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Analysisof"webcelebrity"PhenomenonbyCulturalIndustryTheory获奖科研报告

Abstract:IntheeraofInternet,withtherapiddevelopmentofscienceandtechnology,greatchangeshavetakenplaceincommunicationmedia.Networkmediahasbecomeanemergingcommunicationforce,andallkindsofwebcelebrityshavesprungupinarush.Thecommercialization,standardizationandstylizationpresentedbythe"webcelebrity"phenomenonarethebasiccharacteristicsoftheculturalindustrytheoryofFrankfurtSchool.Culturalindustryproducesculturalgoodsandculturalcapital,andunderthenewcommunicationenvironment,itformsanewtypeofculturalgoods--"webcelebrity".

Keywords:culturaindustrytheory

webcelebrityphenomenon

standardizationcommercialization

entertainment

Theso-calledstandardizationreferstoalackofuniquecontentandstyle,butsuitableforacertainstandard,procedurecanbedoneinbatchproduction,mechanicalreplication."Webcelebrity"istheresultofthecomprehensiveactionofthecommunityofinterestsunderthenetworkmediaenvironment,suchasthenetworkcelebrities,thenetworkpromoters,themediaandthepsychologicalneedsoftheaudience.

AstheInternetbecomesmoreandmorepopular,theeraofbroadbandbrings"Internetcelebrities"toaclimax,andallkindsofwebcelebritysemergeinanendlessstream.ThenetworkoperationplanningteamalsoemergedasTheTimesrequiredfortheindustrialchainof"makingnetworkcelebrities".Thestandardizationof"Internetcelebrities"isactuallydictatedbytheculturalindustryinadvancebytheaudience'saesthetictasteandanticipatesthepopulartrend.Thecommoditiesof"Internetcelebrities"areproducedaccordingtothelawofreproduction,andtheyprovidealotofthesamethings.Thesurgeofculturalcommoditiesandthechangesitindicatesareactuallychangesintheformofappearances,buttheiressenceisthesame.

InthephenomenonofInternetcelebrities,withthedevelopmentofnewmedia,themodeof"Internetcelebritieseconomy"hasbeenborn.Itmakesuseofthepowerofcapitalandmedia,firmlygraspthepsychologyofconsumers,anddevelopsrapidlyatanamazingspeedandscale."webcelebrity"hasincreasinglybecomeaneconomiccommoditythatfocusesonthepublic'sattentionandintegrateseconomiesofscale.

Onthewhole,Internetcelebritiesthemselvesareacommodity.Internetcelebrityeconomymakespeopleinastateofspiritualpleasureandmakestheaudienceunconsciouslyinfluencedbywebcelebritytoconsume.Thismarketingmethodcaterstotheconsumerpsychologyoftheaudience,weakenstherationalvalueoftheaudience'sconsumption,andtheentertainmentconcealsitspurposeandinducesconsumption.

Intheeraofgreatpressure,alargenumberofentertainmentdemandshavebeengenerated,and"webcelebrity"isarepresentativeentertainmentculturalproduct.Itcanalsobesaidthattheentertainmentof"webcelebrity"isthedemandofthemarket,andthemostfundamentalreasonisthepsychologicalappealoftheaudience.Whenkillingthefragmentedtimeofboredom,audienceswillchooseentertainmentproductsthatcanobtainpleasureinashorttime.However,webcelebritypresentscommunicationcontentwithshorttimeandstimulatingpeople'ssenses,whichenablesthepublictofindthepointofrelease.Infact,theentertainmentandcommercialentertainmentof"webcelebrity"phenomenonisalsoakindofmarketstrategy.Inordertomaximizeprofits,culturalcapitalwilldowhateverittakesto"entertainmentforentertainment'ssake"tostimulateconsumption,whilecultureis"entertainmentalized"and"entertainment"is"commercialized".Webcelebrity,mediaandcapitalarewellawareofthepsychologicalstateoftheaudience,sothattheywillcreateworksthroughtheaudience'spsychology.

Conclusion

Thephenomenonof"webcelebrity"isobviouslytheproductofculturalindustry,whichisstandardized,commercializedandentertainment-oriented.Onthesurface,theexistenceoftheseculturalindustryproductsisconducivetothereliefofpeople'sfeelings,butinessence,theexistenceofInternetcelebritiesdoesnotchange,andevenafterreturningtoreality,itwillproduceasenseofuneasinessandconfusion.

And"webcelebrity"phenomenoninashorttimewillnotdecline,andtheremaybeariseandexpansionofthedevelopmentofthespace.Whenpeopleareinsuchanenvironment,theyshouldnotbeblindedbyappearances,butshoulddialecticallylookattheinfluenceandsignificancebehindthewebcelebrityculturalphenomenon.Itisundeniablethattheriseofwebcelebrity'spopularity,bringyouhappiness,letpeoplecangetsomecomfortinthefastpaceoflife,butthesewrapped"everyday"becametheaudienceintheheartofidealworld,canmaketheaudienceeasytogetlostinthewebcelebritybuildsfalseworld,thusaffectingthedirectionofthewindandsocialvalues.

References:

[1]MaxHorkheimer,TheodoreAdorno.DialecticsofEnlightenment--PhilosophicFragments[M].TranslatedbyQuJingdong,CaoWeidong.ShanghaiPeople'sPublishingHouse,2006.

[2]WangYu,CuiCan,GaoSijia,QianXuelun.TheLeapfrom"webcelebritwebcelebrityto"Internetcelebrityeconomy"--TakingPapiJiangasanExample[J].ModernEconomicInformation,2016(8).

[3]AoPeng.Whyiswebcelebritysored?--Interpretationandthinkingbasedonwebcelebrity

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