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课时作业(九)Unit3SectionⅢExtendedreading&Project&Furtherstudy阅读理解AMasterpainterZhangDaqian(1899—1983)waswellknownforhavingalargenumberoffriendsandstudents.Amongthem,painterLiQiujunwasspecial.TheygottoknoweachotherthroughLi'selderbrother,whowasoneofZhang'sbestfriends.Theyadmiredeachother'sartistictalentandbecameconfidants,__whichresultedinaromanticrelationship.In1948,ZhangproducedSpringCloudsAmidAutumnLandscape,amountainandwaterinkpaintingfeaturinggongbi(meticulousbrushwork),asagiftforLi's50thbirthday.Ayearlater,Zhangpermanentlydepartedfromthemainland,andtraveledandexhibitedaroundtheworldbeforesettlingdowninTaipeiin1976.Afterleavingthemainland,heoftensaidthathemissedLi,whodiedinShanghaiin1973.SpringCloudsAmidAutumnLandscapewillbeauctionedinHongKongonOct.4.Thepaintingnotonlymarksafriendshipbetweenthetwopainters,butitdeservesspecialattentionbecauseitshowsZhangatthetopofhisgameashesoughttomasterthemountainandwaterstyle,accordingtoC.K.Cheung,headofSotheby'sChinesepaintingdepartment.Sotheby'swillauction(拍卖)theworkatitsmajorautumnsale,whichrunsfromOct.1to5.Cheungsaysthepainting'spositionandZhang'sattentiontodetailsreflecthisincorporationoftraditionaltouches,especiallyfromSongDynasty(960—1279)paintings,whilealsodevelopinghisownstyle.1.Theunderlinedword“confidants”inParagraph2probablymeans____________.A.enemies B.collegesC.friends D.painters2.HowoldwasLiQiujunwhenshedied?A.50. B.75.C.78. D.84.3.Accordingtothepassage,whichofthefollwingistrue?A.SpringCloudsAmidAutumnLandscapewasoriginallyagiftforLi's50thbirthday.B.ZhangDaqiantemporarilydepartedfromthemainlandin1949.C.Sotheby'swillauctionSpringCloudsAmidAutumnLandscapeinTaipei.D.LiQiujun'selderbrotherwasoneofZhangDaqian'sstudents.BImovedtotheUnitedStatesasateenager.Theadjustment(适应)toanewplacewasdifficult.Buttherewasmajorstressinmylifeatthattime:IwastheonlymemberofmyfamilywhospokeEnglish,meaningIhadtostepupwhenwedealtwithashopassistant,awaiterandsoon.However,therewasanotheruniversallanguageIlovedtolearnasachild:art.AlthoughIconnectedmyselfwithdrawingandpaintingwhileinschool,Ididn'tmostlyconsiderartasapathtoacareer.Sincemydadalwayssaid“Thinkaboutthefuture”,IdidnotthinkhewouldsupportthestudyofartonceIwenttocollege.But,tomysurprise,itwasmyparentswhosuggestedjustthatandurgedmetoapplytotechnicalandliberalartsschools.Iwasadmittedintoindustrialdesign.It'sbasicallytodesignproductsandservices.Icouldbedoingsomethingmoretechnicalorsomethingmorerelatedtoproblemsolving.Itwasnoeasytasktodothecourseincludingmetalworking,woodworkingandmodelmaking.InoneclassIjustdrewcubesforanentiremonth,whichledmetoaquestion:“Wow!DoIreallywanttodothis?”ButIfinallysurvivedthecourse.NowIamadesignstrategistforMarshallMoyaDesign,afamousarchitectureandinteriordesignpany.Ihaveexperienceinexhibitdesign,productdesignandwebsitedesign,apartfromwhichIenjoydevelopingpublicartinmyfreetime.Throughoutmycareer,I'vepickedupdifferentthingsalongtheway.Thebestwaytolearninmyopinionisthroughworking,therefore,togetasmanyprojectsasyoucan.Industrialdesignkindofmakesyouanallroundperson.4.Whatwastheauthor'sbiggestproblemwhenfirstmovingtoAmerica?A.Theadjustmenttoanewenvironment.B.Difficultyinlearninganewlanguage.C.Beingshortofenoughfood.D.Thepressureofbeingamunicator.5.Whatmadetheauthorchoosetostudyart?A.Herdeeploveforart.B.Thesuggestionofherfamily.C.Hertalentfordesign.D.Theneedofagoodjob.6.Whywastheauthor'sexperienceofdrawingcubesmentioned?A.Topresenthereffortatstudy.B.Toexpresstheregretatherchoice.C.Toprovethecoursewasdifficult.D.Toshowapartofthecourse.7.Howdidtheauthorfeelwhenshementionedhercareer?A.Surprised. B.Stressed.C.Eager. D.Proud.CThroughoutthehistoryofthearts,thenatureofcreativityhasremainedconstant(持续的)toartists.Nomatterwhatobjectstheyselect,artistsaretobringforthnewforcesandformsthatcausechange—tofindpoetrywherenoonehaseverseenorexperienceditbefore.Landscapeisanotherunchangingpartofart.Itcanbefoundfromancienttimesthroughthel7thcenturyDutchpainterstothe19thcenturyromanticistsandimpressionists.Inthe1970sAlfredLeslie,oneofthenewAmericanrealists,continuedthispractice.LesliefoundoutthesameplacewhereThomasCole,aromanticist,hadproducedpaintingsofthesamesceneacenturyandahalfbefore.UnlikeColewhokeepsonafeelingoflonelinessandtheideaoffindingpeaceinnature,Lesliepaintswhatheactuallysees.Inhispaintings,thereisnoparticularchangeinemotion,andheincludesordinarythingslikethehighwayinthebackground.Healsotakesadvantageofthelatestdevelopmentsofcolorphotography(摄影术)tohelpboththeeyeandthememorywhenheimproveshispaintingbackinhisworkroom.Besides,allartbegstheageoldquestion:Whatisreal?Eachgenerationofartistshasshowntheirunderstandingofrealityinoneformoranother.Theimpressionistssawrealityinbriefemotionaleffects,therealistsineverydaysubjectsandinforestscenes,andtheCroMagnoncavepeopleintheirnaturalisticdrawingsoftheanimalsintheancientforests.Tosumup,understandingrealityisanecessarystruggleforartistsofallperiods.Overthousandsofyearsthefunctionoftheartshasremainedrelativelyconstant.Pastorpresent,EasternorWestern,theartsareabasicpartofourimmediateexperience.Manyanddifferentarethefacesofart,andtogethertheyexpressthebasicneedandhopeofhumanbeings.8.Theunderlinedword“poetry”inParagraph1mostprobablymeans____________.A.anobjectforartisticcreationB.acollectionofpoemsC.anunusualqualityD.anaturalscene9.Whichofthefollowingshowsthestyl

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