写作 学习扩写ppt课件.ppt

写作学习扩写,了解扩写的一般技巧，学会扩写。展开联想和想象，练习发散思维，大胆创造，丰富文章内容。学会锤炼自己的语言，让作品更生动、精彩。,学习目标,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,技法点拨,什么是扩写？,扩写就是将本来较为简略、概括的文章或片段加以扩展、补充，使之成为篇幅更长、内容更充实的文章。,1.忠于原文扩写时要准确理解原文的中心思想，把握原文的主要内容，遵循原文的体裁，在此基础上发散思维，大胆创造。2.找准扩写点一篇文章里，并不是每句话、每段文字都需要扩写。扩写时要根据表达中心的需要，选择、确定适合的点，有针对性地进行扩写。,技法点拨,扩写的基本要求,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,3.展开想象根据确定的扩点和方向，积极展开大胆、丰富、有创造性的想象，如增加对原文中人物的神态、动作、语言、心理等细节描写，丰富文章内容，使人物生动传神。,技法点拨,扩写的基本要求,4.修改成文初稿写成后，要反复朗读，特别注意文章内容的一致和连贯。人称和语气要保持前后一致，情节的发展或论述的推进要合乎逻辑，要有必要的过渡，增添的细节要和全文相协调等等，最后修改成文。,技法点拨,扩写的基本要求,不同体裁的文章，扩写的着重点不同：（1）记叙性文章。扩写时应忠于原文的中心思想和人物形象，在此基础上补充情节和细节，增加对人物、环境的描写等。,技法点拨,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,（2）说明性文章。扩写时要忠于原文的说明对象，在此基础上补充材料，运用多种说明方法，丰富对说明对象的介绍。（3）议论性文章。扩写时要忠于原文的观点，在此基础上进一步补充论据，阐释观点。,技法点拨,文题展示,一、学习完本单元的诗歌，一名同学总结了自己对诗歌的认识，写了下面这句话。回顾读过的诗歌，从中选择几首作为例子，将这句话扩写一段话。不少于300字。,诗歌是一种很特别的文学体裁，有三个突出特点：一是用意象来表达情感，二是语言凝练，三是讲究节奏和韵律。,扩句成段时要先为三个突出特点举例，针对三个特点，各举一两个恰当的例子，然后围绕对应的特点，对每个例子作具体的分析。,写作要求,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,文题展示,二、阅读下面的材料，将其扩写成一篇具体、生动的文章，题目自拟。不少于600字。,春秋时期，晋公子重耳和他的随从在逃难途中，经过卫国，卫文公没有以礼相待。他们从五鹿经过，向乡下人讨饭吃，乡下人给他们土块。重耳大怒，想要用鞭子打那个人。狐偃劝他说：“这是上天赏赐的土地呀！”重耳于是磕头致谢，收下土块，装在车上。,扩写故事时要先仔细体会，明确故事内涵，确定中心思想。然后围绕中心找准扩写点，发挥想象，增加必要的环境描写、场面描写、语言描写、心理描写等，力求生动。写作时最好列一个扩写提纲，根据提纲下笔。,写作要求,文题展示,三、阅读下面的语段，深入思考，将其扩写成一篇议论性文章，题目自拟。不少于600字。,“苟有恒，何必三更眠五更起；最无益，莫过一日曝十日寒。”这是明代学者胡居仁撰写的对联，意在勉励自己：做事情贵在持之以恒。持之以恒，就要注重平日积累，而非临时抱佛脚。持之以恒，就要注意坚持不懈，而非一曝十寒。古今中外很多事例都告诉我们，做事情有恒心方能成功。我们在求学、成长的路途上，也应持之以恒。,扩写议论性的文章时要先阅读给定的材料，明确材料论述的观点是什么，然后补充相关的论据，增加相关的事实或道理论据，证明观点。在方法上，要选择恰当的论证方式；在结构上，也要灵活处理，力求写得精彩。,写作要求,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,文题一,诗歌是一种很特别的文学体裁，毛诗大序记载：“诗者，志之所之也。在心为志，发言为诗。”南宋严羽沧浪诗话云：“诗者，吟咏性情也。”它有三个突出特点：,补充对诗歌这种文学体裁的解释；引用名言，增添文章的底蕴，彰显文化气息。,写作例文,一是用意象来表达情感。这一点舒婷的祖国啊，我亲爱的祖国一诗就表现得相当突出。诗中作者选取“破旧的老水车”“熏黑的矿灯”“干瘪的稻穗”“失修的路基”“淤滩上的驳船”等意象，来象征祖国落后的经济、落后的文化和多年蒙受的苦难，同时也展现了在灾难中艰难挣扎、缓慢前行的祖国的形象。正是通过这些意象，诗人抒发了与,祖国血肉相连、荣辱与共的感情，表达了强烈的爱国之情和历史责任感。因此，阅读诗歌，抓住意象，往往就能找到打开诗歌情感大门的钥匙。二是语言凝练。诗歌是最凝练的语言，特别是古代的诗歌，是很讲究字词的锤炼的，这一方面贾岛的“推敲”就,增加事例，用舒婷的诗歌说明如何用意象表达情感，使说明更具体，内容更充实。,是明显的例子。现当代诗歌，一般不再有字数限制，但诗歌的语言一定比一般的口语和散文语言更凝练，更含蓄。比如贺敬之的放声歌唱是一首气势澎湃的长诗，就是在这样一泻千里的抒情中，作者的用墨也是极经济的：“五月麦浪。八月海浪。,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,桃花南方。雪花北方”这里写到了一年四季、南北东西，祖国锦绣山川尽收眼底，作者的激奋之情溢于言表，但是仅仅用了十六个字，可谓凝练。,先说古代，并举大家耳熟能详的“推敲”故事，说明古人对炼字的推崇；接着说现代诗歌，举贺敬之放声歌唱的例子，从不同的时代全面说明诗歌语言凝练的特点。,三是讲究节奏和韵律。古代格律诗自不必说，对诗的行数、诗句的字数（或音节）、声调音韵、词语对仗、句式排列等均有严格规定。现代诗虽然不受格律限制，无固定格式，注重自然的、内在的节奏，但仍讲究节奏和押韵。如鲁藜的泥土，虽然仅有两节四句，但前后两节都押“u”,韵，这样读来就比较流畅，富有韵致和美感。,补充格律诗的节奏、韵律，现代诗以鲁藜的泥土为例，说明诗歌讲究节奏和押韵。,习作抓住扩写的要求，围绕对应点，分别举例加以印证，使原有句子内容更加丰富充实，说明也更加清楚明白。为让表达更加形象，小作者还善于运用对比手法、引用名人名言等，增强了作品的可读性，增添文采。,名师点评,“重耳拜土”扩写,暮色快要降临了，西边的夕阳红的鲜艳，鸟儿成群结队地归巢了。这时五鹿城外的荒野上行驶着一队人马，他们就是被迫逃亡的晋国公子重耳和随从们。重耳坐在马车上，被马,文题二,写作例文,增加环境描写，渲染气氛，突出背景。,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,车颠得左摇右晃。耳边是早已听惯了的马车轮子吱吱扭扭的噪音，重耳瞪直了眼呆看着天空。一群鸟从他头顶上飞过，重耳长叹了一声说：“唉！鸟有巢能回，狗有窝能归，可我一个晋国的公子为什么要在这荒野上漂泊呢？”,增添人物的语言描写，丰富人物的形象。,他低下头看着众人，众人也都垂下了头。子犯狠狠地对马抽了一鞭子，说：“咱们也是不得已呀！如果不出逃，献公就要把咱们逼上死路了。咱们只要到别的国家借来兵马，一定能回去夺回王位。现在怀公不得民心，怕是支持不了多久了。”重耳眯起眼睛看着太阳，脑中憧憬出自己身披王袍，身坐高,位的景象。许久，他回过神来说：“但愿天助我也，只是这夕阳荒野如此悲凉，我心中很不舒服呀！”众人都不言语了。又行了一会儿，重耳说：“今天一天都没吃东西了，我饿得很。”,增加人物的细节描写，突出人物形象。,狐偃说：“我们也都饿了，前面有个树林，也许会有人住，咱们去讨些吃的。”那里果然有人居住，重耳一行来到一块田地边。这里土地贫瘠，麦苗稀疏，一位老农正在田间除草。,增加想象情节，丰富文章内容。,重耳走上前说：“我是晋国的公子，逃亡到此，腹中实在饥饿，望老者施舍一些吃的。”老农直起腰来，抹抹头上的汗珠，上下打量着重耳。他环顾了一下自己荒芜的田地，心中想：我也已经一天没吃饭了，哪有吃的给你们？苦笑了一下，老农蹲下身去拿了一块土疙瘩递给重耳。重耳大怒，骂道：“你竟敢戏弄我！”说着扬起鞭子就要抽他。狐偃,赶紧拉住重耳说：“公子不可，这是上天赐给的宝物呀！土块是国家的象征，是建立国家的预兆。”重耳一听大喜，立即叩头谢了老农，郑重地接过土块，包好放在车上。,增加人物对话，丰富文章的内容。,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,重耳等人继续策马前进了。辘辘马车驶过，卷起漫天的尘土。重耳已不觉得腹中饥饿了，只觉得夕阳很灿烂。,增加情节，使文章有始有终，结构圆合。,这篇习作的主要亮点有：一是紧扣原材料“重耳拜土”进行扩写，补充了环境描写和细节，增加了对人物、环境的描写；二是依照原文的结构，前后的写景衬托了人物的心理变化，中间增加重耳的艰难，结尾水到渠成；三是语言生动，增添的环境描写起到了渲染作用，对话更是丰富了人物形象，增添了作品的生动性。,名师点评,持之以恒方能成功,“苟有恒，何必三更眠五更起；最无益，莫过一日曝十日寒。”这是明代大学问家胡居仁撰写的对联，意在勉励自己：做事情贵在持之以恒。持之以恒，就要注重平日积累，而非临时抱佛脚。持之,文题三,写作例文,以恒，就要注意坚持，而非一曝十寒。古今中外很多事例都告诉我们，做事情有恒心方能成功。伟大的发明家爱迪生能成为“发明大王”，就是他坚持不懈、持之以恒工作的结果。如果他像平常人一样总是半途而废，电气时代也就不会到来的如此,抓住材料的观点作为扩写的中心论点。,早。他那千千万万个发明都经历了无数次的失败才成功，是坚持成就了他的事业。坚持下去，“脚会战胜路”。走出迷茫的信念，支撑和引导着求生的人寻找方向。拥有坚定的信念和毅力并持之以恒，相信世界上就没有走不,扩写论据。以爱迪生最终成就为例，论证观点。,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,状元成才路,完的路，办不了的事。伟大的作家曹雪芹花费了毕生的心血，写下了伟大的著作红楼梦。他怀着满腔的热血挥笔“无情”地控诉封建社会的黑暗。如果他没有持之以恒的人生态度，他不会在贫困潦倒，经常吃不饱饭，只能饿着肚子的情况,理论论据，说明持之以恒的重要性，同时作为分论点，引出下文。,下执笔写作，也不会“披阅十载，增删五次”成就“字字看来皆是血，十年辛苦不寻常”的红楼梦。天赋过人的人如果没有毅力和恒心做基础，他的才华也只会像火花一样转瞬即逝。唐玄宗李,扩写论据。增加曹雪芹“披阅十载，增删五次”，成就“字字看来皆是血，十年辛苦不寻常”的红楼梦的事例，说明持之以恒的重要性。,隆基，从他父亲那里接班，可谓基础雄厚，再加上他年轻志长，意气风发，有了“开元盛世”的局面。然而晚年的他沉迷酒色，没有了“立业”的志向，“安史之乱”随之而来，唐朝也从此由盛转衰，一个国家就这样走了下坡路。,扩写反而论据。与前文形成对比。,生活不易，成功就好比一首歌，如果没有“持之以恒”的主旋律，这首跃动的歌曲如何在人生的每一个驿站留下欢乐的音符？同样，我们在求学、成长的路途上也应持之以恒，只有这样，我们才能有勇气走到最后，也只有这样，我们才能走向成功。,由生活到自己的学习，紧扣扩写的材料，水到渠成。,这篇习作抓住“持之以恒方能走向成功”这一