黑暗之心读后感英文

WomenastheOtherTwowomeninblackincethepublicationofHeartofDarkness,ithaswelteredinlotsofcontroversialvoices.ThisbookisregardedasastoryaboutMarlow’switnessofthecollapseofthecivilization,whichhasnothingtodowithwomen.WomenaredefinedasatypicalrepresentativeoftheOtherbecauseinthisnovel,theyarejustanonymousimagesandConradhimselfhasalsobeenconsideredasamisogynistforalongtime.utwemustnoticethatthereasonwhyHeartofDarknessenjoyssomanyreputationsandattractedmanygenerationsisthatitcanbeinterpretedfromvariousangles.Speakinghonestly,itisalsoastoryabout,andforwomen.Women,usuallydefinedastheOther,havegreatcommandsoverMarlow-theleadandtheleadingsociety.ItisnotoccasionalthatthetripissetinthedarkcontinentofAfrica.Readingcarefully,itisnotdifficulttodiscoverthatitaccordswiththeappearanceofthetwowomeninblack.Asamaleauthorwholosthismotherattheageof5,Conrad’sknowledgeaboutwomenisraetrhlimited.AshiswifeJessiesays,“Hehadhardlyknownanythingofamother’scare,andhadnosortofexperienceofanysortofhomelife”.uchanexperienceprovokesConrad’scuriosityaboutwomen,soitisnotcoincidentthatMarlow’sexperienceinthedarkcontinentstartswithtwowomeninblacksittingandknittingblackwoolatthedoorofthecompanyinBrussels:quot;Twowomen,onefatandtheotherslim,satonstraw-bottomedchairs,knittingblackwool.Theslimonegotupandwalkedstraightatme-stillknittingwithdowncasteyes-andonlyjustasIbegantothinkofgettingoutofherway,asyouwouldforasomnambulist,stoodstill,andlookedup.Herdresswasasplainasanumbrella-cover,andsheturnedroundwithoutawordandprecededmeintoawaiting-room".Fromtheparagraph,itcanbeinferredthatthosetwowomenmarktheopeningofthedoorofthefemaleorder,oronecouldsaythepreludetothewilddarkness.Marlow’sinnermonologueprovesthisviewpoint:quot;OftenfarawaythereIthoughtofthesetwo,guardingthedoorofDarkness,knittingblackwoolasforawarmpall,oneintroducing,introducingcontinuouslytotheunknown,theotherscrutinizingthecherryandfoolishfaceswithunconcernedoldeyes.Ave!Oldknitterofblackwool."Thetwowomenarecomplicatedcharacters,representingfate,destinyandmystery.TheirgloomyimagesarecloselyconnectedwiththelaterdeathofthelatecaptainofthecompanyandthusbroughtMarlowtothedarkcontinentbyaskinghimtotakeovertheformerpositionofthedeadcaptain.Appearingatthebeginningofthestory,thetwowomenforebodethemisfortunesandmiseriesafterwards.Suchatroublingincidentleavesthereaderstowonderifthesetwowomenarereallycreaturesofthisworld.Infact,theydonotbelongtothe“world”becausetheorthodoxmainstream“world”toMarlowisthewhite,male-dominatedworld.Hehasacertainsenseofpriority,butinfrontofthosetwowomen,hispridedisappearsforherealizesthatitistheywhohavethepowertopenetratehisinnerworld,aworldsymbolizingtheheartofdarknessbecausetheyaretheguardiansofdarkness.Theyoungerwoman,stillunfamiliarwiththeworld,demonstratesthecarefreeattitudeofmenbeforetheyentertheCongoRiver,buttheoldwoman,notsubjecttotheprimarydesiresofaman,couldpenetrateintowhathappenstomenintheterrifyingheartofdarkness.Thetwowomeninblack,astheOther,areofextremesignificancebecausetheyareconsequentialroleswhogivecoloniststheopportunitytostartanddeveloptheiractivities.Kurtz’smistressCongoRiveriscomparedtoasnakeandMarlowdescribeshimselfasalittlebirdtemptedbythesnakeoftheCongoRiver.ThisisnotbecauseAfricaisacolonyunderthesuppressionoftheimperialism,butduetothestateofbeingfascinatedandtrappedbyaviciousandpowerfulbeauty-Kurtz’smistress.Marlowisinevitablyinfatuatedwithher,whilealsoafraidofher.OnMarlow’svoyage,hefeelsthatheispenetratingintothewildernessofthedarknesswhichseemstobecapableoflistening,watchingandwhisperingstepbystep.Heisinthestateofgreatvoid.However,theappearanceoftheAfricanmistressopensanewwindowforhim-sheisarealhumanbeingwhohasasoul:quot;Shestoodlookingatuswithoutastir,andlikethewildernessitself,withanairofbroodingoveraninscrutablepurpose…Suddenlysheopenedherbaredarmsandthrewthemuprigidaboveherhead,asthoughinanuncontrollabledesiretotouchthesky,andatthesametimetheswiftshadowsdartedoutontheearth,sweptaroundontheriver,gatheringthesteamerintoashadowyembrace".ItisundeniablethatMarlowisobsessedwithher,suchamysterious,charmingimage.Marlowislostandpuzzledintheboundlesswilderness,andsheistherepresentationofthewildernessitself,sosheistheonlypersonwhocouldsolveMarlow’spuzzlement.Inthissense,itisnothardtounderstandwhyheusessomanyadjectivestodescribeher:wild,gorgeous,superb,wild-eyedandmagnificent,etc.Forawoman,allthosewordsareutmostcompliments.ItistruethatConradusesfewsentencestodescribewomen,whichmakesreaderswonderthatthisworkdemonstratesasenseofdiscriminationagainstwomenbecausetheirvoicesandidentitiesarewaned.Butitissuchconcisenessthatstressestheimportanceofthembecausethebriefdescriptionalwaysleavesreadersthewildestspaceofimaginationandadmiration.Inthisstory,Kurtz’smistress,astheOther,ismuchmorethanamarginalizedimage.AstheOther,sheismorepowerfulthanKurtzbecausebehindherback,thereisanunknownpowerwhichcontrolsoverKurtz,Marlowandthemaleworld.Nobodycanclearlydefinewhattherealthingis,butthewholeatmosphereshesendsoutawesandfrightensthosemalechauvinisticmen.Specifically,itispossiblethatKurtz’sAfricanmistressisnotjustasymbolofanAfricanwoman,butalsoasymbolofAfricaanditsinternaldarkness.Marlow'sdescriptionofherseemstosupportthisidea,foralthoughthisnativewomanisdarkandsavage,sheisalsogorgeous;furthermore,sheisgorgeousbecausesheisfulloflife,thevivid,passionatekindoflifethathasdisappearedfromEurope,whichMarlowcomparestosepulchresandtombsevenbeforehehasleftforAfrica.Kurtz’sintendedComparedwithKurtz’sshining,enchanting,fiercelycharmingmistress,itisobviousthatKurtz’sintendedisofatotaloppositetypeofwoman:innocent,unblemished,docile,totallyloyaltoKurtz,pureasanangel,isasymbolofallthebeauty,innocenceandmoralsinthewholeworld—themale-orientedworld.Judgingfromeveryangleofthewesternsociety,sheisaperfectmodelforwomen,wivesandperfectcompanionstothemanlymenofimperialistEurope.Asaman,Marlowappreciatesandwantstobeprotectivetothefragile,delicatewoman.Bu