大学英语综合教程1课文翻译-大学英语fame课文翻译大学

大学英语综合教程1课文翻译|大学英语fame课文翻译大学学习大学英语，经常会遇到课文翻译的题目，你知道大学英语fame课文怎么翻译吗？以下是小编整理的大学英语fame课文翻译，欢迎阅读。【大学英语fame课文】Fameisverymuchlikeananimalchasingitsowntailwho,whenhecapturesit,doesnotknowwhatelsetodobuttocontinuechasingit.Fameandtheexhilaratingcelebritythataccompaniesit,forcethefamouspersontoparticipateinhisorherowndestruction.Ironicisn9;tit?Thosewhogainfamemostoftengainitasaresultofpossessingasingletalentorskill:singing,dancing,painting,orwriting,etc.Thesuccessfulperformerdevelopsastylethatismarketedaggressivelyandgainssomepopularity,anditisthispopularitythatusuallyconvincestheperformertocontinueperforminginthesamestyle,sincethatiswhatthepublicseemstowantandtoenjow.Butintime,theperformerbecomesboredsingingthesamesongsinthesamewayyearafteryear,orthepainterbecomesboredpaintingsimilarscenesorportraite,ortheactoristiredofplayingthesamecharacterrepeatedly.Thedemandofthepublicholdstheartisthostagetohisorherownsuccess,fame.Iftheartistattemptstochangehisorherstyleofwritingordancingorsinging,etc.,theaudiencemayturnawayandlooktoconferfleetingficklefameonanotherandthen,intime,onanother,andsoonandsoon.WhocannotrecognizeaTennesseeWilliamsplayoranovelbyJohnUpdikeorErnestHemingwayorapoembyRobertFrostorW.H.AudenorT.S.Eliot?ThesameistrueofpainterslikeMonet,Renoir,DaliorPicassoanditistrueofmoviemakerslikeHitchcock,Fellini,Spielberg,ChenKai-georZhangYimou.Theirdistinctivestylesmarkedasignificantchangeinthetraditionalformsandgrantedthemfameandforturn,buttheywerenotfreetodevelopotherstylesorformsbecausetheiraudiencedemandedofeachofthemwhattheyoriginallypresented.HemingwaycannotevennowbeconfusedwithHenryJamesoranyoneelse,norcanForstbeconfusedwithYeats,etc.Theuniqueformseachofthemcreated,createdthem.Noartistorperformercanentirelyescapethelureoffameanditspromiseofendlessadmirationandrespect,butthereisaheavypriceonemustpayforit.Famebringscelebrityandhighregardfromadoringandloyalfansineachfieldofendeavoranditisheadystuff.Aperformercaneasilycometobelievethatheorsheisasgoodashisorherpress.Butmostpeople,mostartistsdonotgainfameandfortune.Whataboutthoseperformerswhofail,oranyonewhofails?Curiouslyenough,failureoftenservesasitsownrewardformanypeople!Itbringssympathyfromotherswhoaredelightednottobeyou,anditallowsfamilyandfriendstolowertheirexpectationofyousothatyouneednotcompetewiththosewhohavemoretalentandwhosecceed.Andtheyfindexcusesandexplanationsforyourinabilitytosucceedandbecomefamous:youaretoosensitive,youarenotinterestedinmoney,youarenotinterestedinthepowerthatfamebringsandyouarenotinterestedinthelossofprivacyitdemands,etc.---allexcuses,butcomfortingtothosewhofailandthosewhopretendnottonoticethefailure.Historyhasamplyproventhatsomefailureforsomepeopleatcertaintimesintheirlivesdoesindeedmotivatethemtostriveevenhardertosucceedandtocontinuebelievinginthemselves.ThomasWolfe,theAmericannovelist,hadhisfirstnovelLookHomeward,Angerrejected39timesbeforeitwasfinallypublishedandlaunchedhiscareerandcreatedhisfame.Beethovenovercamehistyrannicalfatherandgrudgingacceptanceasamusiciantobecomethegreatest,mostfamousmusicianintheworld,andPestalozzi,thefamousItalianeducatorinthe19thcentury,failedateveryjobheeverhaduntilhecameupontheideaofteachingchildrenanddevelopingthefundamentaltheoriestoproduceanewformofeducation.ThomasEdisonwasthrownoutofschoolinfourthgrade,ataboutage10,becauseheseemedtotheteachertobequitedullandunruly.Manyothercasesmaybefoundofpeoplewhofailedandusedthefailuretomotivatethemtoachieve,tosucceed,andtobecomefamous.But,unfortunately,formostpeoplefailureistheendoftheirstruggle,notthebeginning.Therearefew,ifany,famousfailures.Wellthen,whydoesanyonewantfame?Doyou?Doyouwanttobeknowntomanypeopleandadmiredbythem?Doyouwantthemoneythatusuallycomeswithfame?Doyouwantthemediatonoticeeverythingyoudoorsaybothinpublicandinprivate?Doyouwantthemhoundingyou,questioningyouandtryingtoundoyou?InAmericanpoliticsitisveryobviousthattobefamousistobethetargetofeveryonewhodisagreeswithyouaswellasofthemedia.Fameturnsallthelightsonandwhileitgivespowerandprestige,ittakestheyououtofyou:youmustbewhatthepublicthinksyouare,notwhatyoureallyareorcouldbe.Thepolitician,liketheperformer,mustpleasehisorheraudiencesandthatoftenmeanssayingthingshedoesnotmeanordoesnotbelieveinfully.Nowondersofewpeopletrustpoliticians.Butwehavenotansweredthequestionatthebeginningofthisparagraph:whydoesanyonewantfame?Severalreasonscometomind:todemonstrateexcellenceinsomefield;togaintheadmirationandloveofmanyothers;tobetheoneeveryonetalksabout;toshowfamilyandfriendsyouaremorethantheythoughtyouwere.Probablyyoucanlistsomeotherreasons,butIthinkarereasonablycommon.Isaytothosewhodesperatelyseekfameandfortune，celebrity：goodluck.Butwhatwillyoudowhenyouhavecaughtyourtail，yoursuccess，andyourfame？Keepchasingit？Ifyoudocatchit，hangonfordearlifebecausefallingisnotaspainfulaslanding.Seeyousoonfamousandalmostfamous.【翻译】名声就像一只追逐自己尾巴的动物，当它抓住它的时候，它不知道还能做什么，只能继续追逐它。名声和随之而来的令人兴奋的名声，迫使名人参与到他或她自己的毁灭中。讽刺的不是吗？获得名望通常获得它的人由于拥有一个天赋或技能：唱歌，跳舞，绘画，或写作，等等。成功的表演者积极开发销售的风格并获得一些声望，和这个流行通常让表演者继续在同一风格的表现，因为这就是公众似乎想要和enjow。但随着时间的推移，表演者厌倦了同样的歌曲，年复一年地唱着同样的歌，或者画家厌倦了画类似的场景或肖像，或者演员厌倦了反复扮演同一个角色。公众对艺术家的要求使他或她自己的成功成为人质。如果艺术家试图改变他或她的写作风格、舞蹈或歌唱等，观众可能会转向别处，寻求稍纵即逝的浮躁的名声，然后，在时间上，在另一个，如此等等。谁不认识田纳西·威廉姆斯的戏剧或者约翰·厄普代克（JohnUpdike）或欧内斯特·海明威（ErnestHemingway）的小说，还是罗伯特·弗罗斯特（RobertFrost）或w·h·奥登（w。h。Auden）或艾略特（t。s。Eliot）的一首诗？像莫奈、雷诺阿、达利或毕加索这样的画家也是如此，像希区柯克、费里尼、斯皮尔伯格、陈凯歌或张艺谋这样的电影制作人也是如此。他们独特的风格标志着传统形式的显著改变，并赋予他们名声和力量，但他们因为他们的观众要求他们每个人最初呈现的东西，所以他们没有自由发展其他的风格或形式。海明威甚至不能与亨利·詹姆斯或其他任何人混淆，也不能与叶芝混淆。这些独特的形式创造了他们，创造了他们。没有一个艺术家或表演者能完全逃脱名声的诱惑，也没有得到无限钦佩和尊重的承诺，但必须付出沉重的代价。在每一个领域都有名人和忠诚的粉丝，这是令人兴奋的事情。一个表演者很容易就会相信自己和他的媒体一样优秀。但大多数人，大多数艺术家并不会名利双收。那些失败的表演者，或者失败的人怎么办？奇怪的是，失败往往是对许多人的奖赏。它能带给那