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ContentsUnit3Lead-inWarm-upquestionsDoyoubelievethatmarriageshouldbealifelongcommitment?Arethereanychangesinpeople’sattitudetowardlove,family,andmarriageinrecentdecades?Howdoyoulikethesechanges?Whatqualitiesdoyouthinkamanorawomanshouldbelookingforinapotentialidealspouse?Why?Lead-inMorequestionsaboutthetext:1.Howdoestheauthorbeginthestory?Whydoesn’tshetellthestorychronologically,thatis,intheorderoftime:first,howthetwocharactersmetsixyearsagoandhowtheyfellinloveandthenendedtheirrelationship;then,whathappenedinthefollowingsixyears;andlast,whathappenedsixyearslaterwhentheymetagain?Wouldn’tthatbebetterforreaders?Howdoyoulikethewaythestoryistold?2.Whatcanyouinferfromthewaytheymetagain?WhendoyourealizethatVeraandthemancannotbecasualacquaintances?HowdoyouexplainthefactthatforamomentthemandidnotevenrecognizeVera?Becausehehadasingularlypoormemory?Orbecausehehadmettoomanywomenduringthesixyearsandthereforedidnotknowwhichwaswhich?OrbecauseVerahadchangedbeyondrecognition?Lead-inMorequestionsaboutthetext:3.WhatdoyouthinkanyoldacquaintanceinthatsituationwouldhavesaidtoVeraassoonasherecognizedher?Doyouthinkthemansincerelyfeltthatshehadneverlookedsowellbefore?4.WhatwasthetrickthemanemployedveryoftenwhichexasperatedVera?Whatwastheman’sresponsewhenVerasaidthatshedidn’tfeelwellandthat“theolderonegrows,thecolder”?Doyouthinkthemanrespondedinaproperway?5.Inthestory,themankepttalkingabouthis“haunting”memoriesoftheirpast.Howcomeitwasthemanwhoseemedtocherishthosememories?DoesitmeanVeradidnotsharethosememories?Doyouthinkthememoriesmeantthesametothem?Whichofthetwowasmoreemotionallyinvolved?Howdoyouknow?Text1.Abouttheauthor2.Background
3.Structure4.Style5.GotothetextADillPickleKatherineMansfieldText1.AbouttheauthorKatherineMansfield(1888—1923)wasborninNewZealand.Thoughshewasonlyinher30swhenshedied,shehadalreadywrittensomeofthefinestshortstoriesintheEnglishlanguage,notablefortheircraftsmanship,theircreationofmood,andtheirrevelationofcharacter.CriticspraisedherforcapturingtheessenceofChekhov’sartinstoriesemphasizingatmosphereandactualliferatherthantheexcitingplot,andforherrefreshingoriginalityandsensitivenesstobeauty.MansfieldstudiedatQueen’sCollegeandlivedformanyyearsinLondon.SheachievedsuccesswithBlissandOtherStories(1920)andTheGardenPartyandOtherStories(1922).Mansfieldwroteshortstories,poetry,letters,journalsandreviews,andisregardedasacentralfigureinBritishmodernism.Text2.Background
ThisisastorywrittenbyKatherineMansfield,afamouswomanwriterwhoisoftencomparedtoChekhov,thegreatRussianstoryteller.Itisaboutayoungmanandayoungwomanwhohavebeenloversonceandnowmeetagainaftersixyearsofseparation,andastheysitandreminisce,webegintoknowwhathappenedsixyearsagothatfinallyledtotheendoftheirrelationship.Inthestory,theauthorartfullypointsupVera’ssensitivityandtheman’sinsensitivitytoothers—theirfeelings,attitudesandinnermotivations.Whenhedoesnotevenrecognizeheratfirstonlyaftersixyears,andwhen,aftertheirfirstfewwords,heresortstohisoldhabitofinterruptingher,wegetourfirstglimpseofhisself-involvement.TextThisthemeisrepeatedthroughoutthestory.Forexample,hisegoismpreventshimfromseeinghowgreatlytheirliveshavedivergedinthesixyearssincetheyparted.Duringthoseyears,hehasdone,byhimself,allthethingstheydreamedofdoingtogether—travelingtoSpain,Siberia,Russia,Egypt.Bycontrast,she,inthemeantime,hasexperienceddeteriorationinherfinancialsituation;sheevenhadtosellherpiano,whichshesolovedtoplay.However,heneverpaysanyattentiontoherplightandcontinuestotalkabouthimselfandhistravels.Hisinsensitivitygoessofarastomakelightofthatverycriticalpointinherlifewhenshewrotetohim,breakingofftheirrelationship.(“Ifound[theletter]theotherday,andIcouldn’thelplaughingasIreadit.”)Hetrivializestheletter,andbydoingso,alsotrivializestheirrelationship.TextAttheend,hehastheaudacitytoclaimthattheyarebothegotisticalandself-engrossed.Thisstatementunequivocallyprovestohertheextentofhisegotism,whichblindshimtothefactthatitishealonewhohastheproblemwhereassheissharplyawareofhisfeelings,infactmoresothanhehimselfis.Shenotonlysharesbutactuallyfeelsmorestronglyhispainsandjoys.Sheevenremembersthedetailsofhisboyhoodbetterthanhedoes.Theman’stotalincomprehensionofVera’sthoughtsandfeelingsisonceagainrevealedattheendofthestorywhensheleaves.Theauthordescribeshisreaction:“Hesatthere,thunder-struck,astoundedbeyondwords.”TextThroughoutthestory,althoughVeradoesn’tdomuchtalking,hersensitivitycomesthroughveryclearly.Sheisalsocourageous.Shecouldhavemarriedthemansixyearsagobecausehewasnotwithoutattraction.Hewasyoung,strong,financiallysecure,fondoftravelinglikeshewas,andaboveall,madlyinlovewithher.Butshedecidedtoendthisrelationshipbecausehewastooegotistical.Nowsixyearslater,shestillhastheopportunitytorenewtheirrelationship.Sheisaloneandlonely,andheissuccessfulandfinanciallyabletohelpherrealizeherdreams.Yetsheleaveshimagainbecausesherecognizesthathehasnotchanged.TextLikeafewotherearliergreatwomenwriters,Mansfieldisaheadofhertime.Modernfeminismhasproducedanentireliteraturethatdelvesintosimilarproblemsthatdealwiththerelationsbetweengenders.Whilesomuchofliteratureisbymenandaboutmen,thisstoryisnotonlybyawoman,butalsoaboutwomenandrelationshipsasseenthroughtheireyes.Infact,theauthorhasnotevengiventhemananame.Althoughhedoesmostofthetalking,thestoryreallyfocusesonVeraandhowsheviewsherformerlover.Text3.StructureI.InacaféVerametbychancethemanshehadaromanticrelationshipwithsixyearsago.(paras.1–12)TextII.Theirchancemeetingwasbrief.(paras.13–60)1.
TheyreminiscedabouttheirfirstafternoontheyhadspenttogetheratKewGardens.(paras.13–21)1)Hemadeafoolofhimselfandherbeforeacrowdofpeople.(paras.13–14)2)Heexpressedhisloveforher.(paras.15–21)2.HetoldherabouthistravelsinRussia.(paras.22–44)1)Listeningtohim,shefeltalongingtogothere.(paras.22–31)2)Shewellimaginedtheboatman’slifeandfriendlygesturehedescribed.(paras.32–44)3.Themanmadeitclearthathedidnotintendtopickuptheirrelationship.(paras.45–60)1)Theyoncelovedeachotherandthemansaidshehasbeentheonlypersonhewouldbeconfinedto.(paras.45–51)2)Hetoldherhehadpulledthroughthebreakup.(paras.52–54)3)Heagaintoldherhowhehadlovedherandshewasonthepointofregrettingbreakingupwithhim.(paras.55–60)TextIII.Veraleftafterhetoldhertheirrelationshipcouldn’thavelastedbecausetheywerebothself-engrossed.(paras.61–66)TextSophisticationbyAmericanpainterHarryWatrous(1908)4.Style
“ADillPickle”iswritteninthestyleofstreamofconsciousnesswithemphasisontheexpressionofthoughtsandfeelingsastheypassthroughthemindratherthanwell-designedplots.Trytoreadcarefullybetweenlinesforthehiddenthoughtsandfeelings.ThestoryunfoldssixyearsafterVeraandthemanbrokeoff.Bykeepingusingflashbacks,theauthorthenbeginstoreminisceandindoingsobeginstosupplyreaderswithfactstoreconstructthewholestory.Payattentiontotheshiftingofthetimebetweenthepresentandthepast.TextStriveforabetterunderstandingofthesubtletyofthetwocharacters.Veraislonely,butsheisnotegotistic;sheisphysicallyweak,butspirituallyverymuchaliveandstrong;shedoesnottalkmuch,butsheistheonethatreallycherishesallthememories.Asfortheman,heisnotwithoutattraction;andheobviouslydoesloveVera,orbelievesthathedoes.Itisalsounfairtosaythatheiscompletelyinsensitive,althoughhissensitivityremainsmainlyinwordsandisallbutsuperficial.TextADill
PickleKatherineMansfield1
Andthen,aftersixyears,shesawhimagain.HewasseatedatoneofthoselittlebambootablesdecoratedwithaJapanesevaseofpaperdaffodils.Hewaspeelinganorange.2
Hemusthavefeltthatshockofrecognitioninher,forhelookedupandmethereyes!Hedidn’tknowher.Shesmiled;hefrowned.Shecametowardshim.Heclosedhiseyesaninstant,butopeningthemhisfacelitupasthoughhehadstruckamatchinadarkroom.Helaiddowntheorangeandpushedbackhischair.Text3
“Vera!”heexclaimed.“Howstrange.Really,foramomentIdidn’tknowyou.Won’tyousitdown?Won’tyouhavesomecoffee?”4
“Yes,I’dlikesomecoffee.”Andshesatdownoppositehim.5
“You’vechanged.You’vechangedverymuch,”hesaid,staringatherwiththateager,lightedlook.“Youlooksowell.I’veneverseenyoulooksowellbefore.”6
“Really?”Sheraisedherveilandunbuttonedherhighfurcollar.“Idon’tfeelverywell.Ican’tbearthisweather,youknow.”Text7
“Ah,no.Youhatethecold…”8
“Loatheit.”Sheshuddered.“Andtheworstofitisthattheolderonegrows…”9
Heinterruptedher.“Excuseme,”andtappedonthetableforthewaitress.“Pleasebringsomecoffeeandcream.”Toher:“Youaresureyouwon’teatanything?”10
“No,thanks.Nothing.”11“Thenthat’ssettled.”Andsmilinghetookuptheorangeagain.“Youweresaying—theolderonegrows—”Text12
“Thecolder,”shelaughed.Butshewasthinkinghowwellsherememberedthattrickofhis—thetrickofinterruptingher—andofhowitusedtoexasperatehersixyearsago.13
“Thecolder!”Heechoedherwords,laughingtoo.“Ah,ah.Youstillsaythesamethingsandthereisanotherthingaboutyouthatisnotchangedatall—yourbeautifulvoice.Idon’tknowwhatitis—I’veoftenwondered—thatmakesyourvoicesucha—hauntingmemory…DoyourememberthatfirstafternoonwespenttogetheratKewGardens?YouweresosurprisedbecauseIdidnotknowthenamesofanyflowers.Iamstilljustasignorantforallyourtellingme.Butwheneverit’sveryfineandwarm,andIseesomebrightcolourIhearyourvoicesaying:‘Geranium,marigold,andverbena.’Yourememberthatafternoon?”Text14
“Oh,yes,verywell.”Shedrewalong,softbreath.Yet,whathadremainedinhermindofthatparticularafternoonwasanabsurdscene.AgreatmanypeopletakingteainaChinesepagoda,andhebehavinglikeamaniacaboutthewasps—wavingthemaway,flappingatthemwithhisstrawhat,seriousandinfuriatedoutofallproportiontotheoccasion.Howshehadsuffered.15
Butnow,ashespoke,thatmemoryfaded.Hiswasthetruer.16
Yes,ithadbeenawonderfulafternoon,fullofflowersand—warmsunshine.Herthoughtslingeredoverthelasttwowords.Andinthewarmth,asitwere,anothermemoryunfolded.Shesawherselfsittingonalawn.Helaybesideher,andsuddenly,herolledoverandputhisheadinherlap.Text17
“Iwish,”hesaidinalow,troubledvoice,“IwishthatIhadtakenpoisonandwereabouttodie—herenow!”18
Sheleanedoverhim.19
“Ah,whydoyousaythat?”20
Buthegaveakindofsoftmoan,andtakingherhandheheldittohischeek.21“BecauseIknowIamgoingtoloveyoutoomuch.AndIshallsuffersoterribly,Vera,becauseyounever,neverwillloveme.”Text22
Hewascertainlyfarbetterlookingnowthanhehadbeenthen.Hehadlostallthatdreamyvaguenessandindecision.Nowhehadtheairofamanwhohasfoundhisplaceinlife.Hemusthavemademoney,too.Hisclotheswereadmirable,andatthatmomenthepulledaRussiancigarettecaseoutofhispocket.23
“Won’tyousmoke?”24
“Yes,Iwill,”shehoveredoverthem.“Theylookverygood.”25“IgetthemmadeformebyalittlemaninStJames’sStreet.Idon’tsmokeverymuch,butwhenIdo,theymustbedelicious.Smokingisn’tahabitwithme;it’saluxury—likeperfume.Areyoustillsofondofperfumes?Ah,whenIwasinRussia…”Text26
Shebrokein:“You’vereallybeentoRussia?”27
“Oh,yes.Iwasthereforoverayear.Haveyouforgottenhowweusedtotalkofgoingthere?”28
“No,I’venotforgotten.”29Hegaveastrangehalflaughandleanedbackinhischair.30
“Isn’titcurious?Ihavereallycarriedoutallthosejourneysthatweplanned.Infact,Ihavespentthelastthreeyearsofmylifetravelingallthetime.Spain,Russia,Egypt.TheonlycountryleftisChina,andImeantogothere,too,whenthewarisover.”Text31
Ashespoke,solightly,tappingtheendofhiscigaretteagainsttheashtray,shefeltthestrangebeastthathadslumberedsolongwithinherbosomstir,stretchitself,yawn,prickupitsears,andsuddenlyboundtoitsfeet,andfixitslonging,hungrystareuponthosefarawayplaces.Butallshesaidwas,smilinggently:“HowIenvyyou.”32
“Ithasbeen,”hesaid,“wonderful—especiallyRussia.IevenspentsomedaysonariverboatontheVolga.Doyourememberthatboatman’ssongthatyouusedtoplay?”33
“Yes.”Itbegantoplayasshespoke.34“Doyoueverplayitnow?”Text35
“No,I’venopiano.”36
Hewasamazedatthat.“Butwhathasbecomeofyourbeautifulpiano?”37
Shemadealittlegrimace.“Sold.Agesago.”38
“Butyouweresofondofmusic,”hewondered.39“I’venotimeforitnow,”saidshe.Text40
Heletitgoatthat.“Thatriverlife,”hewenton,“issomethingquitespecial.Afteradayortwoyoucannotrealizethatyouhaveeverknownanother.Anditisnotnecessarytoknowthelanguage—thelifeoftheboatcreatesabondbetweenyouandthepeoplethat’smorethansufficient.Youeatwiththem,passthedaywiththem,andintheeveningthereisthatendlesssinging.”41
Sheshivered,hearingtheboatman’ssongbreakoutagainloudandtragic,andseeingtheboatfloatingonthedarkeningriverwithmelancholytreesoneitherside…Text42
“You’dlikealmosteverythingaboutRussianlife,”hesaidwarmly.“It’ssoinformal,soimpulsive,sofree.Andthenthepeasantsaresosplendid.Theyaresuchhumanbeings—yes,thatisit.Eventhemanwhodrivesyourcarriagehas—hassomerealpartinwhatishappening.IremembertheeveningsomefriendsandIwentforapicnicbytheBlackSea.Wetooksupperandchampagneandateanddrankonthegrass.Andwhilewewereeatingthecoachmancameup.‘Haveadillpickle,’hesaid.Hewantedtosharewithus:Thatseemedtomesoright,so—youknowwhatImean?”Text43
AndsheseemedatthatmomenttobesittingonthegrassbesidethemysteriousBlackSea,blackasvelvet,andripplingagainstthebanksinsilent,velvetwaves.Shesawthelittlegrouponthegrass,theirfacesandhandswhiteinthemoonlight.Apartfromthem,withhissupperinaclothonhisknees,satthecoachman.“Haveadillpickle,”saidhe,andalthoughshewasnotcertainwhatadillpicklewas,shesawthegreenishglassjarwitharedchililikeaparrot’sbeakglimmeringthrough.Shesuckedinhercheeks;thedillpicklewasterriblysour…44
“Yes,Iknowperfectlywhatyoumean,”shesaid.Text45
Inthepausethatfollowedtheylookedateachother.Inthepastwhentheyhadlookedateachotherlikethattheyhadfeltthattheirsoulshad,asitwere,puttheirarmsroundeachotheranddroppedintothesamesea,content,tobedrowned,likemournfullovers.Butnow,hesaid:“Whatamarvelouslisteneryouare.WhenyoulookatmewiththosewildeyesIfeelthatIcouldtellyouthingsthatIwouldneverbreathetoanotherhumanbeing.”46
Wastherejustahintofmockeryinhisvoice?Shecouldnotbesure.Text47
“BeforeImetyou,”hesaid,“Ihadneverspokenofmyselftoanybody.HowwellIrememberonenight,thenightthatIbroughtyouthelittleChristmastree,tellingyouallaboutmychildhood.AndofhowIwassomiserablethatIranawayandlivedunderacartinouryardfortwodayswithoutbeingdiscovered.Andyoulistened,andyoureyesshone,andIfeltthatyouhadevenmadethelittleChristmastreelistentoo,asinafairystory.”Butofthateveningshehadrememberedalittlepotofcaviare.Ithadcostsevenandsixpence.Hecouldnotgetoverit.Thinkofit—atinyjarlikethatcostingsevenandsixpence.Whilesheateithewatchedher,delightedandshocked.48
“ThedogwascalledBosun,”shecried,delightedly.Text49
Buthedidnotfollow.“Whatdog?Hadyouadog?”50
“No,no.Imeanttheyarddogwhenyouwerealittleboy.”51
Helaughedandsnappedthecigarettecaseto.52
“Washe?DoyouknowIhadforgottenthat?Itseemedsuchagesago.Icannotbelievethatitisonlysixyears.AfterIhadrecognizedyoutoday—Ihadtotakesuchaleaptogetbacktothattime.”Hedrummedonthetable.“I’veoftenthoughthowImusthaveboredyou.AndnowIunderstandsoperfectlywhyyouwrotetomeasyoudid—althoughatthetimethatletternearlyfinishedmylife.Ifounditagaintheotherday,andIcouldn’thelplaughingasIreadit.Itwassoclever—suchatruepictureofme.”Heglancedup.“You’renotgoing?”Text53
Shehadbuttonedhercollaragainanddrawndownherveil.54
“Yes,IamafraidImust,”shesaid,andmanagedasmile.55
“Ah,no,please,”hepleaded.“Don’tgojustforamoment,”andhecaughtuponeofherglovesfromthetableandclutchedatitasifthatwouldholdher.“Iseesofewpeopletotalktonowadays,thatIhaveturnedintoasortofbarbarian,”hesaid.“HaveIsaidsomethingtohurtyou?”56“Notabit,”shelied.Butasshewatchedhimdrawherglovethroughhisfingers,gently,gently,herangerreallydiddiedown.Text57
“WhatIreallywantedthen,”hesaidsoftly,“wastobeasortofcarpet—foryoutowalkonsothatyouneednotbehurtbythesharpstonesandthemudthatyouhatedso.Itwasnothingmoreselfishthanthat.OnlyIdiddesire,eventually,toturnintoamagiccarpetandcarryyouawaytoallthoselandsyoulongedtosee.”58
Ashespokesheliftedherheadasthoughshedranksomething;thestrangebeastinherbosombegantopurr…59
“Ifelt,thatyouweremorelonelythananybodyelseintheworld,”hewenton,“andyet,perhaps,thatyouweretheonlypersonintheworldwhowasreally,trulyalive.”Text60
Ah,God!Whathadshedone!Howhadshedaredtothrowawayherhappinesslikethis!Thiswastheonlymanwhohadeverunderstoodher.Wasittoolate?Coulditbetoolate?61
“Andthenthefactthatyouneverhadmadefriendswithpeople.HowIunderstoodthat,forneitherhadI.Isitjustthesamenow?”62
“Yes,”shebreathed.“Justthesame.Iamasaloneasever.”63
“SoamI,”helaughedgently,“justthesame.”Text64
Suddenly,withaquickgesturehehandedherbackthegloveandscrapedhischaironthefloor.“Butwhatseemedtomesomysteriousthenisperfectlyplaintomenow.Itsimplywasthatweweresuchegoists,soself-engrossed,sowrappedupinourselvesthatwehadn’tacornerinourheartsforanybodyelse.Doyouknow,”hecried,naïveandhearty…65
Shehadgone.Hesatthere,thunder-struck,astoundedbeyondwords…Andthenheaskedthewaitressforhisbill.66
“Butthecreamhasnotbeentouched,”hesaid.“Pleasedonotchargemeforit.”(2,110words)Text一块莳萝泡菜凯瑟琳·曼斯菲尔德1
六年以后,她又见到了他。他坐在一张小竹桌旁,桌上摆放了一只插着纸质水仙花的日本花瓶。他正在剥橙子。2
他抬起头,正好与她四目相对,肯定感受到了她的震惊。他居然没认出她。她笑了,他却皱起眉头。她向他走来,他则闭上眼睛。片刻之后睁开眼,他的脸顿时亮了起来,好像他在一间暗室里划着了一根火柴。他放下橙子,把椅子往后推了推。
Text3
“薇拉!”他大声喊道。“太不可思议了。刚那一会儿,我都没有认出你来。快请坐,要喝点咖啡吗?”4
“好的,我想要点咖啡。”她在对面坐了下来。5
“你变了,变了很多,”他盯着她说,眼神迫切而明亮。“看上去不错,以前从来没见过你气色这么好。”6
“真的?”她掀起面纱,解开高高的皮毛领子。“我感觉不大舒服,我受不了这种天气,这你是知道的。”Text7
“哎呀,是呀,你不喜欢冷天……”8
“我讨厌这种天气。”她打了个冷颤。“最糟糕的是年龄越大……”9
他打断了她。“你好,过来一下,”他敲了敲桌子,召女服务员过来,“请上点咖啡和奶油。”然后问她,“你真的不想吃点什么吗?”10
“不要别的了。谢谢。”11
“那就这样吧。”他笑着又拿起了橙子。“你刚才说年龄越大——”Text12
“越怕冷,”她笑了起来。心里却在想,她对他那个打断她说话的把戏再熟悉不过了,这把戏六年前曾经让她多么愤怒啊!13
“越怕冷!”他重复她的话,也跟着笑了起来。“啊,你还是说同样的话。你美丽的嗓音也一点都没变。我不明白究竟是什么——我常常琢磨——使你的嗓音如此难忘……你还记得我们第一次在邱园度过的那个下午吗?我叫不出任何花的名字,你对此感到非常惊讶。尽管那时你跟我说了很多,但我现在还是什么都不知道。不过,每当天气晴朗又暖和的时候,我一看到艳丽的色彩就会想起你的声音,‘天竺葵、万寿菊、美人樱’,你还记得那个下午吗?”Text14
“哦,当然记得,记得很清楚。”她缓缓地深吸了一口气。不过,她记忆里那个不寻常的下午却是个滑稽可笑的场面。那时很多人在一个中式亭子里喝茶,他却像个疯子一样对付黄蜂——挥赶它们,用草帽拍打它们。那种场合下他根本不需要那么认真和愤怒。那时她多么尴尬啊!15
可是,现在听他说这些事,她的那份记忆倒是模糊了。他说的倒是更准确。16
确实,那天下午过得很愉快,到处都是鲜花,还有温暖的阳光。她的思绪停留在“温暖的阳光”这几个字上。这股暖流好像开启了她的另一份回忆。她看到自己坐在草坪上,他躺在她身旁。突然,他翻过身,把脑袋枕在她腿上。Text17
“真希望,”他苦恼地说,声音低沉,“真希望我已经服了毒药,就快死了——就是现在,就在这里!”18
她的头向他探过去。19
“哎呀,为什么这么说?”20
他轻轻地哼了一声,握住她的手,贴在他的面颊上。21
“因为我知道我太爱你了。薇拉,我会非常痛苦,因为你永远,永远也不会爱我。”Text22
很明显,他现在看起来比以前好得多,完全不像以前那样不切实际、优柔寡断了。他现在看上去像个成功人士,肯定挣了不少钱,衣着也很讲究。这时他从衣兜里拿出个俄罗斯烟盒。23
“抽支烟吗?”24
“好的,”她的目光停留在烟卷上。“看起来挺好的。”25
“我让圣詹姆斯大街上的一个小个子男人为我特别制作的。我抽烟不多,不过要抽就一定要好的。对我来说,抽烟不是习惯。烟是一种奢侈品,就像香水一样。你还是很喜欢香水吗?对了,我在俄罗斯的时候……”Text26
她插了一句,“你真的去过俄罗斯?”27
“是的,我在那里待了一年。你忘了以前我们说过要去那儿吗?”28
“我没有忘记。”29
他发出了似笑非笑的怪声,然后靠到椅背上。30
“真不可思议,我们计划一起旅游的地方,我都去了。事实上,我过去三年一直在旅行。西班牙、俄罗斯、埃及。唯一还没有去的就是中国。我打算战争结束后去。”Text31
他轻声说着,不时在烟灰缸上弹弹烟头。此时,她感到长期在她心中沉睡的那头怪兽蠢蠢欲动了,伸懒腰,打哈欠,竖起耳朵,突然一跃而起,瞪着一双渴望、憧憬的眼睛,看向远方。但她只是微笑着说,“真羡慕你!”32
“旅行很棒,尤其是在俄罗斯。我还在伏尔加河上的一艘船里过了几天。你还记得你以前常弹的那首船夫曲吗?”33
“记得。”那音乐随即在她耳边响起。34
“你现在还弹这首曲子吗?”Text35
“不弹了,我没有钢琴了。”36
他对此感到惊讶。“你那架漂亮的钢琴哪去了?”37
她苦笑了一下。“早就卖了。”38
“可你很喜欢音乐呀,”他不明白。39
“现在没时间,顾不上了。”她说。Text40
他没有再问下去。“船上的生活,”他接着说,“很特别。过了一两天,你就会觉得你的生活一直就是这样。不需要懂他们的语言——船上生活本身就能让你和其他人紧密联系起来,这就足够了。你和他们一起吃饭,从早到晚都在一起,到了晚上还有尽情的歌唱。”41
她颤抖了一下,仿佛听到那船夫曲再次响起,响亮而凄凉;她看到那艘船漂浮在渐渐昏暗的河上,看到两岸忧郁的树木……Text42
“俄罗斯生活的方方面面,你差不多都会喜欢,”他热情地说着,“随意,无拘无束,自由自在。那里的农夫太好了。他们就是那样的人——没错,就是那样。就连给你开马车的车夫,也会在当下发挥重要作用。记得有一个晚上我和几个朋友一起在黑海边野餐。我们带了晚饭和香槟,坐在草地上又吃又喝。正在我们吃喝的时候,一位车夫走过来说,‘尝一块莳萝泡菜吧。’他愿意与我们分享泡菜,他这么做很自然——你明白我的意思吗?”Text43
此时她好像就坐在神秘莫测的黑海旁的草地上,海面像黑色的天鹅绒,安静、丝绒般的水波拍打着海岸,海面泛起层层涟漪。她看见草地上的这一小群人,他们的双手和面颊在月光下显得白皙。那车夫坐在离他们不远处,膝盖上放着用布包起来的晚饭,“尝一块莳萝泡菜吧,”他说。尽管她不敢肯定莳萝泡菜是何物,但仿佛看到泛绿的瓶子里有一个鹦鹉嘴一样的红辣椒,闪闪发光。她微微一吮,莳萝泡菜特别地酸。44
“是的,我完全理解你的意思,”她说。Text45
随后是短暂的沉默,他俩相互望着对方。以前相互对望的时候,他们感到灵魂好像拥抱在一起了,就像一对忧伤的恋人,一起跳入大海,心满意足地殉情而死。可是现在,他只是说,“你真是一个了不起的听众。每当你用迫切的眼神看着我的时候,我就会觉得,我从不向别人透露的事,都能告诉你。”46
他的声音里有一丝取笑的成分吗?她不能确定。Text47
“在遇见你之前,”他说,“我从未对任何人聊起过自己。我清清楚楚地记得,有一天夜里,我给你带去一棵小圣诞树,跟你讲了我小时候所有的事。我不痛快,离家出走,在我们家后院的大车下面待了两天,也没有被人发现。你就听我讲着,两眼放光,我觉得你甚至让那棵小圣诞树也听我讲话,就像童话里那样。”但关于那一晚,她还记着的是一小罐鱼子酱,值7先令6便士。这一点让他无法释怀,一直想着那么一小罐就花了7先令6便士。在她品尝的时候,他欣喜又惊讶地看着她。48
“那条狗叫做博荪,”她高兴地大声说道。Text49
可是他却不明白。“什么狗?你那时有条狗?”50
“我没有狗。我说的是你小时候你家院子里的那条狗。”51
他笑了起来,“啪”的一声关上烟盒。52
“是吗?我早就忘了。这好像是很久以前的事了。我无法相信这才过去六年。今天认出你之后,我费了好大劲才回想起以往的时光。”他漫不经心地敲着桌面,“我常常想,我那时候肯定让你十分厌烦。现在我完全能理解你为什么给我写那么一封信了——尽管当时那封信几乎要了我的命。前不久,我又找到了它,再读的时候忍不住笑了。写得太妙了——把我写得很真实。”他抬起头。“你不是要走了吧?”Text53
她已经重新扣上皮毛领口,拉下了面纱。54
“对,我该走了,”她说,勉强笑了笑。55
“哎呀,请别走,”他恳求道,“再待一会儿。”他拿起她放在桌子上的一只手套,抓住不放,好像那样能留住她似的。“我现在没有几个能聊天的人,差不多成了野蛮人了。”他接着说,“我是不是说了什么让你不高兴的话?”56
“哪会呢,”她说了句谎话。不过,当她看着他用手指温柔地捋着她的手套时,她的恼怒逐渐平息了。Text57
“当时我真想,”他轻声说,“当一条毯子,让你在上面走,这样你就不会被尖刻的石子刺痛,也不会沾上你十分讨厌的湿泥。除此以外,没有其他任何自私的想法。我真希望最终变成一条魔毯,带你去所有你渴望去的国家。”58
他说这些话时,她抬起了头,好像喝下什么,她心里的那头怪兽开始呜呜地叫唤起来……59
“我觉得你比世上任何人都更孤独,”他接着说,“不过,或许你是这世界上唯一真正活着的人。”Text60
天哪!她都做了些什么!她怎么敢这么轻易断送自己的幸福!眼前这人是唯一理解她的人。太晚了吗?不可挽回了吗?61
“还有,你从来没有交过朋友,这我太了解了,因为我也没交过朋友。你现在还是这样吗?”62
“是的,”她轻轻地说。“和以前一样,我还是独自一人。”63
“我也是,”他温柔地笑着,“跟从前一样。”Text64
突然,他动作迅速地把那只手套还给了她,将椅子在地板上蹭了一下。“不过,当时看似神秘的事,现在我看得十分清楚了。我们俩都是自顾自的人,完全以自我为中心,把自己裹得严严实实的,心里没有一个角落能容纳别人。你知道吗,”他天真又热切地说着……65
她走了。他仍然坐在原地,呆若木鸡,惊讶得难以形容……然后就叫服务员结账。66
“奶油没动过,”他说,“这个别让我付钱。”Text
Andthen,aftersixyears,shesawhimagain.Fromthisveryfirstsentencewecaninferthat:a)Shehadmethimbefore.Infacttheymusthaveknowneachotherquitewellalthoughtheexactnatureoftheirrelationshipwasnotclearatthispoint.b)Forsomereasons,theyhadnotseeneachotherforsixyears.TextAnalysis
…peelinganorange.takeoffthepeel(thethickskin)ofanorangeAlso:peelpotatoes;husktherice;shellthepeas;weedthegarden;skinananimal;gutthefish;dustthetableTextAnalysis
Hedidn’tknowher.Shesmiled;hefrowned.Shecametowardshim.Heclosedhiseyesaninstant,butopeningthemhisfacelitupasthoughhehadstruckamatchinadarkroom.Shefounditincrediblethathedidn’tknowher.Thisindicatedthattheyhadknowneachotherverywellsixyearsbefore.Shesmiled;hefrowned.:Shesmiledbecauseshewasverygladtoseeheroldfriend.Hefrownedbecausehecouldnotplaceher.Hecouldnotrecallwherehehadmetthiswomanbefore.Thatheclosedhiseyesaninstantimpliedhewassearchinghismemory.TextAnalysis
“You’vechanged.You’vechangedverymuch,”hesaid,staringatherwiththateager,lightedlook.“Youlooksowell.I’veneverseenyoulooksowellbefore.”WhenthemansaidVerahadchangedverymuch,whatdoyouthinkhereallymeanttosay?DidVerareallylookwell?(No,shewasnotfeelingwell.Shecouldnotbearthecoldweather.Sheshudderedoftenfromthecold.Andshewasbeginningtofeeltheeffectofhergrowingage.Quitelikelyshewassickatthattime.)Whydidhesaythisthen?TextAnalysis
“Thenthat’ssettled.”Andsmilinghetookuptheorangeagain.“Youweresaying—theolderonegrows—”settled:decided;properlydealtwithhetookuptheorangeagain:Noticetheauthor’sdescriptionofthisminutedetail.Doyouthinkitasignificant
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