19世纪美术省公开课金奖全国赛课一等奖微课获奖课件

19世纪美术1/82新古典主义美术（质朴而庄重厉穆）大卫、韦斯特、安格尔、卡诺瓦、乌东等浪漫主义美术（激烈而热情奔放）借里柯、德拉克洛瓦、戈雅、吕德、卡尔波、罗丹等浪漫派风景画特纳、康斯太勃尔、弗里德里希、科尔、杜兰德等法国现实主义美术库尔贝、巴比松画派、马奈等法国印象主义莫奈、雷诺阿、毕沙罗、德加、西斯莱等拿撒勒画派、拉斐尔前派、象征主义新印象主义和后印象主义美术修拉、高更、塞尚、凡·高等巡回展览画派2/82新古典主义美术新古典主义美术兴起于18世纪后半期，流行于19世纪前半期，在法国表现尤为经典，它与法国资产阶级大革命相结合，成为含有时代革命意义美术流派。新古典主义保留有古典主义美术基本特点，但又有所不一样，是古典主义飞跃。3/82新古典主义推崇古希腊罗马及文艺复兴盛期作品，以古代理想美为典范，同时又从现实生活中汲取营养。它强调理性标准，同时又富于时代精神和思想热情。新古典主义美术多表现历史题材和现实题材，或借古喻今宣扬共和理想，或直接表现斗争宣传英雄主义。在艺术形式方面，它仍遵照古典主义规范化要求，强调素描严谨性、构图完整性以及造型体积感和立体感，同时愈加追求形式上单纯化和完整性。4/825/826/827/82Jacques-LouisDavid.TheOathoftheTennisCourt.1791.Penandbrownink,brownwashwithwhitehighlights.66x101cm.

8/829/8210/8211/8212/82本杰明·韦斯特《沃尔夫将军之死》13/82安格尔安格尔追求“绝正确美”，认为古希腊和拉斐尔艺术是“完美无瑕”典范，并认为造型形式美才是绘画根本，“一切决定于形式”。他推崇历史画，推崇古典艺术法则；强调理性标准，重视素描和线条作用，忽略色彩表现作用，并反对直接表示感情和想象。14/82Jean-Auguste-DominiqueIngres.

PortraitofCountessD'Haussonville.1845.Oiloncanvas.FrickCollection,NewYork

15/8216/8217/8218/8219/8220/82Jean-Auguste-DominiqueIngres.

PortraitofMadameMoitessierStanding.1851.Oiloncanvas.TheNationalGalleryofArt,Washington,DC,USA

21/82Jean-Auguste-DominiqueIngres.

PortraitofPrincessDeBroglie.1853.Oiloncanvas.TheMetropolitanMuseumofArt,NewYork,USA

22/82浪漫主义美术浪漫主义美术产生于18世纪末，盛行于19世纪前期，是在与学院派古典主义斗争中发展起来。23/82浪漫主义美术格调特征：主张创作自由和艺术独创性。重视艺术家个性、情感和想象表现。追求色彩、色调表现力和流畅奔放笔触。题材上多项选择取悲剧题材、稀有题材、文学题材、异国情调题材等。24/82EugèneDelacroix.

GreeceontheRuinsofMissolonghi.1826.Oiloncanvas.MuséedesBeaux-Arts,Bordeaux,France

25/82EugèneDelacroix.

TheBarqueofDante.1822.Oiloncanvas.Louvre,Paris,France.26/8227/8228/8229/8230/8231/82EugèneDelacroix.

Odalisque（女奴，婢妾）.1857.Oilonwood.Privatecollection

32/82JeanLouisAndréThéodoreGéricault.TheMadwoman.c.1822-23.Oiloncanvas.72x58cm.MuséedesBeaux-Arts,Lyons,France.

33/82JeanLouisAndréThéodoreGéricault.TheMadman.c.1822.Oiloncanvas.MuséedesBeaux-Arts,Ghent,Belgium

34/8235/82JeanLouisAndréThéodoreGéricault.AnOfficeroftheImperialHorseGuadrsCharging,alsoChasseurCharging.1814.Oiloncanvas.349x266cm.Louvre,Paris,France.

36/82FiveWiseandFiveFoolishVirginsbyPeterVonCornelius

37/8238/8239/82ThomasCole.

TheVoyageofLife:Childhood.1842.Oiloncanvas.Munson-WilliamsProctorInstitute,Utica,NY,USA

40/82ThomasCole.

TheVoyageofLife:Youth.1842.Oiloncanvas.Munson-WilliamsProctorInstitute,Utica,NY,USA

41/82ThomasCole.

TheVoyageofLife:OldAge.1842.Oiloncanvas

42/82ThomasCole.

TheNotchoftheWhiteMountains.1839.Oiloncanvas.NationalGalleryofArt,Washington,DC,USA.

43/82ThomasCole.ViewfromMountHolyoke,Northampton,Massachusetts,afteraThunderstorm(theOxbow).1836.Oiloncanvas

44/82ThomasCole.

TheTornado.1835.Oiloncanvas.TheCorcoranGalleryofArt,USA.45/82ThomasCole.

LandscapeScenefromtheLastoftheMohicans.1827.Oiloncanvas.

46/82KindredSpirits

47/82TheBeeches

48/82TheSolitaryTree

49/82WandereraboveaSeaofFog

50/82MonkbytheSea

51/82CrossintheMountains

52/82ChalkCliffsofRugen

53/82WilliamTurner.

FishermenatSea.1796.Oiloncanvas.TateGallery,London,UK.

54/82WilliamTurner.

SnowStorm:HannibalandHisArmyCrossingtheAlps.1812.Oiloncanvas

55/82WilliamTurner.

Rain,SteamandSpeed-TheGreatWesternRailway.1844.Oiloncanvas

56/82

JohnConstable.

DedhamVale:Morning.1811.Oiloncanvas.

57/82JohnConstable.

FlatfordMill.1817.Oiloncanvas

58/82现实主义美术基本特征：重现实。它把艺术反应基点放在现实生活之中，把描绘现实视为艺术首要任务。重科学。反对虚无、恐怖、异常东西，要求仔细地观察生活，注意对细节描绘。重客观。现实主义排斥主观想象，要求客观地、按生活原貌真实地反应生活。重批判。现实主义在揭露社会恶习等方面，含有非常主要意义。59/82ThePainter'sStudio

60/82ABurialatOrnans

61/82DanteGabrielRossetti.

TheGirlhoodofMaryVirgin.1849.Oiloncanvas

62/82DanteGabrielRossetti.

TheBowerMeadow.1872.Oiloncanvas

63/82DanteGabrielRossetti.

LaPiade'Tolomei.1868-1880.Oiloncanvas

64/82DanteGabrielRossetti.

TheBeloved.1865-1866.Oiloncanvas.TateGallery,London,UK

65/82SirEdwardBurne-Jones.TheBeguilingofMerlin(MerlinandVivien).1870-1874.Oiloncanvas

66/82SirEdwardBurne-Jones.KingCophetuaandTheBeggarMaid.1884.Oiloncanvas

67/82SirEdwardBurne-Jones.TheMirrorofVenus.Oiloncanvas.

68/82PaolinaBorghese

byAntonioCanova(1757-1822)

69/8270/8271/8272/82AugusteRodin,TheGatesofHell,asetofbronzedoors.JulesMastbaum,posthumouscast,1926.

73/82AugusteRodin,BurghersofCalais,1884-86.Bronze.RodinMuseum,Paris

74/82DancebyJean-BaptisteCarpeaux

75/82GustaveMoreau

SalomeDancingbeforeHerod

1876

76/82EdouardManet.TheFifer.1866.Oiloncanvas.Muséed'Orsay,Paris,France

77/82EdouardManet.ABarattheFolies-Be