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学必求其心得,业必贵于专精学必求其心得,业必贵于专精学必求其心得,业必贵于专精Unit1Arteq\o(\s\up7(),\s\do5(单元要览))本单元的中心话题是西方绘画和中国艺术的历史、中西方各种艺术形式与风格,不同时代的著名画家以及他们的作品。语言知识的选择和听说读写等语言技能的训练主要围绕“绘画艺术”这一主题进行.本单元的目的在于帮助学生掌握与“绘画艺术”这一主题有关的词汇知识,引导学生了解绘画艺术及其各个历史发展时期的不同风格,培养他们对艺术的兴趣以及理解美、欣赏美、创造美的能力。本单元的主要教学内容如下表所示:类别课程标准要求掌握的内容话题AbriefhistoryofWesternpaintingandChineseart;famousartistsandworksofart词汇adoptv.采用;采纳;收养scholarn。学者possessv.拥有;具有;支配preferencen。喜爱;偏爱attemptv.&n。尝试;企图reputationn。名声;名誉predictv.预言;预告;预测civilizationn.文明;文化appealv.呼吁,求助Egyptn。埃及aimn.目标;目的v.瞄准districtn.区;区域typicaladj.典型的;有代表性的committeen。委员会specificadj。确切的;特定的signaturen.署名;签字carvev。雕刻;刻记abstractadj.抽象的;深奥的sculpturen.雕塑conventionaladj.常规的;传统的galleryn.画廊;美术陈列室evidentadj。明显的;明白的faithn.信任;信念superbadj。卓越的;杰出的possessionn.所有;财产ridiculousadj。荒谬的;可笑的techniquen。技术;方法;技能controversialadj.争论的;争议的coincidencen.巧合;相合delicateadj.脆弱的;容易生病的shadown。阴影;影子allergicadj.过敏性的;对……过敏的figuren.画像;身材;数字aggressiveadj.侵略的;好斗的clayn。黏土fragileadj.精细的;易碎的marblen。大理石Egyptianadj.埃及的;埃及人的cafen。咖啡馆;小餐馆visualadj。视觉的;看得见的exhibitionn。展览;陈列;展览会fragrantadj。香的;令人愉快的fleshn.肉;肉体contemporaryadj.当代的;同时代的词汇geometryn.几何学permanentadj.永久的;持久的bunchn.束;串faithfullyadv.忠实地avenuen.林荫道;大街agreatdeal大量attempttodosth。企图做某事ontheotherhand(可是)另一方面beallergicto对……过敏appealto(对某人)有吸引力haveapreferencefor喜欢makesculptures制作雕塑intheflesh活着的;本人bycoincidence巧合地句型1.Ifyouwereanartist,whatkindofpictureswouldyoupaint?(thesubjunctivemood)2。Iftherulesofperspectivehad_not_been_discovered,noonewould_have_beenabletopaintsuchrealisticpictures.(thesubjunctivemood)3.Therearescoresofmodernartstyles,butwithouttheImpressionists,manyofthesepaintingstylesmight_not_exist.(thesubjunctivemood)4。Among_the_painters_whobrokeawayfromthetraditionalstyleofpaintingweretheImpressionists,wholivedandworkedinParis。(inversion)功能语法虚拟语气(SubjunctiveMood)(1)(IwishIwere/did/could/would。。。;IfIdid..。,Iwoulddo.。。)Ifyoucouldhavethreeofthesepaintingsonthewallsofyourclassrooms,whichwouldyouchoose?Ifyouwereanartist,whatkindofpictureswouldyoupaint?Haveyoueverwishedyoucouldpaintaswellasaprofessionalartist?教学重点1。GetstudentstoknowaboutWesternpaintingandChineseart,famousartistsandworksofart。2.Havestudentslearnsomeusefulnewwordsandexpressionsaboutpaintingandartandletthemlearneffectivewaystomasterthem.3.Enablestudentstograspandusetheexpressionsofpreference。4.Letstudentslearnthenewgrammaritem:thesubjunctivemood(1).5.Developstudents'listening,speaking,readingandwritingability.教学难点1。Enablestudentstomastertheuseofthesubjunctivemood.2.Letstudentslearntowritealetterofsuggestion.3.Developstudents’integrativeskills。课时安排Periodsneeded:6Period1WarmingUp,Pre-reading,ReadingandComprehendingPeriod2LanguageStudyPeriod3Grammar—theSubjunctiveMood(1)Period4ListeningandSpeakingPeriod5ReadingandWritingPeriod6SummingUp,LearningTipandAssessmentPeriod1WarmingUp,Pre-reading,ReadingandComprehendingeq\o(\s\up7(),\s\do5(整体设计))教学内容分析Thisisthefirstteachingperiodofthisunit.ThecentralpartofthisperiodisthereadingpassagewiththenameofAShortHistoryofWesternPaintingshowingthestudentsthehistoryofWesternpainting。WarmingUpgivesstudentsfourquestionstodiscuss,aimingatpreparingstudentsforboththecontentandthegrammaroftheunit。Pre-readingprovidesthreequestionstohelpstudentsfocusonthetopicofthereadingpassageandleadsthestudentstothinkaboutanypersonalexperiencesofWesternarttheymayhave,suchasthingsaboutartgalleries,paintingsingalleries,someWesternartistsandpaintings。ReadingmainlyintroducesthehistoryofWesternpainting。TherearefourmajormovementsinWesternart。Social,politicalandculturalchangescontributetothechangesinartisticstyles.Therearefourpicturesofpaintingsinthepassagerepresentingthefourmajormovements.Afteraglanceatthetitleofthetextandtheheadlineswithinitweknowthatitisahistoricalreport,inwhichtherearemanytimeexpressions。Thenwecanknowthetopicofthetextandhowtheinformationisorganized—intheorderoftime,fromtheearliesttothepresent.Comprehendingconsistsoffourwrittenororalexercisesforthestudentstodosoastohelpthestudentstogetabetterunderstandingofthetext,thatistosay,tohelptheteachertocheckhowmuchthestudentshaveunderstoodthetext.三维目标设计Knowledgeandskills1.Tounderstandthemeaningsofthefollowingnewwordsandphrases:abstract(抽象的),sculpture(雕塑),gallery(画廊),faith(信念),aim(目标),conventional(传统的),typical(典型的,有代表性的),evident(明显的),adopt(采用),possess(拥有),superb(卓越的,杰出的),possession(财产),technique(技术),bycoincidence(巧合地),agreatdeal(大量),shadow(阴影),ridiculous(可笑的),controversial(争议的),attempt(尝试;企图),ontheotherhand(另一方面),predict(预测).2.TolearnaboutsomemajormovementsinWesternartandhowarthaschangedstylisticallyoverthecenturies。3.Tolearnhowtheinformationisorganized.4.Todevelopthestudents'readingabilitybyskimmingandscanningthepassage。5.Todevelopthestudents’speakingabilitybytalkingaboutWesternpaintings。Processandmethods1.WhiledoingWarmingUptheteachercanleadinthetopicofthisunitbyshowingstudentssomeChineseandWestern-stylepaintingstorecalltheirownknowledgeandopinionsaboutvariousartforms。Studentsshouldalsobeintroducedtothesubjunctivemoodandtrytouseitwhentalkingabouttheartforms。2.DuringPre-readingtheteachercangoaroundtheclassroomanddiscussthequestionswithseveralstudents。Thisdiscussionshouldbestudent-centeredandarousestudents’interestinWesternpainting。Theteachershouldalsoaskthestudentstolookatthepaintingsinthereadingpassageandtrytoidentifywhichstyleeachofthembelongstosoastoletthemhaveageneralknowledgeofthesepaintings。3.WhiledoingReadingandComprehending,theteachermayfirstaskthestudentstoreadthetextquicklytogetthegeneralideaofeachparagraph。Afterreadingthepassage,studentsareencouragedtoanswersomequestionsanddiscussthetextstructure。4.Toconsolidatethecontentsofthereadingpassage,thestudentsshouldberequiredtoretellthehistoryofWesternartintheirownwordsattheendoftheclass.Emotion,attitudeandvalue1.Tostimulatestudents'senseofbeautyandtheabilityofunderstanding,enjoyingandcreatingbeauty。2.Todevelopstudents'senseofcooperativelearning.教学重、难点1.ToenablethestudentstolearnaboutthehistoryofWesternartandtodeveloptheirreadingability。2.ToenablethestudentstotalkaboutWesternpaintings.eq\o(\s\up7(),\s\do5(教学过程))Step1Warmingup1.WarmingupbylookingandtalkingShowthefollowingpaintingstothestudentsandletthemfindouttheirfavoritesandgivethereasons.Thenhelpthemfindoutthedifferencesbetweenthefirstthreepicturesandthenextthreeones。Sampleexpressions:IfIweretochoosepaintingsonthewall,Iwouldchoosethefirstone,because...IfIwereanartist,Iwouldpainthorses。Because.。。2.Warmingupbyreadingtheshortpassagebelow。TheChinesehaveforcenturiesseenpaintingasthehighestformofart.Chinesepaintingshaveanairoflivingnature,harmonyandpeacethatisnotalwaysfoundintheartofothercivilizations.ItisentirelydifferentfromWesternpainting,butthatdifferenceishardtograspandexpress.Thefollowingaresomedifferentformsofart:Figurepainting:Itincludesportraits,storypaintingandgenrepainting(风俗画)withfiguresasthemainsubject。Linesarethekeypoint.Landscapepainting:Chineselandscapepaintingscanbedividedintoblue-and-greenlandscape,gold-and-greenlandscape,light-purple-redlandscapeandwaterinklandscapeaccordingtothecolorsusedinpaintings。Theonewithoutoutlinesiscalledbonelesslandscape。Flowerandbirdpainting:Flowers,rocksandbirdsareusuallythemainsubjectsofthiskindofpaintings。Technically,therearedetailedstylewithcolorsandfreestylewithink。Courtpainting:Itreferstotheworksdonebythoseprofessionalpaintersemployedbytheroyalcourt,orimitationsoftheirworksbyotherpainters。ThepassageaboveisaboutChineseartforms.Withthis,theteachercanarousestudents’interesttoreadthepassageaboutWesternpainting.Step2Pre-reading1.Matchthepaintingsandtheirpainters。Suggestedanswers:Painting1:Picasso;Painting2:Masaccio;Painting3:DaVinci;Painting4:VanGogh2.Encouragestudentstotalkmoreaboutthepaintingsandtheartists。Keysforreference:LeonardodaVinciwasbornin1452inthevillageofVinci.LeonardobeganhiscareerworkingforamasterpainterinFlorence。HismasterpieceisMonaLisa。Leonardowastrulya“RenaissanceMan”skilledinmanyfields.Hewasascientistandaninventoraswellasanartist.Hemadenotesanddrawingsofeverythinghesaw。Leonardoinventedclevermachines,andevendesignedimitationwingsthathehopedwouldletapersonflylikeabird.Step3Readingandcomprehending1.Fast-readingAskstudentstoskimthepassagetogetthekeywordsandgeneralideaofeachparagraphandanswerthefollowingquestions:(1)What'sthemainideaofthetext?________________________________________________________________________(2)HowmanystylesofWesternartarementionedinthetext?Whatarethey?________________________________________________________________________Suggestedanswers:(1)ThestyleofWesternarthaschangedalotastimegoesby.(2)Four.Theyare:theMiddleAges,theRenaissance,ImpressionismandModernart.2.Detailed-reading(1)Askstudentstoreadthetextcarefullytogetsomespecificinformationandfillinthechartbelow.PeriodMainaimofpaintersCharacteristicsofthepaintingsRepresentativeartistTheMiddleAges(5thto15thcenturyAD)Torepresent__①__themesReligious,realistic__②__TheRenaissance(15thto16thcentury)Topaint__③__astheyreallywerePerspective,realistic,newoilpaintsMasaccioImpressionism(__④__century)Toshowhow__⑤__fellonobjectsatdifferenttimesofthedayNotdetailed,paintedoutdoors,paintedchangesinlightNotmentioned__⑥__(20thcenturytotoday)Toconcentrateoncertainqualitiesoftheobject__⑦__,veryrealisticNotmentioned(2)Askstudentstoscanthepassagefordetailedinformationanddothefollowingmultiplechoices。①IntheRenaissance,painters______。A.paintedreligiousscenesinamorerealisticstyleB.focusedmoreonreligionthanonhumansC.begantopaintoutdoorsD.returnedtoclassicalRomanandGreekideasaboutart②______discoveredhowtomakepaintingslookmorerealbyusingperspective。A.GiottodiBondoneB.MasaccioC.ClaudeMonetD.PabloPicasso③Accordingtothetext,artisinfluencedlesslikelyby______。A.socialchangesB.thewayoflifeC.agricultureD.beliefsofpeople④Whendidpeoplefocusmoreonpeopleandlessonreligion?A.From5thto15thcenturyAD。B.From15thto16thcentury.C.Fromlate19thtoearly20thcentury。D.From20thcenturytotoday.⑤MostpeoplehatetheImpressionists’styleofpaintingatfirstbecausetheythought______.A.theirpaintingswereveryabstractB.theybrokeawayfromthetraditionalstyleofpaintingC.theirpaintingswereveryrealisticD.theirpaintingswereveryridiculous⑥Whatdoesthetextmainlytellus?A.Howreligiouspaintingdeveloped。B.Howoilpaintingdeveloped.C.HowImpressionistpaintingdeveloped。D.HowWesternartdeveloped.(3)Guesswhichperiodthefollowingpicturesbelongto。Suggestedanswers:(1)①religious②GiottodiBondone③peopleandnature④late19thtoearly20th⑤lightandshadow⑥ModernArt⑦Abstract(2)①D②B③C④B⑤D⑥D(3)Painting1:theRenaissance;Painting2:theMiddleAges;Painting3:ModernArt;Painting4:ImpressionismStep4LanguagestudyDealingwithanylanguageproblems(wordsorsentencesstudentsmightnotunderstand)tohelpthestudentstohaveabetterunderstandingofthetext。Step5Listening,readingaloudandunderliningAskstudentstoreadthepassagealoudtothetapeandletthempayattentiontothepronunciationofeachwordandthepauseswithineachsentence.Tellthemtopickoutalltheusefulexpressionsorcollocationsfromthepassagewhilereadingandcopythemtothenotebookafterclassashomework。Collocations:concentrateon,adoptahumanisticattitudetolife,possesssth。,beconvincedthat,bycoincidence,agreatdeal,leadto,breakawayfrom,attempttodo,ontheotherhand.Step6StructureanalyzingAfterreading,askstudentstodiscussthetextstructure。Keysforreference:Thispassageisahistoricalreport。Thefirstparagraphintroducesthetopicandthethemeofthetext。Therestofthereportpresentstheinformationinchronologicalorder.Afeatureofhistoricalreportsistheabundanceoftimeexpressions.Thelastsentenceofthereportfunctionsasaconclusion.Inaddition,eachsectionbeginswithatopicsentence。Step7RetellingAskstudentstotalkaboutthehistoryofWesternpaintingintheirownwords。Givethemsomekeywordsandexpressionsontheblackboard。Thenletthemtrytoretellthepassage。Step8Homework1.Learntheusefulnewwordsandexpressionsinthispartbyheart。2.TrytofindabookwithreproductionsofWesternpaintingsorChinesepaintingsandexplainwhatyoulikeordislikeaboutthem。Step9Reflectionafterteaching________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________eq\o(\s\up7(),\s\do5(教学参考))ChinesePaintingChinesepaintingisgenerallydividedbysubjectmatterintofourbroadcategories:figures,landscapes,flowersandbirds,andbambooandrocks。Thefirstthreecategoriessucceededeachotherinthesummitsoftheirdevelopments,whilethepaintingofbambooandrocksbecameacasualpleasureoftheeducatedelitefromthe12thcenturyon.BeforetheHanDynasty,foundedin202B.C。,therewasalreadyatraditionoffigurepaintingandportraitureofwhichremnantssurviveonlaterbronzes,jades,andpottery。DuringtheHanDynasty,theartofdepictingfiguresbecameincreasinglyelaborate.Rulersuseddidacticarttoemphasizecodesofgovernment.Survivingexamplesofstoneengravingandwallpaintingshowstrongandlivelydrawing。LandscapeTheartoflandscapepaintingformedthecentralandmoststandingtraditioninChinesepainting.OnabasisofTaoistcommunionwithnatureandstrengthenedbyBuddhism,therewasastrongliterarytraditionofseclusionamong,andmeditationupontheforests,streamsandmountains.China’slandscapepaintingbroughtnature'spresencetowherevermandesiredit。ElementsoflandscapearealreadypresentinartoftheHanDynasty,butdevelopmentdidnotreallybeginuntiltheTangDynasty.ThesucceedingNorthernSungDynasty(960-1127)hasoftenbeencal

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