巴赫简介英语新

千里之行，始于足下让知识带有温度。第第2页/共2页精品文档推荐巴赫简介英语约翰·塞巴斯蒂安·巴赫，音乐史上最重要的作曲家之一，并被尊称为“西方近代音乐之父”，下面是我为你整理的巴赫简介英语，盼望对你有用!

约翰·塞巴斯蒂安·巴赫简介JohnSebastianBach(German:JohannSebastianBach,1685.3.21-1750.7.28),theBaroqueGermancomposer,theoutstandingorgan,theviolin,theharpsichord.Bachiswidelyregardedasoneofthemostimportantcomposersinthehistoryofmusicandisknownas"thefatherofmodernmusicintheWest"andoneofthemostimportantfiguresinWesternculturalhistory.

BachwasborninthemiddleofthecityofcentralThuringia,amusicfamilyinthecityofEisenach,inthelifetimeisafamouspalacemusiclong,inthechurchofLeipziginLeipzig,Germanyspentthelast27years.

BachcombinesthemusicalstylesofdifferentethnicgroupsinWesternEurope.HesettheessenceoftraditionalmusicinItaly,FranceandGermany,andmadethebestofit.

Bachhimselfwasnotwellknowninhislifeandhadbeenforgottenbytheworldinhisfiftyyearsafterhisdeath.Butinthelasthalfandahalfyearsofhisfameisgrowing,generallybelievedthatheisthehistoryofWesternmusic,oneofthegreatesttwoorthreecomposers,andsomepeoplethinkthatheisoneofthegreatestcomposer.

约翰·塞巴斯蒂安·巴赫创作风格Themestyle

Bach'sworksaredeep,tragic,broad,inner,fullofthefirsthalfofthe18thcenturyGermanreallifeatmosphere.HebelievesinreligionandisaLutheran.Hewantedhismusictoservethechurch,andmostofhisworkswerereligiousmusic.Hismusicembodiestheideaoflivinginthe18thcenturyGermanordinarycitizens.Hewasdeeplyafflictedbythepainoflife,richandprofoundlifeexperience,althoughhenegative,yield,butalsodidnotseethewaytochangelife.Hefeltthatamanmusthaveastrongwill,anoblebelief,thespiritofself-sacrifice.ThisisthemaincontentthatBachreflectsinhisart.Hisworksfromdifferentangles,withadifferentimagereflectstheeighteenthcenturyGermanpeoplebetweenthehumanistideology.

Heisthelastgreatreligiousartist,hebelievesthatmusicis"praisetheharmonyofGod'svoice",praiseGodisthecentralcontentofhumanlife.HismusicwasoriginallyproducedbytheLutheranchantcalledthehymn.Throughthemelodyyoucanseethecomposercombinedwiththeprevailingpopularvoice.Intheformofmusichedidnotintendtoinnovate,buttopushtheexistingformofthepeak.

Bach'sworkscontaincertainphilosophicalandethicalmeanings,buthismanifestationsarenotabstract,dogmatic.Onthecontrary,inhisworks,thephilosophyofphilosophyisandlyrical,closetothescene,eventhoughhedidnotliketheuseofalotofmodelingtechniques,butinordertocontrastacertaininnerfeelings,BachdoesnotavoidtheuseofnaturalsceneryDepict(egwind,river).Bach'smusiccontentoftheship'spolaritydetermineshismusicalstyleoftheversionoftheactiveandcomprehensive.ThereisnodifferencebetweenBach'svocalstyleandinstrumentalstyle,andhecreatesanewstyleofvocalmusic.

Vocalworks

Hewroteanumberofdramaticelementsofthelarge-scalevocalworks,including"Matthew","bminor"isthemostinfluentialworks.Intheseworks,BachasadevoutProtestant,throughreligiousformsofmusic(suffering,mass,scriptures,Cantata,etc.),toexpressthehumandisaster,thepainofcompassion,sympathyandpeaceandhappinessinthefutureThedesire.Bach'svocalworksarethemostcolorfulinCantata.Bata'sKantatainheritedthetraditionofthesecular"KangLuTata",whichwasclosetotheopera,andinheritedthetraditionofthereligiousCantatower,whichwasclosetothepolyphonicchorus,tocreateanewtypeofacoustictower.ItisbothincontentandstylethantheoldCantatatobeprofound,richandmore.

BarthettaTartaalsohassecularandreligiousdistinctions.MostofhissecularCantataiswrittenfortheneedsofofficialentertainment,thelyricsaremostlybysomeancientGreekmythologytothenobilityofthearrogantwordsoftheboringwords.ButBachisoftenbeyondthescopeofthelyrics,ortoseizetheindividualisnotthemainwords,bytheplay,writtenintoalivelyandinterestingmusicworks,suchas"farmersKangTata".ThefirstKangtatatowerbytwofarmerswithSaxonlocaldialectsingeachother,withaverystrongfolkconversationfunny.Bach'sreligionCantataishislong-standingoftengenre,alargenumber,almostallofhismusicworkshalfeffect.Thecontentsofthesesongsareprofoundandrich,theperformancemethodisalsoverydiverse,andevolving.InitiallyBachbeganwithchorus-styleCantata,andlaterheexpandedtherangeofCantata,andwrotesomeoftheindoorsoloCantaRoadalsowroteavarietyofdifferentformsofCantata,purelychorusofCantatabutinsteadWritelessBachinhisreligionusedintheformofCantataalsomanypeoplehisnarrative,aria,duet,chorushashisownoriginalcharacteristics.Cantataistheinstrumentalandvocalsynthesisofthebodyofthebodypartisnotaccompanimentinstrumentalpartofthesmallensemble,bigensembleorotherdifferentinstrumentorganization.

AndKantata,Bach'safflictedmusicisalsoacombinationofinstrumentalmusic;Bachaccordingtotheperformanceofdifferentstagesofthepsychologicalstateofthefreeuseofvocalandinstrumentaldiscretioninavarietyofdifferentforms.Bachusedtheformofmassdevelopmentofmusicingeneralthinking,creatingarichmusicalimage,expressDingdeepthoughttofeelthefeelings.AtthispointheandHandelaresimilar,theyarefarfromthelimitationsoftheoperaart,buttheyreturnedtoreligiousmusic.Althoughthisistheinevitableresultofthespecifichistoricalconditions,thiscontradictioninBach'smassisparticularlyserious.

Instrumentalworks

Bach'sinstrumentalmusicisthemostimportantoftheharpsichordmusic.Hisharpsichordworksaremuchmoreabundantincontent,genreandstylethantheworksofhispredecessorsandhiscontemporaries.Bachintheprocessofcreatingtheharpsichordmusic,learnfromallaspectsofexperiencetoenrichtheharpsichordmusiccontent,genreandstyle;forexample,helearnedfromtheorganmusicofitsimprovisationandtragicspirit,heputThepolyphonicformderivedfromtheorganismisdevelopedonthebasisofthecharacteristicsoftheharpsichord.HelearnedtheexperienceoftheFrenchharpsichord,wrotethecompositionofthedancingsong;studiedthestyleoftheItalianviolinmusicandthemulti-Scalaati'sharpsichordmusicstyle,whichinfluencedhisvariationsinthe"cminor"FantasyEQ"inthemostsignificant.

Bach'sdancefromthedailylifeandhistoricaltradition,hismusichasneverbeenoutoftheGermanmusictradition."Theaveragelawpianocollection"isBachinthe"puremusic"fieldleftoneoftheimportantlegacy.AsaworkwithaGermanspirit,"theaveragelawpianocollection"reflectsthekindofrigorousGerman-stylethinking.Inaddition,Bach's"FrenchSuite","BritishSuite"andsix"BrandenburgConcerto"andotherbandworks,alsoexpressedthecomposerofpeaceandgoodlifeprayeranddesire.TheseworkssparkedastrongsympathyintheheartsoftheGermanpeople.

约翰·塞巴斯蒂安·巴赫后世影响BachisthegreatestcomposerofthecollectionofNederland,ItalianandFrenchmusicsincethe16thcenturyandisreveredasthe"fatherofmusic"inmoderntimes.Hisworksarebothhighlylogical,structured,andhaveinherentphilosophical,profoundandmeaningful.Becauseofhishumanisticnoblebeliefandtheindomitablepursuitofabetterlife,hismusicisoftenvibrantandhumane.FengLanbelievesthatBachistheworld'shighestlevelofcomposer,thegreatestcomposer.

Firstofall,Bachmusicfromthevocalmusicasthemainbody,developedintoinstrumentalasthemainbody,andinstrumentalplayingskillsdevelopedtoanunprecedentedpeak.InBachbefore,musictovocalmusicasthemainbody,rarewithmusicalinstrumentsasaccompaniment,instrumentalmusichasnoindependentstatus.Bachfullplaytheancientpianoplayingskills,inventedthefingersandusethekeyboardfingering.BeforeBach,theorganandthepianokeyboarddidnotusethethumb,onlyfourfingersfingering.

Bachinventedthethumbtransportfingering,laidthepianofingeringtodayThisnewtypeoffingeringaftertheinvention,sothattheskillsofthekeyboardinstrumentisverydeveloped.Pure"music"istheartof"sound",hasnothingtodowiththepoemofpoetry,ofcourse,cannotusevocalmusic"singing",andmustusetheinstrumentalmusic"play".Therefore,thedevelopmentofinstrumentalmusic,meansthattheformationanddevelopmentofpuremusic.Bachdevelopedinstrumentalmusic,sothatinstrumentalmusicdevelopedintoanew,independentartform,sothatmusicoutofotherartconstraints,andtheliberationoffreeandindependentart,BachintheWestasthe"fatherofmusic."

Second,Bachappliedthetwelveaverageratescaleonthecomposition."Twelveaverageratescale"isthesoundoftheintervalfortwelveequalparts,setitintoasemitone,twodividedintothewholetone.ThismusicisadvocatedbytheFrenchmusictheoristRamo.Butitisonlyatheorythathasnotbeenimplemented.Bachisthefirstpersontoapplythismusictocomposeandreceivesatisfactoryresults.Theuseoftheaveragerate,sothatthetransfer(fixedatoneofthecomposition,inthewayintoanothertune)isveryfree,polyphonicmusicfugue,whichisverydeveloped.Fugueusuallyincludesthepresentationpart,theexpansiondepartment,thereproductionpartofthethreeparts.Thebasicfeatureistheuseofimitationofthebitmethod,sothatashortandcharacteristicthemeinthemusicofthevariouspartsoftherotationonce;andthenenterthethemeofthemotiveofthedevelopmentoftheinsert,thenthethemeandinsertandineachDifferentnewtuneontherepeatedappear;tothefinalthemeonceagainbacktotheoriginaltune,andoftenendwiththeend.Thedevelopmentofthefuguehasagreatinfluenceonthesubsequentdevelopmentofthesonata.Theaveragerateofuse,butalsoleadtomusicianscanbeveryfreetousethechromaticharmonies,sothattheeffectofharmonyismorenovelandrich.Bachhimselfhadappliedtheharmonyofthesemitonescale,madea"phonogram".

WhenB