华兹华斯与王维自然诗歌的意象和主题对比分析

华兹华斯与王维自然诗歌的意象和主题对比分析摘要王维和华兹华斯都是著名的自然诗人。他们诗中关于自然的意象千千万万。本文就两人诗歌中的花，鸟，宗教，自然意象和主题进行对比分析，探讨了两位诗人所创造的诗化自然中隐士之风,心灵中的自然秉性及天人合一的理念。关键词：华兹华斯；王维；对比AComparativeStudyonImagesandThemesofNaturalPoemsbyWordsworthandWangWeiabstractWangWeiandWordswortharebothfamousnaturalpoets.Therearethousandsofimagesofnatureintheirpoems.Thispapermakesacomparativeanalysisofflowers,birds,religions,naturalimagesandthemesinthetwoperson'spoetry,andexploresthepoeticnatureofthetwopoets,thenatureofhermit,thenaturaldispositioninthemindandtheideaof"harmonybetweenmanandnature".Keywords:Wordsworth;WangWei;contrast

目录1Introduction 32TheCharacteristicsofNaturalPoetry 32.1CharacteristicsofWordsworth’sNaturalPoetry 32.2CharacteristicsofWangWei’sNaturalPoetry 43AnanalysisofImagesofNaturalPoemsbyWordsworthandWangWei 43.1ImagesofFlower 43.1.1ImagesofFlowerbyWordsworth 43.1.2ImagesofFlowerbyWangWei 53.2ImagesofBird 63.2.1ImagesofBirdbyWordsworth 63.2.2ImagesofBirdbyWordsworth 73.3ImagesofTempleofReligiousBelief 73.3.1ImagesofTempleofReligiousBeliefbyWordsworth 73.3.2ImagesofTempleofReligiousBeliefbyWangWei 84.AnanalysisofThemesofNaturalPoemsbyWordsworthandWangWei 94.1BeautyofNature 94.2TheTranquilityofRuralLife 114.3ChildrenandLove 115.Conclusion 12Thank 13Reference 14

1IntroductionWilliamWattsWass,thelakesidepoetknownbyShelleyas"thepoetoftheeulogiesofnature",wasthechieffounderoftheBritishRomanticliterarymovementinnineteenthCentury.Asanoutstandingrepresentativeofromanticpoets,Wordsworthisalsoaspokespersonfornature.Hispoetryisnotonlyacomplimentofnature,butalsohisphilosophicalidea.Wordsworthbelievesthatnatureisthesourceofhumanhappiness,andbybeingclosetonature,itcanachievetheunityofharmonybetweenmanandnature.Thushumanbeingscangainthesupportofthoughtandtheconsolationofthemind.Wewillfurtherexaminehispoems,poetsbelievethatsavingthesoulofhumanbeingsneedamysteriouspower,andthisisthemysteriouspowerinnature,this"nature"isapoetakindoftranscendenceandsublimationoffaith.WangWeiisarepresentativewriterofChineselandscapeandpastoralpoetryduringtheTangDynasty.HeenjoysagreatreputationinChinaasapoemdepictinglandscapepastoralandlivinginseclusion.ThetwopoetsareoutstandingnaturalpoetryandpoetsintheChineseandEnglishpoetrycircles.Theirpoemsarefamousfortheirpraiseofthebeautyofnature.Theyalllovethequietandleisurelypastorallife.Theyhavemanysimilaritiesintheirlifeexperience.Thecomparisonofpoetry,wefindthatundersimilarnaturalbeauty,butcontainsdifferentthoughtsandfeelingsofthepoetattitudetowardslife,showsthedifferencebetweenthetraditionalcultureoftheEastandthewest.ThisarticlewillchooseWordsworthandWangWei'sthemesandimagesforcomparativeanalysis,andanalyzethereasonsforthetwopoets'lifebackgroundsandculturaldifferences.2TheCharacteristicsofNaturalPoetry2.1CharacteristicsofWordsworth’sNaturalPoetryWordsworth,thepoetoftheLakesideSchool,wasthemainfounderandeminentrepresentativeofthenineteenthCenturyromanticpoetrymovementinBritain.Hispoetrywritingsimpleandfresh,naturalandsmooth,againstneoclassicismplatform,elegantstyle,creatingafreshandlivelyromanticstyle.Aprominentfeatureofhispoetryisthefeelingintheenvironment,scenery.Thepoetrythemewithbeautifulnaturallandscapeasthebasis,expressedhisloveofnatureandyearning,alsoreflectstheBritishIndustrialRevolutionafterthehardshipsoflifeandcapitalismhideousact,proposedtoreturntonaturetosolvetheproblem,theperformanceofthepeopleliveinharmonywithnature,harmonyoftheecologicalawareness.NaturallyinWordsworth'spoeticdictionary,hewasbornintheNorthernLakeareaofEngland,whichwasbornintheworld.Itwasalsoaspiritualexistence.Natureisthecombinationofdivinity,reasonandhumannature.TheWordsworthstudiesinChinainrecentyears,scholarshavecarriedoutalargenumberofcomprehensiveandmeticulouswork,andachievedgoodresults,inthispaper,startingwithWordsworth'spoems,fromtheperspectiveofecologicalcriticismandanalyzetheworksofecologicalpotential,thusarousepeople'sloveofnatureandthethinkingoflife,toreflectontheirown,fortheconstructionofatrulyharmoniousnaturalecology,socialecologyandspiritualecologyincreaseapossibility.2.2CharacteristicsofWangWei’sNaturalPoetryInthecreationoflandscapeandpastoralpoetry,WangWeiusednatural,condensedlanguageandpaintingtechniquestodepictthecharacteristicscenery,whichishigh,freshandnatural.Heisgoodatpaintingartinthetextdescription,theperformanceobjectiveimagedirectly,sensibility,vividcharacters,vividsubtlyconveytothereader,thusshorteningthereadersfromthetextconcepttothethinkingprocessofthespecificimage,makeshispoemsfullofaqualitysuggestiveofpoetryorpainting.TheSongDynastywriterSuDongposaid:"thetasteofhispoetry,Painting-in-poetry;Iseeapainting,Thereispoetryinapainting."ThisisthemostpertinentevaluationofWangWei'sworks.Avarietyofartisticexpressionandhisworksandapplicationstructurechangesinthecreation,inthenearperfectembodimentofaqualitysuggestiveofpoetryorpainting,veryrepresentative,manypoemsarepopular,sothatWangWei'spoetryhasbecomeChineseliteraryhistoryaboutawonderfullandscapeandpastoralpoetry,hasgreatvitalityandcharisma."Painting-in-poetry,Thereispoetryinapainting".ThisisSuShiWanghighlypraisedtheachievementsoflandscapepoetry.WangWeitopoetandpainter'seyetoobservetheobjectiveworld,withtheirlong-termseclusioninbetweentheuniquenaturallandscapeisendowedwiththeuseofsensitivepaintingskill,hedon'tmasteraclippingnaturetothosemostcharacteristicsofwritingpoetrywithpoeticbeautyoftheriversandmountains,painting,thelandscapepoetryandlandscapepaintingarepermeatedforawhile,thawing.Hispoemsnotonlyreflectsthepaintingpoemcomposition,colorandshapeoftheUnitedStates,butalsofullyreflectsShanguangshuiseintemporaltransientsin.Intoaperson'stemperamenttothenaturalscenery,thecharacter,thespiritofpeople,thusmakinghispoems,spiritandvivid.3AnanalysisofImagesofNaturalPoemsbyWordsworthandWangWei3.1ImagesofFlower3.1.1ImagesofFlowerbyWordsworthInpoetry,Wordsworthoftenusespersonificationtomakeflowersbecomethesubjectiveexistencethatcanbedevotedtoconversation."Daisies"describestheconversationbetweenthepoetandthedaisies.Thebeginningofthepoemis"thevastworldisthousandsofthings,butthereisnothingtodoandseehere."/lovelydaisies,yourvirtues/makemetalktoyouagain.Thedaisiesintheeyesofthepoetarenolongertheobjectforpeopletowatch,butthesubjectthatcancommunicateandcommunicate.InWordsworth'spen,theflowersarespiritual,havethepassions,someofthesameemotionalexperience.Inthe"waterfallandwildrose"inthepoem,thewildroseofthewaterfallsaid,"leavesah,nowscatteredeverywhere,andwasattractedtotheCardinalsforshelter,/wesangmelodiousvoice;andyoudidn'tsoundwhat".Here,thewildroseaccusedfallsdevoidofgratitudebehavior,itenjoyedthebeautifulbringtheirown"clarity",butnowasyoufallleavesorblockingtheroad.Heretheflowersarenolongerpassiveobjectsilent,butpositivefeelingsofthesubjectofspeech.TheflowerinWordsworth'spoetryisatangibleexistence.Peoplecanperceiveandcommunicatewiththem.Atthesametime,itisaninvisibleexistence,theembodimentofthespiritofGod.3.1.2ImagesofFlowerbyWangWeiTheappearanceoftheflowerimageinpoetryhasalonghistory.Suchas"BookofSongs"Zhounan"Taozhiyaoyao,shining",his"Lisao"alsosaid"Mulanfalltowarddrinkingdew,Luoyingeveningmealsqiuju".PastoralpoetryinTangDynasty,manytaogongliulu,YamahanabrilliantimagefrequentlyappearsintheTangpoet.TheemergenceofmanyflowersinWangWei'spoetrymakesitchangefromanaturalscenetoaspecialimageandbecomesapoeticfactorwithuniqueartisticconnotation.WhenWangWeiappreciatesthesceneryofthefourseasons,allkindsofflowersarestriking.Suchasspringpearandpoplar,willowgreencolorXiYing,pearbirdhide."("spring"isthat"Oriole)getintotheWeiyangPalace,thetitle."("leftYipear")showedpearelegantandindifferent,isatrueportrayalofWangWeiAnne,fame."HuaiYincolorclearday,YangHuaprovokespring."("sendto"QiuTangstate)"poplarflyontheroad,HuaiTongGoushade."("serveandthesystemtosetthespringtothecountysystem")areofxichun.ItisworthnotingthattheimageofWangShizhong'speachblossomhasitsinheritanceanduniqueaestheticfeeling."Althoughthepeachdidnotopen,fullofEYiFangjy."("gifts"and"ShuangYanPeiShidi)atthebeginningoflife,fivenewpeachflower."("poem")"openborderpointsbetweenthewhitewater,Liuhongtao."("SpringGarden"that"greengrass)therainwatercancatch,buttothepeachblossomred."("Wangchuanvilla")isthePeachBlossomSpring"writtenbyAishanYuzhou;bythewaterspring,peachblossomtoTianjincliponbothsides."("Taoyuan")and"sticktostrategy,thePeachGarden."("BodhiTemplebanandPeiDi"sloganintwo)istheidealpastoralyearning;"pinkcompoundSuyu,LiulvmorewiththeDPRKsmoke."("sevenfirst"pastoralmusicsix)wroteatthebeautifulenvironment.Thelotusimage,whichhasattractedtheattentionoftheancientpoetry,appearedseventimesinWangShizhong."Thepan,thelotusflower."("foryou"onlyseen")saidlotus,YangZhizhouisevil."("left"mijinHulayill"isagift)lotus,inadvertentlybecomewillow."("Xichuan"forLiUpasaka)thisistherealmofZenBuddhism;"containingnewbamboopowder,lotusfallclothes."("mountain":)"whenXuanofwine,surroundedbylotusopen."("LakePavilion")togetthepoleMosplash,fearofwetredclothes."("Lotus"Wu)"firsttolotus,QingPuYangcomeback."The"cormorantWeir")arealltheportrayalandpraiseofthebeautifulscenery.Asautumnlaurel,"idlepeoplefallosmanthus,quietnightspringhill."("birdstream")towriteaquietmountainenvironment;"osmanthusflowerssuchassnowmountains,Motobe."("CuiJiudiwantstogototheSouthMountainrightawaythesloganandthefarewell")expectpedestrianstoenjoythenaturalbeauty.ThereareChuziMeiDongMei,"theofficialpalace,toLiuhuang."("spring"straightProvinceunderzaochao)describesthespringscenery;"tomorrow'swindow,plumblossomwithflower."("three"thefirstchores)unlimitedhomesicknesspinnedonthis;"alreadysawplum,complexsmell."("threefirst"third"chores)breezedrizzlewetplum,thehorsefirstJasperhome."("play"thehistoryof"Atlasisaportrayalofthepoet).BecauseofWangWei'spoeticsense,alsowroteotherflowerimagesin20poems.Althoughnotthewordstake,butto"idle"and"wildflower""Yuhuatai""flower"attitudeintothepoem,butalsoaddscolortothelandscapeandpastoralpoetry."Mountainflowersarenotopen,thetreeshadesintotheclouds."("LiMountain"community")fullofidleyangu,waterfallwaterYingSugiMatsu."("WeiLangmountain")isadescriptionofthemountainandtheenvironment;the"flowerandbirdhavechaos,JianToyamanoidlewindow."("send"ChongIndianmonk"fallingsilentcrowblackbird),willowgreenferrypeople."("food"forSI)staticanddynamiccontrast,outstanding"outsidethebluerealm;thegrassisluxuriant,Weiyangpalaceflowershabitat."("listen""energy-savingwoodchat),notthewords."("Ladyinterest")thetwopeoplehavetheaidoftheimageofflowers.3.2ImagesofBird3.2.1ImagesofBirdbyWordsworthWordsworthalsolikemanynaturalpoets,feeltherealityofdiscontent,sawtherapiddevelopmentofindustrialcapitalistsocietythough,butnaturehasbeenfataldamage,humanityhasbeenseriouslydistorted:peoplehavenopastbelief,someonlyischeating,theconceptofthesupremacyofmoney.Wordsworthdeeplyfeltthehorrorofthischange.Thepoetwantedtorebuildhisbrokentraditionalvirtueswithhisloveandadvocationofnatureinhispoems,hopingtofindthepeaceandparadiseinthepastinnature.IntheTotheCuckoo("thecuckoosong"),thepoetrecalledchildhoodheardthecuckoocrow,thesupinebackinthegreenpasturesofreverie,seemstobebacktothegoldenchildhood,accompaniedonceagainintoafantasyrealmofmysteriousbirds.Poetrybegantohighlightthecuckoomisty:"OCuckooshallIcalltheea!Birdbutawandering/OrVoice?"inthepoeminthefourthquarterofthemoreRhododendron:"Nobird,butdeifiedanin-visiblething/AVoice,amystery;"here,theshapeofthepoetthingsfadeintotheinvisiblesound,withahazybeauty.Tothesixthstanza,thepoetwillalsofurtherthesublimationofthespiritofRhododendronshadowless:"Andthouwertstillahope,alove;longed/stillfor,neverseen."therefore,poetandtheabstractimage"mystery"rosetoasymbolofaffection;"Ahope,alove".TheimageoftheRhododendronhasbeensublimatedtothehighestlevel.Attheendofthepoem,fullof"OblessedBird:aqualitysuggestiveofpoetryorpainting!Theearthwepace.appearsto/Againbe/Anunsubstantial,fairyplace;isfithome/ThatforThee!"Wordsworthwasadeeplyreligiousculture,intheeyesofhisnatureissacred,andinthepoem"thecuckooisamessengerofGod.Hecan'tsee,hecan'ttouchit.Hecanonlyfeelitwithhisheartandlisten.Ithasbecomeapoet's"hopeandlove",althoughitcannotbeseen,but"belongedfor".ThepoetislookingforwardtohisfreewanderinginthewoodslikeaRhododendron,movingawayfromthetriflesofthedustandgoingtotheparadiseofhisown.3.2.2ImagesofBirdbyWordsworthWheretheHermitagegardenandlandscapepoets,previouslyalwayswillbefrustrated,willputtheirtrustinnature.WangWeiisduetothepoliticalmovementShangguannotveryproud,alsolivedalifewell.Theirhopesandidealsareplacedinthemountainsandriversofnature,inthefields,inthebirdsandbirds.Inthis,thepursuitofBuddhismandTaoismcansoothetheharmonyofhismind.TheTaoistBuddhistconceptofinactionandrecovertheoriginalsimplicity,naturalBuddhist,"empty","lonely","combinationofdeath",WangWei'snaturepoemsnotonlyembodiestheTaoistnature,likeromanticfeelings,butalsonoshortageofBuddhismquiet,refinedstate.Thebirdhastwowingsandcanflyfreely,soithasalwaysbeenasymboloffreedomandidealinChinesetraditionalpoeticimagery.This"bird"imageinhispoemsexpressedmoremeaning,formsaredifferent,"bird","blackbird","birds".Theimageof"flyingbirds"hasalonghistoryinthehistoryofChinesepoetry.IntheBookofSongs,theimageofbirdsappearedinthepoemsofTaoYuanming,LiBaiandDuFu.SuchasTaoYuanming's"mountainairgoodbirds";LiBai's"birdsfly,lonelycloudaloneidle"inthe"bird"isanexpressionforcomfortable,thedesireforfreedom.Showapictureoftheleisurelyandcarefree.InWangWei'spoetry,"flyingbirds"alsoexpressedthemoodtoreturntonature."3.3ImagesofTempleofReligiousBelief3.3.1ImagesofTempleofReligiousBeliefbyWordsworthWordsworthisareligiousemotionallyrichChristian,whohascreatedaneweraofBritishRomanticpoetry.Thepoeminthecultivationofphilosophyandreligion,poetryprofound,freshandelegant,witharationalspeculativephilosophyanddivinity,togivepeopleinspiration.Wordsworthbelievespantheism,butheisaChristian,becausehisultimatepurposeofselfreflectionandregressionofthesoulinGod,heputthehumansocietyandnature,andevenpersonalitycharacteristicsareregardedascharacteristicsofGodrevealedeverywhere.ThatistheessenceoftheAlmightyGod,thatthespiritofGodinnatureisnotinheaven,natureeverywherethereisthespiritofGod,thesoulinnature,becausethenatureofthesoilisGodcreated,wehavetoreturntoearthto.AccordingtotheChristiandoctrine,Godisthesourceofallthings.BecausemanisthecreationofGod,itmustalsotakethedivinity.LifehasakindoflongingandyearningforGod.Thisyearningandyearningisaprofoundreflectionontheromanticpoets.Respectedbytheromanticliteratureof"manandnature"assimilation"andclaimedthatWordsworthisapersonoftheirmemoriesispantheisticview.TheformationofWordsworth'spantheismpoetryismainlyinfluencedbytwoaspects:oneisrelatedtotheFrenchRevolution;oneisthesuddenchangecausedbytheindustrialrevolution.Humannatureismaterialdesire.Sincecommittingtheoriginalsin,ithasbecometheoppositeofnature.ItconstantlygainsmaterialenjoymentfromnatureandconquersnaturewiththewisdombestowedbyGod.WhentheeighteenthCenturyrevolutiontrendacrossEurope,peoplegenerallyfeeljittery,everythingseemstocollapse,everythingbecomesuncertain,humanlifelostthereason,standardandjudgment.Atthistime,comparedwiththeintenseturbulenceinthehumanworld,thenatureissoorderlyandstable.Itprovidesarationalsymbolformankindwithitsimmutability.Itsbeautyislikealivingorganism.ForWordsworth,natureisclosetoGod'sexistence.It'stheworkofGod.ItisthepurestatethatGodcreatedpeoplebefore.Itisaspiritualexistencenaturally,andnatureisthecombinationofdivinityandreason.HumannatureisdeeplyfondlyonhisbodydivineMisssincereheart.Wordsworth'spoemispermeatedwithpantheism,reflectstheinfluenceofChristianculture,suchashis"LyricalBallads"inthe"to"step","latecuckoo,"sonnets"andothernaturalpoetrychantwasreflectedinthecreationofideasandreligiousbeliefs.Forexample,"ThePrelude":"aramblingschool-boy",HisSheeplikeGreenlandBears,ByBy,"t","t"and"t","Inthepoem",intheafterglowofthebackground,theshapeofafoggyshepherd'sharmony,quietandsolemnimage.TheartisticspiritoftheChristiancultureisclearlydiscernible.Inthisverseartisticconceptionthatpoetinoldagehasanewinterpretationofnature:moreemphasisonnatureisreflectedthespiritofGod,inhiseyes,--"shepherdportraithangingintheairofthecrossmodelofnaturalperson"(aerialCross),isthehumanspiritguide.Hispoetryhasadepictionofnaturalpantheismandnatureinthetwoseries.Thefirstbigseriesisasensitiveandpioushearttonature,andisalwaysthesourceofinspirationforhispoeticcreation.Suchas"evergreenvine"and"bird"inhispoemswritteninearlyspring,theyarenolongerflowersandbirds.TheloveofnatureandtheeulogiesofnaturearethecommonfeaturesoftheBritishRomanticpoets,andWordsworthismoreprominent.Andashis"WestminsterBridge"(ComposeduponWestminsterBridge),apoetwithpersonificationinthepoem,thenineteenthCenturyworldpolitical,economicandculturalcenterofLondonisastrongheartofthegiant,gladthattheycansleepinthegianttimetolookintoitwithoutsmearinghandsomeappearance.Thepoetconsciouslychosealargenumberofmonosyllabicwords,whichmadepeoplefeelanaturalbeautywithoutcarve,andthencametoaverydeepphilosophyoflifefromtheveryordinaryscenes:tomaintainthedevotionanddevotiontonature.3.3.2ImagesofTempleofReligiousBeliefbyWangWeiWangWeiisapoetwhoisdedicatedtoBuddhismandhasauniquestyle.ZenBuddhisminhispoetryhasthemostprofoundinfluence,thisinfluenceisakindofZenintothepoetaestheticconsciousnessinthebonemarrow,coldandlonely,emptystaticstate,thusformingthemostrepresentativescholarXiaoSan,Janefar,idleandlightlifestyleandpoeticstyle,andmakeinChineseclassicalliteraryhistoryandbecomeLiBaidingzuerlieveryone.Wangwordwall,andwordsaretakenfromtheBuddhist"VimalakirtiSutra",hisnameitselfsaidheofBuddhismisyearning,reflectshisdevotionandaffectionofbuddhism.Forheisreallyextremegratitudebuddhism.WangWeigrewupinastrongatmosphereofBuddhismisthefamily,hismotherCuilongAnnZen,aBuddhistprecepts,ateenagerhewasdeeplyinfluencedbythemother.WangWeihaoBuddha,anotherimportantreasonistheZen"allbeingshaveBuddhanature"toacertainextentwithhisthoughtsandfeelings.WangWeimingyunduochuan,whorobbedtrappedhuitianfali,butarenotwillingtoworktogetherwiththedisillusionmentinordertoobtainthenecessarymaterialguarantee,soboththeConfucianschool,andtalkedaboutZen,andwell,intotheworldtolivein,aheart,toescapevulgarpure,blendedConfucianismandBuddhisminthreeathreeBuddhathoughtperplexingroleinWangWei'sthought,histhoughtsandbehaviorarecomplexandsubtlecontradictions,religionisthestartingpointofWangWei,istheownership,isalsoakindofwisdomoflife.WangWeixinandtheworldtokeeptheirdistance,andinhimdoesnothavewhatdifference,indecisive,andrevel,WangWeipracticedBuddhismemptyandnotclinging,indifferentthings,inward,nottostruggletodevoidofcontradiction,namelytoBuddhism,ZenXiJingwaytoseekpsychologicalbalanceinZen,obtainsthespiritualcomfortandrelief,hisZen,istherealityofthetrigger.WangWeiisadeepConfucianismBuddhismessence,lappingZen(deepMadhyamikaLiuzuhuinengZen),otherworldlyZenBuddhismofConfucianisminfluencepoet,WangWeishiisthepoet'spoemanewartisticstyleandaestheticrealm,reflectthepoetryintheaircoldandlonely,quiet,therealmisaBuddhaZenXiaointohisaestheticconsciousnessinthebonemarrowandtheformationofthescattered,Janefar,idleandlightpoetryandprofoundpoetry:alight,quiet,harmonious,beautiful,ethereal.Suchas"WeiChuanTian","bamboohall","autumneveninginthemountains","industry","ZhongNandon'tpaya","newgovernment","clearambition","WangChuanatamagnoliadock","scholarPeidixiangjisi"etc..Zenpoemsrevealhighcultureclearpeacefulfine,someenlightenmentwitXuandebate.Heusesdemuremoodtoobservenature,thinkthateverythingwasempty,nothing,tovirtual,to,inhisviewofnatureisdivine.4.AnanalysisofThemesofNaturalPoemsbyWordsworthandWangWei4.1BeautyofNatureWordsworthandWangWeiseemtobetwopoetswhodonotmatchthewindandhorses.Thereisnorelationshipinculture.Butbecauseoftheirinterestinnature,strippedofculturalpatternsandlanguage.Later,theydescribedthenaturalartisticconceptionissimilar.Firstofall,theyarethesame.Thetwopoetsweresimilartothenature.Therearemanyrecluseimagesintheirpoems.Wordsworthevenplanstowriteasonglongphilosophicalpoem"hermit"isdividedintothreeparts,thenonlycompletedtwoparts.Thefirstpartoftheprelude(Prelude)isconsideredtobehismostimportantwork.WangWeiismoreconcernedwithwritingmountainsandrivers,pastoralandseclusionpoems.LookatWordsworth's"OdetoaSkylark":ToASkylarkEtherealminstrel!pilgrimofthesky!Doesthoudespisetheearthwherecaresabound?Or,whilethewingsaspire,areheartandeyeBothwiththynestuponthedewyground?Thynestwhichthoucanstdropintoatwill,Thosequiveringwingscomposed,thatmusicstill!Leavetothenightingalehershaywood;Aprivacyofgloriouslightisthine;WhencethoudostpourupontheworldafloodOfharmony,withinstinctmoredivine;Typeofthewisewhosoarbutneverroam;TruetothekindpointsofHeavenandHome!Thepoetistheetherealminstrel,andTianyupilgrim.It'shardtodespiseearthlysuffering,proudlyindependent,goodupwardtowardthesky.Hiswingedwingsplayedaquietmelody.Hiswonderfulsingingvoicesurgedthesacredandharmonysong.Becauseofthesufferingoftheworld,thepoetneedsthefreeSkylarktoleadhimtoaquiet,comfortable,harmonioushome.Thisfamilyisthenature,theopenspacethatcontainstheworld.Readtheinscriptionontheedgeofthehermitpointwrittenin1818.Oneofthemorepessimisticmood,isvisible.Whatishope?It'sanearlymorningdewdrop.Whatistheglory?Lookatthecandlestickthatwillbeextinguished.Whatistheflowerofyouth,thatisjustaspray.WhenWordsworthhadseenhighofficialpositionsandrichesbehind,andobsessedwiththenature.WangWeiwasalsoahermitlifepoemsyndrome:acaseofhispoem"reward"isanexcellentpieceofgovernment:Inthatquiet,donotcareabouteverything.Iamcapableofnogreatness,returnemptyoldforest.Pinewindwithenergy-saving.Juntothepoor,people'sdeeppu.WangWeisaidhe'squiet,notrelatedtoduties,Taoismisnogood,sosimplyemptymiscellaneousknowledge,returntotheunknownenvironment,backtothemountainretreat,afreefall.Ifsomeoneaskspoliticallythroughbecauseofthings,heisnotasongtosing,kawauragodeep.Andashispoem"JiChuanZhuang"rainclouds:Raincloudsemptyforestfireworkslater,LiDongMiaoofcookingsteamedmillet.Mistypaddyflyingegret,YinYinXiaMufuHuangPeng.Inthemountains,theviewofJingJingistodie,andthesunflowerofthePanasonic.Energy-savingseagull,whatmorebelieve?Thepoemdescribesthelifeofthecountryinavast,leisurelyandtranquilatmosphere.FeimingegretandHuangPengfreeinthepoem,Wangisfromworldlyhustle,wouldliketomakeaworldwithoutaffecttheperson'sideal.Finally,theauthorispleasedtothemselves:nowIlike,whobelieveme?Inaword,WordsworthandWangWeifornaturaldisposition,havesimilarnaturalseclusioninterest.Althoughtheirphilosophyoflife,wecannotagree.Buttheyfinallybecamewhitethingsinthehermitpoets.Nowondertheychantorflowersorsingorsingorlandscape,pastoralsong,farmer,thefeaturesofthepoemarerevealingaleisurelyandcarefree,unrestrained,quiethermitwind.Natureisthespiritualbackingofapoet.ThisisoneofthesimilarfeaturesofWordsworthandWangWei'spoeticnature.4.2TheTranquilityofRuralLifeThetwopeoplewrotethemoonlight