产品形状和形式的工业设计外文翻译

1、ProductshapeandformofindustrialdesignForewordProductsasaformoftransmissionofthefirstelementsofproductinformation,itenablestheinternalproductquality,organization,structure,contentsandotheressentialfactorsfortheincreaseinexternalappearance,andthroughvisualandtocreateaphysicalandpsychologicalprocess.An

2、dfeel,composition,structure,texture,color,space,function,andsocloselylinkedtoshapeistheproductofphysicalmaterial,productmodelingreferstotheappearanceproducts,statemeansproductscanbefeltwiththeappearanceofintelligenceandexpression,Productsalsobeinterpretedastheappearanceofexpressionfactors.Fordesigne

3、rs,thefinaldesignofitsentitieswillbepresentform,thatis,throughcreativevisualization,withsketches,mapsandproductstructuremodelformofphysicalperformance,achievetheirdesignintentofthepurposeofreproduction.Therefore,acertainsense,industrialdesignasartanddesignandbeawareoftheexistenceofaformtoactivities.

4、-ConstructionofthebuildingistheUnitedStates,andtheproductshapedesignandengineeringbythestructure,materials,productionconditions,andmanyotherrestrictions,onlythecontemporaryindustrialdesignersinahigherlevelofintegrationofscienceandtechnologyandthearts,tocreateavariableandDiversificationofproductsorid

5、eas.Industrialdesignersoftenuselanguagetoshapetheuniqueformofproductdesign,productuseandthespecificshapetotheoutsideworldtoconveytheirideasandconcepts.Designersonlyaccuratelygrasptheshapeandstateofrelationsandtoachievethewidelysharedsentiment.ProductsformthebasicelementsModernproductsaregenerallygiv

6、espeopletwokindsofinformationtransmission,aknowledgethatisrational,oftenreferredtoastheproductsfeatures,materials,technology,productsisthebasisfortheotherisemotional,suchasproductmodeling,Color,use,themoreproductsandgeneratetheform.Fromatechnicalpointofviewofaesthetics,goodindustrialdesignshouldbeth

7、efirsttobringusersthebestsolutionfortheproblem.Productdesignisbasedonthisandstarttheconvergenceoftechnology,materials,technologyandotherachievementsofaharmonioussystemoftheUnitedStates.ProductdesignisdifferentfrompureVisualArts.PureVisualArtstopursuepurelysentimentalUnitedStates,theremaybenatural,ca

8、nalsobeproducedbytheartistsinspiration.Astheproductdesignmustmeettheusersneeds,atechnologysolutions.Itcanbesaidthatproductdesignneedsarationallogicalthinkingtoguidetheimageofemotionalthinking,toprovideasolutionasthestandard,itisimpossibletoarbitraryTianmaxingkongplay.Productsformisnolongerjustavisua

9、lexperience,itshouldbeembodiedinproductsanduserinteraction,andnotjustanachievement.ProductDesignthroughtheshape,color,ofthethreemajorelementstotheusertotheaestheticimpact.shape-spaceformandtheintegrationofVisualArtsCreateathemeisanimportantaspectofproducts,mainlythroughthescale,shape,proportionandle

10、velofrelationsbetweenthepsychologicalexperienceoftheimpact,allowsuserstohaveasenseofownership,asenseofachievement,friendliness,whilealsocreatingthenecessaryenvironmenttocreateanatmosphereExaggerated,subtleandinteresting,cheerful,relaxedandmysterious,andsodifferentfromthepsychologicalandemotional.For

11、example,thesymmetryorrectangularspacetoshowthatstringent,tocreateasolemn,quiet,elegantandcleanatmosphere;roundandovaltoshowtolerance,tocreateasuccessful,livefortheatmospheretocreateafreedynamiccurveshapeisconducivetoCreateawarm,freeandcordialatmosphere.Inparticular,freedomofthepeoplemoreattractive,a

12、nditsfreedom-andmorenatural,moreliveatmosphereandcreatethespacefortherichrhythm,rhythmandbeauty.Fluentinbothsoftcurveinthebandjustaswellhavetodoistaken,fullyabletomeetmoderndesignpursuedbythesimplicityandsenseofrhythm.Curveshapebythelivelyeffectmakeiteasiertofeelthepoweroflifeandinspireviewersresona

13、te.Useofincomplete,variabilityandothermeansforcreatingamodelingera,thethemeofavant-garde.IncompleteareincompletetheUnitedStatesandincompleteformofcombinationwillhavetheeffectofmagic,peoplewithgreatvisualimpactandsenseofavant-gardeart.VisualArtsperformanceofsolicitinginputtothespaceModal,suchastheamo

14、untofchange,materialchanges,changesincolor,shapeorexaggeratedtheassociation,canarousepeoplesattention.Allofitsproductsonlythroughexternalmorphologicalcharacteristics,canbecomeobjectsandtheuseofcognitiveobject,playtotheirfunctions.Throughproductshapeindicativeofcertaincharacteristics,suggestingthatpe

15、opleusetheproduct,modeofoperation.ThroughmodelingoftheformsimilartotheadvanceandretreatasCaiZhidaoknifebuttondesignforthethumbofnegativeconvexshapeanddesignoftendons,notonlyfortheadvanceandretreatoperationbladethatitsuse,manyfruitknifeorknivesaredesignedtocutthenegative-toinstructionsHandposition.By

16、modelingthecausallinksuchasknobsformaconvexprofilearoundthesideofthetroughofthenumber,sizeofthisvisualform,toconveytheknobisstillfinetuningtheamountofrough-spin;openingthesizeofcontainersusedtoimplythattheThepreciousthingsinfullbloomornot,thenumberandamountofpreservationsuchasthelengthoftime.Morphol

17、ogicalcharacteristicsoftheproductcanshowthesymbolicproducts,primarilyreflectedinthequalityofproducts,natureandinteresting,andsoon.Throughtheformoflanguagereflectsthetechnicalcharacteristicsofproducts,productfeaturesandinherentquality,includingthetransitionbetweenparts,thesurfacetexture,colorandother

18、aspectsofrelationswithtreatment,reflectstheexcellentqualityproducts,superbtechnology.Productshapethroughlanguagealsoreflectsthesecuritysymbolintheelectricalcategory,machineryandhandtoolscategoryofproductdesignisofgreatsignificance,reflectedintheusersphysicalandpsychologicalaspectsofthetwo,。Thewell-k

19、nownbrands,theoverallshape,finetechnology,thecolorofcalmwillgivetothepsychologicalsenseofsecurity,areasonablesize,hasnointentiontotouchthebuttonswitchdesign,andsogivepeoplethephysicalsenseofsecurity.color-asymbolofculturalandemotionalColorastheproductofthecolorappearance,notonlyhavetheaestheticandde

20、corative,butalsoasymbolicsignificanceandsymbolicmeaning.Productdesignincolorincludscolorlightness,purity,andthecolorofthephysical,psychologicalimpact.Coloroftheinteriorspacemoodintheformationplayaveryimportantrole.Itsubordinatedtothethemeofproducts,productmorevitality.Colorgivespeoplethefeelingisstr

21、ong,differentcolorcombinationsandwillbringdifferentfeelings:warmred,bluequiet,mysteriouspurple,purewhite,blacksolemn,simplegrey,expressdifferentemotionsbecomedifferentSymbol.Productdesigninthecolorsimplythatthepeopleandremindpeopletousetheattention,suchastraditionalcamerasaremostlyblacktothesurfacef

22、ortheshelltoshowitsopacity,whiledrawingattentiontodark.Productdesignshouldbebasedonthecolorofthetheme,reflectedtheiraspirations.Andthecolorsarealsothefeelingsofthetimes,social,cultural,regionalandwayoflife,theimpactofcustoms,reflectsthetendencytopursuethetrendofthetimes.quality-materialtextureandfab

23、ricofthetransmissionPeopleontheperceivedpsychologicalprocessmaterialisundeniable,andthetextureitselfisalsoanartform.Ifaproductistheshapeofspaceandmoving,thengooduseofthematerialandcolorcanmakeproductdesigninthemostsimplewayisfullofartistry.Textureisthetextureofthesurfacefeaturesthroughtogivevisualan

24、dtactilefeel,aswellaspsychologicalandsymbolicsignificanceofLenovo.Textureproductsintheformoffactorsthatcanbeusedorfromthewarning.Ithaslongbeenfoundfingerprintsonthehandsfingertipstogripthesurfaceintoathinwire-likeprocessesof,therebyenhancingthesensitivityofthehandandhasincreasedthefrictioncontrolled

25、Objects.Bychoosingtheappropriatemodelingmaterialtoincreasetheemotional,romanticelements,sothattheproductsandmoreinteractive.Inchoosingthematerialnotonlywiththestrength,wearresistance,andotherparameterstobeassessed,butconsideringthematerialandemotionaldistancerelationshipasanimportantevaluationscale.

26、Texturecangivedifferenttexturesaredifferentfromthepsychologicalfeelings,suchasglass,steelproductsofscienceandtechnologycanexpressatmosphere,wood,bamboocanexpressnatural,simple,humanandothermeans.Materialtextureandfabricoftheperformancecharacteristicsofthematerialwillbedirectlyaffectedbythesystemfort

27、heproductsafterthefinalvisualeffects.Industrialdesignersshouldbefamiliarwiththeperformancecharacteristicsofdifferentmaterials,materials,textureandshape,structureandotheraspectsoftherelationshipbetweenanin-depthanalysisandresearch,scientificandrationaltobechosentomeettheneedsofproductdesign.Goodshape

28、designoftheproduct,alwaysthroughtheshape,colorandqualityinthreeareasofmutualexchangesandtoenhancemoodlevel,toreflectandreflectedinthematerialformofhiddenbehindtheappearanceofproducts.Thisspiritoftheusersimaginationandtoassociatewiththetransmission,andintheprocessofinteractiveproductsmeetusersubconsc

29、iousdesire,theemotionalvalueofproducts.ShapeofthemoldingprocessunderstandthetruemeaningoflifeIndustrialdesigntouser-centric,peopleandtechnologytoprovidecommunicationbetweenthesolutions,letthetechnologygetarationalemotionalexpression.Whichisbuiltonthedesigneroflifeonthebasisofin-depthunderstanding,fr

30、omlifeexperienceandtheprofoundinsightsofthings.Therefore,designersshoulddothepioneerlife.MitsubishiMotorsDesignManagerhasbeenminedtoprovidetouchpeopleshearts,toenjoylife,fullofemotionandspiritualityforthedesignofvehicles.Hebelievesthatfashiondidnotoriginatefromtheupperreachesofhighsociety.Hecreateda

31、brandnewMitsubishivehicledesignconcepts-3PspiritofPrecision,Performance,Passion(perfectlyaccurate,extremeperformance,fullofenthusiasm).Mitsubishicarseveryoneofthedesignreflectsthisspirit,wecanfeelthespiritofthis3Pisunderstoodthetruemeaningoflife,thepursuitofaperfectlife.Books,movies,pictures,televis

32、ion,thenetworktransmissionofinformation,isquietlychangingtheworldasawhole,whenwewatchamovie,aballgame,whenlisteningtomusicwhenwalkingorlightweight,maybegiventheexperience,isTheseexperiencewillinspirecreativeinspiration.Asindustrialdesigners,themostimportantoftheseistheexperiencetounderstandanddistil

33、lationofemotiontogiveitshapeproductsfullofhumanisticconcern.thetraditionalculturalheritageandtocreateanewcultureCultureisthecoreofindustrialdesign.Industrialdesignisitsportrayaloftheimageofthenationalculture.Industrialdesigntoreflectthenationalcultureatthesametime,createanewculture.Inthedesignoftheh

34、istoryofthevariousdesignstyle,arethescientificandtechnologicaldevelopmentbroughtaboutbythebirthofthenewcultureunder.IfthedesignoftheRenaissanceperiod,subjecttotheimpactoftheRenaissanceMovement,ananti-stereotypeofthemedievalstyle,thepursuitofahumanfaceonthecurveandbeautifullevel.Afterthemid-17thcentu

35、ry,Europehasenteredanewhistoricalperiod,aBaroqueandRococodesign,suchastheRomanticstyle.Thenextbourgeoisrevolution,andpromotedthedevelopmentofcapitalismandtheindustrialproduction,promotingtechnologicalinnovationandnewideastheemergenceofnewideas,modernism,postmodernismandvariousstyles,suchasdesignscho

36、olsarebecauseofnewtechnologiesUse,theemergenceofnewproducts,thespreadofnewideas,formedanewculturalmainstream.Itisintraditionalcultureonthebasisofformationofthenewculture,sothatthedesignerhadafreshinspiration,fashion,thedesignisavant-gardewasborn.Chinesenation5,000yearsofhistory,notonlyhasaccumulated

37、outstandingVisualArts,alsohasoutstandingculturaltraditions.Asindustrialdesignerstoreallyunderstandanddigestourtraditionalarts,Zhuigenfindthesource,graspthespiritoftraditionalcultureintothecoreofourproductdesign.Inthere-integrationintoonthebasisofthenewformofartisticelementstocreatemorenationalspirit

38、andthebeautyofoutstandingdesign.Aproducttoreflectmorecloselythetimesortoleadfashion.Spacemood,atmosphereera,scienceandtechnology,philosophyandhistory,culturaltraditions,customsandsoprovidethesourceforthedesign,usethisconcepttothinkabouttheformofproductdesign,userswillbepleasantlysurprised.localizati

39、onandinternationalizationofcombiningScientificandtechnologicalprogresshasacceleratedthedevelopmentofcultureandcommunication.Differentculturescollidewiththeintegrationneedsofdesignershaveanopendesignconcept.Intheoriginalwayoflifeofournationandtheforeigncultureandwayoflifeoftheconfrontation,exchangean

40、dintegrationprocess,industrialdesignersshouldlearnfromanddrawinthedirectionofmodernizationand,ultimatelyforminganationalcharacteristicsofthisnewproductconceptanddesignpatternsConcept.Thelocalenvironmentandatmosphereofhistoryandcultureispartofthethinkingdesigners,butalsoopen,trytouseinternationalmode

41、rndesignlanguagetoexpressourfeelingsandsenseofaestheticsandculturalbackground.Astheeconomicglobalization,theimpactofforeignculturewillbemoreandmore,butthisdoesnotmeanthatwemustabandonourculturetomimicthedesignoftheWest,onlyrootedinthecultureofthisnationsoutstandingonthebasisof,andconstantlyabsorbing

42、contemporaryartThedesignideas,concepts,wecanreallyraisetheleveloflocalindustrialdesign,basedonworldcultureoftheforest.产品作为一种传播产品信息的第一要素,它使内部产品质量、组织、结构、内容和其他要素的增加,通过视觉外观和创建一个生理和心理过程。和感觉、组成、结构、质地、色彩、空间、功能等密切联系“形状”是产品的物理材料、产品建模是指产品的外观,“状态”意味着产品可以感觉出现的情报和表达式,产品也被解读为表达因素的出现。对于设计师,最终设计的实体将目前的形式,即,通过创造性的可视

43、化,草图、地图和产品结构模型形式的物理性能,实现自己的设计意图的繁殖的目的。因此,某种意义上,工业设计是艺术和设计,注意存在的“形式”活动。建筑的修建是美国,和产品造型设计和工程的结构、材料、生产条件,和许多其他的限制,只有当代工业设计师在一个更高层次的集成科学技术和艺术,来创建一个变量和多样化的产品或想法。工业设计师经常使用语言来塑造独特的形式的产品设计、产品使用和特定的形状向外界传达他们的想法和概念。设计师只有准确把握形状和状态的关系,达到广泛共享的情绪。产品形态的基本要素现代产品一般是给人两种信息传输,一个知识,是理性的,通常称为产品的功能、材料、技术、产品的基础上其他是情感,如产品的造

44、型、色彩、使用,更多的产品和生成表单。从技术美学的角度,良好的工业设计应该首先把用户最好的解决这个问题。产品设计是在此基础上,开始收敛的技术、材料、技术和其他成就和谐系统的美国。产品设计不同于纯粹的视觉艺术。纯视觉艺术追求纯粹的情感美,可能有自然的,也可以产生的艺术家的灵感。产品设计必须满足用户的需求,一个技术解决方案。可以说,产品设计需要一个理性的逻辑思维来指导图像的情感思维,提供一个解决方案为标准,这是不可能的天马行空任意发挥。产品形式不再只是一个视觉体验,它应体现在产品和用户交互,而不仅仅是一个成就。产品设计通过形状、色彩、三大元素用户审美的影响。形状-空间形式和集成的视觉艺术创建一个主

45、题是产品的一个重要方面,主要通过规模、形状、比例和水平关系的心理体验的影响,允许用户有归属感,成就感,友好,同时也创造必要的环境,创造一个氛围,微妙的和有趣的,夸大了开朗,轻松而又神秘,所以不同于心理和情感。例如,对称或矩形空间表明严格的,创造一个安静、优雅、庄严,洁净的空气,圆和椭圆显示宽容,创造一个成功的,活在大气中创建一个免费的动态曲线形状有利于营造一个温馨、自由、亲切的气氛。特别是,自由的人更有吸引力,它的自由和更自然、更生活氛围,创造空间丰富的节奏,节奏和美丽。流利的软曲线在乐队一样要做的就是采取,完全能够满足现代设计追求的简单性和节奏感。曲线形状的生动效果使它更容易感到生命的力量,

46、激发观众共鸣。使用不完整,可变性和其他手段来创建一个模拟时代,主题的前卫。不完全是不完整的美国和不完整的形式的组合会有效果的魔法,人们以极大的视觉冲击和前卫艺术的感觉。视觉艺术表现征求输入空间模态,如数量的变化,材料的变化,改变颜色、形状或夸大了协会,可以引起人们的注意。所有的产品只有通过外部形态特征,可以成为对象和使用的认知对象,发挥它们的功能。通过产品形状象征的某些特征,表明人们使用产品,操作方式。通过建模的形式类似于前进和后退按钮设计作为Cai知道刀的拇指的负面凸形状和设计的肌腱,不仅为前进和后退操作,其使用,许多刃刀或刀具设计水果削减负手位置指示。通过建模的因果链接如旋钮形成一个凸剖面

47、在一边的槽数、大小的视觉形式,传达了旋钮仍然细调量的粗旋;打开容器的大小用来暗示这宝贵的东西在盛开,数量和金额等的保存的时间长度。产品的形态特征可以显示产品的象征意义,主要体现在产品的质量、自然和有趣的,等等。通过语言的形式反映了产品的技术特点、产品特性和内在质量,包括之间的过渡部分,表面纹理、颜色和其他方面的关系处理,反映出品质优良的产品,一流的技术。产品形状通过语言也反映了安全标志在电气类、机械和手工工具类别的产品设计具有重要的意义,体现在用户的生理和心理方面的两个,知名品牌,整体造型,精致的工艺,颜色会给平静的心理的安全感,一个合理的大小,无意碰这个按钮开关设计,所以给人们物质的安全感。颜色象征着文化和情感色彩作为产品的颜色外观,不仅具有美学和装饰,但也是一个象征意义和象征意义。产品设计在色彩、色彩明度、纯度、色的生理、心理的影响。色的室内空间氛围的形成起着非常重要的作用。它服从于主题的产品,产品更多的活力。颜色给人的感觉是强烈的,不同的颜色组合,将会带来不同的感受:温暖的红色,蓝色的宁静,神秘的紫色,纯白色,黑色庄严的,简单的灰色,表达不同的情绪变得不同的符号。产品设计在色彩暗示人们,提醒人们使用的关注,如传统相机大多是黑色的,表面的壳来显示它的透明度,在提请注意黑暗。产品设计应该基于颜色的主题,反映了他们的愿望。和颜色也是感情的时代、社