《傀儡人生》电影赏析

1、傀儡人生（Being John Malkovich）1999年Charlie Kaufman in the film, "dummy" than he wrote and directed "New York synecdoche" simple, it is because of the simple, just let the "puppet" more "beautiful life". The story is set to be a bit of a mystery, John Cusake plays

2、Craig in a New York office building to do administrator, one day, he found a hidden door in the office behind the chest of drawers, he found himself in the past after drilling into the famous actor John Markovic's brain, in 15 minutes to control Malkovich's line of sight, prying into his pri

3、vacy. 15 minutes later he was automatically ejected Malkovich's head.The story in this setting as the foundation began to develop, the audience in the process of "difficult" but the feeling is not strange, because sometimes it is Malkovich in action, but in fact he is in accordance wit

4、h the will of Craig in the work. But as a result of the film also use very specific image display multiple personality, human desire and other topics, such as when Craig got into the Malkovich's head, found in various forms of Malkovich. As long as the audience to understand that this is Kauffma

5、n in to show "every character is multi-faceted, will not be the peculiar scene scared.The film with the well-known peculiar ideas.When Diaz was asked about the piece of road special appearance feel, she laughed and said: "never tried to dress, is the first attempt in this type of play, eve

6、n I myself much faster not recognize myself, hope the audience don't be her modeling scared just good ". On the "puppet" in human life that there is a "magic entrance " movie, asked whether they believe? Cameron answered: "human unpredictable realm is very wide, I a

7、m sure that the future should have the opportunity to find it. "If you really have this entrance will want to enter the who in the brain, her mysterious said:" of course, is your favorite person, want to see, is not on his side, what does he do? "But she still emphasize that this movi

8、e is to allow more people to see the world from different angles, experience side dear ones, look good, everyone's feelings.In addition to talk to impressed her what, she said excitedly: "and animal shooting very hard, because you can't control them, the more difficult it is also filmin

9、g and gorillas shut in a cage, don't look at only a small section of the lens, but I have to and orangutans for nearly 15 hours! Design and once in the jungle of captured gorilla undid her bound hands, just started also really a little afraid, after all, orangutans are animal, do not know when i

10、t will be beastly bite me, after before the shooting together I think we're just slowly open heart to each other, and the play is NG 25 times, it is a big challenge. "查理·考夫曼的电影中，傀儡人生远比他自编自导的纽约提喻法简单，也正是因为这份简单，才让傀儡人生显得更为“好看”。这个故事设置得有点神秘，约翰·库萨克饰演的克雷格在纽约一栋写字楼做文档管理员，一天，他在办公室柜子后面发现一道暗门，

11、他钻过去之后发现自己进入到著名演员约翰·马尔科维奇的大脑中，在15分钟内能控制马尔科维奇的视线，窥探他的隐私。15分钟之后他就被自动弹出马尔科维奇的脑袋。故事以这一设置为基础开始发展，观众在观影过程中的感受并不是“难懂”而是奇特，因为有时候明明是马尔科维奇在行动，但其实他是按照克雷格的意志在做事。不过由于片中也用很具体的影像展示多重人格、人性欲望等话题，譬如当克雷格钻进马尔科维奇的脑子时，发现各种形态的马尔科维奇。只要观众明白这是考夫曼在向大家展示“每个人的性格都有多面性”，也就不会被这些奇特的景象吓到了。本片以创意奇特著称。 当蓉狄亚被问到对片中路特的外表有何感想时，她哈哈大笑并说："从没尝试过的装扮，是第一次尝试这类型的戏，连我自己多快不认得我自己了，希望观众别被她的造型吓到了才好"。 关于傀儡人生这样以人类皆有一个"神奇入口"电影，问及自己是否相信？卡梅隆回答说："人类不可预知的境界还很广，我肯定未来应该会有机会找到它的。" 如果真有这个入口会想进入谁的大脑中，她神秘的说："当然是自己喜欢的人，想看一看，不在他身边时，他做些什么？" 不过她仍强调这部电影就是希望让更多人由不同角度去看世界，体验身边亲爱的人，设身处地去着想，每个人的感受。 此外聊到令她印象深刻有哪些，她兴奋