海明威英文简介

海明威英文简介欧内斯特米勒海明威，美国作家、记者，被认为是20世纪最闻名的小说家之一。下面是我为你整理的海明威英文简介，盼望对你有用!

欧内斯特米勒海明威简介

ErnestMillerHemingway(July21,1899-July2,1961),wasbornintheUnitedStates,Illinois,ChicagosuburbofOakParker,Americanwriter,journalist,isconsideredtobe20Oneofthemostfamousnovelistsofthecentury.

Hemingwayslifehaswonmanyawards.HewasawardedthebraverymedalduringtheFirstWorldWar;in1953,hewonthePulitzerPrizeforthebookTheOldManandtheSea(1);the1954OldManandtheSeawonHemingwayBellPrizeforLiterature.In2024,HemingwaysTheSunAlsoRisesandFarewelltoArmswereincludedintheBestEnglishNovelsofthe20thCenturybytheAmericanModernLibrary.

July2,1961,HemingwayinIdahoKetchumshomewithashotgunmittedsuicide.

Hemingwaysfeelingsintheplex,hasconcludedfourmarriages,istheUnitedStatesLostGeneration(LostGeneration)writersintherepresentativeoftheworksoflife,theworld,societyhasshownaconfusedandanxious.Hehasalwaysbeenknownastheliterarytyk,heisthespiritoftheAmericannationmonument.Hemingwaysworkmarkstheformationofhisuniquecreativestyle,inthehistoryofAmericanliteratureandeventhehistoryoftheworldliteratureoccupiesanimportantposition.

欧内斯特米勒海明威创作特点

languagestyle

Simple

Hemingwayhasexcellentlanguagecontrolability.Heoftenexpressesthemostplicatedcontentinthesimplestvocabulary.Itexpressestheconcretemeaningwiththebasicvocabulary,thesimplesentenceandsoon.Heusesnounsandverbstorevealthetruefaceofthings.Fromthepointofview,Hemingwayoftenusedabriefstatementoflanguageexpression,hebelievesthatthereisnoneedtousetextmodificationcarvedtograndstanding,aslongasthethingsdescribedclearlyontheline,theotherbythereadertodecide.Suchastheoldmanandtheseaintheoldmanwithaharpoonfrogbigfishscene,theauthordescribedastheoldmanputdownthefishingline,theharpoonheldashighaspossible,resortedtothestrengthofthebody,plushejustStrength,putitstraightdownintothesideofthefish.Inthesedescriptionstheauthordidnotuseanymodifiedingredients,buttheverb,thenounisasimplebinationtodescribeathrillingscene.Inthisplainlanguage,peoplecanfeeltheprofoundartisticrealmandartattheend,thisrusticlanguagealsomakesHemingwaysworkshavemoreaffinityandauthenticity.

Hemingwaysnovellanguagehasthecharacteristicsofnotredundant,simplestyle,simplesentence,simplewords,heoftenusethebasicwordasthecentertoconstructasinglesentence,rarelyusetheexpressionofideasadjectivesandadverbs.Inthetwenty-sixthchapteroftheFarewelltoArms,therewasadialoguebetweenHenryandthepriestaboutthewar.Thedialoguewasveryconcise,concise,withoutanyglitzment,butfromwhichthereadercouldfeelthepeopleOfdisgust.Inthenovelkiller,theuseofalotofconcisephrases,intheformofcolloquialdialoguetostarttheplot,throughthedialoguetoavoidalotofexplanationandplexbackgroundaccount,givinganimmersivefeeling.

Intuitive

Literatureandarttoexpressemotions,buttheemotionistorelyontheappearanceofthingsperspective,themoretheappearanceofthingsdirectlydescribed,themoreabletoproduceastrongvisualauthenticity,themoreabletonarrowthedistancebetweenthereaderandthewriter.Hemingwaywithahighdegreeofvisualizationofthelanguage,thevisual,olfactory,auditoryandothersensesintothelanguage,writetheshapeofthings,color,taste,etc.,withdirectvisualperformanceoftheuniverseandlife.AsinthesnowofKilimanjaro,Hemingwaywrotethatthemanwaslyingonthecanvasbed,andhelookedovertheshyshadeoftheshytreetothesunsdazzlingplain,withthreehugebirdshugging,andManyinthewingssoar.Hemingwaywiththissimple,simplelanguageistohighlighttheimageoftheclarityandvisualsensitivity.TheformationofthislanguagestyleiscloselyrelatedtotheImpressionistMasterCezanne,wholearnedhowtocontrolthereaderseyesfromCezanne,asintheearlynovelIntheNorthofMichigan,Hemingwayfocusedontheyounggirl,Cotzbody,withhereyesdescribethescene,inordertosuggestitspureinnocence,optimisticandnaive,fulloflongingforthefuture.

Theuseofpoundsentencesandclausesismoreinlinewithformalstyle,butthesentenceistoolongtomakepeoplelookmorestrenuous,soHemingwayinthedialoguetostrivetooverethisshorting,withsimple,smooth,vividsenseofrhythmtoexpressThemovementofthecharacters,thistextcanoftenproducevisualeffects,tothereadertobringavisualimpact.Suchastheelderlyandthesea,theMarlinsdraggedtheoldmanSantiagoswimdayandnight,theelderlyalmostfainted,butstillinsistonnotgivingup,thentheauthorwithaverysimplewordspullah,handAh,hethought,stoodfirm,legs,accuratelyexpressedthefatigueoftheelderly,resultinginastrongvisualandpsychologicalfeelings.IntheshortstorywhiteelephantmountainattheendoftheauthortotakethetroubletorepeatPleaseaskyou,please,please,please,begyou,begyou,IbegyouTheimageexpressesthegirlsupsetandproducesastrongvisualimpact.

Implicitemotion

Hemingwayhashisownspecialartisticstyle,heemphasizestheobjectivityofwritingandtheideaoftheimplicitimplicit,againsttheauthordirectlytothecharactersmentandimplied,heoftenusedimplicitlanguagetoexpressplexemotions,withalimitedformofexpressionofendlessconnotations,Sohisnovelsintheappearanceofquietly,buttheinnerfeelingsarerichandhot.IcebergprincipleisHemingwayscreativeprinciple,heinsistedthattheplexsociallifeshouldbeextractedfromthemostcharacteristicoftheplot,histhoughtsandfeelingshidden,inaccordancewiththeicebergprincipleleftsevensevenfeetofspaceReadersthinkandtrytofigureout.Suchasfarewell,weapons,theoute,Henryregardlessofthenursesinsidioustoseehiswifesremains,buttoseehiswifewhenthebodydidnothaveastatement,noratear,thissilentfarewelltodonotexplainandgetexplained,Alienatedandcoldandtherealizationofthepurposeofcare,toachieveheresilentvictoryeffect.Hemingwayoftenthroughtheimageofthecharacterizationoftheinnerworldofthecharactershiddenbehind,throughtheperformanceofthematerialworldtothereadertothink,toimaginethatthiswritingisafewpen,butitisintothewood,thecharactersPortrayed,showingadonotyieldtothefateofthetoughguyspirit.

Hemingwayoftenstrugglestogetridoftheinfluenceofsubjectivefeelingsonthework,withanearobjectivewaytoexpresstheiremotions,whichisoftendemotedasdumbcattle.Infact,criticsonlyflowintheworksofappearance,donotunderstandthefeelingsoftheauthorsheart.GermanwriterRyderhassaidthatHemingwaythroughtheindifferenttoreachtheexcitement,withoutexplanationtobeexplained.Inthewhiteelephantmountainsalmostalldialogue,worksalmostdonotseethetrailoftheauthor,butinthedialoguebuttherearedeepconnotation.Inaddition,Hemingwayisverygoodatusinglanguageambiguitytoexpresssymbolicandideologicalcontent.Suchasfarewell,weapons,theweaponshavetwomeanings,ontheonehandthemeaningofwar,ontheotherhandisthemeaningoflove,itsymbolizesthetwothemesofthenovelagainstwarandfarewelltolove;Mountains,elephantisnotonlythemeaningofelephants,thereareuseless,cumbersomemeaning.

Dialogue

Fromthenarrativeapproach,Hemingwaysnovelsdialogueisshowratherthantell.ItisakindofperfectimitationthatbelongstoPlato,ratherthanthekindofpurenarrativethatitwantstocreateadifferentdegreeofimitationoftheillusionthatisthepoetsendeavortocausehimnottospeakButapersonintheillusionofspeech.Comparedtothetwo,purenarrativenarrativeandeventdistance,aspureimitationdirectly.Thedialoguegivesthenarratorpletethecharacter,whichpushestheimitationoftheutterancetotheextreme,pletelyobliteratingthetracesofthenarrative,givingthewordstothecharactersandoccupyingthefrontdesk.Inthiscase,theshadowoftheauthorsubsided,asiftherewereonlypeopleinthestory,withoutthenarrator,thestoryoftheperson,inotherwords,thenarratordidnotinterveneorseldominterveneinthenarrative,Underthetracesof.Thisnarrativeapproach,intermsofitsdistancefromtheobjectbeingdescribed,isveryclose,almostequaltozero;itissubtleintermsofthenarrativeinformationitconveys.Hemingwayusethenarrativemeansofdialogue,itsintentionisshow,thepursuitofperfectimitation.IntheKilimanjarosnow,inordertohighlightthedialogue,theopeningisthedialogue,veryunexpected,thisisthedisplayofthenarrativestyle.

Inordertomeettheconciseexpressionofthisexpression,hisdialogueasmuchaspossibletowriteaverygoodunderstanding,notesotericwords,withoutbigwords,andsmallwords,aslongasthereaderinaccordancewiththeordertoreaddown,fullyunderstandthewordsofeachspeakerisWho.Inaddition,eachparticipantinthedialogueisgenerallytwo,onequestionandanswer,orchat,orcontroversy.Thereasonwhythetwopeopletomaintainthismeasure,ratherthananumberofpeople,becausemanypeople,intheabsenceofthenameofthespeakerinthecaseofthereaderisnoteasytofindoutwhichone,whichisveryimportant.Whenthereisathirdpersonormoreconversation,Hemingwaymustindicatethenameofthespeaker.

Hemingwayalsowrotestyleofspoken,hisdialoguesentenceisshort,simplestructure,thereisnogorgeousrhetoric.ThisstyleofspokenlanguageischaracterizedbytheuseoftheAmericanMidwestpeoplesspokenlanguageanditsrhythm,butalsomixedwithdifferentlocallanguage,thelanguageoftheancientHavana,theSpanishlanguageoftheGuadalrama,SpanishEnglish;Thelanguageofthefisherman,thelanguageofthebullfighter,thelanguageofthehunter,etc.,readthesoundofthesound,oftentothereaderareallanguageillusion.Theyusethevocabulary,pronunciationmethodsarenotthesame.WesaythatHemingwaysnovelsareneverfancy,andareusedtoavoidadverbs,adverbsandothermodifiers.Thisisreflectedinmanyaspects.Thedialogueisnoexception.WecanalsosaythatitisbecauseofthelargenumberofdialoguesusedinHemingwaysnovels.Therefore,thelargetractsofthedailylanguageofthenovelcausedtheoverallsimplicityofthenovel.Inmodernnarratology,thenarrativemeansvariedandvaried.Hemingwaysloveofthisuniquenarrativestyle,thereasonis:theuseofstructuralism,distanceandangletheorytoobserve,thedialoguecanmakethereaderfeelimmersive,andthenarrativeisdifficulttoachieveThisrealisticeffect.Inaddition,thedialogueismoreconcisethanthenarrative,butalsomorevividsense,implicationismoreabundant.Inviewofthedialoguewithsuchagreatsuperiority,thenovelmasterHemingwaydidnothesitatetoadoptit,anditscharmtoanunparalleleddegree,makinghisnovelunique,dominate.

Relationshipbetweenmenandwomen

FromthethemeoftherelationshipbetweenmenandwomentoanalyzeHemingway,itiseasytosee,despitethekeentodescribethemanswildandheroic,Hemingwayhasindirectlyexpressedhisfearandhatredofwomen.Hiscodeheroes(codeheroes)arefightingalone,evenifthewomanhasanyrelationship,andultimatelytobeseparated.Strongsenseofdestinyanddeathinhisworkstobegenerallyreflected.Itsmasterpieceoldmanandtheseaisasketchofapurelymaleworld.DHLawrenceobservedapatternofmenandwomeninHemingwaysshortstory:Apersonwantstobefree.Justavoidonething:getinvolvedinit.Neverbeinvolved.Ifyouarecaughtbysomething,getridofit.Getridofitandleave.

Forexample,thisisaboutRobertJordanintheSpanishcivilwartoparticipateinabombingbridgemissionstory,whichinterspersedwithJordanandMariasromanticlove,theyonlyhavethreedaysofromance,JordanretreatWhenthelegswereseriouslyinjured,andMariacannotgotoMadrid.ThreedaysinthemountainsisthebestofJordanslife,heandMariaslove,althoughshort,buttoachievetheeternal,Jordansloveintherevolutionbeforethecauseofthesacrifice.HeknewthathewasstillindangerandwasdedicatedtotheSpanishpeople.However,fromanotherpointofview,thischoicealsoreflectsthecrueltyofHemingway.HedidnotknowifJordanandMariajointlysafewithdrawalisasignthatthebeginningofabetterlife.Hewouldratherchoosetogloriouslydie,ratherthanromantictogetherforlife.Inthefarewell,weapons,HenrydidnotstarttoCatherineseriously,andthatisjustagame.Itsbetterthangoingtothehouseeverynight,itsagame,justlikeplayingabridge,butitsnotplayingcards,buttalking.Forexample,whenCatherinessurgerywasHenrysmonologue,criticsThatCatherinesdeathandHenryshostilitytoher,inthelastchapter,whenCatherinessurgery,ashortperiodoftime,Henry19thoughtCatherinewilldie,deadtherecurrenceofthewordseemstobeWiththemagicofthegeneralanxiety,whenCatherineontheoperatingtablefullofpainfulbleeding,Henrytwiceouttodrink,butalsoeatsomething-becausehewashungry.Whenhecameback,Catherinewasdead.AndthenintheforeignlandinthemajorandIdialogue,forexample,thisstorymentionsthattheyoungwife