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WhichHandDidTheyWeallknowthatmanymorepeopletodayareright-handedthanleft-handed.Canonetracethissamepatternfarbackinprehistory?Muchoftheevidenceaboutright-handversusleft-handdominancecomesfromstencilsandprintsfoundinrocksheltersinAustraliaandelsewhere,andinmanyIceAgecavesinFrance,Spain,andTasmania.Whenalefthandhasbeenstenciled,thisimpliesthatthe right-handed,andviceversa.Eventhoughthepaintwasoftensprayedonbymouth,onecanassumethatthedominanthandassistedintheoperation.Onealsohastomaketheassumptionthathandswerestenciledpalmdownward—alefthandstenciledpalmupwardmightofcourselookasifitwerearighthand.Of158stencilsintheFrenchcaveofGargas,136havebeenidentifiedasleft,andonly22asright;right-handednesswasthereforeheavilypredominant.Caveartfurnishesothertypesofevidenceofthisphenomenon.Mostengravings,forexample,arebestlitfromtheleft,asbefitstheworkofright-handeds,whogenerallyprefertohavethelightsourceontheleftsothattheshadowoftheirhanddoesnotfallonthetipoftheengravingtoolorbrush.InthefewcaseswhereanIceAgefigureisdepictedholdingsomething,itismostly,thoughnotalways,intherightCluestoright-handednesscanalsobefoundbyothermethods.Right-handerstendtohavelonger,stronger,andmoremuscularbonesontherightside,andMarcellinBouleaslongagoas1911notedtheLaChapelle-aux-SaintsNeanderthalskeletonhadarightupperarmbonethatwasnoticeablystrongerthantheleft.SimilarobservationshavebeenmadeonotherNeanderthalskeletonssuchasLaFerrassieIandNeanderthalitself.Fracturesandothercutmarksareanothersourceofevidence.Right-handedsoldierstendtobewoundedontheleft.Theskeletonofa40-or50-year-oldNabateanwarrior,buried2,000yearsagointheNegevDesert,Israel,hadmultiplehealedfracturestotheskull,theleftarm,andtheribs.Toolsthemselvescanberevealing.Long-handedNeolithicspoonsofyewpinAlpinevillagesdatingto3000B.C.havesurvived;thesignsofrubbingontheirleftsideindicatethattheiruserswereright-handed.ThelateIceAgeropefoundintheFrenchcaveofLascauxconsistsoffibersspiralingtotheright,andwasthereforetressedbyarighthander.Occasionallyonecandeterminewhetherstonetoolswereusedintherighthandortheleft,anditisevenpossibletoassesshowfarbackthisfeaturecanbetraced.Instonetoolmakingexperiments,NickToth,aright-hander,heldthecore(thestonethatwould ethetool)inhislefthandandthehammerstoneinhisright.Asthetoolwasmade,thecorewasrotatedclockwise,andtheflakes,removedinsequence,hadalittlecrescentofcortex(thecore'soutersurface)ontheside.Toth'sknapproduced56percentflakeswiththecortexontheright,and44percentleft-orientedflakes.Aleft-handedtoolmakerwouldproducetheoppositepattern.Tothhasappliedthesecriteriatothesimilarlymadepebbletoolsfromanumberofearlysites(before1.5millionyears)atKoobiFora,Kenya,probablymadebyHomohabilis.Atsevensiteshefoundthat57percentoftheflakeswereright-oriented,and43percentleft,apatternalmostidenticaltothatproducedtoday.About90percentofmodernhumansareright-handed:wearetheonlym withapreferentialuseofonehand.Thepartofthebrainresponsibleforfinecontrolandmovementislocatedintheleftcerebralhemisphere,andthefindingsabovesuggestthatthehumanbrainwasalreadyasymmetricalinitsstructureandfunctionnotlongafter2millionyearsago.AmongNeanderthalersof70,000–35,000yearsago,MarcellinBoulenotedthattheLaChapelle-aux-Saintsindividualhadalefthemisphereslightlybiggerthantheright,andthesamewasfoundforbrainsofspecimensfromNeanderthal,Gibraltar,andLaQuina.

为左手,只有22个是右手;右手习惯是据绝对主导地位的。肌肉的骨骼。MarcellinBoule1911提到的尼安德特人的骨架有一个右例如laFerrassie和尼安德特人本族的族人。3000Toth’s5644留在了左侧朝Theshiftfromsilenttosoundfilmattheendofthe1920smarks,sofar,themostimportanttransformationinmotionpicturehistory.Despiteallthehighlyvisibletechnologicaldevelopmentsintheatricalandhomedeliveryofthemovingimagethathaveoccurredoverthedecadessincethen,nosingleinnovationhascomeclosetobeingregardedasasimilarkindofwatershed.Innearlyeverylanguage,howeverthewordsarephrased,themostbasicdivisionincinemahistoryliesbetweenfithataremuteandfithatspeak.Yetthismostfundamentalstandardofhistoricalperiodizationconcealsahostofparadoxes.Nearlyeverymovietheater,howevermodest,hadapianoororgantoprovidemusical panimenttosilentpictures.Inmanyinstances,spectatorsintheerabeforerecordedsoundexperiencedelaborateauralpresentationsalongsidemovies'visualimages,fromtheJapanesebenshi(narrators)craftingmultivoiceddialoguenarrativestooriginalmusicalcompositionsperformedbysymphony-sizeorchestrasinEuropeandtheUnitedStates.InBerlin,fortheeperformanceoutsidetheSovietUnionofTheBattleshipPotemkin,filmdirectorSergeiEisensteinworkedwithAustriancomposerEdmundMeisel(1874-1930)onamusicalscorematchingsoundtoimage;theBerlinscreeningswithlivemusichelpedtobringthefilmitswideinternationalfame.Beyondthat,thetriumphofrecordedsoundhasovershadowedtherichdiversityoftechnologicalandaestheticexperimentswiththevisualimagethatweregoingforwardsimultaneouslyinthe1920s.Newcolorprocesses,largerordifferentlyshapedscreensizes,multiple-screenprojections,evenevision,wereamongthedevelopmentsinventedortriedoutduringtheperiod,sometimeswithstartlingsuccess.Thehighcostsofconvertingtosoundandtheearlylimitationsofsoundtechnologywereamongthefactorsthatsuppressedinnovationsorretardedadvancementintheseotherareas.Theintroductionofnewscreenformatswasputoffforaquartercentury,andcolor,thoughutilizedoverthenexttwodecadesforspecialproductions,alsodidnot eanormuntilthe1950s.Thoughitmaybedifficulttoimaginefromalater,astrainofcriticalopinioninthe1920spredictedthatsoundfilmwouldbeatechnicalnoveltythatwouldsoonfadefromsight,justashadmanypreviousattempts,datingwellbackbeforetheFirstWorldWar,tolinkimageswithrecordedsound.Thesecriticsweremakingacommonassumption—thatthetechnologicalinadequaciesofearlierefforts(poorsynchronization,weaksoundamplification,fragilesoundrecordings)wouldinvariablyoccuragain.Tobesure,theirevaluationofthetechnicalflawsin1920ssoundexperimentswasnotsofaroffthemark,yettheyneglectedtotakeintoaccountimportantnewsinthemotionpicturefieldthat,inasense,wouldnottakenoforan sweretherapidlyexpandingelectronicsand companiesthatweredeveloandlinkingephoneandwirelessinthe1920s.IntheUnitedStates,theyincludedsuchfirmsasAmericanephoneandegraph,GeneralElectric,andWestinghouse.Theywereinterestedinallformsofsoundtechnologyandallpotentialavenuesforcommercialexploitation.TheircompetitionandcollaborationwerecreatingthebroadcastingindustryintheUnitedStates,beginningwiththeintroductionofcommercialradioprogrammingintheearly1920s.Withfinancialassetsconsiderablygreaterthanthoseinthemotionpictureindustry,andperhapsawidervisionoftherelationshipsamongentertainmentandcommunicationsmedia,theyrevitalizedresearchintorecordingsoundformotionpictures.In1929theUnitedStatesmotionpictureindustryreleasedmorethan300sound —aroughfigure,sinceanumberweresilentfi withmusictracks,orfipreparedindualversions,totakeaccountofthemanycinemasnotyetwiredforsound.Attheproductionlevel,intheUnitedStatestheconversionwasvirtuallycompleteby1930.InEuropeittookalittlelonger,mainlybecausethereweremoresmallproducersforwhomthecostsofsoundwereprohibitive,andinotherpartsoftheworldproblemswithrightsoraccesstoequipmentdelayedtheshifttosoundproductionforafewmoreyears(thoughcinemasinmajorcitiesmayhavebeenwiredinordertoyforeignsoundfi).Thetriumphofsoundcinemawasswift,complete,andenormouslypopular.

史上最为重大的一次过渡——从无声到有声的发生在1920年的年都是这样描述的:史上最基本的分水岭就是从默片到中语音的加入。音效呈现,从的benshi()的多点音效的演绎到欧洲和由管弦交创作与相匹配的音效;柏林的放映的同时现场演奏音乐让这种形式有了国际。25年,彩色,在接虽然这件在事后很难想象,但是在1920年一个倾向性的性观点预测有声电小的音量和断断续续的。为了证实这个观点,他们在1920年试验中所估测的技术缺陷仍然很大,之后他们就不再对这一范畴内的重要力量进行1920年,这个了力量急速的扩张发展出了连接与无线电工艺的电子公司和电子通讯公司。在,他们包括了像与电报这样的公司。通用电在1920年的早期,这些竞争与合作开创了的广播产业,开始引入了商业广播。由于贡献明显的比那些工业的多,而且他们在与交互之间的关系上有一个更广的看法,他们重启了配音的研究。一个粗略的统计表明,1929年的产业放出了超过300部有声,同时还有一定数量的默片音轨,或者为准备两个版本以照顾一些还没有声音部件的院。在生产环节的转换最终完成与1930年。欧洲要稍微晚一点更城市的院为了外国可能已经添加了设备。有声取得了胜利,WaterintheRainfallisnotcompleyabsentindesertareas,butitishighlyvariable.Anannualrainfalloffourinchesisoftenusedtodefinethelimitsofadesert.Theimpactofrainfalluponthesurfacewaterandgroundwaterresourcesofthedesertisgreatlyinfluencedbylandforms.Flatsanddepressionswherewatercancollectarecommonfeatures,buttheymakeuponlyasmallpartofthelandscape.Aridlands,surprisingly,containsomeoftheworld’slargestriversystems,suchastheMurray-DarlinginAustralia,theRioGrandeinNorthAmerica,theIndusinAsia,andtheNileinAfrica.Theseriversandriversystemsareknownas"exogenous"becausetheirsourceslieoutsidethearidzone.Theyarevitalforsustaininglifeinsomeofthedriestpartsoftheworld.Forcenturies,theannualfloodsoftheNile,Tigris,andEuphrates,forexample,havebroughtfertilesiltsandwatertotheinhabitantsoftheirlowervalleys.Today,riverdischargesareincreasinglycontrolledbyhumanintervention,creatinganeedforinternationalriver-basinagreements.ThefillingoftheAtaturkandotherdamsinTurkeyhasdrasticallyreducedflowsintheEuphrates,withpotentiallyseriousconsequencesforSyriaandIraq.Theflowofexogenousriversvarieswiththeseason.Thedesertsectionsoflongriversrespondseveralmonthsafterrainhasfallenoutsidethedesert,sothatpeakflowsmaybeinthedryseason.Thisisusefulforirrigation,butthehightemperatures,lowhumidities,anddifferentdaylengthsofthedryseason,comparedtothenormalgrowingseason,canpresentdifficultieswithsomecrops.Regularlyflowingriversandstreamsthatoriginatewithinaridlandsareknownas"endogenous."Thesearegenerallyfedbygroundwatersprings,andmanyissuefromlimestonemassifs,suchastheAtlasMountainsinMorocco.Basalticrocksalsosupportsprings,notablyattheJabalAl-ArabontheJordan-Syriaborder.Endogenousriversoftendonotreachtheseabutdrainintoinlandbasins,wherethewaterevaporatesorislostintheground.Mostdesertstreambedsarenormallydry,buttheyoccasionallyreceivelargeflowsofwaterandsediment.Desertscontainlargeamountsofgroundwaterwhencomparedtotheamountstheyholdinsurfacestoressuchaslakesandrivers.Butonlyasmallfractionofgroundwaterentersthehydrologicalcycle—feedingtheflowsofstreams,maintaininglakelevels,andbeingrecharged(orrefilled)throughsurfaceflowsandrainwater.Inrecentyears,groundwaterhas eanincreasinglyimportantsourceoffreshwaterfordesertdwellers.TheUnitedNationsEnvironmentProgrammeandtheWorldBankhavefundedattemptstosurveythegroundwaterresourcesofaridlandsandtodevelopappropriateextractiontechniques.Suchprogramsaremuchneededbecauseinmanyaridlandsthereisonlyavagueideaoftheextentofgroundwaterresources.Itisknown,however,thatthedistributionofgroundwaterisuneven,andthatmuchofitliesatgreatdepths.Groundwaterisstoredintheporespacesandjointsofrocksandunconsolidated(unsolidified)sedimentsorintheopeningswidenedthro

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