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Lecture16AmericanDrama
WhatIsDrama?“drama”comesfromtheGreekwordmeaning“adeed”“adeed”inGreekcomesfromtheverb,dran,“todo”“theater”,fromGreek“towatch”“audience”,fromLatin“tohear”ElementsofDramaAristotleinPoetics:1.plot2.character3.thought4.diction5.spectacle6.songOverviewofAmericanDramaBefore20thCentury:
theaterasentertainment,showbusiness;VisitingShakespeareanplayspatrioticdramavaudeville(歌舞杂耍)melodrama(情节剧)ofthe19thC.i.e.UnderTheGaslight,UncleTom’sCabinStarsystemTheatreSyndicate(monopolyshowbusiness)ModernAmericanDrama(twentieth-century)Beginnings:1910s-1920LittleTheaterMovement,i.e.WashingstonSquarePlayhouse,ProvincetownPlayers,etcSusanGlaspell&EugeneO’Neill1930s:ElmerRice,Thorton
Wilder,Lilliam
Hellman,etc1940s-1950s:TennesseeWilliams,ArthurMiller,WilliamInge,LorraineHansberry(black),etc;1960s:EdwardAlbee,TheaterofAbsurd1970s-1980s:SamShepard,DavidMamet,AugustWilson(black),DavidHeny
Huwang(黄哲伦),TonyKushner,etc1980s-now:womenplaywrightsMarshaNorman,WendyWasserstein,Nzake
Shange(black),MariaIreneFornés(1930-)etcAestheticAdventures(Domestic)Realism:somesayAmericandramaisawholelotoffamilyplays.AStreetcarNamedDesire,DeathofaSalemans,LongDay’sJourneyintoNight,etcModernistinnovations:expressionism(EmperorJones,TheAddingMachine,Machinal)Off-BroadwayandOff-offBroadwayforexperimentaltheaterSusanGlaspell(1876-1948)SuppressedDesires(1915)Trifles(1915)TheOutside(1917)Woman’sHonor(1918)Bernice(1919)TheVerge(1921)Alison’sHouse(1931)EugeneO’Neill(1888-1953)
BeyondtheHorizon(1920)TheEmperorJones(1920)AnnaChristie(1922)TheHairyApe(1922)DesireUndertheElms(1924)GreatGodBrawn(1926)StrangeInterlude(1926)MourningBecomesElectra(1932)TheIcemanCometh(1939)LongDay’sJourneyintoNight(1939)NobelProzeWinnerin1936DesireUndertheElmsWhatisthecentralconflictintheplay?Whatdothebigelmtreessymbolize?WhatisthedesireofCabot,Eben&Abbey?InwhatwaysdoesThunderstorm(1933)byCaoYuseemtoresembletheplay?QuestionsDesireUndertheElmsinChina郑州曲剧团:《榆树古宅》2000.第九届奥尼尔戏剧研究会期间演出郑州曲剧团:《榆树孤宅》2006.10.15成都川剧院:《欲海狂潮》同名多媒体情欲悲剧-沪港合作,2006.4.21-25
ElmerRice(1892-1967)
AddingMachine(1923)StreetScene(1929)ThortonWilder(1897-1975)
OurTown(1938)TheSkinofOurTeeth(1942)CliffordOdets(1906-63)AwakeandSing(1932-3)WaitingforLefty(1935)
LillianHellman(1905-1984)
TheChildren’sHour(1934)TheLittleFox(1939)WatchontheRhine(1941)ToysintheAttic(1960)TennesseeWilliams(1914-1983)TheGlassMenagerie(1945)SummerandSmoke(1947)AStreetcarNamedDesire(1947)RoseTatto(1951)CatonaHotTinRoof(1955)SweetBirdofYouth(1959)TheNightoftheIquana
(1961)PerspectivesonWilliamsThemescenteringontheAmericanSouththatislosttothemodernindustrializationGaycharactersandconstructionofhomesexual
indentityfromlivedexperienceGreatlyricismoflanguageandidealofaplastictheater“PlasticTheater”T.Waimstocreatewhathecallsa“plastictheater”toincorporateallstagecraftsandpoeticlyricismtoproduceanarrestingtheater:stagesymbols,music,light,arias(longmonologues),etc.ArthurMiller(1915-2005)
DeathofASalesman(1949)TheCrucible(1951)AftertheFall(1964)IncidentatVichy(1964)ThePrice(1968)BrokenGlass(1994)PlaywrightofgreatsocialconsciencePerspectivesonMillerThesocialsouloftheartistashighlightedinTheCrucible(炼狱;英若成演出版本译为《萨莱姆女巫》)Memoryplays:presenceofpastmixedwiththepresentintheplays,likesomeofWilliams’splays;i.e.SalesmanHisdramatictheoryasseeninTheaterEssays,etc.“CommonManTragedy”SeeingtheimpossibilityoftragedyintheAristoliansenseofkingsandprinces,Millerinsistsmoderntragedyisthetragedyofcommonman.--DeathofaSalesman
exemplieshisowntheorywell.LorraineHansberry(1930-1965)ARaisinintheSun(1959)TitlefromLangstonHughes’spoemHarlemFirstAfricanAmericanplaywrighttobeproducedinBroadwayEdwardAlbee(1928-)
TheZooStory(l959)TheAmericanDream(1961)Who’sAfraidofVirginiaWoolf?(1962)ThreeTallWomen(1994)
LanfordWilson(1937-)
BalminGilead(1965)HotLBaltimore(1973)TheMoundBuilder(1975)The5thofJuly(1978)Talley’sFolly(1980)AngelsFall(1983)BurnThis(1987)
SamShepard(1943-)TheToothofCrime(1972)CurseoftheStarvingClass(1977)BuriedChild(1978)TrueWest(1980)FoolforLove(1983)ALieoftheMind(1986)AugustWilson(1945-)Fences(1983)MaRainey'sBlackBottom(1984)JoeTurner'sComeandGone(1986)ThePianoLesson(1990)SevenGuitars(1995)--winnerof3PulitzerPrizes;(O’neillwon4)DavidMamet(1947-)AmericanBuffalo(1975)ALifeintheTheater(1977)Edmond(1986)GlengarryGlenRoss(1983)Oleanna
(1992)TonyKushner(1956-)
ABrightRoomCalledDay(1991)AngelsinAmerica(1993)PulitzerPrizewinnerforitsfirstoutspokenandtouchingdealingwiththegayissueMovieadaptationavailableDavidHenryHwang(1957-)
FOB(FreshOfftheBoat)(1978)M.Butterfly(1988,Movie,1993;电影版《蝴蝶君》)GoldenChild(1997)--firstChineseAmericanplaywrighttowinnationalacclaim,afterFrankChin(赵建秀)BethHenley(1952-)CrimesoftheHeart(Pulitzer1981;武汉话剧团,1983,电影版《罪恶之心》)
TheMissFirecrackerContest:APlay.1985.Abundance1991.MonologuesforWomen.1992.Revelers2003.
MarshaNorman(1947-)
’night,Mother(Pulitzer1983;国内演出1993,2006)TravelerintheDark(1984)SarahandAbraham(1988)TheSecretGarden(1991,amusical)D.Boone(1992)WendyWasserstein(1950-2006)
UncommonWomenandOthers(1977)TheHeidiChronicles(Pulitzer1989;上海英文演出2006)AnAmericanDaughter(1997)MargaretEdson(1961-)W;t(Wit)(1991;Pulitzer1999)Itisaboutaprofessorof17thcenturypoetryandherfightagainstovariancancer.Suzan-LoriParks(1964-)TheDeathoftheLastBlackManintheWholeEntireWorld(1990)“Stillgotmymoves.Stillgotmytouch.Stillgotmychops.”--Topdog/Underdog,Pulitzer
2002Ntozake
Shange(1948-)forcoloredgirlswhohaveconsideredsuicide/whentherainbowisenuf:achoreopoem-1975Spell#7-1979MotherCourageandHerChildren-1980MariaIreneFornés(1930-)
FefuandHerFriends(1977)TheConductofLife(1985)Movie:AStreetcarNamedDesire(1951)Director:ElianKazanCast:VivianLeighasBlancheBuBoisMarloneBrandoasStanleyKowalskiEarlierWorkingTitlesforthePlay(1949)TheMothBlanche'sChairontheMoon,ThePokerNightCouldyoutrytofigureouthowappropriatethesetitlesareafteryouseethemovie?AllegoricNamesBlancheisbroughtuponBelleRevethefamilyplantationwhichmeansbeautifulDreamsinFrench;HersisterlivesinaslumareainNewOrleansnamedElysianFields,whichinGreekmytologymeansfinalrestingplacefortheblessedchosenbythegods.BlanchehastotakeastreetcarnamedDesireandpassCememtaries,aroad.Questioins–AStreetcar
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