10机31超设计09英文翻译翻译

1、erior Design of Contemporary Womens Leisure SpaceABSTRACTTwenty-Century is the age of women, women from family to society, the past bydominant male public space, now active in more of a female figure, and even a women onlyspace, such as beauty salons, womens club, womens clothings and other female c

2、onsumerspace is ceaseless emerge in large numbers, although these space design and retrofit emerge in anendless stream but a few people from the feministto examine it, has always beenignored. Contemporary society is a consumer society, womens leisure main body beautyconsumption as the main content o

3、f leisure. Feminist bef is : to destroy the female oppres,not only need to be equal, also need to allow women toe the right of free choice and controlhis right to live. Feminist advocate for women and all peoplee the freedom to choose, cangrasp their own life. Leisure hase a part of our life, leisur

4、e life in many aspects topromote womens self-development, liberation and beioral changes in potential. Throughleisure women can get more achievements and improve their sus in life, the right to life andal confidence enhancement. Contemporary urban female leisure space is actually at thetime of compl

5、etion of physical reproduction, and the body of constras, in the space of thebody control and performance. Beautify the bodyes the main content of female leisure,leisure in the consumer society has been anated to body consumption. Therefore theproduction of body beautiful space is the feminine leisu

6、re space, its essence is bodyconsumption space.Key words: women, consumer, leisureMasculine modernist design style caused gender divi. It ans human nature. Inmodern times，women rise and the feminine design is a user-friendly design style of a return. inpursuit of the curve and the curve ，in pursuit

7、of color and colorhe pass been abandoned.It is a woman body design not female design .Female design needs rationalysis of solchange and the new female physiological and psychological characteristics on the femininedesign. Italso conforms to the trend of sol change. This prdescribing the rise andthin

8、king about the women and the feminine design of this objective fact，which will also serve asa reference in other areas.Nowtdesignis understood from Tokyo to Moscow,from Buenos Aires to Montreal,it isobvioust each country according to its politics,its sociology,its industry,usesdesignin adifferent wa

9、y;but one must addt a universal language is being constructed daily.The wordcultureis used throughout the text in its most democratic sense,t is, as a conceptwhich embrathe ideas and values expressed by modern society as a whole,rathern onewhich only touches one level of human endeavor,in parallel,d

10、esign is understood here as a phenomenon which affects everybody.This definition of culture has to be considered within a broad context which subsumeseconomics,politics and technology as these are the forwhiche determined the dominantcultural patternsodern society.design is also formed and sustained

11、 by these forand,as aresuesignd artefactas cultural ciphers.his book,ie set out to examine both theway in which culture has influenced designhis century and the manner in which design has ,in its turn,played a part in creating culture through the objects,institutions,alities and thepatterns of beiou

12、r and thoughtvepanied it.since 1900, design and culture,hiswide sense,ee increasinglyerdependent and the implications of this relationshipwill re-emerge constantlyhe following chapters.（Design and Culture)On the feminist concept to examine SPA female leisure space design deficiencies are: spacedesig

13、n aesthetic image, rigid single scenes wisingle, traditional style of contemporary femaleleisure space, create escbour, palace garden, these female living space, is stereotypedsingle. Ta, lace, curtain, pattern, bead curtain create a lady living environment, either theRoyal magnificent concubine har

14、em, either big claustrophobic lady bour. If the above thetraditional design style is notthe traditional patriarchal discourse, did not reflect thecontemporary womens subject consciousness, so modern contemporary style to the abstractelements for design of geometric comition characteristics for moder

15、n women design femaleleisure space whether fled from the male discourse discipline? From the symbolicysis ofthese symbols, without exceptionhe metaphor of femaody beauty, it shows the consumersociety of femaeauty is physical beauty, iggestive of surrealism perfect female image andas fantasy female i

16、mage. Fluent soft curve, elegant st color, soft and fine fabrics, smoothand clean texture, ambiguous romlight, petals Nebula patterns, vivid highlights womenssexy, slim body image, and through the production of sol space of popular consumer culturecondenseshe space, whiakes women through a real spac

17、e, feelings and understanding ofsol cultural norms and cultural requirements of the specification, and these cultural norms andstandards of living. Although publicity rhythm beautyn implicit traditional female beautyshow more contemporary female self-confidence beauty, but the beauty of form is stil

18、l theconsumption culture construction of female beauty. Beautiful women,o a religious orderabsolute. Beautiful women hase a cultural symbol, a function existence. In maleaesthetic standards for the design of the three types of femaody consumption space problems:thefrom the design, the contemporary f

19、emale leisure space language aestheticform of stereotypical, tend to use several standard stereotyped femaeauty shto the spaceform of language, by allowing women to see space from the mirror to see themselves ashallucinations and anxiety according to discipline, female stereotypes of beauty to dress

20、 and discipline yourself, ignore female other aesthetic demand; second from the design ideology,womens casual nature still stays in a materialistic low level class,he spiritual and culturalfield construction defects. Female leisure space is essential at the time to complete the body ofreproduction,

21、and the body of constras,he space of the body control and performance. Body writing as eliminating phallocentrism authoriive discourse, beior standard,building an independent and equal feminist space writing strategy, and for feminists arerespected, and therefore with male construct female body beau

22、ty, shathe feminine spacedesign and be quite different. Feminist notions of the female space is to use female languagesystem to construct spatial, functional requirements, to meet the needs of women, femaleaesthetic expresof feminine consciousness, reflect the female life, reveal contemporaryfemale

23、style exclusive female users of space. Thousands of years of human history, the femalehas been in the Aphasia, all history is the male creation, male master discourse right, alldescriptions of female language is male consciousness to dip, then French feminist ied a body writing slogan. Body writing

24、space is the female bodyo space in this text, with thebody language of art makes the body directlyo the space, with the body of an irrational,nonlinear, without a clear sense of narrative story in order to destroy, linear narrativeo anon-linear narrative, deformation and a nate story elements to sub

25、vert the rational, linear, the central idea of explicit male consciousness of spatial narrative way, from the spatial essence construction has the female essence characteristics of the space form. Deconstruction single,surface, rigid, stylized beauty of the female form, using feminist film language

26、experimentaltechniques, to help construct a female space design language expresmethod, which isappd to the female space design, rich female space design language, from the multiple s to portray female space.Feminist female space design is not only correct contemporary space exists sexual aestheticfo

27、rms, but also from the substaial proceed with of space, construct a really belongs to a femalespace design language. According to the spatial design language system diagram represents thecontent of view, the system is dividedo surfatructure and deep structure. The languageform is the surface structu

28、re, from the viof sic visual reflection space aestheticcharacteristics, can quickly determine tder feature space. Syntax and sems is the deepstructure, while the deep sex feature is need spacehe peoplehe time of walking to feelspace ming, sequence and combination mode, combined with their own cultur

29、al backgroundto understand and feel the gender differenin characteristics bring aesthetic differenofexperience. Therefore the deep structure reflected the feminine essence, the space design is sible on the true meaning of female space. Through the comparison of female literature, art,film can find t

30、heir common ground: feminist literature, art and film are in recognition of femalenature and use of body on the basis of the construction of female language, espelly thefeminist literature and art to the body and their own living environment for the language symbol is the most prominent; common crea

31、tion methods all is deconstruction method, breaking thetraditional patriarchal ideology construction of the female language symbol system, let thesymbols can cure and a fixed relationship to collapse,he grammar construct female narrativeand writing style, in a sem signified relation showed different

32、houghts and feelings.concepto the feminist deconstruction fixed signifier andand differance, use their own language to express their ownReview of Chitraditional culture, promote the body balance of female recreationalspace in space design, the language also shoulde both feminine and masculine in nat

33、ure,temperament, andernational balance, coordination in the emphasis on gender differenbased on the pursuit of a bisexual harmonious symbiosis of space, is the Gender harmony of the female space in language design of the system isperformance of feminine nature, the surface structure can be masculine

34、real female space. he deep structureform of languageelements. From the care of female aesthetic psychological needs of multi-level,female leisure space design the highest requirements, is through the space design to convey thebeauty of the female is diverse, sot womenhis space of seeing his own soul

35、 attitude, selfdiscovery, understanding, self consciousnesf, true to myself, to a new attitude and attitude inthe face of every day of my life. Space for quiet, illusory effects can make the female from thedesire to own innerrospection.当代都市女性休闲消费空间室内设计摘要：21 世纪是女性的时代，女性从家庭社会，过去由占主导地位的公共空间，如今活跃着的是女性身影

36、，甚至还有女性专属的空间，例如美容美发店、女子、女子服装店等女性消费空间不断涌现，虽然这些空间设计花样翻新层出不穷但却很少人从女性主义角度去审视它，一直处于被忽视的地位。当代社会是消费社会，女性的休闲主要以身体美消费为主要的休闲内容。女性主义的信念是：要消灭女性所受的，不仅需要平等，还需要让女性有的权利及控制自己生活的权利。女性主义提倡让女性和所有人都有，都能把握自己的生活。休闲已经成为生活的一部分，休闲有促进女很多方面的自我成长、和行为变化的潜能。通过休闲女性可以获得的成就和自己在生活中的地位、权利和个人对生活的把握的增强。当代都市女性休闲空间实质是在时间上完成身体的再生产，并对身体进行约束

37、，在空间上对身体进行与表现。美化身体成为主要休闲内容，女性的休闲在消费社会已经异化为身体消费。因此生产“身体美”的空间就是这些女性休闲空间，其实质也是“身体消费”空间。：女性， 消费， 休闲化的现代主义设计风格造成两性，是对人性的异化。在当代，女性的崛起及女性化设计是对人性化设计的一种回归。摒弃以往的为追求曲线而曲线，为追求色彩而色彩，表面是女性化设计实质是女体化的设计，理性分析新的社会变迁及女性生理、心理特点上的女性化设计， 即是对两性平等的回应，也是顺应社会变迁的趋势。本文阐述并思考了女性的崛起及女性化设计这一客观事实，这也将对其他领域有借鉴作用。从东京到莫斯科，从爱利斯到，“设计”一词众

38、所周知。很明显，每个国家，根据他们各自的政治，经济，社会，工业的情况，通过不同的方式应用“设计”，但是须提到的事，一个世界 范围内的词正在变得日常化。 “文化”一词，在众多的范围内广为应用。作为一种观念，和价值的体，他像一个车轮一样，在当今社会中快速传递着，他的力量远远大于一个人自身的力量。同样地，设计影响着每一个人的这种现象，被人们所理解了。文化必须是一个比较宽泛的定义。它涉及到政治，经济和技术，并以这些决定了社会的文化模式。设计同样由这些方面并且将其持续发展着。所以，经过设计的史前艺术品便成为了文化的印记。在这本书中，我从两个，一个是在本世纪中文化对设计的影响的方式，应一个是设计的。这一次

39、，作为创造这个角色，文化通过事物，机构，个性和行为模式，并且通过他们始终伴随着。自从本世纪初开始，设计和文化，在这样一个宽泛的领域中，变得愈加互相依存。以女性主义观念来审视 SPA 女性休闲空间设计不足之处是：空间设计审美形象刻板单一、场景单一，传统风格的当代女性休闲空间场景，营造逃不出闺阁、宫殿、花园等这些女空间，显得刻板单一。流苏、帷幔、花边、图案、珠帘等营造出淑活的环境，要么是富丽堂皇的嫔妃后宫，要么是深宅大院幽闭的闺房。如果说上面的传统设计风格没有传统父权话语方式，没有体现出当代女性的主体意识，那么当代现代风格以抽象元素几何为设计特征为时髦女性设计的女性休闲空间是否逃离了话语的规训？从

40、符号分析后得出这些符号，无一例外都在隐喻女性身体美，这正表明消费社会的女性美就是身体美，暗示的是超现实完美化的女性形象和作为“对象”的女性形象。流畅柔美的曲线、淡雅甜美的色彩、柔软纤细的织物，光滑洁净的肌理，暧昧浪漫的光照，花瓣的图案，惟妙惟肖地突出了女性的、苗条的身体形象，并通过空间生产把社会流行的消费文化凝结在空间中,这其间让女性通过实实在在的空间，感受和认识社会存在的文化准则和文化要求的规范,并以这种文化准则和要求来规范自己的生活。虽然张扬律动的美比起含蓄内敛的传统型女性美更能彰显当代女性自信美丽的一面，但这些美的形式依然是消费文化所构建的女性美。“美丽之于女性,变成了式绝对命令”。美丽已成为女性的一种文化符号、一种功用性存在。以审美的三种类型的女性身体消费空间出现的问题：第一从设计层面来讲，当代女性休闲空间语言的审美形式刻板，倾向以几种标准刻板的女性美塑造到空间形式语言中，通过让女性看到空间就像从镜中望见自己产生幻觉和焦虑感，从而规训女性照着这种刻板的