中国舞蹈欣赏课件

中国舞蹈

ChineseDance

诗，言其志也；歌，咏其声也；舞，动其容也。三者本于心，然后乐器从之。是故情深而文明，气盛而化神，和顺积中，而英华发外，惟乐不可以为伪。

(《乐记·乐象篇》)Introduction舞蹈是一种人体动作的艺术。凡是借着人体有组织和有规律的动作，通过作者对自然或社会生活的观察、体验和分析，然后用精练的形式和技巧，集中地反映了某些形象鲜明的人物和故事，表现个人或多数人的生活、思想和感情的都称之为舞蹈。舞蹈必须通过人体的动作和姿态才能表现出人的思想和感情，因此，舞蹈这门艺术是综合了视觉和听觉这两方面的艺术，是综合了文学、音乐和绘画这三种艺术的要素而成长起来的一种融合了的、绝对不可分的综合艺术，是一种有机的独立的综合。舞蹈的建筑美：多维空间

舞蹈的书法美舞蹈是前语言的文化形式舞蹈存在于先民所有的社会文化活动之中祭祀庆典出征求偶婚丧驱邪祭祀ClassificationofDancesRecreationaldanceEducationaldanceRitualdanceTheatricaldanceNodemarcationlinebetweenthemChineseTheatricalDanceClassicaldance（古典舞）Folkdance（民族民间舞）连臂踏歌陶盘Confucianideaofmusicanddance:Basedontheunderstandingoftheimportantinfluenceofmusicanddanceonman’sthoughtsandfeelings,Confucianismconsidersmusicanddanceasaneffectivemeansofeducation,whichcanhelptoconsolidatetherulingofthestate.(礼乐刑政，其极一也。)MoZi’snegativeattitudetowardsmusicanddance(Anti-music,or《非乐》三篇,Onlythefirstchapterexists.):UnliketheConfucians,MoZiholdsthatmusicanddanceareoflittleimportancetopoliticsandtotheadministrationofthestate.Heissoradicalthathedeniesthesocialfunctionofmusicanddance,sayingthat“themoremusic,thelessefficiencyinadministration.”（其乐逾繁者，其治逾寡。）TheTaoistviewofmusicanddance:“Thefivecolorsblindone’seyes;thefivemusicalnotesdeafenone’sears.”(五色令人目盲，五音令人耳聋。——《老子道德经》)TheLegalistsalsoopposemusicanddance.TheHanDynasty BaiXiflourishes,whichcontainsacrobatics,magic,martialarts,comicperformance,musicanddance.ZhaoFeiyandancesonpalms.TheTangDynasty InstitutionsofmusicanddancesuchasJiaoFang,LiYuanandTaiChangSiareestablishedandattachedtothecourt.TheTangmusicanddanceareasprosperousastheTangpoetry.(QinWangPoZhenYueandNiShangYuYiQu)TheSongandYuanDynasties Chineseoperagraduallyreplacesdanceasthedominantformofperformingart,anddancehasbeenintegratedintotheperformanceoftheYuandrama.

ClassificationRuanWu(软舞),orGentleDance,e.g.LiangZhu(梁祝),ChunJiangHuaYueYe(春江花月夜,MoonlitSpringNightwithFlowersbytheRiver)JianWu(健舞),orVigorousDance,e.g.XiaoDaoHui(小刀会,

TheDaggerSociety),QinWangPoZhenYue(秦王破阵乐,

PrinceQinShatterstheEnemy’sBattleArray)Againnodemarcationlinebetweenthem.文舞：《扇舞丹青》文舞武舞（健舞）PrinciplesofChineseClassicalDance,ComparedwithBallet

Chineseclassicaldance

Close-inCentripetalCirclingmovement,

Straight-lined posture

MovementassymbolBalletTurned-outCentrifugalStraight-linedmovement

Roundposture

Movementassign芭蕾的“开、绷、直、立”

芭蕾的“开、绷、直、立”芭蕾的“开、绷、直、立”DevelopmentofChineseClassicalDanceAssimilationofelementsofballet,e.g.WeavingFishnets

Revivalofancientstyle,e.g.FlowersontheSilkRoute

敦煌舞蹈ChineseFolkDanceMongoliandanceTheUygurdanceTibetandanceKoreandanceDaidance,e.g.PeacockDance

Lidance,e.g.StrawHatDance

Handance,e.g.YangGe

蒙古族舞蹈加工过的维吾尔族舞蹈孔雀舞傣族舞蹈《两棵树》、《月光》黎族和佤族舞蹈汉族民间舞：《黄土黄》DevelopmentofWesternDanceRudolfLaban’sphilosophy:ThesignificanceofmovementsinthelifeofmanHarmonyinnatureandinmanNaturalrhythmMovementasavisiblecreativeinfluenceMovementasacreativeartMovement,effort,expressionandcommunicationConflictIsadoraDuncan:Greekideology,freedomRuthSt.Denis:OrientalmovementDuncanandSt.DenisbroughtintobeingtheAmericanmoderndance“最自由的身体里藏着最高的智慧”“最自由的身体里藏着最高的智慧”“最自由的身体里藏着最高的智慧”“最自由的身体里藏着最高的智慧”“最自由的身体里藏着最高的智慧”“最自由的身体里藏着最高的智慧”TheWayofDanceTheWayofDanceDancesComparedtotheThreePhilosophicalSchoolsinChinabyHongKongChoreographersBallettoConfucianism(舞细艺,ordanceasthesixdelicatearts)ModerndancetoBuddhism(舞偈,ordanceasBudd