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场景描写微技能Howtowritewell?Technique1:Personification(拟人)Description/purpose:Givesanobjectthecharacteristicsofalivingthing,bringingittolifeExamples:Theflowers

nodded.Snowflakes

danced.Thunder

grumbled.Fog

creptin.Thewind

howled.Thehauntedhouseseemedto

stareat

me,

beckoning

metowardsthedoor.Technique2:simile(明喻)Description/purpose:Similes

likenssomethingtosomethingelsegivingamoredetaileddescriptionExamples:Thenightskywas

asdarkasthedeepestocean.Thestars

sparkledlikediamonds.Thesnake

movedlikearippleonapond.Technique3:metaphor(暗喻)Description/purpose:Metaphorssaythatsomethingissomethingelse,givingthedescriptionmorepowerExamples:Awaveofterror

washedoverhim.Technique4:Vividadjectives(生动的形容词)Description/purpose:Tomakethestorymoreinterestingandvividbyusingmoreimaginativedescriptions,sometimesinalistExamples:Gleaming,

glistening,

whispery

flakesofsnowTechnique5:Negativedescription(否定描述)Description/purpose:Totellthereaderwhatisnotthereisaneffectivewayofshowinghowunpleasant,comfortlessaplaceisExamples:Therewas

nocushion,nocarpet,nowarmth,nolightandnocomfort.Technique6:Camera-panandzoom

(摄影-全景+放大)Description/purpose:Tousetheideaofhowafilmdirectorworks,youcangiveawiderviewthenfocusinononedetailExamples:Fromthewitheringtreeshelookedpastthe

litteredfarmyard,acrosstothedecrepithovel.

Itsdoors

hungsadlyawry,

thehandle

broken.Technique7:Nounsfordetails(细节名词)Description/purpose:Scenesarefilledwiththingsthatweseeandthereforeuseslotsofnouns,evenlistsofnounstoconveywhatisthere.Examples:The

rooms

werecrowdedwith

lanterns

fastenedon

oakpaneledwalls,

tableslaidwith

silvercandlesticks

and

goblets.Technique8:Senses(感官)Description/purpose:Allofoursensesbecomeawareinanewsituationorplace.Yourreaderneedstoknowhowyourcharacterarefeeling.Examples:Waftsofsalt-ladenair

wereinhernostrilsasthe

skitterysandonherfeet

ledhertotheedgeofthewaves.Goodsettingdescriptionforappreciation(佳“景”赏析)1.Thehousesmelledmustyanddamp,andalittlesweet,asifitwerehauntedbytheghostsoflong-deadcookies.

2.Thesunkeptdippingdownintotheoceanandthelightscameonattheharbor,castingsuddenshadowsontheground,illuminatingthefacesthatwerejustasecondagosilhouettes.Theskywasgoldenandpurple,theoceanadarkershadeofviolet.

3.Thesunhadset,butafaintpastelhazelingeredinthemid-summersky.

4.Theyrolledupthepath,treebranchesrakingthewindshieldlikeangrywardens.

5.Outside,theairfilledwithcricketnoise,asthesunreddenedinitsdescent.

6.ArestaurantoverlookingastarlitnightsprangtomyimaginationlikesomethingoutofanilluminatedmanuscriptfromthelateMiddleAges.

7.Themoonwentslowlydowninloveliness;shedepartedintothedepthofthehorizon,andlongveil-likeshadowscreptuptheskythroughwhichthestarsappeared.

8.Allbrightnesswasgone,leavingnothing.Westeppedoutofthetentontonothing.Sledgeandtentwerethere,Estravenstoodbesideme,butneitherhenorIcastanyshadow.Therewasdulllightallaround,everywhere.Whenwewalkedonthecrispsnownoshadowshowedthefootprint.Weleftnotrack.Sledge,tent,himself,myself:nothingelseatall.Nosun,nosky,nohorizon,noworld.

9.Nighthadfallenfastupontheland.Nomorethananhouragotheskywaspaintedwithhuesofred,orangeandpink,butallcolourhadfadedleavingonlyamattblackcanvaswithnostarstobelookedupon.

10.Itwouldbeacoldmoo

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