宋代陶模玩具艺术初探论文

1摘要关键词---------------引言---------------------------------------------------------------------------------5第一章宋代陶模玩具概述----------------------------------------------------6第一节泥玩具的产生---------------------------------------------------------6第二节泥玩具的演变---------------------------------------------------------7第二章宋代陶模玩具的文化基础及题材种类----------------------------7第一节文化基础---------------------------------------------------------------7第二节题材种类---------------------------------------------------------------8第三章宋代陶模玩具的艺术风格-------------------------------------------9第一节工艺特点---------------------------------------------------------------9第二节构图特点---------------------------------------------------------------9第三节内容寓意--------------------------------------------------------------1023Thedevelopmentofceramicartisnotjustbyrepeatinghandeddownthehigh-qualitygoods,Infactceramicconsciousnessoftheinheritanceofmorerelyonfolkceramiccolorfulstyle,TheisChina'sceramichistoryunprecedenteddevelopmentperiod，Fiveofancientjuncontend，meanwhile，TaoMoaudience.poorreflectsthatofcultureinsongdynastyalsotoyTaoMoaudience.poorreflectsthatofcultureinsongdynastyalsotoydeveloptoapeak，ItscontentsaredescribingContainsmuchoftheinformation，Forweknowthesongdynastyculture,custom,etc,lifeprovidesanimportantbasis。ThroughexploringtheTaoMotoysinsongdynastyTaoMotoys,analyzestheme,style,expressionlanguageanditsformationreasonsandthusunderstandsocialforcestoitsartisticcreationproducedeepinfluence。Today'sceramicart,thefuture,Willbeaopening-up4onlyallprosperitycancreatemorerichsoil,Chinesepotteryandporcelaintoanewpeak,thisresearclifeceramicprospectsin-depthstudyofthestartingpoint,itwillbemyupcomingceramiccareerguidance.56有向织女“乞取智巧”之意，如《开元天宝贵事》记载“帝与贵中，求恩于牵牛、织女星也。又各捉蜘蛛闭于小盒中，至晓开视蛛网稀密，引为得巧之候；密者言巧多，稀者言巧少。民间亦效果杂陈，瞻计列拜，次乞巧于牛女，或取小蜘蛛以金银盒盛之，儿，悉以土木雕塑，更以造彩装栏座，用碧纱罩笼下，下以桌面架之，用碧张罩宠之，下桌面架之，用青绿销金桌围护，或以金7进，使其更具游戏性，易于把玩。书中记载到小部分模具背后，89），__其题材，内容，造型多倾向于童子，美女仕女，市井人物，百戏，