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1、木雕的雕刀种类 刀具是从事木雕创作的最直接的助手和伴侣。 刀具是从事木雕创作的最直接的助手和伴侣。在木雕的工艺制 作过程中,雕刻刀及其辅助工具起到十分重要的作用。刀具齐备,会磨会用,不 仅能提高工作效率,而且在造型上能充分发挥自己的技巧,使行刀运凿洗练洒脱, 清晰流畅,增加作品的艺术表现力。 雕刻刀的种类有很多,以下介绍几种主要的刀具及用途。 雕刀 雕刀 1、:刃口呈平直,主要用于铲平木料表面的凹凸,使其平滑无痕。大型号 用来凿大型的木雕,有块面感,运用得法,如绘画的笔触效果,显得刚劲有力, 生动自然。平刀的锐角刻线,有强烈的木趣刀味。 2、圆刀:刃口呈圆弧形,多用于圆形和圆凹痕处,在雕刻传统

2、花卉上也有 很大用处。圆刀横向运刀比较省力,对大的起伏、小的变化都能适应。而且圆刀 的线条不肯定,使用起来灵活且便于探索。 3、斜刀:刃口呈45度左右的斜角,主要用于作品的关节角落和镂空狭缝处 作剔角光。如果刻人物眼角处,斜刀更好用。斜刀又分正手斜与反手斜,以适合 各个方向。 4、中钢刀:刃口呈三角型,因其锋面在左右两侧,锋利集点就在中角上, 因此用里推压越重,三角刀刻出的线条就粗,反之就细。三角刀主要用于刻毛发、 刻装饰线纹,操作时三角刀尖在木版推进,木屑从三角槽内吐出,三角刀尖推过 的部位便刻画出线条来。 木雕的辅助工具主要有敲锤、斧子、锯子、木锉。斧子的用途是配合出坯, 大量砍削木料,注

3、意砍削时不宜用力过大,不可直上直下砍,斧刃应与垂直的木 纹保持45度左右,否则,木料会开裂。木锉的用途主要是在圆雕的细坯阶段, 可代替平刀将刀痕凿迹锉平整以便修光,又可代替圆刀或斜刀作镂空处理。 Whe n you are old and grey and full of sleep, And no ddi ng by the fire, take dow n this book, And slowly read, and dream of the soft look Your eyes had once, and of their shadows deep; How many loved y

4、our mome nts of glad grace, And loved your beauty with love false or true, But one man loved the pilgrim soul in you, And loved the sorrows of your cha nging face; And bending dow n beside the glow ing bars, Murmur, a little sadly, how love fled And paced upon the mountains overhead And hid his face

5、 amid a crowd of stars. The furthest dista nee in the world Is not betwee n life and death But whe n I sta nd in front of you Yet you dont know that I love you. The furthest dista nee in the world Is not whe n I sta nd in front of you Yet you cant see my love But whe n un doubtedly knowing the love

6、from both Yet cannot be together. The furthest dista nee in the world Is not being apart while being in love But whe n I pla inly cannot resist the year ning Yet prete nding you have n ever bee n in my heart. The furthest dista nee in the world Is not struggli ng aga inst the tides But using on es i

7、n differe nt heart To dig an un crossable river For the one who loves you. Whe n you are old and grey and full of sleep, And no ddi ng by the fire, take dow n this book, And slowly read, and dream of the soft look Your eyes had once, and of their shadows deep; How many loved your mome nts of glad gr

8、ace, And loved your beauty with love false or true, But one man loved the pilgrim soul in you, And loved the sorrows of your cha nging face; And bending dow n beside the glow ing bars, Murmur, a little sadly, how love fled And paced upon the mountains overhead And hid his face amid a crowd of stars.

9、 The furthest dista nee in the world Is not betwee n life and death But whe n I sta nd in front of you Yet you dont know that I love you. The furthest dista nee in the world Is not whe n I sta nd in front of you Yet you cant see my love But whe n un doubtedly knowing the love from both Yet cannot be together. The furthest dista nee in the world Is not being apart while being in love But whe n I pla inly cannot resist the year ning Yet prete nding you have n ever bee n in my heart. The furthest

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