海底总动员英语课件

FindingNemoAnalysisThesis:Throughtheiradventures,theparanoidfather

learnsnottomicro-managehisson’slife,andtheson

learnsthevaluesofinitiativeandteamwork.FindingNemoAnalysisThesis:T1CharactersNemo-Marlin&Coral’ssurvivingson(protagonist)learnstosurviveintheopenocean—andthevalueofhome.MarlinDori-BefriendsMarlinandhelpshimfindNemo;forgetfulandimpetuousCoral-Nemo’smotherwhodiesinattackwithallhereggsbutoneCrush-Thebig,oldturtlewhoteachesMarlintoletkidsstruggleabitontheirown;Squirt’spopSquirt-Oneofthebabyturtles;Crush’ssonMr.Rays-MantaRay;Nemo’steacherBruce-Biggestsharkwhostruggleswith“Fisharefriends,notfood.”

TankGangGill-big,scarredfish;cleverbutgrimBlow-blowfishwhoinflateswhenstartledJacque-crab;compulsivecleanerAuntieDeb-bluefishwithstripesPeach-starfishandlookoutDarla-destructivemetal-mouthnieceofthedentistNigel-thepelicanthathearsofMarlin’squestandsavesNemofromtheseagullsCharactersNemo-Marlin&Coral2PlotSummaryNemo,ayoungclownfishiscaughtbyascubadiverwhenheventuresintotheopenoceanandistakentoanaquariuminadentist’soffice.WhileMarlin,hisfather,overcomeshisfearsoftheoceantofindhislostson,hemeetsDory,whohasaveryshortmemory.MarlinandDorysearchforNemo,encounteringmanytypesofoceanlife.EventuallynewsspreadsaboutMarlin’squestandNigel,apelican,comestothetanktorescueNemoandreunitehimwithhisfather.PlotSummaryNemo,ayoungclow3“FindingNemo”issetintheoceanbetweenthehomeofMarlinandtheEastAustralianCurrentandtheAustraliandentist’sofficeinSydney.Thestoryofalostchildandhisfather’sadventureandmissiontoreunitethemisalldepictedandplayedoutinthisvastareaofthesouthernPacific.Overall,thedirectorusedtheoceanasamicrocosmtosatirizehumanfoibleswhileshowingaquestforserenity.Setting“FindingNemo”issetintheo4

InSCENE#17,Nemohasbeenplacedintothefishtankbythedentist.Afterheisceremoniallywelcomedtothetank,Gillrevealshisplanforescape—whichrequiresasmall,strongfish.

ThetankganghastoactbeforeNemoisgiventoDarla,aninsensitivehumangirlwhokillsfishjustbylookingatthem(andshakingthemtogetthemtoperformforher. Nemo’sdad,Marlin,aclownfishhastoldotherfishabouthisquesttofindNemoandthosefishtoldmorefishwhotellmore.Finally,thepelican,Nigel,whohasmetNemo,hearsthestoryandalertsthetankgang.NigelrescuesNemoandDory,whohasfoundhimaftersplittingwithMarlin,andgetsthemtotheharbornearthedentist’soffice.Nemoplaysdeadinordertogetrinsedintothesewersystemthateventuallyventsintotheharbor,whereherunsintoDory,wholeadshimbacktoMarlin.Intheend,Nemonotonlyrescueshimself,buthealsorescuesDorywithhisfather’strustandaid.

Scene"NewsTravels"

InSCENE#17,Nemohasbeen5SoundEffects

Soundeffectsduringthisparticularsceneofthefilmhelpfosterrealismandsetthesceneshift.SpecificsoundsareheardwhileintheEastAustralianCurrent(EAC)withthequickmovingofthewaterandthesoundsofeachseaturtle.AspecificsoundofDoryandMarlinexitingtheEACisheard,andthenaquietlullispresent.ThequietnesshelpswiththetransitionofsettingfromthecurrenttoSydneyharbor.Bubbling,waves,seagulls“barking”,andDoryandMarlin’sswimareanexampleofthespecificsoundsthatareheardduringthisscene.

TheDVDrevealsthatthesoundofNemo’smalformedfinwasmadewithflutteringtissuepaper.SoundEffectsSoundeffects6Sounds

Duringthemoviesoundandsoundeffectsareanessentialpartofthedevelopmentandprogressionofthismovie.Disneyusesmultiplesoundstodepictcharactersandtoessentiallydescribetheoceaninsound.Withmanyofthemaincharactersaspecificsoundisusedtoidentifythecharacter.Nemoisidentifiedbyhisdamagedfin.Thefinmakesadistinctiveflutteringsound,whichestablishesthathehaslessuseofthisfin.Marlin,theoverprotectivefatherofNemohasaveryfastmovingtail.Onecouldsaythatthisshowshowneuroticandoverprotectivehisfatheris.Dory,thecompanionofMarlinonhismissiontofindNemo,hasasmoothglidetoherfinsandtail.Thisshowsthatsheisgoingthroughlifewithagoodattitudeandenjoyingeverythingshedoeswithnoconcerns.Thisalsoshowshermentalflightiness(amnesia).Eachsharkhasadeepprotrudingvoiceshowingdominanceandstrength.SoundsDuringthemoviesou7Props1stSettingintheScene:TheOcean

Leaves,flowers,sand,rocks,andatreasurechestsetthesceneintheopenocean.2ndSettingintheScene:TheHarborTrees,bushes,land,bouldersinthewater,boats,andtheSydneyOperaHouseinthedistancesetSydneyHarbor.3rdSettingintheScene:TheTankInthefishtank,anoldrustedcontainer,blue,rocks,bubbles,plasticpinktallplants,aseashellwithapinkballinside,tallplasticgreenplants,thefilter,andbeyondtheglassthedentist’schairandtools,hispatients,cabinets,picturesonthewall.Thewindowoverlookstheharbor,andNigel.Props1stSettingintheScene:8CostumesNemo'sfather(Marlin) *orange&whitewithaoutlineofblackonfins *bigwhiteeyes *smallframedmouthNemo *smallorangefish *orange,whiteandwithalittle trimofblackTurtles *green,withadarkergreenin certainareasonshellsCrabs *orange&yellow,andsmall,green *withclaws&pincersPelicans *longwings *longfacesDori *bluefish *yellowtail *bigeyesthatblinkblanklytoshowherforgetfulnessSeagulls *shortbeakstobark“Mine!” *wings *small,blankeyesFish *DifferentcolorsfordifferentspeciesDolphins *greyandwhite *longbodiesSemi-RealisticCartoonAnimationsoftheUnderwaterWorldCostumesNemo'sfather(Marlin)9Lightvs.ShadowTherewereshadowsofthesealifeontheoceanfloorfromthesunlight—whichtookalotoftrialanderrorbytheanimators.Therewerealsoreflectionsontheoceanfromthesun,stars,moon,andthecitylights.ThemosteffectivescenewastheinitiationceremonytowelcomeNemointothetankinordertoestablishhimasamemberoftheescapeteam.Lightvs.Shadow10ColorsThecolorsinFindingNemoweremostlyshadesofblueandgreen,sinceittakesplaceunderwater.Theunderwaterplantlifeconsistedofalldifferentcolorssuchas,purple,green,pink,yellowandmanyothercolors.Thecharacters(fish)werethemostcolorfulfromthebrightorangeclownfishandtheblueandyellowbluetangfish.Oneeffectivesceneshowedameetingofthesharksthatusedgrayshadesfortheirsinisterenvironmenttoshowtheydifferfromthebrightlycoloredfish.ColorsThecolorsinFindingNe11CameraAnglesThecameraanglesunderthewateraremostlylookingfromasideview,sometimesstraightatthecharactersinordertoshowtheirnormalcy.Sometimes,thecameralooksdownintothewater,remindingustheusualperspectivewehumansseefromtheworldabove.ShotsfromthetanksometimesshowNemo,aswellasthemarinaoutsidethedentist’swindowinSydneyharbor.Manyoftheshotsinthetanklookdownatthecharacterstoshowtheirsmallness,especiallyNemointhefiltertube;butsomeshotslookoutintothedentist’sofficetohelpestablishthatthefisharefamiliarwithhisproceduresandtools,sotheymusthavebeenthereforalongtime,whichimpliesasinisterfutureforNemo.CameraAnglesThecameraangles12Selectedpositionsforscene17

IntheEACThefluidmotionsoftheturtlesshowhowtheyhaveadaptedtotravelingintheswiftEasternAustralianCurrent.Marlin’sconfusionandSquirt’sgettingbumpedoutofthecurrentshowthespeedofthecurrent,aswellasthecontrastbetweentheharborandthecurrentafterMarlinandDoryhaveexited.

InsidethewhaleTherushofwaterandtherollingofDoryandMarlinonthewhale’stongueestablishthedangeroftheirsituation,whichMarlinandtheaudiencefeel,butDoryignoresbecausesheisfascinatedbytheexperienceasshelearnsto“speakwhale.”TheCrabvs.theSeagullsWhenacrabistossedintothecenterofabunchofseagulls,humorandironyfollow.Thecrabontherock,thoughsurrounded,isnotdefenseless.Thegullsfearhissnappingclawandeventuallylosehimasheescapesintothewater.Thestupidityofthegullsisestablishedwhenallofthemshout“Mine!”—withoneshouting“Mine!”evenafterthecrabhasescapedintothewater.BlockingSelectedpositionsforscene113ThePelicanvs.theDentistOnewackyscene,involvingalotofslapstick,showsNigel,thepelican,looseinthedentist’soffice,creatingchaos.Themismatchbetweenthepelicanandthedentist’stools,glasscabinets,andhisfrustrationatnotbeingabletokeepthebirdoffhisequipmentallcreateamadscene.Nemovs.theFilterThecontrastbetweenNemo’sfirst,unsuccessfulattempttostopthefilterandhissecond,successfulattemptmakesNemolookevenbraver.EspeciallywhenNemostrugglesupthetube,wecanseehisfearthefirsttimeandhisdeterminationthelasttime.MorePositionsandMovementThePelicanvs.theDentistMor14FindingNemoAnalysisThesis:Throughtheiradventures,theparanoidfather

learnsnottomicro-managehisson’slife,andtheson

learnsthevaluesofinitiativeandteamwork.FindingNemoAnalysisThesis:T15CharactersNemo-Marlin&Coral’ssurvivingson(protagonist)learnstosurviveintheopenocean—andthevalueofhome.MarlinDori-BefriendsMarlinandhelpshimfindNemo;forgetfulandimpetuousCoral-Nemo’smotherwhodiesinattackwithallhereggsbutoneCrush-Thebig,oldturtlewhoteachesMarlintoletkidsstruggleabitontheirown;Squirt’spopSquirt-Oneofthebabyturtles;Crush’ssonMr.Rays-MantaRay;Nemo’steacherBruce-Biggestsharkwhostruggleswith“Fisharefriends,notfood.”

TankGangGill-big,scarredfish;cleverbutgrimBlow-blowfishwhoinflateswhenstartledJacque-crab;compulsivecleanerAuntieDeb-bluefishwithstripesPeach-starfishandlookoutDarla-destructivemetal-mouthnieceofthedentistNigel-thepelicanthathearsofMarlin’squestandsavesNemofromtheseagullsCharactersNemo-Marlin&Coral16PlotSummaryNemo,ayoungclownfishiscaughtbyascubadiverwhenheventuresintotheopenoceanandistakentoanaquariuminadentist’soffice.WhileMarlin,hisfather,overcomeshisfearsoftheoceantofindhislostson,hemeetsDory,whohasaveryshortmemory.MarlinandDorysearchforNemo,encounteringmanytypesofoceanlife.EventuallynewsspreadsaboutMarlin’squestandNigel,apelican,comestothetanktorescueNemoandreunitehimwithhisfather.PlotSummaryNemo,ayoungclow17“FindingNemo”issetintheoceanbetweenthehomeofMarlinandtheEastAustralianCurrentandtheAustraliandentist’sofficeinSydney.Thestoryofalostchildandhisfather’sadventureandmissiontoreunitethemisalldepictedandplayedoutinthisvastareaofthesouthernPacific.Overall,thedirectorusedtheoceanasamicrocosmtosatirizehumanfoibleswhileshowingaquestforserenity.Setting“FindingNemo”issetintheo18

InSCENE#17,Nemohasbeenplacedintothefishtankbythedentist.Afterheisceremoniallywelcomedtothetank,Gillrevealshisplanforescape—whichrequiresasmall,strongfish.

ThetankganghastoactbeforeNemoisgiventoDarla,aninsensitivehumangirlwhokillsfishjustbylookingatthem(andshakingthemtogetthemtoperformforher. Nemo’sdad,Marlin,aclownfishhastoldotherfishabouthisquesttofindNemoandthosefishtoldmorefishwhotellmore.Finally,thepelican,Nigel,whohasmetNemo,hearsthestoryandalertsthetankgang.NigelrescuesNemoandDory,whohasfoundhimaftersplittingwithMarlin,andgetsthemtotheharbornearthedentist’soffice.Nemoplaysdeadinordertogetrinsedintothesewersystemthateventuallyventsintotheharbor,whereherunsintoDory,wholeadshimbacktoMarlin.Intheend,Nemonotonlyrescueshimself,buthealsorescuesDorywithhisfather’strustandaid.

Scene"NewsTravels"

InSCENE#17,Nemohasbeen19SoundEffects

Soundeffectsduringthisparticularsceneofthefilmhelpfosterrealismandsetthesceneshift.SpecificsoundsareheardwhileintheEastAustralianCurrent(EAC)withthequickmovingofthewaterandthesoundsofeachseaturtle.AspecificsoundofDoryandMarlinexitingtheEACisheard,andthenaquietlullispresent.ThequietnesshelpswiththetransitionofsettingfromthecurrenttoSydneyharbor.Bubbling,waves,seagulls“barking”,andDoryandMarlin’sswimareanexampleofthespecificsoundsthatareheardduringthisscene.

TheDVDrevealsthatthesoundofNemo’smalformedfinwasmadewithflutteringtissuepaper.SoundEffectsSoundeffects20Sounds

Duringthemoviesoundandsoundeffectsareanessentialpartofthedevelopmentandprogressionofthismovie.Disneyusesmultiplesoundstodepictcharactersandtoessentiallydescribetheoceaninsound.Withmanyofthemaincharactersaspecificsoundisusedtoidentifythecharacter.Nemoisidentifiedbyhisdamagedfin.Thefinmakesadistinctiveflutteringsound,whichestablishesthathehaslessuseofthisfin.Marlin,theoverprotectivefatherofNemohasaveryfastmovingtail.Onecouldsaythatthisshowshowneuroticandoverprotectivehisfatheris.Dory,thecompanionofMarlinonhismissiontofindNemo,hasasmoothglidetoherfinsandtail.Thisshowsthatsheisgoingthroughlifewithagoodattitudeandenjoyingeverythingshedoeswithnoconcerns.Thisalsoshowshermentalflightiness(amnesia).Eachsharkhasadeepprotrudingvoiceshowingdominanceandstrength.SoundsDuringthemoviesou21Props1stSettingintheScene:TheOcean

Leaves,flowers,sand,rocks,andatreasurechestsetthesceneintheopenocean.2ndSettingintheScene:TheHarborTrees,bushes,land,bouldersinthewater,boats,andtheSydneyOperaHouseinthedistancesetSydneyHarbor.3rdSettingintheScene:TheTankInthefishtank,anoldrustedcontainer,blue,rocks,bubbles,plasticpinktallplants,aseashellwithapinkballinside,tallplasticgreenplants,thefilter,andbeyondtheglassthedentist’schairandtools,hispatients,cabinets,picturesonthewall.Thewindowoverlookstheharbor,andNigel.Props1stSettingintheScene:22CostumesNemo'sfather(Marlin) *orange&whitewithaoutlineofblackonfins *bigwhiteeyes *smallframedmouthNemo *smallorangefish *orange,whiteandwithalittle trimofblackTurtles *green,withadarkergreenin certainareasonshellsCrabs *orange&yellow,andsmall,green *withclaws&pincersPelicans *longwings *longfacesDori *bluefish *yellowtail *bigeyesthatblinkblanklytoshowherforgetfulnessSeagulls *shortbeakstobark“Mine!” *wings *small,blankeyesFish *DifferentcolorsfordifferentspeciesDolphins *greyandwhite *longbodiesSemi-RealisticCartoonAnimationsoftheUnderwaterWorldCostumesNemo'sfather(Marlin)23Lightvs.ShadowTherewereshadowsofthesealifeontheoceanfloorfromthesunlight—whichtookalotoftrialanderrorbytheanimators.Therewerealsoreflectionsontheoceanfromthesun,stars,moon,andthecitylights.ThemosteffectivescenewastheinitiationceremonytowelcomeNemointothetankinordertoestablishhimasamemberoftheescapeteam.Lightvs.Shadow24ColorsThecolorsinFindingNemoweremostlyshadesofblueandgreen,sinceittakesplaceunderwater.Theunderwaterplantlifeconsistedofalldifferentcolorssuchas,purple,green,pink,yellowandmanyothercolors.Thecharacters(fish)werethemostcolorfulfromthebrightorangeclownfishandtheblueandyellowbluetangfish.Oneeffectivesceneshowedameetingofthesharksthatusedgrayshadesfortheirsinisterenvironmenttoshowtheydifferfromthebrightlycoloredfish.ColorsThecolorsinFindingNe25CameraAnglesThecameraanglesunderthewateraremostlylookingfromasideview,sometimesstraightatthecharactersinordertoshowtheirnormalcy.Sometimes,thecameralooksdownintothewater,remindingustheusualperspectivewehumansseefromtheworldabove.ShotsfromthetanksometimesshowNemo,aswellasthemarinaoutsidethedentist’swindowinSydneyharbor.Manyoftheshotsinthetanklookdownatthecharacterstoshowtheirsmallness,especiallyNemointhefiltertube;butsomeshotslookoutintothedentist’sofficeto