica,andthecolorofpeople’sskininthereisblack.Mostimportantpointaboutthetitleistotheevilinhumans’heart.2.Whatisthesymbolismofblackandwhite【Black/dark-】death,evil,ignorance,mystery,savagery,uncivilizedMiddleAges,whenscienceandknowledgewassuppressed,astheDarkAges.AccordingtoChristianity,inthebeginningoftimeallwasdarkandGodcreatedlight.AccordingtoHeartofDarkness,beforetheRomanscame,Englandwasdark.Inthesameway,Africawasconsideredtobeinthe“darkstage”.【White/light】life,goodness,enlightenment,civilized,religion.Yet,inConcrad,theusualpatternisreverseanddarknessmeanstruth(Thetruthwithin,thereforedarkandobscure.),whitenessmeansfalsehood.ThiscontrasttellsapoliticaltruthaboutcolonialismintheCongo.ThecontrastalsosuggestsapsychologicaltruthaboutMarlowandtheEuropeansmind.Whitealsosuggestsanynumberofunpleasantmoraltruths.Thetradeinivoryiswhiteanddirty.Kurtzthewhitemanistotallycorrupt3.CommentThebookimpliesthatcivilizationsarecreatedbythelawsandcodesthatencouragementoachievehigherstandards.Thelawactsasabuffertopreventmenfromrevertingbacktotheirdarkertendencies.Civilization,however,mustbelearned.Londonitself,inthebookasymbolofenlightenment,wasonce"oneofthedarkerplacesoftheearth"beforetheRomansforcedcivilizationupontheBritons.Butcivilizedsocietydoesnotgetridofprimevalsavagetendencieswhichlurkinthebackground.ThissavageryisseeninKurtz.MarlowmeetsKurtzandhefindsamanthathastotallythrownofftherestraintofcivilizationandhasde-evolvedintoaprimitivestate.4.Character【Kurtz】representswhateverymanwillbecomeiflefttohisownintrinsicdesireswithoutaprotective,civilizedenvironment.【Marlow】representsthecivilizedsoulthathasnotbeendrawnbackintosavagerybyadark,alienatingjungle.5.NarrativeStructureInHeartofDarkness,wehaveanoutsidenarratortellingusastoryhehasheardfromMarlow.ThestoryMarlowtellscentersaroundKurtz.However,mostofwhatMarlowknowsaboutKurtz,hehaslearnedfromothers.TheyhavegoodreasonfornotbeingtruthfultoMarlow.ThereforeMarlowhastopiecetogethermuchofKurtz’sstory.2.WilliamSomersetMaugham<OfHumanBondage>人性的枷锁3.EdwardMorganFoster(E.M.Foster)<APassageToIndia>印度之行<HawardsEnd>霍华兹别墅Modernists⑴3Novelists①JamesJoyce②DavidHerbertLawrence③VirgirniaWoolf1.DavidHerbertLawrence戴维?赫伯特?劳伦斯1885~1930①<SonsAndLovers>儿子与情人(autobiographical)【Mrs.Morel】,daughterofamiddle-classfamily,is"awomanofcharacterandrefinem
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