英语毕业论文全英文=美国文学史

英语毕业论文PAGE6PAGE18 成都信息工程学院银杏酒店管理学院本科毕业论文美国文学史

Abstract:America’shistoryofliteraturebeganwiththeswarminginofimmigrantswithdifferentbackgroundandcultures.Afterthat,AmericanliteraturehadbeengreatlyinfluencedbytheEuropeancultureforalongperiod.ItwasnotuntilAmerica’sindependence,didAmericansrealizedthattheyneednationalliteraturestrongly,andAmericanliteraturebegantodeveloped.TheCivilWarwasawatershedinthehistory,afterwhichAmericanliteratureenteredaperiodoffullblooming.Romantics,whichemphasizedindividualismandintuitionandTnscendentalismrepresentedbyEmersoncameoutintobeing.ThiswasanexcitingperiodinthehistoryofAmericanliterature.Liketheflowersofspring,thereweresuddenlymanydifferentkindsofwritingatthesametime.TheyhavegivendepthandstrengthtoAmericanliterature,andacceleratedtheformingofHighRomantics.ButduetotheinfluenceofCivilWar,theAmericansocietywasinaturbulentsituation.Thewritingsaboutlocallife,criticalrealismandunveilingthedarksideofthesocietywereincreased.AfterTheFirstWorldWar,Americanswereatalosspostwar,andtheModernAmericanliteraturebegan.Mypieceofpaperiswritteninchronologicalorderastheseperiodsdevelopedinordertohaveaclearoutlineofitsprogress.Keywords:NationalLiterature,Romanism,Transcendentalism,LocalColor,Realism,Modernliterature摘要：从殖民地时期起，欧洲殖民者和清教徒翻开了美国文学史的第一页。这往后很长一段时期，美国文学一直都受到欧洲文化的很大影响。一直到美国独立后，美国人强烈地感觉到了民族文学的需要，美国的民族文学开始发展。南北战争是美国文学史上一个分水岭，战后美国文学进入了一个全盛时期，产生了强调个性主义和直觉的早期浪漫主义，和以爱默生为代表的超验主义文学。爱默生的时代是美国前所未有的文学变动时代，产生了一大批优秀的作家和作品。他们突出地给予了当时美国文学以深度和力量，也促进了罗曼主义高潮的来临。但是由于战争的影响，社会动荡不安，这时的作品更注重于揭示社会的阴暗面，同时美国的民族文学进一步发展，创作出许多带有本土色彩和批判现实主义的作品。一战后，美国人陷入战后的茫然，美国也开始进入了现代文学阶段。我的论文随着这些时代的发展以时间顺序展开，以便对于美国文学史的产生和发展纲要能有一个清晰的条理。关键词：民族文学，浪漫主义，超验主义，本土色彩，现实主义，现代文学Americanisamulti-nationalcountry.Justlikeabigcontainer,whichputinvariouskindsofelements.Differentcultures,thatcannotonlybeco-existedbutalsoformasharpcontrast,mixedtogether,ItmakesAmericanliteraturestylehasaflavorofdistinctandvariousaestheticfeeling.Manywriterscomefromlowerlevel,whichmakesAmericanliteraturehastherichflavoroflifeandlocalcolor.Furthermore,manynewstylesofliteratureintheworldareorientedinAmericasince20thcentury.TheprocessofAmericanliteraturecanbedividedintofollowingmainperiods:ColonyandPuritanliterature;earlynationalliterature;latternationalliteratureandModernliterature.America’shistoryofliteraturebeganwiththeswarminginofimmigrantswithdifferentbackgroundandcultures.Afterthat,AmericanliteraturehadbeengreatlyinfluencedbytheEuropeancultureforalongperiod.ItwasnotuntilAmerica’sindependence,didAmericansrealizethattheyneednationalliteraturestrongly,andAmericanliteraturebegantodevelop.TheCivilWarwasawatershedinthehistory,afterwhichAmericanliteratureenteredaperiodoffullblooming.Romantics,whichemphasizedindividualismandintuition，andTnscendentalismrepresentedbyEmersoncameoutintobeing.ThiswasanexcitingperiodinthehistoryofAmericanliterature.Liketheflowersofspring,thereweresuddenlymanydifferentkindsofwritingatthesametime.TheyhavegivendepthandstrengthtoAmericanliterature,andacceleratedtheformingofHighRomantics.ButduetotheinfluenceifCivilWar,theAmericansocietywasinaturbulentsituation.Thewritingsaboutlocallife,criticalrealismandunveilingthedarksideofthesocietywereincreased.AfterTheFirstWorldWar,Americanswereatalosspostwar,andtheModernAmericanliteraturebegan.1.ColonialandearlyAmericanliterature(1).TravelersandExplorersWhentheEuropeanexplorersfirstcametothisnewcontinent,thenativeIndianswhoprobablygotherefromAsiaaboutfifteenthousandyearsagowerestillinorigin,andtheyevenhadnowrittenlanguage,“Thetraditionalliteraturewasoriginallytransmittedalmostentirelybywordofmouth,andthereforebelongstothecategoryoforalliterature,”(WuDingbo,1)Astimepast,moreandmoretravelersandexplorersswarmedin.Theywrotealotofdiaries、letters,andtravelaccountstodescribethenewlandassecondEden.NowandersomebodysaidthattheearliestAmericanliteraturewerethetravelaccountswrittenbyEuropeanadventurers.AmongthemostremainedwereCaptainJohnSmith’sTrueRelationofVirginia(1608),andDescriptionofNewEngland(1616).AlthoughmostoftheIndianhistorywaspreservedintalesandsongs,theyhadthoughtsaboutlifeandnature.Theylovedthenaturalworldaroundthemdeeply,andtheybelievedthatwhenapersonwasdead,hewouldgivebackwhathadborrowedwhilehewasalivetonature.ThiskindofphilosophyhadinfluencedlaterorevenmodernAmericanwriters.It’sinterestingthatwhenwelookattheliteratureofthePuritans,theTranscendentalists,theNaturalists,andeventheModerns,whenwereadAnneBradstreet,EmilyDickinson,StephenCrane,andErnestHemingway,wecanfindsimilarthemes.(2)PilgrimsettlementsSeveralyearslater,anothergroupofsettlersalsoarrivedintheNewWorld.ThisgroupwaslookingfortheJamestownsettlement.However,becauseofbadnavigation,theylandedinMassachusetts.TheywerealsocomingtotheNewWorldwithdreamsofsuccess,buttheirgoalwasdifferentfromtheJamestownsettlement.TheywantedtostartanewworldgovernedbytheBible.TheywerecalledPuritansbecausetheywantedtoliveabetterlifebymakingthemselvespure.TheyfirstarrivedontheMayflowerandsettledinPlymouth.Thisisthegroupweareusuallythinkingaboutwhenwetalkaboutthe"firstAmericans."TheclearesthistoryoftheirjourneytotheNewWorldcanbefoundinHistoryofPlymouthPlantation(1608)writtenbyWilliamBradford,whowasalsooneoftheMayflowerpassengers.TheHistoryofPlymouthPlantationisaPuritanbookinthebestsense.“It’slooselyannalistic,butadirectandsimplestylegivescharm,asasincerefaithinPuritanismgivespurity,totheentirebook.”(W.P.Trent,1997)ThePuritanshadseveralkindsofliterature.ByfarthemostcommonformisthewritingrelatedtoBiblicalteachings,orsermons,thatthechurchleaderswrote.ThePuritansbelievedthattheywereintheNewWorldbecauseGodhadbroughtthemthereforaspecialpurpose.TheythoughtthatbystudyingtheBibletheycouldlearnmoreaboutthiswayoflife.Sotheywereverystricttotheirlife,andtheydidn’tallowanykindofentertainmenteveninliterature.That’swayWuDingbosaidinhisbook“LiteratureoftheNewEnglandSettlementismainlyaliteraryexpressionofthePuritanidealism”and“TheliteratureofthecolonialsettlementservedeitherGodorcolonialexpansionorboth.”(WuDingbo,4)Anotherimportantformofwritingfromthisperiodisthehistories.Thesebooks,likeBradford'sHistoryofPlymouthPlantation,areimportantbecausetheytellusaboutlifeatthetimeofthePuritans.Peoplealsowrotemanypoems.ButalotofworkswerehiddenandlostbecausepeopleoftenconsideredpoetrytobeaninferiorformofwritingandnottotallyacceptabletoPuritanthinking.OneofthemostsignificantpoetsfromthisperiodwasAnneBradstreet(1612-1672).HerpoemsinTenthMuseLatelySprungUpInAmerica(1650)reflectedtheconconcernsofwomenwhocametosettleinthecolonies,andinallherpoems,however,sheshowsherstrongbeliefinGod.2.18thcentury—theAgeofreason(1)TheAgeofreasonInthe18thcentury,peoplebelievedinman’sownnatureandthepowerofhumanreason.WithFranklinasitsspokesman,the18thcenturyAmericaexperiencedanageofreason.Wordshadneverbeensousefulandsoimportantinhumanhistory.Peoplewrotealotofpoliticalwritings.Numerouspamphletsandprintingswerepublished.TheseworksagitatedrevolutionarypeoplenotonlyinAmericabutalsoaroundtheworld.AmongthemostrenownedwastheworkCommonSense(1776)ofThomasPaine(1737-1809).It’stheringingcallforthedecorationofliberty.HealsowroteCrisis(1774-1783)andTheAgeofReason(1794-1796),accordingtoWu,“Hethoughtthatreligionshouldbebasedonrational,reasonableground.”(WuDingbo,12)ThepamphletshelpedcompletethedebatethatresultedinAmerica'sseparationfromEngland.AndofcourseforalltheAmericans,themostimportantdocumentfromthisperiodwasasinglesheetofpapercalledTheDeclarationofIndependence(1776),mainlywrittenbyThomasJeffersonandBenjaminFranklin.BenjaminFranklin(1706-1790),themostdistinguishedpersonandgiantinAmericanhistory,hewroteandworkedforAmericanindependencehardlyandhadmadesomanygreateffortstoAmericathathehasbeencalled"TheFirstAmerican."aworld-renownedscientist,diplomat,philosopher,andwriter.Heperfectedthesmooth,clear,shortsentencesofthePuritanplainstyle.HisAutobiographyencourageshardworkandemphasizestheimportanceofachievement.AnotherworkthatiswellknownisPoorRichard'sAlmanack,andmanyofthesentenceshavebecomepopularquotations.DuringthistimewritersthoughtthatthetruthshouldbereliedonBible,churchmen,authorities,orpracticeandexperience.(2)EarlyNationalLiteratureDuringtheperiodofAmericanRevolutionWar,Americannationalliteraturecameintobeing.Sincebeforethewar,Americanpeoplehavealreadyhadtheawarenessofnationalindependence,sotheywrotemanypoliticalwritingsrevolutionarypoems.ThewarhelpedthefirstimportantAmericanprosewritersandpoetsgrowupbothculturallyandartistically.Furthermore,theindependenceofnationledtotheindependenceofnationalliterature.Fromthismomenton,Americanpeoplebegantounderstandofmeaningofbeingareal”American“.3.TheflourishingofAmericanliteraturein19thcenturyFromthe1820’stotheCivilWarbrokeout,Americanliteratureenteredaperiodoffullblooming.Writingsallcharacterizedbyadistinctnationalstyleandflavor.Atthesametime,theworldasawholewasexperiencingachangeinwaysofthinking:therewasamovefromclassicalideastoromanticones.Thischangewastakingplaceinallareasofculturearoundtheworld.ThiswasanexcitingperiodinthehistoryofAmericanliterature.Liketheflowersofspring,thereweresuddenlymanydifferentkindsofwritingatthesametime.Alltheworkshaveanoptimisticspirit.TheyrepresentedthevariousandquickdevelopmentofAmericannationalliterature.(1)EarlyRomanticsInearly19thcentury,WashingtonIrving(1783-1859),thepersonbornwiththenewnation,hisTheSketchBookcreatedanewstyleofAmericanliterature—shortnovel.JamesFenimoreCooper(1789-1851)His"Leather-Stocking"novelstoldusastoryabouthowthebraveimmigrantsfightwithsavageusingwhattheyhavelearntfromnature.AnotherfamouswriterofthistimewasWilliamCullenBryant(1794-1878),hewasregardedoneoftheearliestnaturalistpoetsinAmericanhistory.HisgreatestpoemThanatopsiswaspublishedintheNorthAmericanReviewin1817.Heappreciatesnormalbirdsandflowers,throughwhichappreciatedharmoniousrelationshipbetweenhumanandnature.TheRomanticsemphasizedindividualismandtheythoughtfeelingsandemotionsweremoreimportantthanreasonandcommonsense.(2)TheTranscendentalism“TheNewEnglandTranscendentalismwasromanticidealismonpuritansoil”(WuDingbo:28).Itstressedthepowerofintuitionplacedspiritfirst,andittooknatureassymbolicofspiritorGod.TherewerethreemainfeaturesofTranscendentalismwereUnitarianism,idealisticphilosophy,andorientalmysticism.RalphWaldoEmerson(1803-1882),theleaderofAmericanTranscendentalism.“Hecaptainedagroupofenthusiastandformedatranscendentalclubwiththem.HealsohelpedtosetupandeditedthetranscendentalistjournalTheDial.”Hehadwrittenmanyfamousessays.AmongthebestareNatureandTheAmericanScholar,whichhasbeencalled“America’sDeclarationofIntellectualIndependence”.EmersonwroteinTheAmericanScholar(1837),amanmust"learntodetectandwatchthatgleamoflightwhichflashesacrosshismindfromwithin."Themainkeytothisinnerworldistheimagination.Man'simaginationleadstoexpression.Ourexpressionmakeseachofusauniquehuman.Romanticismbecamethewayofthinkingforthisgenerationofwriters.HenryDavidThoreauwasalsooneofthewritersofTranscendentalism,andhisfamousessaywasWalden,inwhichherevealedthehiddenspiritualpossibilitiesineveryone’slife,andtoconsideratethepursuitofmaterialthings.(3)HighRomanticsDuetothegreateffortmadebythosegeniusessuchasEmersonandThoreau,awild-rangednationalAmericanliteraturehadbeenlaidasolidfoundationbythemid-19thcentury.TherearefourimportantnamesinAmericanliteraturetorememberfromthisperiod:WashingtonIrving(1783-1859),WaltWhitman(1819-1892),JamesFennimoreCooper(1789-1851),andEdgarAllanPoe(1809-49).Irvingwilllongberememberedforhisbookofessaysandstories,TheSketchBookofGeoffreyCrayon(1819),whichhelpingthisnewnationstarteditsfirststepconfidently.CooperandWhitmandescribedthecharacterofthenation,whichcombinedthecourageandclevernessofexpansion,thegreatsenseofdestination,andtheoptimisticspirittogether.HawthorneandMelvilleexpressedthedarksideofAmericandreamthoughtheirprofoundandsymbolizedworks.WaltWhitman(1819-1892),fatheroffreeverse,“hethrewasidethetraditionalornamentsandprettinessofverse,andcreatedhisownform”(WuDingbo,44).HisLeavesofGrass(1855),whichcontainssuchwell-knownpoemsasIHearAmericaSinging,andSongofMyself,wasregardedAmerica’sfirstgenuineepicpoem.Herejectedregularmeterandrhymeinfavorofflowingfreeverseandcelebratedpatrioticlove,raggedindividualism,democracyandequalityandstressedanalmostmysticalidentificationwithAmerica.NathanielHawthorne(1804-1864),duetohisfamilybackground,hisworksalwaysconcernedwithsin,morality,romance,andhadcomplexPuritanism.HismasterpiecewasthenovelTheScarletLetter,andhisTheHouseofSevenGableswasalsowellliked.Intheseworkshepresentedmaterialonthealienationbetweenfactsandfancy,byusingmanysymbolsandsettingtorevealthepsychologyofthecharacter.HermanMelvillewasHawthorne’sgoodfriend,alsoanimportantnovelist.Melville'sgreatestwork,MobyDick(1851)wasbasedonMelville'sadventuresonthewhalingships.Itisthedeep"tragediesofhumanthought"thatshowhiscriticalunderstandingofhumannature.TodayMelvilleisconsideredoneofAmerica'sgreatestwriterstoday.RomanismwasextremelyinfluencedinarisingAmericaasAmericahadalwayshadastrongspiritualtraditionandromanticismwasverycomfortablewithAmericanspiritualheritageanditsidealsofdemocracyandequality.Duringthisperiod,theAmericanliteraturewassochangeablethathasneverbeenbefore.NathanielHawthorne,HermanMelville,WaltWhitmanandEdgarAllanPoe,thesefourgreatwritershadgivendepthandstrengthtoAmericanliteratureatthattime.4.LocalColorAndRealism:ANewFlavortoAmericanLiteratureAftertheCivilWar,theAmericansocietywasinaturbulentsituationthroughseveraleconomicalcrises.Thewritingsaboutcriticalrealismandunveilingthedarksideofthesocietywereincreased.Theyweremainlyfocusonbankruptincountries,difficultlifeorstruggleoflow-positionpeopleandsoon.ThusRomanismwasonthewanewithpassingdays,whileRealismroseandbecamemoreandmorepopular.(1)LocalColorFictionandMarkTwainLocalColorFictionfirstappearedintheearly19thcentury,andithadfurtherdevelopingaftertheCivilWar.Thiskindofliteraturemainlydescribesthelocallife.Itskeynotewasoptimistic,andthelanguagewasnarrativeandhumorous.Forexample,theworkofBretHarte(1836-1902)toldusthelifeofAmericanwesternminers.MarkTwainwasthemainwriterofthisperiod.Hewrotefornearly50years,andhehadactuallywrittenmanydifferenttypesofstories.Nevertheless,TwainisrememberedmostforTheAdventuresofTomSawyer(1876),LifeontheMississippi(1884)andTheAdventuresofHuckleberryFinn(1884).Thecharactershecreatedwerehumorousandfullofwittiness.MarkTwain’sworkwasregardedthewitnessofAmerica’spurelocallife.AccordingtoCalkins,“FewAmericanwritershavewrittenthesameafterreadingTwain,forhehashelpedchangetheentirecountrywithhishumorandskillfulstorytelling.”(CarrollC.Calkins,124).(2)RiseofRealism“Realismisthetheoryofwritinginwhichfamiliaraspectsofcontemporarylifeandeverydayscenesrepresentedinastraightforwardormatteroffactmanner“(WuDingo,59).Romanticwritersfocusedonthedevelopmentofplot,makethestoryasinterestingandattractiveaspossible,whilerealismwritersemphasizedthecharacterizationofcharacters,focusedonobjectivityratherthananidealisticviewofhumannatureandhumanexperience.WilliamDeanHowells(1837-1920)insistedthatRealismwasthetruthfultreatmentofmaterialmoralproblemsofsociety.AndinO.Henry(1862-1910)’sfictions,allhischaracterswerecommonpeopleandalwayshadanironicalandsurprisedending.TherewasanotherstyleofwritingdevelopedbyHenryJames(1843-1916),whowasawriterfocusedonthedescriptionofpsychologyandbehavior.HewrotesomecomplexandprofoundnovelssuchasTheWingsoftheDove,TheAmbassador,TheGoldenBowl,andcreatedpsychologicalrealism.Afterthemid-19thcentury,thekeynoteofromanticliteraturechangedformoptimistictodoubtful.Thesharpconflictofsocietyforcemorewriters’attentiontotheunveilingofdarksocialfactandself-questioning.Thoughtthewritersofthistimeunveiledthemisfortuneandsadnessorevendegeneratethingsinactuallife,theydidn’tjusttookofthedarksideoflifeastheirmaterial,mostofthemwerethereformistswiththehopeofhelpingtocreateabetternation.StephenCrane(1871-1900)showedmoreandmoreseriousproblemsinbigsitesinhisMaggie,AGirloftheStreets,andhismostfamousbookabouttheAmericanCivilWarcalledTheRedBadgeofCourage.Hethoughthisworkslikedamirrorreflectingalllife,heemphasizedtheaccidentalphysiologicalnatureofthecharactersratherthantheirmoralandrationalqualities.StephenCranehadformedanewstylecalledNaturalism,whichhadinfluencedmanyfollowingwriters.5.ModernAmericanLiteratureTheFirstWorldWarnotonlydamagedthepeople’slife,butalsoledtoaturbulentsituationoftheAmericansociety.Peopleofthistimewerenamed“TheLostGeneration”,andthewritersandworkshadapessimisticanddisconsolatefeeling.(1)ModernpoetryEzraPound,T.S.EliotandE.ECummingsarethreepoetswhoopenedthewaytomodernpoetry.EzraPoundstartedthe“Imagist”movement,andhisTheLoveSongofJ.AlfredPrufrockhasbeencalledthefirstmasterpieceofmodernism.TheWasteLandofT.S.Eliotparticularlycommentsontheinhumanityanddecadenceoflargemoderncities.(2)ModernnovelsManypersonsregardedthatErnestHemingwayandotherimportantwritersof20thcenturyhadadoptedtheconcisestyleandnaturalismofStephenCrane.Nevertheless,theystillcreatedtheirownstylesandhadwrittensomanyimmortalmasterpieces.AmongthegreatestwereErnestHemingway(l899-1961)andWilliamFaulkner(l897-1962).ErnestHemingwaywasoncetakepartintheFirstWouldWar,somanyofhisworksdealwithwarorinjury,andnearlyallofthemexaminedthenatureofcourag,e.Bysufferingfromtheviolentofwar,hefeltthathewascutofffromallhisoldbeliefsandassumptionsaboutlife.“HethoughttheWarhadbrokenAmerica’scultureandtraditions,andseparateditfromitstoots”(ElisabethB.Booz:1982).Theworkshewrote--TheSunAlsoRises,AFarewelltoArms,ForWhomtheBellTollsandTheOldManandtheSea—inferredthestateofmind,andtheybecametherepresentativesofthefeelingofthisgeneration.EpilogueAmericanliteraturehasgonethoughtheprogressofdevelopmentover200years.Itischaracterizedbythedistinctindividualism,whichisoptimistic,freeandalwayscreative.ThelivingAmericanliteraturehasbeenprovidingpotentthinkingheadspringsforthewriterspastandnowadays,anditwillcontinuereanimatingthetalentstobequeathandenrichthetraditionofAmericanliterature,ofwhichdeservedtobeproud.Bibliography:1.CarrollC.Calkins,ThestoryofAmerica,NewYork:TheReadersDigestAssociation,Inc,19752.ElisabethB.Booz,ABriefIntroductionToModernAmericanLiterature1919-1980,Shanghai:ShanghaiForeignLanguageEducationPress,19823.柯恩,LandmarksofAmericanLiterature,北京:三联书店,19884.WuDingbo,AnoutlineofAmericanliterature,Shanghai:ShanghaiForeignLanguageEducationPress,19985.EditedbyW.P.Trent,J.Erskine&S.P.Sherman,TheCambridgeHistoryofEnglishandAmericanLiterature,Cambridge,England:UniversityPress,1997英语论文标准范文格式NoticinginSLA（小二号TimesNewRoman加粗居中顶页眉）(空一行)Abstract:Thisarticlefocusesontheroleof“noticing”and“noticingthegap”insecondlanguageacquisition.Itisarguedthatthisnotionhasgainedwidesupportonthebasisofintuitionandassumptionratherthanonthefindingsofappropriateandexhaustiveempiricalresearch.Theaimofthispaperistwofold:a)toconsiderthetheoreticalconstructsthatunderlietheroleofnoticing,andb)toassessthevalidityoftheassumptionthatnoticingenhanceslanguageacquisition.Thispaperconcludesthat1)empiricalresearchhasyettovalidatetheroleofnoticinginlanguageacquisition,2)analternativeviewofferedbyTruscott(1998),whichsuggeststhatnoticingismerelytiedtotheacquisitionofmetalinguisticknowledge,isworthyofinvestigation,and3)futureresearchintotherelationshipbetweentraininglearnerstonoticelinguisticformsandtheacquisitionofmetalinguisticknowledgemayenhanceourunderstandingofnoticinginsecondlanguageacquisition.（小四；不分段；顶格）(空一行)Keywords:noticing;metalinguisticknowledge;linguisticforms（小四）(空三行)（摘要、文章、参考文献均先在默认状态下输入，然后第二稿时再按照要求进行字体、字符大小、加粗等的编辑。如果中、英文摘要在一页里放不下，则将中文摘要另换页。）二语习得中的注意（小二号宋体加粗居中）（空一行）摘要：本文着重研究了“注意”和“注意差距”的作用，指出这一概念受到广泛重视是出于直觉和假设,而不是基于广泛的实证研究.本文旨在:1)探讨“注意”这一概念的理论构建；2）评估“注意”强化语言习得假设的有效性。本文得出结论如下：1)通过实证研究，证明了“注意”在语言习得中的作用；2）特拉斯科特在1998年提出的新观点是值得研究的，他认为“注意”只同元语言知识的习得有联系；3）如果能对学习者所受的注意语言形式训练和元语言知识的习得之间的关系作进一步研究，会帮助我们更好的理解二语习得中的“注意”。（五号）（空一行）关键词：注意；元语言知识；语言形式（五号）

Contents（四号加粗居中顶页眉、）（空一行）1.Introduction 12.Thetheoreticalconstructsthatunderlietheroleofnoticing 12.1Consciousnessraisingandnoticing 12.2Noticingandlanguageacquisition 13.Influencesonnoticing 13.1Taskdemands 23.2Frequency 23.3Perceptualsalience 24.Conclusion 2References 3Acknowledgments 4（目录用电脑自动生成的格式，把行距改成1.5倍行距二级标题与第一级标题首字母对应三级标题与第二级标题首字母对应不设置四级标题）NoticinginSLA（小二加粗居中顶页眉，每个实词首字母大写）（空一行）1.Introduction（一级标题，四号加粗顶格；所有标题后均不加逗点或句点）Thesignificanceoftheroleofconsciousandunconsciousprocessesandthenotionofinterfaceinsecondlanguage(L2)developmenthasbeenthefocusofmuchdebateinthegeneralfieldofcognitivepsychology.OneproposalisthatputforwardbyBurka(1996),whooffersahypothesisrelatedtoconsciouslearningthatfocusesonwhatSkehanarguesis“thecrucialconceptofnoticing”(Deleuze,1986，p.48)（这是参考文献出处文中注的格式，p用小写）.Thepurposeofthispaperistoa)considerthetheoreticalconstructsthatunderlietheroleofnoticing,andb)assessthevalidityoftheassumptionthatnoticingenhanceslanguageacquisition.[一级标题与一级标题之间空一行，一级标题和二、三级标题之间都不空行。所有标题均顶格、并只有第一个单词首字母大写（除专有名词外）。]2.Thetheoreticalconstructsthatunderlietheroleofnoticing（一级标题）2.1Consciousnessraisingandnoticing（二级标题，小四加粗）Theterm“consciousnessraising”referstothedrawingoflearners'attentiontotheformalpropertiesoflanguage(FeeandFox.,1988).However,akeydifferencebetweennoticingandconsciousnessraisingisthatnoticinghassupposedimplicationsforlanguageprocessingandtheactualacquisitionoflinguisticfeatures.（每段第一行退进4个空格）2.2NoticingandlanguageacquisitionGeertz(1973)identifiesthreeaspectsofconsciousnessinvolvedinlanguagelearning:awareness,intentionandknowledge.Johnstone(1993)statesthata)whetheralearnerdeliberatelyattendstoalinguisticformintheinputoritisnoticedpurelyunintentionally,ifitisnoticeditbecomesintake.TohelpclarifySchmidt’shypothesisandtheplaceofnoticinginL2acquisitionthefollowingmodel,proposedbyEllis,isuseful.(一级标题与一级标题之间空一行，一级标题和二、三级标题之间都不空行)3.InfluencesonnoticingJones(1978),inharmonywithSchmidt'sdiscussionofmemoryprocessingabove,commentsthatitisinsideshort-termmemorythatnoticingmustinrealitytakeplace,sincethe“spotlightconsciousness”(Magistrale,1992,p.142)providedbyshort-termmemoryistriggeredbydifferentinfluencesonnoticing.Schmidt(1990)claimsthatthefollowingfactorsinfluencenoticingintheinput:3.1TaskdemandsInstructionprovidesstructured,differentiatedinputthatassistsnoticingbyfocusingattentiononandenhancingawarenessoflanguagefeatures(PikarskyandChristensen,1976).3.2FrequencyAlanguagefeaturemaybecomefrequentduetorepeatedinstructionorbywayofteachertalk.Assuch,whentheitemdoesappearmorefrequentlyintheinput,thelikelihood3.3PerceptualsalienceThemoreprominentalanguageformatinput,thegreaterthechanceitwillbenoticed(Skehan,1998).Itstandstoreason,therefore,thatthelesssalientaform,thelesslikelyitisto(一级标题与一级标题之间空一行，一级标题和二、三级标题之间都不空行)4.ConclusionItcanbeseenthattherearevariousviewsregardingtheroleofconsciousandunconsciousprocessesinL2acquisition.AnimportantcontributiontothisdebatehasbeenSchmidt's“noticinghypothesis”anditsclaimsabouthowinputbecomesintake,andthis

References（四号居中加粗顶页眉）(空一行)Burka,LaurenP.AHypertextHistoryofMulti-UserDimensions.RetrievedAugust18,2009,from/talent/lpb/muddex/essay..Deleuze,Giles.Foucault.(SeanHand,Trans.&Ed.).Minneapolis:UMP,1986.Fee,Elizabeth&DanielM.Fox.(Eds.).AIDS:TheBurdensofHistory.B