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综合写作的写作步骤1
读阅读+记笔记2听
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(中间段落的
句
一般是中间段落首句)2重复重复出现的词,但要注意可能是以同义词的形式出现3
因果the
reason
is,because
,so…..4
绝对
唯一等绝对词汇5
问题和答案6例子for
example
such
as
…..7对比反驳观点(while,in
contrast)8
特殊停顿9重读加重语气ReadingJane
Austen(1775-1817)
isone
of
the
most
famous
ofall
English
novelists,
and
today
her
novels
are
morepopular
than
ever,
with
several
recently
adapted
asHollywood
movies.
But
we
do
not
have
many
records
ofwhat
she
looked
like.
For
a
long
time,
the
onlyacceptedimage
of
Austen
was
an
amateur
sketch
of
an
adultAusten
made
by
her
sister
Cassandra.
However
recentlya
professionally
painted,
full-length
portrait
of
a
teenagegirl
owned
by
a
member
of
the
Austen
familyhas
comeup
for
sale.
Although
the
professional
painting
is
nottitled
Jane
Austen,
there
are
good
reasons
to
believe
sheis
the
subject.Main
point:有一副画上面的人物是简·奥斯汀,
in
1882,
several
decades
afterAusten’s
death,
Austen’s
family
gavepermission
to
use
the
portrait
as
anillustration
in
an
edition
of
her
letters.Austen’s
family
clearly
recognized
it
as
aportrait
of
the
author.
So,
for
over
acentury
now,
the
Austen
family
itself
hasendorsed
the
claim
that
the
girlin
theportrait
is
Jane
Austen.-Sub
point
1:
这幅画得到了奥斯汀认可的
Second,
the
face
in
the
portrait
clearlyresembles
the
one
in
Cassandra’s
sketch,
whichwe
know
depicts
Austen.
Though
somewhatamateurish,
the
sketch
communicates
definitedetails
about
Austen’s
face.
Even
though
theCassandra
sketch
is
of
an
adult
Jane
Austen,
thefeatures
are
still
similar
to
those
of
the
teenagegirl
in
the
painting.
The
eyebrows,
nose,
mouth,and
overall
sh of
the
face
are
very
much
likethose
in
the
full-length
portrait.-Sub
point
2:
面容同简·奥斯汀的另一幅画很像Third,
although
the
painting
is
unsignedand
undated,
there
is
evidencethat
it
waspainted
when
Austen
was
a
teenager.
Thestyle
links
it
to
Ozias
Humphrey,
a
societyportrait
painter
who
was
the
kind
ofprofessional
the
wealthy
Austen
familywould
hire.
Humphrey
was
active
in
thelate
1780s
and
early
1790s,
exactly
theperiod
when
Jane
Austen
was
ofthe
girl
in
the
painting.-
Sub
point
3:
风格上看是奥扎厄斯·汉弗里的作品,此人活跃时期简·奥斯汀的
同画作相符材料:The
evidence
linking
this
portrait
to
Jane
Austen
is
not
at
all
convincing.
Sure,
the
painting
has
long
been
somewhat
looselyconnected
to
Austen’s
extended
family
and
theirdescendents,
but
this
hardly
proves
it’s
a
portraitof
Jane
Austen
as
a
teenager.
The
reading’sarguments
that
the
portrait
is
of
Austen
arequestionable
at
best.Main
point:这幅画中人物不是简·奥斯汀,
when
the
portrait
was
authorizedfor
use
in
the
1882publication
of
herletters,
Jane
Austen
had
been
dead
for
almost
70
years.
So,
the
family
memberswho
asserted
that
the
painting
was
Janehad
never
actually
seen
her
themselves.They
couldn’t
have
known
for
certain
ifthe
portrait
was
of
Austen
or
not.Sub
point
one:
虽有
人的背书,赞同,但是这些人都没有见过简·奥斯汀本人
Second,
the
portrait
could
very
well
be
that
of
a
relative
of
Austen’s,
a
fact
that
would
explainthe
resemblance
between
its
subject
and
that
ofCassandra’s
sketch.
The
extended
Austen
family
was
very
large
and
many
of
Jane
Austen’s
female
cousins
were
teenagers
in
the
relevant
period
or
had
children
who
were
teenagers.
Andsome
of
these
teenage
girls
could
haveresembled
Jane
Austen.
In
fact,
many
expertsbelieve
that
the
true
subject
of
the
portrait
wasone
of
those
relatives,
Marianne
Kempian,
whowas
a
distant
niece
of
Austen’sSub
point
two:
同简·奥斯汀面容相似的原因可能是画中人物是简·奥斯汀的亲人
Third,
the
painting
has
been
attributed
toHumphrey
only
because
of
the
style.
But
otherevidence
points
to
a
later
date.
A
stamp
on
theback
of
the
picture
indicates
that
the
blankcanvas,
you
know
the
actual
piece
of
cloth
onwhich
the
picture
was
painted,
was
sold
by
aman
named
William
Legg.
Record
showed
thatWilliam
Legg
did
not
sell
canvases
in
Londonwhen
Jane
Austen
was
a
teenager.
He
onlystarted
selling
canvases
when
she
was
27
yearsold.
So,
it
looks
like
the
canvas
was
used
for
thepainting
at
a
time
when
Austen
was
clearly
olderthan
the
girl
in
the
portrait.Subpointthree:画布背面的表明这幅画成画时,简·奥斯汀大于画中人物问题满分作文Generally,
contrary
to
the
belief
in
thereading
passage
that
the
teenagers
in
theportraits
which
appealed
recently
seemedto
be
Austen,
the
professor
asserts
thatthe
reasons
are
not
convincing.
Thelecture
doesn't
agree
with
what
thereading
indicated.
of
all,
the
writer
presents
an
idea
that
theAusten's
family
gave
permission
to
use
theportrait
as
an
illustration
in
an
edition
of
herletters,
the
Austin's
family
recognized
it
wasAusten.
In
contrast,
the
professor
believes
thatthe
pictured
appeared
after
Austen
has
alreadydead
for
70
years.
In
order
to
prove
his
point
ofview,
he
argues
that
at
that
time,
none
of
theAustin's
family
members
have
actually
seen
theAusten
themselves.
The
lecture
contradicts
towhat
reading
passage
indicates.Besides,
the
listening
material
refutes
theviewpoint
showed
in
the
reading
passage
thatthe
face
in
the
portrait
was
strongly
resemblethe
one
in
Cassandra's
sketch,
by
saying
that
the
portray
may
be
drew
the
relatives
of
theAustin's
descendent.
He
argues
that
the
Austen'sfamily
is
very
large,
and
some
scientists
pointout
that
it
may
be
portrayed
one
of
the
relativesof
Austin
at
the
teenager’s
age
right
now.
This
isanother
part
where
the
lecture
casts
doubt
onthe
reading.Finally,
the
reading
makes
the
point
that
thestyle
of
the
paint
is
likely
to
be
Ozias
Humphery,who
was
at
high
possibility
hired
by
the
wealthyAusten
family
as
a
society
painter.
On
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