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Ⅰ.MultipleChoices:
1.Romanticismfightsagainsttheideasof______.
A.realismB.RenaissanceC.EnlightenmentD.feudalism
2.Themainliterarystreamis____.
A.poetryB.novelsC.proseD.periodicals
3.____hasaanothernamecalled“TheDaffodils”.
A.“TheRimeoftheAncientMariner”B.“TinternAbbey”
C.“Revolution”
D.“IWanderedLonelyasaCloud”
4.Coleridge’s_____isa“conversation”poem.
A.FrostatMidnightB.“TheRimeoftheAncientMariner”
C.Christabel
5.Byron’s____isregardedasthegreatpoemoftheRomanticAge.
A.ChildeHarold’sPilgrimageB.HoursofIdleness
C.LaraD.DonJuan
D.BiographiaLiteraria
6.PrometheusUnboundis____masterpiece.
A.Wordsworth’sB.Byron’sC.Shelley’sD.Keats’
7.____livedthelongestlife.
A.WordsworthB.Byron
8.Keats’firstpoemis____.
C.ShelleyD.Keats
A.OSolitude
C.Poems
B.OnFirstLookingintoChapman’sHomer
D.Endymion
9.Keats’bestodeis____.
A.“OnaGrecianUrn”B.“ToAutumn”
C.“ToPsyche”
10.ThebestworksofWilliamHazlittis____.
A.TheSpiritoftheAgeB.TableTalk
D.“ToaNightingale”
C.TheCharactersofShakespeare’sPlaysD.OntheEnglishPoets
11.Thepublicationof______marksthebeginningoftheRomanticMovementinEngland.
A.“TinternAbbey”
C.FrostatNight
B.LyricalBallads
D.“TheDaffodils”
12.ThePreludehasalsobeencalled_____.
A.TheLastBrazilB.TheFirstImpression
C.GrowthofaPoet’sMindD.TheSpiritoftheAge
13.Wordsworth’s“IWanderedLonelyasaCloud”hasalsobeencalled_______.
A.“TheSolitaryReaper”
B.“TheDaffodils”
C.“TheRimeoftheAncientMariner”D.“OSolitude”
14._____isconsideredWordsworth’smasterpiece.
A.ThePrelude
C.DonJuan
B.Endymion
D.BiographiaLiteraria
15.TheprosewritersintheEnglishRomanticAgedevelopedakindof_______.
A.modelsofclassicismB.familiaressay
C.rulesofneo-romanticismD.waysofmodernism
16.ThebestessayistintheEnglishRomanticAgeis_____.
A.KeatsB.WalterScottC.CharlesLambD.WilliamHazlitt
17.ThethemesofPrideandPrejudiceare_____.
A.prideandprejudice
C.loveandmarriage
B.thewriter’sownpersonalities
D.BothAandC
18._____isconsideredthefatherofhistoricalnovelistintheEnglishRomanticAge.
A.JaneAustenB.CharlesLambC.WilliamHazlittD.WalerScott
19.Lamb’swritingsarefullof______forheisespeciallyfondofoldwriters.
A.romanticismB.conversationsC.inspirations
20.Lambisaromanticistof______.
D.archaisms
A.thecityB.thecountrysideC.natureD.imagination
21._____isbasedonBoccaccio’sDecameron.
A.EndymionB.IsabellaD.HyperionD.Lamia
22.Criticsagreethat____isagreatromanticpoet,standingwithShakespeare,MiltonandWordsworthinthe
historyEnglishliterature.
A.KeatsB.WordsworthC.ColeridgeD.William
23.ThereadercangetabroadpanoramaofthesociallifeoftheEnglishRomanticAgefrom_____.
A.DunJuanB.ThePreludeC.KublaKhanD.Isabella
24.SomecriticsthinkthatsomeofByron’spoemsshowhis_____.
A.individualheroismandpessimismB.loveofnatureandoptimism
C.loveofoldwriters
D.hatredfortheimperialism
25.OneofColeridge’sbest“conventional”poemsis_____.
A.KublaKhan
C.Christabel
B.FrostatNight
D.BiographiaLiteraria
26.Coleridge’sbestliterarycriticismis_________.
A.KublaKhan
C.Christabel
B.FrostatNight
D.BiographiaLiteraria
27.____isShelley’smasterpiece.
A.Zastrozzi
B.TheNecessityofAtheism
D.PrometheusUnbound
C.QueenMab
28._____isajointbookbyCharlesLambandhissister.
A.JohnWoodvil
C.MrH
B.EssaysofElia
D.TalesfromShakespeare
29.Becauseof_______,ShelleywasexpelledfromtheOxfordUniversity.
A.TheMasqueofAnarchy
C.TheNecessityofAtheism
B.ADefenceofPoetry
D.TheTriumphofLife
30.______isShelley’sfirstbookwrittenin____.
A.Zastrozzi;Eton
B.TheNecessityofAtheism;Italy
D.PrometheusUnbound;Italy
C.QueenMab;Greece
31.TheRomanticAgebeganin____andcametoanendin_____.
A.1789…1821B.1778…1823C.1798…1832D.1768…1819
32.Byron,ShelleyandKeatsbelongtoRomanticpoetsof___generation.
A.thefirstB.thesecondC.thethirdD.theforth
33.TheExaminerisafamous_____intheEnglishRomanticAge.
A.novelB.poemC.periodicalD.newspaper
ⅡLiteraryTerms:
1.Romanticism
2.Ode
3.Pastoral
4.Satire
5.Image
Keytothemultiplechoices:
1-5CADAD
6-10CACDA
11-15BCBAB
26-30BDDCA
16-20CDDDA21-25BAAAB
31-33CBC
Keytotheliteraryterms:
1.Amovementthatflourishedinliterature,philosophy,music,andartinWesterncultureduringmostof
thenineteenthcentury,beginningasarevoltagainstclassicism.Theromanticistportrayspeople,scenes
andeventsastheyimpresshimorasheimaginesthemtobe.ARomanticworkhasoneormoreofthe
followingcharacteristics:anemphasisonfeelingandimagination;aloveofnature;abeliefinindividual
andcommonman;andinterestinthepast,theunusual,theunfamiliar,thebizarreorpicturesque,arevolt
againstauthorityortradition.Itexpressestheideologyandsentimentoftheclassesandstratathatwere
dissatisfiedwiththedevelopmentofcapitalism.Therehavebeenmanyvarietiesofromanticisminmany
differenttimesandplaces.SomeideasofEnglishRomanticismwereexpressedbythepoetsWilliam
WordsworthandSamuelTaylorColeridge,andsomewereshowedbyShelley,ByronandKeats.
2.Along,statelylyricpoeminstanzasofvariedmetricalpattern,writteninadignifiedformalstyleon
someloftyorserioussubject.Odesareoftenwrittenforaspecialoccasion,tohonorapersonoraseason
orcommemorateanevent.TwofamousodesarePercyByssheShelley’s“OdetotheWestwind”andJohn
Keats’sOdeonaGrecianUrn.”
3.FromLatinpastor,ashepherd.ThefirstpastoralpoetwasTheocritus,aGreekofthe3rdcenturyB.C.
ThepastoralwasespeciallypopularinEuropefromthe14ththroughthe18thcenturies,withsomefine
examplesstillwritteninEnglandinthe19thcentury.Thepastoralmodeisself-reflexive.Typicallythe
poetechoestheconventionsofearlierpastoralsinordertoput"thecomplexintothesimple,"asWilliam
EmpsonobservedinSomeVersionsofPastoral(1935).Thepoemisnotreallyaboutshepherds,butabout
thecomplexsocietythepoetandreadersinhabit.
4.Akindofwritingholdsuptoridiculeorcontempttheweaknessesandwrongdoingsofindividuals,
groups,institutions,orhumanityingeneral.Theaimofsatiristsistosetamoralstandardforsociety,and
theyattempttopersuadetheread
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