浪漫主义前期

1、Objectives:Definition of Sentimentalism and Pre-Romanticism Blakes life, major works and writing style comparison between Songs of I n n o c e n c e a n d S o n g s o f Experience Sentimentalism marks the midway in the transition from classicism to Romanticism Time:Dissatisfied withAppeal to Sympath

2、y for Oliver Goldsmiths The Deserted Village and Thomas Grays Elegy Written in a Country C h u rc h y a rd a r e f i n e e x a m p l e s o f sentimentalism.晚钟响起来一阵阵给白昼报丧， 牛群在草原上迂回，吼声起落， 耕地人累了，回家走，脚步踉跄， 把整个世界留给了黄昏与我。 Pre-Romanticism Time :Protest against _Recognition of the claims of _Renewed interes

3、t in _Represented by _ William Blake poet, painter, Engraver （版画家）（版画家） a Pre-romantic or a forerunner of the Romantic poetry of the 19 th century At the age of 14, _. He drew pictures and engraved to illustrate his works and the works of others. His engravings enrich the meaning of his poetry and a

4、re as valuable as his poetry. During 17881793 he mixed with such radicals as Thomas Paine, William Godwin, and hailed the French Revolution. 1. Poetical Sketches 1783 素描诗集素描诗集 2. Songs of Innocence (a happy and innocent world, though not without its evils and sufferings); 1789 3. Songs of Experience

5、 (a world of misery, poverty, disease, war, and repression with a melancholy tone); 1794 4. The Marriage of Heaven and Hell, 1790 prose work Many poems in the two collections contradict each other. There are many verses that bear the same title in the two books, but they are opposite in their meanin

6、gs. “The Chimney Sweeper” 扫烟囱的小孩 “Holy Thursday”The Chimney Sweeper The Chimney Sweeper 1. God and his Priest & King,1. God and his Priest & King,Who make up a heaven of our Who make up a heaven of our misery.misery.2. And the Angel told Tom, if 2. And the Angel told Tom, if hehed be a good

7、boy, d be a good boy, HeHed have God for his father and d have God for his father and never want joy. never want joy. Those that have different Those that have different titles in the later work have titles in the later work have their counterparts in the their counterparts in the former work. forme

8、r work. “LambLamb”- - “TigerTiger”“Infant JoyInfant Joy” - - “Infant Infant SorrowSorrow” Tiger! Tiger! burning brightIn the forests of the night,What immortal hand or eyeCould frame thy fearful symmetry?老虎！老虎！光焰闪耀，在黑夜的林中熊熊燃烧，什么样的不朽之手和眼造成你那可怕的匀称外貌？Songs of Experience 这难道是件神圣的事情， 在一个富饶的地方， 婴儿干瘦得十分凄惨，

9、 竟让那冰冷的放债的手来喂养？ 那颤抖的叫声可算是支歌？ 它难道能是一曲欢快的歌唱？ 还有那么多的穷苦孩子？ 那原来是个穷瘠的地方！ 他们的太阳永远不会发光。 他们的田野是光秃秃的一片荒原。 他们的道路荆棘丛生， 那里就是永无止境的冬天。 小羊羔谁创造了你 你可知道谁创造了你 给你生命，哺育着你 在溪流旁，在青草地； 给你穿上好看的衣裳， 最软的衣裳毛茸茸多漂亮； 给你这样温柔的声音， 让所有的山谷都开心； 小羔羊谁创造了你 你可知道谁创造了你； 小羔羊我要告诉你， 小羔羊我要告诉你； 他的名字跟你的一样， 他也称他自己是羔羊； 他又温顺又和蔼， 他变成了一个小小孩， 我是个小孩你是羔羊 咱俩

10、的名字跟他一样。 小羔羊上帝保佑你。 小羔羊上帝保佑你。（杨苡译） 我母亲死的时候，我还小得很， 我父亲把我拿出来卖给了别人， 我当时还不大喊得清“扫呀，扫，” 我就扫你们烟囱，裹煤屑睡觉。 老虎 老虎！老虎！黑夜的森林中 燃烧着的煌煌的火光， 是怎样的神手或天眼 造出了你这样的威武堂堂？ 你炯炯的两眼中的火 燃烧在多远的天空或深渊？ 他乘着怎样的翅膀搏击？ 用怎样的手夺来火焰？ 又是怎样的膂力，怎样的技巧， 把你的心脏的筋肉捏成？ 当你的心脏开始搏动时， 使用怎样猛的手腕和脚胫？ 是怎样的槌？怎样的链子？ 在怎样的熔炉中炼成你的脑筋？ 是怎样的铁砧？怎样的铁臂 敢于捉着这可怖的凶神？ 群星投

11、下了他们的投枪。 用它们的眼泪润湿了穹苍， 他是否微笑着欣赏他的作品？ 他创造了你，也创造了羔羊？ 老虎！老虎！黑夜的森林中 燃烧着的煌煌的火光， 是怎样的神手或天眼 造出了你这样的威武堂堂？（郭沫若译） Objectives: Burns life and his poetry1. features of Burns poetry Robert Burns the national poet of Scotland2. Scottish dialect 1. A Red, Red Rose一朵红红的玫瑰2. John Anderson, My Jo约翰安德森，我的爱人3. Auld Lang Syne: universal parting song of all the English-speaking peoples 往昔时光4. My Hearts in the Highlands 我的心呀在高原啊，我爱人象红红的玫瑰，啊，我爱人象红红的玫瑰，在六月里苞放；在六月里苞放；啊，我爱人象一支乐曲，啊，我爱人象一支乐曲，乐声美妙、悠扬。乐声美妙、悠扬。你那么美，漂亮的姑娘，你那么美，漂亮的姑娘，我爱你那么深切；我爱你那么深切；我会永远爱你，