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《英《英语通识阅读教程文学篇教师用书》PAGE1/38Unit1IntroductiontoLiteratureTherearealotofgreatliteraryworksthatgreatlycaptivatemyinterest,suchasJaneEyre,PrideandPrejudice,GreatExpectations,ofthed’Urbervilles,Hamlet,Dubliners,TheGreatGatsby,GonewiththeTheCalloftheandTheOldManandtheSea.Amongtheseliteraryworks,myfavoriteoneisJaneEyre.IappreciateJaneEyreforitsdepictionofaresilient,independentwomanwhochallengessocietalnorms.Itsunderlyinglovestoryblendswithuniversalthemeslikelove,self-reliance,andsocialcriticism,provokingthoughtandfosteringmyengagement.Iagreewithhimbecause:Literatureoftenreflectsanation’sculture.Itsdeclinemightsuggestthatthevitalityofitscultureisbeingpotentiallydamaged.Literatureiswhereimaginationcanshowitscapabilities.Thedeclineofliteraturecouldsuggestthatpeople’spowerofimaginationmighthavebeenlimitedinsomeLiteratureisthetonicofspirits,anditsdeclinemayleadthenationtofallintophilistinism.ARecallNo,literaturecannotbesimplydefinedas“creative”or“imaginative”writing,becausethisdefinitionwouldimplythatdisciplineslikehistory,philosophy,andnaturalscienceareuncreativeandunimaginative,whichisincorrect.Forexample,Supermancomicsareusuallyexcludedfromliterature,andsomeliteraryworkscanbe“factual,”forexample,Gibbon’shistoricalworks.Literaturetransformsandintensifiesordinarylanguage,deviatessystematicallyfromeverydayspeech.Ellishasarguedthatarenotparticularkindsofplant,butjustanykindofplantwhichforsomereasonoranotheragardenerdoesnotwantaround.”Eagleton,perhaps“literature”meanssomethingliketheopposite:anykindofwritingwhichforsomereasonoranothersomebodyvalueshighly.As“imaginative”writing;akindofself-referentiallanguage;howsomebodydecidestoread.InterpretHowapieceofwritingbecomesliteratureismoreimportantthanwhetheritisliteraturefromthebeginning.Theauthorimpliesthatitisdifficulttoidentifythedefiningfeaturesofliterature.Evaluate&ConnectLiteratureencompassesawiderangeofwrittenworks,includingnovels,poems,shortstories,essays,andmore.Literaturenotonlyimpartsknowledge,butalsocultivatescriticalthinkingskillsandexposesustovariousperspectivesandcultures.Simultaneously,itallowsustoexperienceintenseemotionsthroughcharacters,therebyreleasingouremotionaltensionandprovidingasenseofrelief.Studentsmayexplainthedifferencebetweenliteraryworksandnon-literaryworksfromtheirlanguage,style,theme,etc.Aliterarytextisanartistic,original,andsubjectiveworkthatmakesuseofrhetoricalresources.Whileitsessentialpurposeoftenleanstowardaestheticoremotionalimpactratherthanpragmaticgoals,ittendstobeconnotative,ambiguous,polysemic,andopentowide-ranginginterpretations.Anon-literarytextisatextthathasareferentialfunction,hasaspecificpurpose,isaimedataspecificaudience,andisobjective.Thistypeoftextavoidsambiguityandtheuseofrhetoricalresources.Aliteraryworkclassifiedas“fineliterature”maybestronginthefollowingaspects:universalityandtimelessnessartisticmeritprofoundcharacterdevelopmentrichconnotationwell-organizedstructureBRecallNo.Becausethegreatertruthisthatliteratureisallone–andindivisible.Allliteratureistheexpressionoffeeling,ofpassion,ofemotion,causedbyasensationoftheinterestingnessoflife.hedoes.BennettbelievesGibbonexpressedhisemotionsinDeclineandFall.Theytendtochooseverse.Readersmustbeginwithanacknowledgedclassicbecauseclassicsarisethroughtheordealofgenerations.InterpretTheauthorimpliestheimportanceofemotioninliteraturewriting.Allliteratureistheexpressionofemotion.Becauseifwemapoutliteratureintodivisionsandbranches,wepaytoomuchattentiontotheformaldifferencesandwemayignorewhatunifiesallliteraryworks–theexpressionoffeelings,ofpassion,ofemotion.Evaluate&ConnectThisstatementpointstotheoften-heldviewofclassicsbeingtimeless,universal,andofhighquality.However,importanttorememberthatliterature,includingclassicliterature,isnotimmunetocriticismandcanalwaysbereinterpretedorreassessedaccordingtodifferentperspectivesandculturalcontexts.Inmyopinion,theauthor’sviewmaybealittlebitarbitrary.Whiletruethatclassicsenduretheordealofgenerations,withthechangeoftimes,somevaluesexpressedinclassicsmaybeoutoftime;therefore,someclassicsmayberemovedfromthecanon.cancultivategoodliterarytasteinthefollowingways:Broadenthescopeofourreading.cangainaholisticunderstandingofliteraturebyexposingourselvestovariedgenres,differentculturalnarratives,historicalperiods,andliteraryformatssuchasnovels,plays,poetry,shortstories,andnon-fiction.Trytounderstandtheemotionexpressedinliterature.shouldstrivetounderstandnotonlywhatisexplicitlystatedbutalsothesubtlesentiments.Byappreciatingtheintricatetapestryofemotionswovenintoapieceofliterature,wecandeepenouremotionalintelligence.Joinreadinggroupstocommunicatewithliteratureenthusiasts.Participatinginreadinggroupsoffersdistinctperspectivesonthesamework,andalsoaidsinrefiningourliterarytaste.Thevarietyofopinionsandinterpretationsprovidesinsightsthatwemightmisswhenreadingalone.Unit2EmotionandEgoIhavereadorheardofmanyshortstories,suchasAClean,Well-LightedPlace,GoodmanBrown,TheFurnishedRoom,ARoseforEmily,TheFarandtheTheKillers,TheMarkontheetc.Thereasonscanbeconsideredfromthefollowingaspects:Thethemeofthestoryisattractive.Theplotiswell-knit.Thenarrativeskillsaresophisticated.Thetwistendingisexciting.Thecharactersarevividlyportrayed.ARoseforEmilyimpressesmegreatlyduetoitsuniquenon-linearnarrativestructureandchillingportrayalofisolation.ThisGothicstorydescribesthedownfallofasouthernaristocraticwoman,EmilyGrierson,lockedinanarchaicrealitybyherdomineeringfather.Faulkner’srichandevocativeprosecreatesanatmosphericsetting,creatingtensionandmystery.Theexplorationofthemesliketraditionversusprogress,societaljudgment,anddecay,presentedinanartisticallygrotesquemanner,combinedwiththesuspense-filledelementsofsurpriseandhorror,rendersitacaptivatingwork.Herearesomekeyfeaturesoftenfoundinshortstories:Length:Shortstoriesare,asthenamesuggests,shorterinlengthcomparedtonovels.Conciseness:Duetotheirbrevity,shortstoriestendtofocusonasingleeventoralimitednumberofcharacters.Theyaimtoconveytheirmessageorexploretheirthemeinacompactandconcisemanner.Plot:Shortstoriesoftenhaveaclearandfocusedplotstructure,typicallyencompassinganexposition,risingaction,climax,andresolution.Duetothelimitedlength,theplotdevelopmentsareoftenswiftandefficient.Characterization:Shortstoriescommonlyfeatureoneorafewcentralcharacters.Despitethelimitedspace,thesecharactersareusuallywell-developed,withdistinctpersonalities,motivations,andconflicts.ARecallMrs.Mallardweptatonce,withsudden,wildabandonment,inhersister’sarms.Josephinetoldherthenews,inbrokensentences,veiledhintsthatrevealedinhalfconcealing.BecausesheknewthatMrs.Mallardwasafflictedwithahearttrouble,Josephinewasafraidthatasuddenshockofsuchdevastatingnewsmightworsenherconditionorevencauseafatalheartattack.Shewasyoung,withafair,calmface,whoselinesbespokerepressionandevenacertainstrength.InterpretMrs.Mallardwantedtolockherselfinherbedroomandlockouthersocialworldtoprocessheremotionsafterlearningofherhusband’sdeath.Sheneededaprivatespacetocometotermswiththeseconflictingfeelingsofgriefforherhusbandandthejoyofnewfoundindependence.Throughthewindow,Louiseseesthesceneryandthelife-givingpowerofnature.ThissymbolizesLouise’sawakening,thevigorandpowerofLouise’spassionateoutburst,andtheprospectofhernewandfreelife.Chopinusesirony,atechniquethatrevealsthedistancebetweenwhatappearstobetrueandwhatisactuallytrue,toconcludeherstory.Inthetwistendingofthestory,thedoctorconcludesthatMrs.Mallarddiesofheartdisease–ofjoyasshespotshersupposedlydeadhusbandcomingbackhomealive.Butironicallyasreaders,weknowshediesofheartdisease–ofextremedisappointmentbecausehernewfoundfreedomisabruptlyterminatedandherpreviouslyrepressedmaritalliferesumes.Evaluate&ConnectThestoryrevealsthatMrs.Mallardfeelstrappedinthemarriage.Heridentityasafemaleissomewhatneglectedinthemarriage.Inthebeginning,Mrs.Mallardisknownonlybyhermarriedname.onlyafterlearningaboutherhusband’sdeaththatshebecomes“Louise.”Shehastosubmitherselftoherhusband’s“blindpersistence.”canseethatsheisnotself-assertiveandalwaysexperiencessubtleoppressionfromherhusbandinthemarriage.Hermarriagehasnotallowedherto“liveforherself.”Forexample,herecstaticreactionuponrealizing“therewouldbenopowerfulwillbendinghers...”illuminatesherlong-represseddesireforfreedomandself-assertionwithinhermarriage.Strikingabalancebetween“thecouple”and“theindividual”canbechallengingyetultimatelyrewarding.So,howcanamarriedwomancarveheruniquepathwithoutlosingsightofheridentitywithintheunion?Herearesomeapproaches:Advocateclearcommunication.canhaveopen,honestconversationswiththeirpartnersabouttheirneedforindependence.importanttoemphasizethatthisneedisnotsynonymouswithindifferenceorlackofcommitment,butratherthemaintenanceofpersonalidentities.Cultivateindividualgoals.essentialtohavepersonalgoalsthatexpandbeyondthecouple’srealmtomaintainwomen’sindependence.Thesemightincludeprofessionalaspirations,fitnessgoals,orintellectualpursuits.Suchindividualobjectivespromoteself-sufficiencywhilealsoassertingthepointthatbeingpartofapairdoesn’tdeteronefrombeingaself-determiningindividual.Fosterfinancialindependence.Theimportanceoffinancialindependenceshouldbestressed.Itinfluencesnotjustthebalancewithinarelationship,butalsoinstillsasenseofself-reliance,therebyshapingbothpersonalandjointdecisions.BRecallElisawasconfidentandproudofherplantingskills.Fromthestory,wecanseethatwhenHenrycomplimentedheronherflowers,shewasveryexcited.Shesaid“...I’veagiftwiththings,allright.Mymotherhadit.Shecouldstickanythinginthegroundandmakeitgrow.Shesaiditwashavingplanters’handsthatknewhowtodoit.”Atfirst,Elisawasannoyedwiththetinkerandhadnothingforhimtorepair.Butwhenthetinkernoticedthechrysanthemumshehadbeenworkingwithandaskedabouttheflowersby《《英语通识阅读教程文学篇教师用书》PAGE10/38saying“What’sthemplants,ma’am?”alltheirritationandresistancebegantomeltfromherfaceandshebegantochangeherattitude.Shetookashower,dressedherselfup,andmadeuptoprepareforgoingdowntown.InterpretShewaseagertoparticipateinwhatistypicallyperceivedas“men’saffairs”beyonddomesticactivities,andhopedhergiftforplantingflowerscouldbeappreciatedandrecognizedbyherhusbandandthetwobusinessmenfromoutsidethevalley.ShealsohopedtogainthefreedomtoleavetheSalinasInthestory,theplotofElisa’sbathingandappreciatingherbodyinfrontofthemirrorintensifiesthethemeofthelong-suppressedprideandtalentwithinElisa.ThescenehappensjustafterElisasaysgoodbyetothetinker.Therefore,itcanbeinferredthatthetinker’spromiseoftakingtheflowersoutofthevalleybringstherayofhopetoElisa.Asagiftedwoman,havingstayedinthevalleyforsomanyyears,shehasastrongdesiretoberecognizedandappreciated.Thearrivalofthetinkerkindlesthishopeinherheart,leadingtoherprideanddelightasshebathesandappreciatesherbody.Sheismoreconfidentaboutherbeautyandaccomplishments.Inthestory,whenHenrypraisedtheflowersElisahadbeenworkingwith,hesaid:“Someofthoseyellowchrysanthemumsyouhadthisyearwereteninchesacross.Iwishyou’dworkoutintheorchardandraisesomeapplesthatbig.”Henry’scommentsonElisasuggestthatheispragmaticbynature.Hiscommentimpliesthatraisingacashcropofapplescanbringthefamilyasumofmoney,whereasthechrysanthemumscannot.Therefore,apparentthathevalueseconomicprofitsoverthebeautyoflife.EventhoughheatfirstpraisesElisa’sflowers,throughoutthewholeconversationwecanseewhathereallywantstoexpressistoemphasizethepracticalfunctionsofthings.HiscomplimentsalwaysfallshortofElisa’sexpectations.Evaluate&ConnectOverwhelmedbyextremesadnessanddisappointment,Elisafindsherselfunabletofacetherealityofhersituation.Heronlyhopeisshatteredbythetinkerwho,despitehispromptpromisetocarryhercherishedflowersbeyondthevalley,ultimatelyletsherdown.Theshockoftherealizationmakesherthoroughlyunderstandtheessenceofthesocietysheinhabitsinwhichwomen’spursuitsandaspirationshavealwaysbeenignored.Undeniably,Elisafacesnumerousobstaclesinherpursuitoffreedom,independence,andlifevalues.itishighlyimprobableshewouldabandonherchasebecause,withinher,residesanunyieldingspiritofresilienceanddetermination.Herpassionfortheflowers,whichsymbolizeheraspirations,suggestshertenacityandhungerforpersonalgrowth.Disappointmentsandheartbreaks,whilepainful,onlystrengthenherresolvetofightagainstnormsandassertheridentity.Thus,evenamidsthardships,sheislikelytopersist,herpursuitstandingasatestamenttoherdefianceagainstthesocietalconfines.Unit3CourageandDignityI’vereadmanyEnglishnovels,suchasRobinsonCrusoe,Fair,WutheringHeights,ofthed’Urbervilles,etc.Thereasonscanbeconsideredfromthefollowingaspects:resonatewiththeemotionalandintellectualpleasuresthenovelbringsus;appreciatethebeautifullanguage,vividcharacters,anddramaticplot;enrichlifeexperiencesbyhavingexperiencesthatarestrange,irrelevant,ordifferent.IfindmyselfparticularlydrawntoRobinsonCrusoebecauseitisoneofthegreatestadventurestoriesevertold.I’vealwaysadmiredCrusoe’scourageanddetermination.Evenwhenhewasstrandedaloneonadesertedisland,henevergaveup.Instead,hepushedthroughallthehardshipsandlearnedhowtosurviveintoughconditions.Hisbraveryistrulyinspiringtome.ThehistoryofChinaisrepletewithexamplesofindomitablecourage,spanningfromscienceandtechnologytobusinessandpublicservice.AninspiringexemplarinthefieldofscienceisTuAsapharmaceuticalchemist,shefoundthecuretotreatmalaria,abreakthroughthathassavedmillionsoflivesacrosstheglobe.Despiteworkinginresource-limitedsettingsandbattlingnumeroussetbacks,herunwaveringdeterminationledtooneofthemostsignificantmedicaldiscoveriesofthe20thcentury.In2015,thismonumentalachievementwasgloballyrecognizedwhenshewasawardedtheNobelPrizeinPhysiologyorMedicine.ARecallIttookonehourforthefirstsharktoarriveandattackthemarlin.Thesharksfollowedtheoldmanbecausetheywereattractedtothebloodofthegiantmarlinthathehadhooked.Theoldmanwasweakandhehadfewthingstoeat.Inaddition,therewassomepaininhisbody.InterpretNomatterhowroughandbitterlifeis,weshouldfaceitbravely.Thoughwemaybebeatenbylife,weshouldneverlosehopeandheart.Evaluate&ConnectTheoldmanshowsdeeprespectandsympathytowardthemarlinhehashooked.Headmiresthemarlin’sbeautyandstrength,andseesitasaworthyadversary,evenreferringtoitashis“brother”atsomepoint.Incontrast,heperceivesthesharksthatattackhiscaughtmarlinasmindlesskillersandfightsagainstthemtoprotecthiscatch.Theseaisthesettingofthenovel.ItalsoreflectsthedepthofSantiago’sextensivemaritimeknowledgethroughhisunderstandingofthewind,thecurrent,andthefrictionofthewater.Thedepictionrevealshisentirelifetimeofexperience,skill,anddedication.Furthermore,theseaactsasaprofoundsymbolrepresentingthelargerworld.Theseaisvastandbeautiful,nurturingyetunpredictableandbrutal.Similarly,Santiago’srelationshipwiththeseamirrorsstruggles.Heisdependentontheseaforhissustenance,yethemustbattleitforhissurvival.Itistheseathathereliesonandfightswith.Theseaisalsothedestinationofhislife.BRecallRochesterdidnottrulyloveMissIngram.HecourtedheraspartofhisplantomakeJaneEyrejealous.RochesterwantedtosendJaneEyretoundertaketheeducationofthefivedaughtersofMrs.DionysiusO’GallofBitternuttLodge,Connaught,Ireland.AtThornfield,JaneEyrefoundasortofhomeandalsoexperiencedindependenceandself-worthforthefirsttimeinherlife.Herattachmentwassodeepthatshewasnotatallinclinedtoleave.InterpretRochester’spurposeistopushJaneEyreintoacorner.Underthiscircumstance,asarevolt,JaneEyreisforcedtoshowherhearttohim.ThisispreciselythereactionRochesteraimstoelicit,asitthenprovideshimtheperfectopportunitytoproposetoDespitehermixofbitterandcomplicatedfeelings,JaneEyreacceptshisproposal.BeforeRochesterandJaneEyreleavethepark,JaneEyrementionsthatthechestnuttree“writhedandgroaned.”Laterthatnight,thetreeissplitintotwo,foreshadowingthecomplicationsofJaneEyreandRochester’srelationship.Evaluate&ConnectJaneEyreembodiesindependenceandmaintainsherdignitynomatterthecircumstances.Sheisasteadfastcharacterwhoisunwaveringinherprinciples.Rochester,ontheotherhand,valuestruelovegroundedinspiritualconnectionoversocialstatusorwealth.However,hischaracterisnotwithoutflaws.Hecanbeseenascunning,cleverlyutilizingJane’saffectiontowardhimforhisownadvantage.Moreover,heproveshimselftobeuntruthful.Whileheisalreadymarried,hepresentshimselfasabachelortotheworld.RochesterandJaneEyrepursuealovethatisdeep,honest,andtranscendstraditionalsocietalstandards.Theyvalueemotionalandintellectualconnectionovermaterialwealthandsocialstatus.Thekindofloveweshouldpursueisahealthyandenduringlove,whichusuallyinvolvesmutualrespect,caring,understanding,andthecapacityforbothpartiestogrowindividuallyaswellastogether.vitalforustoseekalovethatallowsustobeourselves,supportsourgoalsandambitions,andstandsstrongthroughupsanddowns.Unit4ImaginationandFutureIenjoydelvingintosciencefictionorsciencefictionfilms,suchasTheThree-BodyProblem,TheEarth,StarandAroundtheinEightyDays.Thereasonscanbeconsideredfromseveralaspects,includingitsrichimagination,interestingstory,fascinatingspecialeffects,orforetellingofthefuture.TheEarthisasciencefictionpiecethatleftadeepimpressiononme.Whatcaptivatedmemostaboutthisworkwasitsuniqueandthought-provokingpremise.ThenotionofourplanetEarthitselfbecomingalargespaceship,wanderingthroughthegalaxy,wasbothterrifyingandawe-inspiring.Atthesametime,theintensestruggleofthecharactersagainstfreezingtemperaturesanddwindlingresourcesmadethespaceexplorationmorerealandhuman.Theirbraveryinthefaceofchallengesembodiedtheindomitablehumanspirit.What’sdescribedinsciencefictionmayhappeninthefuture,becausesomesciencefictionisbasedonscientificprinciplesandreasonableforecasts.Forexample,thedepictionofcommunicationdevicesinsciencefictionworkssuchasStararguablyforeshadowedtheinventionofmodernsmartphones.ARecallHewashalf-frightenedbecausehefoundhimselfsodesolate.Themonsterlearnedaboutthedualnatureoffire–bothwarmthandpain,itsutilityfordryingandcooking,itsroleasalightsource,aswellasitsfleetingandtransientnature.Thewholevillagewasroused;somefled,andsomeattackedhim.InterpretThemonsterviewedhimselfasanoutcast,forsaken,andlefttosuffer.Hewascoldandlonely,withnoonetocareabouthim.Despitehisabilitytothinkandfeel,helivedinaworldthatwasessentiallyincomprehensibletohimduetohisisolation.Thefamilywasanexampleofthe“domesticaffection”hecraved.Thefamilialbondstheyshared,themutualcare,andtheharmoniousatmospheretheycultivatedweresomethingheyearnedforbutwaslargelydeprivedof,givenhisalienationandisolation.Whenthemonsterwatchedtheinteractionbetweentheoldmanandthegirl,heempathizedwiththemandheexperiencedhumanemotionsthatwerestillstrangetohim.Hissenseswerestirredbythewarmaffectionhewitnessedandthebeautifulmusicheheard.Thesefeelingsofpleasure,however,alsounderscoredhissenseofisolationandtheharshrealityofhisowndeprivedexistence.Evaluate&ConnectThemonsterlearnedtoliveandacquirehumanemotionsthroughkeenobservationandexperientiallearning.Humanssetanexampleforthemonstertoliveacomparablycomfortablelife.Helearnedfromhumanstousefire,eatcookedfood,andliveinashelter.Moreimportantly,hisobservationoftheirinteractionsprovidedhimwithadeepunderstandingofcomplexemotions.Helearnedlove,affection,sadness,anddespondencyfromthefamilyhewatched.Thislearningprocessunderscoredthesignificantrolehumansindirectlyplayedinshapinghisemotionalandpracticalunderstanding.Humansdon’thavetherighttocreatehumanlikecreatures.Thefollowingaresomeofthereasons:Thecreationofnewcreaturesmayviolatethebalanceofnature.Thecreationofhumanlikecreaturesmaycauseethicalproblems.Iftheyhavehumanconsciousness,itisnotrightorethicaltotreatthemlikeanimals.Ifhumanlikecreatureshavehighintelligenceandhumanconsciousness,inhumantoperformexperimentsonthem.Lifeisdivineandprecious,soweshouldtreatallcreatures’livesseriously.BRecallThehouseswereemptyafterTerminus.Theownershadeitherdiedormigratedtoacolonyworld.Theultimateincentiveforemigrationwas“theandroidservantascarrot,theradioactivefalloutasstick,”whichmeantthatbyusingtheandroidservantasatemptationandtheradioactivefalloutasathreat,theU.N.pushedpeopletoemigrate.ItwasonMars.Hecouldn’temigratenotonlybecauseofthedistortedgeneswhichhecarried,butalsobecausehehadfailedtopasstheminimummentalfacultiestest.WhenheheardaTVset,itindicatedtohimthatsomeonehadmovedintothebuilding.Inhisextremeloneliness,thepotentialofhavinganeighborwasacauseforexcitement,asitmeanthewasnotalonethereanymore.InterpretItisadevicethatcangeneratesharedvirtualexperiences.Itstimulatesusers’internalemotionsandallowsthemtoempathicallyconnectwithbothacharacternamedMercerandothersusingthedeviceatthesametime,promotingasenseofsharedcommunityinafragmentedsociety.Isidore’sexperiencewiththeempathyboxrepresentsthedeephumanneedforconnectionandunderstanding.Theprocessofsharingandexperiencingthethoughtsandfeelingsofothersthroughtheempathyboxprovidesasenseofcommunityandmutualempathy,whichhelpstocombatthefeelingsofisolationexperiencedbyindividualsinthissociety.awayforpeopletofeelconnectedinaworldthatoftenseemsdisconnected.Evaluate&ConnectTheselectionsystemaimstotemptnormalpeopletoemigrate,anditisbiasedagainstpeoplecarryingdistortedgenesorfailingmentalacuitytests.Fromtheviewpointofthedevelopmentofthenewplanet,thesystemseemstocatertowardpromotingahealthyandefficientpopulation.Theyoungcolonyneedshealthyindividualstolaborandbuildanewsociety.ThoseunaffectedbytheradioactivedustprevalentonEartharethetargetgroup.Lookingfromthedominators’viewpoint,theprioritizationofdistributinglimitedresourcesto“useful”orable-bodiedpeoplemightseemharsh,butitcouldalsobeviewedasapracticalapproachfortheefficientandeffectivedevelopmentofthenewhabitat,especiallyinitsearlystages.Forthecommonpeople,opinionsontheemigrationsystemarelikelytobemixed.Forsome,suchasthosewhoarehealthyandwishforanewbeginning,theemigrationmightbeviewedpositively.However,forotherslikeIsidorewhoaredeemedunfitforemigrationduetotheeffectsofradiationandfailingmentalacuitytests,thesystemeffectivelysegregatessocietyanddeepensdivisionsamongpeople.Inconclusion,theemigrationselectionsystemrepresentsthedominators’controversialandseeminglyruthlessinclinationtowardutilityandefficiency,whichcouldbeperceivedasalackofcompassionandfairnesstowardthoselessfortunate.Despitethesurvival-focusedmotive,themethodrevealsaharshsideofhumanityintheirattempttocopewithanexistentialthreat.Unit5GrowingUpandPainsIhavereadseveralbildungsromannovels,includingTheCatcherintheRye,TheKiteRunner,APortraitoftheArtistasaMan,andDavidCopperfield.TheCatcherintheRyestandsasafavoriteforitsdeepdiveintoHoldenCaulfield’sspirituallife,whichmirrorsreal-worldstruggleswithgriefandcynicismduringadolescence.Holden’srealcourageinconfrontingthesestruggleshelpsmetoexploremyfearsandanxieties.Moreover,hisrelentlesssearchforauthenticityinaseeminglysuperficialsocietypromptsmetoconsidermyownplaceinsocietyandmypersonalpursuitofameaningfulexistence.Thebildungsroman,atermcoinedinliterarycriticism,definesagenreofthenovelthatnotonlyhighlightsthepsychologicalandmoralgrowthoftheprotagonistfromyouthtoadulthood,butalsounderscoresthesignificanceofpersonaltransformationandself-discovery.Inthesenarratives,characterevolutionisthedrivingforceofthestory,whichprovidesaframeworkfortheprotagonisttonegotiatetheirunderstandingofselfandtheirplaceinthesurroundingsociety.Herearesomekeyfeaturesofbildungsroman:Abildungsromanistypicallyacoming-of-agestorythatexploresasensitiveindividual’ssearchforanswersandexperiences.Thegenreevolvedfromfolkloretalesofadun
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