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FilmNoirAlexEdisonLindaLeeZoraFilmNoirOriginofFilmNoirDevelopmentofFilmNoirDeclineofFilmNoirOriginofFilmNoirDefinition：Noir-darkinFrench,Darkfilms.NinoFrank-afilmcritic

1-Thegeneraltone:gloomyanddepressed

Thegeneralemotion:pessimistic

Lossofhumannatureandgoodmoral2-Hollywooddetectivemovies

vaguemorals

sexualmotivations.OriginofFilmNoirInfluencedbypaintingstyles:

-chiaroscuro

-tenebrismStartedin1910sand1920s-GermanExpressionistFilmsOriginofFilmNoir-InfluencedbySamuelDashiellHammett’scrimenovel:“RedHarvest〞-Influencedbyhard-boilednovel-pulpfictionmorerealistic,anti-heroic,criminals-InfluencedbyWarnerBrother’sPicture’sdarkfilms“LittleCaesar〞“ThePublicEnemy〞

OriginofFilmNoirThestartofClassicFilmNoir1940sTheMalteseFalconDirector-JohnHustonTime-1941

Location-USA

TheCharactersof

AmericanFilmNoirBackgroundinAmericansociety:afterWorldWarⅡinAmericaAmericanpeople’sautarkicandlaboriouslifeevaporatestheurbancorruptionandthespecialinterestgroupsemergeTheoldmyth----populismbreaksdownnoirfilmshowsthesideofAmericawithoutdemocracyProjectionsconnectedtosocialfactorsinNoirfilms:popularizationofautomobiles:materialdesireexpansionRiseofnewspaper,broadcast:thecorruptioninsocietyRushintocitiesofworkers:addstotheproblemsofcitiesSomesamecharactersinNoirfilms:ThestyleofnoirfilmismorerealismThesexladyinnoirfilmmostlyhasaheartasmaliciousassnakesandscorpions.SomesamecharactersinNoirfilms:ThestyleofnoirfilmismorerealisticThesexladyinnoirfilmmostlyhasaheartasmaliciousassnakesandscorpions.

Themaincharactersmostanti-heroicfightfortheirlifeinlowerlevelsdetestingtheworldanditswayagainstwiththecommoncustomsSomesamecharactersinNoirfilms:ThestyleofnoirfilmismorerealismThesexladyinnoirfilmmostlyhasaheartasmaliciousassnakesandscorpions.ladies:competejobswiththemaletiredofthetraditionalfamilythetraditionalfamiliescollapseTherateofcrimeinfamilygoesonThecrimeproportionofmaleandfemalearenearlyMostofthebeautiesinnoirfilmsbecomevictim.Thetypicalscenes:intheemptystreetatnightwiththecontinuouspatterofraindropslotsofcrimeshappenincitywhichcannotbestopped

themaincharacterswillfleethecity.Thepictureshorrible,coldandwineryThecameralensfocusontheshadowofcharactersCharactersarealwayshiddeninthedarknessTheshadowsofpeopleinthedarkmakeaudiencefeeldespairThecamerashootingalwaysusesfuzzyfocus.Thechangesoftheanglemakesaudiencefeeldizzy.Thenarrativestructuresarecomplex.MullhllandDrive----flashbackintheflashbackCiizneKane----multi-anglenarrativeTheClassic

FilmNoirTheMalteseFalconIntroductionOneday,abeautifulladyWonderlycomesintoSpadeandMiles'soffice.SherequiresSpadetofollowThursbyforfindinghersister,butMilesandThursbyarekilledsoon.Spadedecidestofindthemurdererbyhimself.PlotsKeywords:Crimes:murderMoney,Desires,Lies,Violence.VerycomplexedcharactersDetectiveSmookingAhattocreatshadowLongcoat"hard-boileddetective"HumphreyBogartcharactersDetectiveQualities:smartfatalisticoutlookmoralambiguitydeterminingcoldblood"hard-boileddetective"HumphreyBogartmoralambiguitycharacters"Spiderwoman"Qualities:beautifulsexualattractivemysteriousliarschemingcruelMaryAstorcharacters"Spiderwoman"MaryAstorSettingLightsandShadowHighcontrastSettingStreechasingDarkalleyInfluenceFrance?左轮357?(PolicePython357，1976)?大威胁?(LaMenace，1978)?枪的抉择?(Lechoixdesarmes，1981)InfluenceEngland"TheThirdMan"--1949InfluenceChina"TheBirthYear"--1989"TheDisappearedBullet"--2021Influence?色,戒?〔LUST，CAUTION，2007〕，FrenchFilmNoirSomeintroductionTheFrenchwriterandfilmcriticN.Frankfirstusedtheword“FilmNoir〞torepresenttheAmericandarkfilmsduringthe1940s.Thenat1955theFrenchfilmcriticsRaymondBoulderdefinitetheelementsofFilmNoirarefantasy,erotic,contradictionandcruel.DifferencesbetweentheAmericanandFrenchFilmNoir

First,theFrenchaudiencesmorefocusonthemaincharacternotthestorybackground.Secondly,theFrenchonegivemorespacetothemalecharactersandletthosecharacterstofixtheproblem.thehumiliationmindofFrenchafterGerman’sinvasionandthecurleconomyatmosphereofFrenchHenri-GeorgesClouzotFrenchHitchcockdetectivestyleexhibitofsexandtheunbearablehorrorsenseMostfamousfilmsthewagesoffearLesDiaboliquesJacquesBeckerinfluencedbythepoeticrealismlittleactionsensesbutthestoriesaremorecomplicateimpressiveandunforgettableMostfamousfilmsTouchezpasaugrisbiLetrouJean-PierreMelvillenotatraditionalsensedirectorkeepsuspenseuntilthelastminutecombinesthewestandeastculturetogetherMostfamousfilmsDoulosleLeCercleRougeTHEDECLINEOFFILMNOIRReasonandTime1.Late1950s,thedeclineofblack-and-whitecinematographyandthecollapseofthestudiosystem.ReasonandTime2.WiththeEconomic

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