现代大学英语精读5第三课中文对照

1、1 / 10商品流通、人员流动、观念转变、文化变迁埃拉兹温格尔1. Today we are in the throes of a worldwide reformation of cultures, a tectonic shift of habitsand dreams called, in the curious vocabulary of social scientists, glob alization.Its an inexactterm for a wild assortment of changes in politics, business, h ealth, enterta

2、inment. Modernindustry has established the world market. All old-establi shed national industries are dislodged bynew industries whose products are consumed, not only at home, but in every quarter of the globe.In place of the old wants we f ind new wants, requiring for their satisfaction the product

3、s of distantlands and climes. Karl Marx and Friedrich Engels wrote this 150 years ago in The CommunistManif esto. Their statement now describes an ordinary fact of life. 今天我们正经历着一种世界范围文化巨变的阵痛， 一种习俗与追求的结构性变化 ,用社会 学家奇特的词汇来称呼这种变化，就叫“全球化 ”。对于政治、商贸、保健及娱乐领域的 巨大变化，这个词并不贴切。 “现代工业已建立了世界市场。已建立的所有旧的国民工 业被其产品不仅

4、在国内而且在世界各地范围内销售的新兴工业所取代。 人们用新的需求 取代原有的需求，用外地的产品满足自己的需求。”卡尔马克思和弗雷德里希 恩格斯早 在 150 年前就在共产党宣言中写下了这些。他们那时的陈述描绘了现在生活中的普 遍事实。2. How people feel about this depends a great deal on where they live and ho w muchmoney they have. Yet globalization, as one report stated, is a reality, not a choice. Humans havebee

5、n weaving commercial and cultural connections since before the first camel caravan venturedafield. In the 19th century the postal service, newsp apers, transcontinental railroads, and greatsteam-powered ships wrought fundamental c hanges. Telegraph, telephone, radio, and televisiontied tighter and m

6、ore intricate knots between individuals and the wider world. Now computers, theInternet, cellular phone s, cable TV, and cheaper jet transportation have accelerated andcomplicated these con nections.对此人们有何感受很大程度上取决于他们的生活所在地和所拥有的金钱数。然而， 正如某篇报道所述，全球化 “是一种事实，而不是一种选择 ”。早在第一批骆驼商队冒险 出外经商前至今， 人们一直在编织着商贸和文化

7、相互间的交往。 在 19 世纪，邮政服务、 报纸、横跨大陆的铁路及巨大的蒸汽轮船带来了根本变化。电报、电话、收音机和电视 把个人和外部世界更紧密地连在一起，这种联系更为复杂、不那么直接也不易察觉。 现在，计算机、互联网、移动电话、有线电视和相对便宜的喷气式飞机空运加速了这种 联系并使这种联系更加复杂。3.Still, the basic dynamic remains the same: Goods move. People move. Ideas m ove. Andcultures change. The difference now is the speed and scope of t

8、hese change s. It took television13 years to acquire 50 million users; the Internet took only five.然而，产生这种变化的动力是一致的： 商品流通、人员流动、 观念转变、 文化变迁。 不同的是这些变化的速度和范围。 电视机拥有 5,000 万用户用了 13 年时间， 互联网只用 了 5 年时间。4. Not everyone is happy about this. Some Western social scientists and anthropo logists,and not a few f

9、oreign politicians, believe that a sort of cultural cloning will r esult from what theyregard as the cultural assault of McDonalds, Coca-Cola, Disne y, Nike, MTV, and the Englishlanguage itself more than a fifth of all the people inthe world now speak English to some degree. Whatever their backgroun

10、ds or agenda s, thesecritics are convinced that Westernoften equated with American influences will flatten everycultural crease, producing, as one observer terms it, one big McWo rld.2 / 10对这种变化并不是人人满意。 一些西方社会学家、 人类学家和为数不少的外国政治 家认为文化 克隆是他们所认为的麦当劳、 可口可乐、 迪斯尼、 耐克和 MTV“ 文化轰炸 ” 的结果，也是英语语言本身的结果，因为现在全球多于五

11、分之一人口都或多或少地讲英 语。不管他们的背景和纲领如何，这些对全球化持反对态度的人深信西方的影响往往等同于美国的影响 .会把文化上的差异 一压平。 就像一位观察家所说的， 最终产生一 个麦当劳世界，一个充斥美国货和体现美国价值观的世界。5.Popular factions sprout to exploit nationalist anxieties. In China, where xenopho bia andeconomic ambition have often struggled for the upper hand, a recent book cal led China can

12、 sayno became the best-seller by attacking what it considers the Chines e willingness to believe blindlyin foreign things, advising Chinese travelers to not fly on a Boeing 777 and suggesting thatHollywood be burned,反映公众情绪 （或得到公众支持 ）的派别不断滋生以便利用持此观点的国民的焦虑 和不安。在闭关锁国和发展经济两种政策并存并争取其主控地位的中国， 中国可以说 不这本新书成

13、为畅销书，这本书对中国人的盲目崇洋媚外心理进行了，批驳，建议中 国游客不要乘坐波音 777 飞机，还建议烧掉进口的好莱坞大片。6.There are many Westerners among the denouncers of Western cultural influence s, butJames Watson, a Harvard anthropologist, isnt one of them. The lives of Chine se villagers I knoware infinitely better nowthan they were 30 years ago, he

14、 says. China has become more openpartly because of the demands of ordinary people. They want to become part of the world Iwould say globalism is the major force for de mocracy in China. People want refrigerators, stereos,CD players. I feel its a moral o bligation not to say: ?Those people out there

15、should continue to livein a museum w hile we will have showers that work.对西方文化影响持斥责态度的人中有许多西方人而哈佛人类学家詹姆斯沃森并不是其中一员。他说： “我知道现在中国农村人的生活比 30 年前的好多了。中国越来越 开放，部分原因是出于中国老百姓的要求。他们想成为世界的一部分-我要说全球观念在中国是民主的重要动力。人们需要冰箱、音响和 CD 机。 ?远在中国的那些人应该继 续过着落后的生活，而我们却可以使用淋浴器，过着舒适的现代生活?。我认为不说这种话是一种道义。 ”7.Westernization, I di

16、scovered over months of study and travel, is a phenomenon shotthrough with inconsistencies and populated by very strange bedfellows. Critics o f Western cultureblast Coke and Hollywood but not organ transplants and computers. Boosters of Western culturecan point to increased efforts to preserve and

17、protect the environment. Yet they make no mentionof some less salubrious aspects of Western culture, such as cigarettes and automobiles, which,even as they are being eagerlyadop ted in the developing world, are having disastrous effects.Apparently westernization is not a straight road to hell, or to

18、 paradise either.经过几个多月的研究和旅行， 我发现西方化是一种内部充满矛盾的现象， 在特别怪 异之人中占有一席之地。 西方文化批评家斥责可乐和好莱坞，却不斥责器官移植和计算 机。西方文化支持者指出继续努力保护环境， 但他们不提西方文化中不那么健康的一面， 譬如香烟和汽车，就在发展中国家急切地接纳这些东西时，它们已带来很坏的后果。显 然，西方化既不会直达地狱，也不会直通天堂。8.But I also discovered that cultures are as resourceful, resilient, and unpredictabl e asthe people wh

19、o compose them. In Los Angeles, the ostensible fountainhead of w orld culturaldegradation, I saw more diversity than I could ever have supposed at H ollywood High School3 / 10the student body represents 32 different languages. In Shanghai I found that the television showSesame Street has been redesi

20、gned by Chinese educ ators to teach Chinese values andtraditions. We borrowed an American box, one tol d me, and put Chinese content into it. InIndia, where there are more than 400 lan guages and several very strict religions, McDonaldsserves mutton instead of beef and offers a vegetarian menu accep

21、table to even the most orthodoxHindu.不过我也发现文化就如同构成文化的民族一样， 善于随机应变， 富有弹性而且不可 预测。在洛杉矶， 世界文化堕落明显的源头， 我看到的差异要比我想像的多 在好莱 坞高中学生说 32种完全不同的语言。在上海，我发现 “芝麻街 ”这一电视节目已被中国 教育家重新改组，用以传授中国人的价值观和传统习惯。一位教育家对我说： “我们借 用美国盒子，装进去的是中国内容。 ”在有 400 多种语言和几种纪律严明的宗教的印度， 麦当劳供应的是羊肉汉堡而不是牛肉汉堡，还为那些最正统的印度人提供素食菜谱。9.The critical mass

22、of teenagers 800 million in the world, the most there have everbeen with time and money to spend is one of the powerful engines of merging global cultures.Kids travel, they hang out, and above all they buy stuffm. Im sorry to say I failed to discover whowas the first teenager to put his baseball cap

23、 on bac kward. Or the first one to copy him. But I doknow that rap music, which sprang fr om the inner-city ghettos, began making big money onlywhen rebellious white teenag ers started buying it. But how can anyone predict what kids aregoing to want? Com panies urgently need to know, so consultants

24、have sprung up to forecasttrends. Theyr e called cool hunters, and Amanda Freeman took me in hand one morning toexplai n how it works.许多既有时间又有钱的青少年 -全世界共有 8 亿-是融合全球文化的关键及主要 力量之一。孩子们爱旅行、 闲逛，重要的是他们买东西。 很遗憾我没能发现哪个青少年 第一个倒戴垒球帽，哪个青少年第一个模仿他，但是我确实知道最先出现在市内黑人区 的说唱乐就是在有叛逆精神的白人青少年开始买票观看时才开始赚大钱的。 然而， 人们 又会如何预测

25、孩子们需要什么呢 ?许多公司迫切想要了解孩子们的需要，因此出现了顾 问，他们预测将来的趋势，被称之为 猎酷者”阿曼达弗里德曼一天上午向我讲述了其 中的奥秘。10. Amanda, who is 22, works for a New York-based company called Youth Intel ligenceand has come to Los Angeles to conduct one of three annual surveys, whose results go to suchclients as Sprint and MTV. She has shoulder-le

26、ngth brown hair and is wearing a knee-lengthbrocade skirt and simpleblack wrap top. Amanda looks very cool to me, but she says no. The funny thi ng about mywork is that you dont have to be cool to do it, she says. You just h ave to have the eye.阿曼达 22 岁，在其基地设在纽约的一家叫作 “青年情报 ”的公司工作，她到洛杉矶 进行调查，调查的结果要通报

27、给公司很多重要的客户。她留着披肩的棕发，穿着一条长 及膝盖的织锦短裙。 在我看来， 阿曼达打扮得很酷， 但她自己并不这样认为。 她说： “我 的工作有趣之处就在于做此工作你不必扮酷，你得有眼光。 ”11. We go to a smallish ?50s-style diner in Los Feliz, a slightly seedy pocket eas t ofHollywood that has just become trendy. Then we wander through a few of the t hrift shops. If itsnot going to be af

28、fordable, Amanda remarks, its never going to catch on.我们去了一家小一点的、 50 年代式样的餐馆，这家餐馆位于好莱坞东面一个比 较破落的区域， 这个区域刚刚成为时尚聚集点。 然后我们去逛了几家旧货店。 阿曼达说： “如果人们买不起，那它就不会流行起来。 ”4 / 1012. What trends does she see forming now? the home is becoming more of a s ocial placeagain. And travels huge right now you go to a place

29、and bring stuff bac k.现在她看到将要形成的流行趋势了吗 ?“家正在成为一个社交的地方，眼下旅行正热 人们到某地去，买回来许多东西。 ”13. Its really hard to be original these days, so the easiest way to come up with new stuff isto mix things that already exist. Fusion is going to be the huge term th at everybodys going touse, she concludes.Theres going t

30、o be more blending, like Spanish music and punk things that ar e sounrelated.她最后说： “现今创新极为困难，因此最容易的办法就是把现存的东西捏在一起， 拿出一个新玩意儿来。 融合将会成为人人都要使用的大词，将来会有越来越多的毫不相 关的东西融合在一起，如西班牙乐和蓬克乐。 ”14. Los Angeles is fusion central, where cultures mix and morph. Take Tom Slop er andmah-jongg. Tom is a computer geek who

31、is also a mah-jongg fanatic. This bei ng America, he hasfound a way to marry these two passions and sell the result. He has designed a software program,Shanghai: Dynasty, that enables you to play mah-jo ngg on the Internet. This ancient Chinesegame involves both strategy and luck, and i t is still p

32、layed all over Asia in small rooms that are fullof smoke and the ceaseless click of the chunky plastic tiles and the fierce concentration of theplayers. It is also played by rich society women at country clubs in Beverly Hills and in apartmentso n Manhattans Upper West Side. But Tom, 50, was playing

33、 it at his desk in Los Ang eles oneevening in the silence of a nearly empty office building.洛杉矶是融合中心，各种文化在这里交汇并有所改变。以汤姆斯洛珀和麻将为例： 汤姆是个计算机怪才，同时还是个麻将迷。由于这是美国，所以他找到了把这两种爱好 结合在一起的方式并把自己的成果出售。 他设计了一个人们可以在互联网上玩麻将的软 件程序，这个程序叫做 “上海：帝国 ”。玩这种老式中国麻将既需要技巧又需要运气。亚 洲人仍然在小屋子里玩麻将， 屋子里弥漫着烟雾， 到处都能听到麻将牌相互撞击所发出 的不绝于耳的喀哒声

34、。玩家们精神高度集中。居住在比弗利山 （美国加利福尼亚州西南 部城市，好莱坞影星集居地 ）和曼哈顿上西城公寓里的有钱女人们也在俱乐部里玩麻将。 然而，一天晚上，在洛杉矶， 50 岁的汤姆一个人坐在办公桌旁，在寂静、空旷的办公大 楼里玩麻将。15. Actually, he only appeared to be alone. His glowing computer screen showed a gamealready in progress with several habitual partners: Blue Whale, a man from Germany,; Russ,from

35、Ohio; Freddyboy, a Chinese-American who lives in Edina, Min nesota. Tom playedeffortlessly as we talked.事实上，他只是看上去是一个人。他那亮着的计算机屏幕表明麻将已经玩起来了， 其他几个参与者都是老牌友。他们是德国人 “蓝鲸”、俄亥俄州的拉斯和住在明尼苏达州 的美籍华人弗雷迪。我们一边谈着话，汤姆一边毫不费力地在玩麻将。16. Ive learned about 11 different styles of mah-jongg, he told me with that det achedf

36、riendliness of those whose true connection is with machines. There are a cou ple of differentways of playing it in America. We usually play Chinese mah-jongg.汤姆对我的态度很友好， 但那是那种超然的友好， 他的兴趣在连线的计算机上。 他 对我说： “我已掌握了 11 种麻将的玩法。在美国有几种不同麻将的玩法。我们常打中国 式麻将。”17.I watched the little tiles, like cards, bounce arou

37、nd the screen. As Tom playe d, he andhis partners conversed by typing short comments to each other.5 / 10我看着小小麻将牌像纸牌一样在屏幕上弹来弹去。 汤姆边玩边打字，和牌友简短交 流牌局情况。18.Does he ever play with real people? “ Ohyeah, ”Tom replied. “ Once a week at theoffice in the evening, and Thursday at lunch. ”A new name appeared o

38、n the screen.“ There?sFred?s mother. Can?t be, they? re in Vegas. Oh, it must be his siste r. TJ?s online too,she?s the one from Wales-a real night owl. She?s getting married soon, and she livedwith her fiance, and sometimes he gets up and says ? Get off that damn comput er!? ”他和真人打过麻将吗 ?他回答说： “打过。一

39、周一次，晚上在办公室，周四中午。 ” 这时，屏幕上出现一个新名字。 “是弗雷迪的母亲。不可能是，他们在维加斯。噢!一定是他姐姐。 TJ 也在线，她是威尔士人，一个真正的夜猫子。她快结婚了，现在与她未婚 夫一起生活。有时她未婚夫起床对她说： ?离开那讨厌的电脑 !?”19.Tom played on into the night. At least it was night where I was. He , an am erican playinga Chinese game with people in Germany, Wales, Ohio, and Minnesota, was up

40、in the cyberspherefar above the level of time zones. It is a realm populated by individuals he?s never met who maybe more real to him than the people who li ve next door.汤姆继续玩，一直到深夜。至少我所在的地方是深夜。他 - 一个美国人，和德国 人、威尔士人、俄亥俄人还有明尼苏达人一起玩中国游戏，他在网络世界活动，这种活 动超越时区。这是他从未谋面的那些人的王国，对他来说，那些人要远比他的左邻右舍 更真实。20.If it s

41、eems that life in the West has become a fast-forward blur, consider Chi na. In just 20years, since market forces were unleashed by economic reforms begun in 1978, life for manyurban Chinese has changeddrastically. A recent survey of 12 major cities showed that 97 percent of the res pondentshad telev

42、isions, and 88 percent had refrigerators and washing machines. Anot her study revealedthat farmers are eating 48 percent more meat each year and 400 p ercent more fruit.Cosmopolitan magazine, plunging necklines and all, is read by 260, 000 Chinese women everymonth.如果说西方的生活太超前了，已经看不清轮廓了。那么就看看中国。从 197

43、8 年经 济改革搞活市场至今的 20 年时间， 许多中国城市居民的生活有了极大的改善。 最近对 1 2 个主要城市进行了，调查，数据显示 97 的调查对象拥有电视机， 88拥有电冰箱和 洗衣机。 另一项调查显示农民每年的食肉量增加了48，水果增加了 400。26 万中国妇女每个月都在阅读时尚杂志，那些开领袒胸的画页及其他内容。21.I went to Shanghai to see how the cultural trends show up in the largest city in theworlds most populous nation. It is also a city th

44、at has long been open to the West. GeneralMotors, for example, set up its firstBuick sales outlet in Shanghai in 1929; today GM has invested 1.5 billion dollar s in a newplant there, the biggest Sino-American venture in China.我到上海去调查在世界人口最多国家的最大城市里文化趋势如何出现。 上海也是对 西方开放最久的城市，譬如通用汽车公司早在 1929 年就在上海设立。如今

45、，通用汽车 投资 1.5 亿美元在上海建立了中国最大的中美合资新厂。22.Once a city of elegant villas and imposing office buildings facing the river wi th shoulderssquared, Shanghai is currently ripping itself toribbons. In a decade scores of gleaming new skyscrapers have shot up to crowd and jostlethe skyline, cramp the narrow windi

46、ng streets, and choke the parks and ope n spaces with their6 / 10sheer soaring presence (most are 80 percent vacant). Traffic crawl s, even on the new multilaneoverpasses. But on the streets the women are dressed in bright colors, and many carry severalshopping bags, especially on the Nanjing Road,

47、which is lined with boutiques and malls. In its firsttwo weeks of business the Gucc i store took in a surprising $100,000.上海曾是一座建有雅致的别墅和庄严的办公大楼的城市， 但现在却是一座带状城市。 10 年中，几十座闪闪发亮的新的高层建筑拔地而起，挤压空间，使人张目不能远眺，使 原本狭窄弯曲的街道更显压抑。 而这些高耸大楼的存在也使公园和空地感到憋闷。 即使 是在多车道的高架桥上，车辆也在爬行。然而，街上的妇女着装色彩艳丽，特别是在街道两边布满精品店和时装店的南京路上，许

48、多妇女手里拎着多个购物袋。 在刚开业的两周时间里，古奇专卖店的营业额为十万美元，令人惊讶不已。23. Maybe young women today dont know what it was like, says Wu Ying, ed itor in chiefof the Chinese edition of the French fashion magazine Elle. But ten yea rs ago I wouldnt haveimagined myself wearing this blouse. It was red, with white polka dots. Wh

49、en people boughtclothes, they thought ?How long will it last? A hou sewife knew that most of the monthly salarywould be spent on food, and now its ju st a small part, so she can think about what to wear orwhere to travel. And now wi th refrigerators, we dont have to buy food every day.法国时装杂志 Elle 中国

50、版的总编吴颖说： “也许现在的年轻女性不了解过去。 10 年 前我决不会想到我会穿这样的衬衫 ( 那是一件红白相间的紧身圆点花纹衬衫 ) 。那时人们 买衣服时考虑的是它能穿多久， 家庭主妇把每月的工资主要用来买食品。而现在买食品 只需一小部分工资，因此她会考虑着装和旅行。 现在有冰箱， 我们也不必天天买食品。 ”24. As for the cultural dislocation this might bring: People in Shanghai dont see it as aproblem, said a young German businessman. The Chinese

51、are very good at dealing withambiguity. Its accepted ?Its very different, but its OK, so, so what?至于由此可能带来的文化错位问题，一位年轻的德国商人说： “上海人认为这不是 问题。中国人是很善于应对多种可能性的。人们接受了它。?很难，但还可以。那有什么?”?25. Potential: This is largely a Western concept. Set aside the makeup and skyscr apers,and its clear that the truly great

52、 leap forward in Shanghai is at the level of i deas. To really graspthis, I had only to witness the local performance of Shakespeare s Macbeth by the Hiu Kok DramaAssociation from Macau.潜力：这主要是西方概念。不谈古奇专卖店和摩天大楼， 真正的巨大飞跃体现在观 念上。我只有在亲眼目睹了澳门的休考克戏剧协会在当地上演的莎土比亚戏剧 麦克白 时才真正领会了这一点。26. There we were at the S

53、hanghai Theatre Academy, some 30 professors and stu dents ofliterature and drama from all over china and I,on folding chairs around a space ont alike half of a basketball court. “I?m not going to bemuch help, ”murmured Zhang Fang, my interpreter. “ Idon?t understand t he Cantoneselanguage, the most

54、of these people dont either. ”在上海戏剧学院，我和来自全中国文学与戏剧专业的大约30 名教授和学生一起坐在折叠椅上观看演出，演出场地大约有半个垒球场那么大。翻译张芳小声对我说： “我 帮不了什么忙；我不懂广东话，这里许多人都不懂。 ”27.I thought I knew what to watch for, but the only characters I recognized wer e the threewitches. Otherwise the small group spent most of an hour running in circl es,

55、 leaping, andthreatening to beat each other with long sticks. The lighting was heav y on shadows, with frequent7 / 10strobelike flashes. Language wasnt a problem, as the act ors mainly snarled and shrieked. Thenthey turned their backs to the audience and a f ew shouted something in Cantonese. The li

56、ghtswent out, and for a moment the only sound in the darkness was the whirring of an expensivecamera on auto-rewind.我原以为自己能看个八九不离十， 结果却只能辨认出三个女巫。 这几个人用了近一 个小时的时间转圈、跳来跳去、用长棍子相互威胁打来打去。灯光集中在鬼影上，常常夹着闪电。语言不是问题，因为演员主要是在 咆哮和尖叫。后来他们背对观众，一些人用广东话叫喊着。灯光熄灭，有一阵子，黑暗 中惟一的声音就是一部价格昂贵的照相机自动倒卷时所发出的声音。28. This is China

57、? It could have been a college campus anywhere in the West: th eanguished students, the dubious adults, the political exploitation of the massacred cla ssic. Untilrecently such a performance was unthinkable. It strained imagination that th is could be the samecountry where a generation ago the three

58、 most desired luxury it ems were wristwatches, bicycles,and sewing machines.这是中国吗 ?这可以是西方的任何一所大学校园。这样的表演即使是现在也难以想 像。令人难以想像的是就是在这个国家， 20 年前人们最想要的一种奢侈品是手表、 自行 车和缝纫机。29. Early on I realized that I was going to need some type of compass to guide me throughthe wilds of global culture. So when I was in Lo

59、s Angeles, I sought out Alvin Toffler, whose bookFuture Shock was published in 1970. In the nearly three decades since, he has developedand refined a number of interesting ideas, explained in The Third Wave, written with his wife,Heidi.许久以来我认识到我需要某种指南针来指引我穿越全球文化的荒原。 因此在洛杉矶时，我找到阿尔文 托夫勒.1970 年他的未来的冲击一

60、书出版。此后近30 年，他提出并完善了一些有趣的想法，他在与夫人海蒂合著的第三次浪潮一书中详述了这些 想法。30. What do we know about the future now, I asked, that we didnt know before? We nowknow that order grows out of chaos, he answered immediately. You cannot have significant change, especially on the scale of Russia or China, without confli ct. No