文字材料-活动画册

致辞4萨米声音SAMI策展人寒宁致辞IntroductionbyHenning5萨米男孩SAMI极地光影来自北方的故5少女麦根OMG（OHMÁIGONBeyondFrozenPoint:Storiesfromthe7燃烧的BURNING拉普兰德联合SÁPMI策展人致辞IntroductionbyKaimei9如海般ÁHPI-WIDEAS冰封之地，灵动影9FrozenLand,MovingPictures:StoriesTHECHINESEthe锤子镰刀都休息THEHAMMERANDARE冬蝉WINTER犴达罕THELASTMOOSEOFTHESEVEN如何采摘浆果HOWTOPICK亚马逊特别放映SPECIALTUPILAQ寒枝雀静APIGEONSATONA回声REFLECTINGON奇异北方STRANGE 浮冰ICE 目击ALLHALLOW'S 图腾 打开了，看一看TOOPENTO 北方人 冰之手形ICE 乡愁 雪板青年THESNORKELER

二楼的执着OBSESSIONSFROMTHESECOND 策展人李姗姗致辞IntroductionbyLi 在北极圈 IwenttotheNorthPoletoSee 影像作品 ART 策展人致IntroductionbyHenning极地光影来自北方的故特罗姆瑟国际节荣幸地宣布，作为“极地光影”放映活动的特罗姆瑟国际节是北极最大的节，世界各地的通过这个出发全世界。这里，中国观众在“极地光影”这个放映中看到放映出自极地地区的短片和片。是要同。我们节坚信是可以远离它的出生地，带着同他人的目的走得很远。做为节，我们想带给观众的不是仅限于的体验，我们的使命也包括给观众一点，让观众得到一种出自创造者内心力的影片传递的体验，通过大银幕走进一些不那么寻常的故事和人物的生活，体会他们的喜怒哀乐。当观众勇于接受这样的，了一些主流之外的思维和故事，也就是在这个时候，观影的收益才会更大。就在着笔写这篇文章的时候，我刚刚从另外一个规模大得多的节回来，那就是法国戛纳节。在这样一个世界级重要的节上汇集的是来自全世界的，从法国、意大利到阿根廷，土耳其和中国（有了不起的贾樟柯导演，确实不止是一种全球现象，它更是一种全球语言，它走进世界各地的人们的内心，把不同地域的人们普遍的生存状况用讲述，再将它们带到世界的任何一个角落，放映给那里的观众。现在让我来告诉你一些北方的故事。特罗姆瑟位于北纬9度的北极圈以北，每年1月，在特罗姆瑟国际节举行的日子里，北极的太阳已经在地平线下了两个月了，北方漫长的冬天特有的极夜现象正在进入尾声。与极夜对立的另外一面是，每年夏天我们会有两个多这种独特的季节变幻，漫漫长夜的冬天，缓缓日照的夏天正是这些来自北方的生。地政上这土被做巴海区，北角的科拉。这片广裘的土地上居住着不同语言不同民族的多国人民，但又一起着许多同性：这里都是每个国家最遥远的北方，人口稀少，远离首都和大城市；这里资源丰富，历史上向来都是贸易和货物的集散地；不同民族的人们在各个国家的边境线上居住和迁徙，共同生今天，很大程度上他们依旧保持着自己的语言和传统生活方式。通过这些来自北方的影片，我希望能感受到这片土地上的多样性和将我们联系在一起的共同的根。在这里，请允许我代表特罗姆瑟国际节，对主办这次活动的中国合作方，我们的联合策展人李姗姗和表示感谢。的努力让这些来自北方极地的影片的大城市得到展示，这会是旅行的开始对地球上的这样一个特殊角落有所了解。已经启航，希望它们特罗姆瑟国际节2015628挪威特罗姆

寒宁·罗森寒宁·罗森伦德为现任特罗姆瑟国际节。特罗姆瑟国际节是斯堪的纳维亚最重要的节之一，也是挪威最大的节。寒宁从2008年起为该节工作，前后多个职位，包括展映短片与纪录片的“来自北方的故事”单元。寒宁拥有挪威科技大学制作学位。他同时也是一名自由电影人，短片导演。BeyondFrozenStoriesfromtheOnbehalfofTromsøInternationalFilmFestival,itisagreathonourtobeabletopresenttheprogramBEYONDFROZENPOINT-STORIESFROMTHENORTHtoaudiencesinChina.TromsøInternationalFilmFestivalisoneofthebiggestfilmfestivalsinScandinavia,andworksbothtopresentworldcinematoourregionalaudience,butalsotobringregionalfilmstoriesouttotheworld.Inourrecurringsidebar“FifromtheNorth”,wepresentshortandaryfifromourregion.ThefiofferedtoyouareallfromtheFifromtheNorthsidebar.Ourfestivalworksfromastrongbeliefintheimportanceofsharingstoriesfromallovertheworld.Webelieveinthecommonexperienceofcinema,andthatart,andparticularlyfi,cantravelfarfromitsbirthplace.Weoftenthinkofourmissionastochallengeouraudience.Meaningtopresentfithatmakethemexperiencesomethingunusualororiginal.Cinemaisamediumwellpositionedtodothis.Characterscomealiveonthebigscreen,andthroughtheiractions,wegettoknowthem.Withcinema,youcanexperiencethestories,thereasonsandemotionsofpeopleyouhavenevermetbefore.Weusuallyfindthatwhentheaudienceiswillingtolookalittlebitoutsidethemainstream,therewardwillberich.WritingthisIhavejustreturnedfromanother(andmuchlarger)filmfestival,namelytheoneinCannes,andagainbeenremindedofhowtrulyglobalcinemacanbeatitsbest.IsawnewfifromArgentina,China(thegreatJiaZhang-Ke),France,Hungary,Italy,JapanandTurkey,amongstothers.Itremindedmethatfilmisnotonlyaglobaloutput,butalsoaworkinggloballanguage,makingthehumanconditionfromdifferentpartsoftheworldvisibleforeveryonewhowantstosee.Withthisinmind,letusturntotheprogramathand:BEYONDFROZENPOINT–STORIESFROMTHENORTH.Thetitlesdoesnotlie,butitdoesnotlthewholetrutheither.Tobesure,thecityofTromsøliesabovetheArcticCircle,onthe69thlatitude.Evenmore,ourfestivaltakesplaceeachyearinJanuary,justattheendofthepolarnightwhenthesunhasbeengonebeyondthehorizonfortwomonths.Theflipsideisofcoursethatwealsoexperiencetwomonthsofmidnightsunduringamild,butnotfreezing,summer.Thechangingseasons,thefrozenwintersandthegentlesummers,thecoolNordiclightthroughout–theyareallpresentinthefiHenningHenningRosenlundisthecurrentDeputyProgramDirectoroftheTromsøInternationalFilmFestival,oneofthemostimportantfilmvenuesofScandinaviaandthelargestofitskindinNorway.Hehasbeenworkingforthefestivalsince2008invariouspositions,includingasHeadofthesidebarforshortfiandaries,“FifromtheNorth”.HenningholdsaMasterofMediaProductiondegreefromtheNorwegianUniversityofScienceandTechnology.Hehasalsoworkedasafreelancefilmmakeranddirectedshortfi.

presentedhere.AllfiarefromwhatwecalltheBarentsRegion,ormoreloosely“TheHighNorth”.ThisisanArctic/Sub-ArcticregionspanningfromNorthernNorwayviatheNorthernpartsofSwedenandFinland,andincludingtheEast-NorthernpartsofRussia.Eventhoughthisregionspansdifferentnationswith(very)differentlanguages,italsohassomesimilarities.Theclimateisonething,butforourpurpose,therearealsosomeculturalaspectsofimportance.Thesearethenorthernmostpartsofeachcountry,farremovedfromitscapitalsandrelativelysparselypopulated.Still,itisaregionrichonresourcesandithastraditionallyseenacertainleveloftradeandexchange,withdifferentpopulationgroupslivingtogetherandcrossingthenationalborders.Throughouttheregion,youwillfindtheindigenouspeopleofeachnation,respectivelytheSámipeopleinScandinaviaandtheNenetsofRussia,whotoavariousdegreemaintainstheirlanguageandtraditionalwayoflife.Inthefilmprogramspresentedhere,wehopeyouwillbeabletoseethevarietiesoftheregion,aswellasthetraitsbindingustogether.OnbehalfofTromsøInternationalFilmFestival,IwouldliketoexpressoursincerethankstoourChinesepartners,organizersandco-curators:LiShanshanandKaimeiWang.LiShanshancontactedusinTromsøatourrecentfestivalandgaveusthisgreatopportunitytopresentfifromourregioninsomeofChina’sbiggestcities.Itwasthestartofagreatjourney.Wehopethesefourfilmprograms,andtheartexhibitionthat paniesthem,willgiveyouastrongimpressionaboutaparticularcornerofthisworld–andthatthefiwilltravelsafelyandfindaplacewithinyou.HenningDeputyProgramDirectorTromsøInternationalFilmFestival28th,June2015atTromsø,策展人致IntroductionbyKaimei冰封之地，灵动影北方，极地…北纬60度以北的地球表面聚合着北半球人迹罕至的广裘土地，常年不化的积雪冻土和世世代活在这里的原住民：萨米人、涅涅茨人、鄂温克人…这里远离世界金融的中心，却又是全球地理政治的敏感地区；这里储蓄着资源，蕴涵着，挟裹着，暗藏着冲。无论是地球温室效应对北极冰层的，还是全球化在疆域争端的世界政治中的推进，关于北极的讨论是牵动地球共同未来的热点话题。严酷的生存环境塑造着这里的人们特殊的心理性格，沉默寡语，粗犷豪爽、幽默尖刻。社会性牵连着地域性，地方性相遇国际性，当代社会里的各种，即使在极地也无可逃避。中年人的，青年人的好奇，传统文化面对冰封的土地不停息地涌动着令人着迷的画面，和冰层下丰富的地理资源一样是生活在这里的艺术家们创作灵感的来源。联地响的特国际极光自的”展示的是17部来自北极的创作的短片，它们分别来自瑞典、芬兰、挪威、丹麦的格陵兰岛和俄罗斯五国。北方的人文地理是这些影片共同的背景，壮美的极地风光是它们共同的发生地，而牵连着北方人的历史和现在的生活状态就是这些影片讲述的故事在北欧，大自然总是在人们触手可及的周边，自然与人的和谐相处是北欧人融于血液中的天性，可以说，北欧福利社会的物质和精神支柱都是建立在与大自然朝夕相处的亲密关系中的。想北欧的文化名人，从斯特林堡到易卜生，从蒙克到西贝柳斯，他们的艺术作品中深沉忧郁的气质，灵光闪动的魔力传递出扑面而来的北方森的气息。这是一片孕育童话和制造诗意的森林，复杂的历史渊源在每一片看似平静的湖水下蕴藏着的都是盘根错节的过去与现在。文学奖得主，瑞典诗人特朗斯特罗姆的诗：B《论历史》特朗斯特罗姆诗歌全集，翻译李笠，文艺，2012特朗斯特罗姆的诗交给我们一把打开北欧人心怀的，正如这里的电影为我们带来极地北方的故事。这是国内第一次以“北方极地”的概念举行的放映活动，一个少有的在大银幕上欣赏地球上这个特殊角落的壮观风景，了解这里的北方人的独特机会。影片放映分为四个从不同的角度带我们走进这里的风景和人文。尤其是“萨米声音”作品全部出自北极地区的萨米青年艺术家之手，他们以同世界同步的眼光审视自己的文化根源，用音乐和 历史和传统在当代社会的色。再把目光转向高纬度的亚洲，中国的北方也生活着以饲养驯鹿为生的民族和黑山白水的东北冻土。居住在内的鄂温克人同北极的萨米人一样，也着保留和发展的；中国东北人的黑色幽默成了地域对人性的划定，而性格的形成又无不牵连着自然的塑造。的传统文化中，自然是仕途文人隐居和重生的乐园，他们在大自然中修身养性，抒发诗人情怀，风景是这种情怀的投射，是慰籍心灵的良药。但当自然成为一种严酷的生存背景，一种考验意志的极限体验的时候，自然又开启了人生意义的思考。从北方做为地理和文化的概念出发，我们选择了四部中国影片，对寒冷地域的特殊人文地理再做来自中国角度的解读。最后，一个特别放映项目将带来瑞典大师罗伊·安德森执导的上届节金狮奖获奖影片《寒枝雀静》，这部北欧式的缓慢精致充满幽默与人性的影片将我们关于地域与人性的探究推向一场关于存在意义的哲学思考。观影首先是一个身体的参与活动和头脑在中被银幕上的画面激发想像的感知过程。每年1月，当北极圈内的冻土完全被黑夜笼罩，天空只有被飘忽不定的北照亮的时候，在欧洲最北的城市，特罗姆瑟国际节就开幕了，窗外是极地雪景，屋内却温暖如春，关上灯在中这是艺术的所在。这个夏天，当中国各地还在被酷暑的时候，我们给大家带来了北方冬日的严酷寒冷，极地夏日的神奇日出，纯净的空气，宁静的自然，独具个性的北方人的生活片段让我们看到别人也看到自己。所有这一切，当它们通过光影的变幻展现出来的时候，就是我们打开大脑，走进北极的艺术历程开启的时刻了。“极地光影”策展20156月28

出生于内蒙古，求学于北京，曾长期居住在瑞典和新加坡，现工作上海。长期从事东西文化交流工作 驻北。拥有苏富比艺术学院当代艺术理论学位，现为一名独立艺术评论人和策展人，国内外诸多重要艺术杂志的撰稿人。被提名2014年评论奖，2015年艺术登陆新加坡艺FrozenLand,MovingStoriesfromtheTheNorthPoleRegion,withitsmassivelandandarcticicecapabovetheNorthArcticCircleisoneofthecoldestplacesontheearth.Thelandisfrozenallyearround,andthehighlatitudemakesfor24-hoursdaysinsummerandlong,darknightsinwinter.Inrecentyearshumanactivitieshaveincreasedrapidlyinthechasefornaturalresourcesandnewterritories.Meanwhile,thethreatofglobalwarmingandclimatechangehascreatednewdisputeswithininternationalpolitics.Despiteitsseemingdistancetotheworld’sfinancialcenter,theregionnorthofthe60degreelatitudeisahotspotthatevokesquestionsconcerningourcommonTheNorthPoleRegionisthehomeofpolarindigenoussettlements,suchastheSamiinScandinaviaandtheNenetsinRussia.Theharshnatureofthepolarregionshapestheuniquecharactersofthesepeople.Theirquietnessandroughnessgohandinhandwiththeirkindnessandopenness.Intheglobalworldtoday,evenatthisveryspecialcorneroftheearthinhabitantsinevitablysharemanyexperienceswiththerestoftheworld.Hereiswherethelocalmeetstheglobalandthetraditionalmeetsthemodern.Thepreservationofindigenousculture,protectionismagainstoutsiders,andthepricestobepaidforenvironmentandwealth-gainingaresomeveryurgentissuesforthePolarRegion.Naturally,thesearealsosourcesofinspirationforartistsandcreativemindslivinghere.IncollaborationwiththeTromsøInternationalFilmFestival,wearepleasedtopresenttoChineseaudiencesBeyondFrozenPoint:StoriesfromtheNorth,afilmscreeningprogramme.Wewillshow16shortandaryfi,allfreshlymadebyartistsfromSweden,Finland,Norway,GreenlandinDenmarkandRussia.Thecommonrootofthesefiisthebreath-takingpolarnature,andthenarrativesareallaboutpeoplelivingthere.NaturehasalwaysplayedanimportantroleinNordicsocieties.Theextremeharshlivingconditionshavetaughtthelocalstocoexistwiththerhythmsofnaturesinceancienttimes.ItisfromthissharedtraditionofrespectpaidtonaturethattheNordiccountriesbecamewhattheyareintheworldtoday.NatureisthesiteofNordicwelfaresocietiesandtheirsharedculturalheritage.NatureiswheretheNorthernpeopleregainenergyandfindinspiration.Wecanexperiencecloseconnectionswithnatureinart,inliterature,inmusicandinficomingfromtheNordiccountries.AugustStringberg,HenricIbsen,EdwardMunch,andJeanSibeliusarejustafewrepresentativesofthislegacy.NatureformsitsownnarrativethatisalwayslinkedwithNordiclegends,mythologyandacomplexhistory.Underneaththeprofoundtranquilityofthedarkforestanddeepwater,nothingisassimpleasitlooks.AsthewinnerofNobelPrizeforliteratureTomasTranstromerwrote:“OneMarchdayIwalkeddowntothelakeshoretolistenTheicewasblueasthesky.AndbreakingupinthesunThesunwhispersintoamicrophoneundertheice.There’saseethingandburbling.FaroutitsoundslikeasheetbeingsnappedThewholethingislikeHistory:ourpresent.Weareloweredintoit,welisten.”BThisinsightfulreflectiononnatureandhistoryprovidesuswithonekeytoenterintothepsychologicalworldsoftheNordicpeople.Thisisalsowhatthefi hereshownseektooffer.ForthefirsttimeinChina,BOnHistory,TomasTranstromer,TheHalf-FinishedHeaven,translatedbyRobertBly,GraywolfPress,afilmeventdedicatedentirelytothefifromtheveryspecialcorneroftheNorthPolarRegionispresented.ThisisarareopportunityfortheChineseaudiencetoexperiencethemagnificentnatureofthePolarRegiononthebigscreenandtogettoknowthepeoplelivingtherethroughfilm.Thefilmscreeningisdividedinto4sections:Seasons,StrangeNorth,PeopleandSamiVoice,eachgivingadifferententrancetotheNorthanditspeople.ThefifromtheSamiVoicesectionaremadebyfilmmakerswithSamiorigins.Itisappealingtoseehowtheseyoungpeoplereflecttheirindigenoushistoryandtraditioninthecontemporarysocietythroughmusicandfi.Meanwhileaswemoveoursighttowardstheeast,onasimilarlyhighlatitude,weseethefrozenlandsofNorthernChina.MinoritiessuchastheEwenkisliveinthenortheasternforest,subsistingbyreindeerherding.MuchliketheSamisoftheNorthPole,theytoofaceproblemswiththepreservationoftheircultureinthenewera.HarshnaturehasgiventheNorthernpeopleaspecialsenseofhumorandsurvivalskills,allverymuchlinkedwiththefrozenlandtheycomefrom.IntraditionalChineseculture,natureisanarcadiadesignedfordespairingscholarstoretreatto,andtorevive.Inartisticexpression,natureisametaphorforconsolationandrehabilitation.ThesearethestartingpointsofthefourChinesefiwechosetopresenthereasaresponsetotheStoriesfromtheNorth.identityandinterrogationofthemeaningoflife.TheSwedishdirectorRoyAndersonheredeliversaslow-pacedhumanisticstorybuiltonobservationsoftheabsurdityofordinarylife,expressedinmemorableimages.Toseeafilminthecinemaisaformofphysicalparticipation.Wesitdowninadarkroomwatchinglightschangingonascreen.Butthestoriescomposedbytheselightscanonlymakesensewhenweparticipatewithourmindandimagination.EveryyearinJanuarywhentheNorthPolarRegioniscoveredbywinterdarkness,theTromsøfilmfestivalstarts.Insidethewarmcinemasalonsandcomfortablechairs,anotherworldisopenedtotheaudience.Fibringtheaudiencetoplacesfarawayandtimesfarbeyond.Thisisthemagicthatonlyfilmcancreate.WechosetoopenourfilmscreeningonthehottestseasonoftheyearinChinatocreatethecontrastoftheclimateasaphysicalexperience.FeelthecrispymorningfogswitheNordicwoodsinthemidnightsun,thearcticwindblowingfromthenorth,thepureairthatintoxicatesyourbreath,thequietnessofnaturethatsilencesyourmind.Asyouopenyoureyesandexpandyourimagination,youwillstartanartjourneytowardstheNorthPole.DoenjoyalongtheKaimeiOlsson28th,June,2015,

KaimeiOlssonBorninInnerMongolia,ChinaandstudiedinBeijingandlivedinSwedenandSingaporeforlongerperiod.KaimeiworkedwithculturalexchangebetweenNordiccountriesandChina,madeTV-programsandwroteandtranslatedbooksonthistheme.ShealsoworkedasNordiccorrespondenceforXinhuaNewsAgency.SheholdsaMAoncontemporaryartattheSotheby’sInstituteofArtandhasestablishedherselfasanartcriticandexhibitioncuratorinShanghai.KaimeiisafrequentcontributorforsomeoftheimportantartmagazinesinChinaandoverseasandwasshortlistedinIAACartcriticreward2014andArtStageSingaporeartcriticreward2015.部—动三录现故季区—名峡不地的季不命运人相Theextremedynamicsbetweentheseasonsareexploredinfiveformallystrong ;twoshortfictionsoneanimationandthreeshort ariesThefictionsplayoutwiththecoastallandscapesofNorthernNorwayasbackdropswhereas ariesmovefromRussiaviaFinlandandallthewaytoGreenlandIishowevernotsimplyportraitsoflandscapesinsnoworsunbutalsoofdiffrentpeoplemigrationandunexpectedmeetingsandself-relaization—个季节的描绘——一段穿越俄罗斯北部到西伯利亚的地理旅程，一次走进生活在地球最严酷的气候中的人的心理和感情的旅行。在这里人类文明与大自然永恒的规律和仪式不间断地相互抗争又彼此和精神的至关重要，就如运气与机遇对命运的主宰，生死之别可以是一念之差。这是一部反映命运，改变和生死的短片。影片入围2013年诺际际单欧洲名。Aportraitofaseason-ajourneythroughNorthRussiaandSiberia,throughthefeelingsandthoughtsofthepeoplewhohavetocopewithoneoftheworld'sharshestclimates;arealitywheretheboundarybetweenlifeanddeathissothinthatissometimesalmostnonexistent,wherecivilizationconstantlybothfightsandembracesnatureanditstimelessrulesandrites.Intheseremoteplaces,people,animalsandnatureitself eelementsofamillennialyetunpredictablescript,inwhichphysicalandmentalenduranceplayanimportantroleasmuchaschancedoes,wherelifeanddeathconstantlyembraceeachother.Areflectiononfate,adaptationandtheimmutablecyclesofexistence.

片彩色俄罗斯娜·皮契CristinaPicchi侣Agnes和Ragnar在攀生命的极限运动的发现了Ragnar一个秘地利）国际山地和探险节金奖。AgnesandRagnar,acoupleintheirlate20's,areclimbingamountaininNorthernNorway.Inthispotentiallydeadlysituationwheretrustisanabsolutenecessity,therelationshipisputtothetestasAgnesrevealsRagnar'sdisturbingsecret.

THE彩色Color|15min|挪威Norway导演Director：安德烈亚斯·塔楼Andreas如何采摘浆HOWTOPICK片彩色Color|19min|芬兰Finland导演Director：艾琳娜·塔分萨里ElinaTalvensaari

对全球经济的思考。影片入围阿姆斯特丹国际片节以及国际节。VisitorsfromadistantplaceappearinthemistyswampsofNorthernFinland.Thelocalsgrowrestless-thingsarechanging,secretberryspotsarerevealedandeverythingisgetting fortable.Whoistoblameandwhoisprofitingfromallthis?HowtopickupberriesisanexplorationoftheFinnishmindandtheabsurditiesoftheglobaleconomy.剧情片彩色Color|11min|挪威Norway导演Director：玛丽安·奥·乌尔里克森MarianneO.Ulrichsen

Ada的忘记去机场接她了11遇见了跟她同龄的儿Julia，但是Julia并不想按照父母的意愿跟Ada玩。在挪威北部的大自然中，离开大人们的视线，两个从暗中角力渐渐地开始了解对方和知己新本获得2014年特姆国际棕以芝哥际金佳片。Eleven-year-oldAda'sfatherforgetstopickherupattheairport.Sheisinvitedtoaneighbor’shousetowaitforhim.ThereshemeetsJulia,agirlherage.JuliadisapprovesofbeingtoldtoplaywithAda.ThetwogirlsmeasureforcesinthenorthernNorwegiannature.Freefromtheadultgazetheyareapproachingeachotherandanewidentity.提出质疑。片名Tupilaq是指格陵兰岛

动画片彩色丹麦格陵兰岛 alstorydepictsthelifeofanativemanfromGreenlandlivinginDenmark.6minutesofdrawingandmusicwithoutdialoguebringthestoryfrommemory,dreamtolongingandraisequestiononwhatitmeansfortheislandculturetointegrateintoamodernwesternsociety.ThetitleofthefilmTUPILAQreferstoahandcraftedsacredobjectusedinritualsbythenativesinGreenland.格陵兰岛无与伦比的自然景色，陡峭且绵延的山峰与人性的过去形成了鲜明的对比。在第二次世界大战期间，在此建立了atq，为的艰难航线提供油料补给。在冷战正酣时，人也建立了DYE-4站。当历史的烟消云散，人废弃了这些代表着20密阐述，和她为正在的本民族传统的个人努力。本片获得2011年SetagainstGreenland’sbeautifulandunparalleledmosaiclandscapeofsteep,dramaticmountainslieparticularremindersofhumanitiesmorebrutalpast.Inthemidstofthe2ndWorldWar,theUSAbuilttheIkateqairbaseasarefuellingstopforthearduoustrans-AtlanticjourneytoEuropeandattheheightoftheColdWartheyconstructedtheDYE-4radarStation.AsbothswanedtheUnitedStatessubsequentlyabandonedtheirmanifestationsof20thcenturymodernismtothetimeless,wildandunyieldingArcticelements.Echoes,isalsoa alandintimateportraitofonewoman,AnnaKuitseThastum,andhersinglehandedquesttorekindleandreviveanancientInuittradition,thedrumdance.EchoeswontheBest aryFestivalAwardin2011LondonUndergroundFilmFestival.

片彩色丹麦格陵兰岛导演Director：伊瓦洛·兰克IvaloFrank边搁浅的海豚身上的好奇探险。如果说这些有什么共同点的话，那应该就是它们都在试探着边界，尝试，在这个属于所有人的世界上，年轻人Thisisaverydiverseprogram,withfourfictionfiaddressingeverythingfromthetopicalissuesofsexualidentitytoashootingincident.Italsoventuresintoabsurdterritories,firstwhenseenthroughthemundanelifeofamoderncouple,andfinallythroughthestrangetaleofagroupofchildrendiscoveringastrandedporpoise.Ifthesefihavesomethingincommon,itmustbeacertainleveloftransgressionandadepictionofyoungpeoplenavigatingtheworldtoday.ICE彩色Color|22min|俄罗斯Russia导演Director：玛利亚·罗伊特MariaLoyter

一个的Alya的音乐老师Svetlana。她们通过歌唱课建立了联系。当Svetlana在校长面前站出来为Alya辩护的时候，Alya突然间了Svana的嘴唇，这突然的一幕ALLHALLOW’S彩色Color|18min|芬兰Finland导演Director：杰西·希尔图宁JussiHiltunen

AshyteenagegirlAlyalivesinaRussianorphanage.ShesecretlyadmireshermusicteacherSvetlana,theonly whoisnicetoheratschool.AlyaandSvetlanaestablishaconnectionduringthesingingclasses.ThemomentwhenSvetlanastandsupforAlyainfronttheprincipleleadstoasurprisingevent:AlyakissesSvanainthelips,causingaradicalchangeintheirrelationship.Aki是一名三十多岁的酒吧保安，Kati是一名目睹了她姐姐目击者在无助中着他们的感觉，为什么他们？之前他的发生?他们的悲痛夹杂着负罪活还要继续。2008年在芬兰北部AllHallows’Week,filmedbyJussiHiltuneninhishometownofRovaniemiinNorthernFinland,isashortfilmabouttheeffectsofrandomonthelivesofpeople.Aki(AnttiLuusuaniemi)isabouncerinhisthirties,whoseworkplace thesettingforasenselessshooting.Kati(RosaSalomaa)isahighschoolstudent,whowitnesseshersister’sviolentdeath.Feelinghelpless,thetwoeyewitnessesarelefttomullovertheirfeelings.Whydidtheysurviveandcouldtheyhavechangedthecourseoftheevents?TheirgriefismixedwithguiltandunansweredquestionsasAkiandKatitrytomoveon.TheideaforthefilmAllHallows’Weekstemsfroma2008shootinginRovaniemiwitnessedbydirectorandwriterJussiHiltunen,butthestoryandcharactersofthefilmareentirelyfictional.彩色Color|20min|挪威Norway导演Director：·沃德MarteTOOPENTO彩色Color|15min|挪威Norway导演Director：卡米拉·佛根森CamillaFigenschou

短片中一对三十几岁的时髦夫妻住在奥斯陆郊区，通过记录他们生活中的五个平凡的场景，《图腾》探究两性关系中共同相处中的脆弱敏感和各种Throughfivescenesfromthelifeofathirty-somethinghipstercoupleinthesuburbsofOslo,Totemexploresthevulnerabilitiesandrelentless fortsoftogetherness.一群孩子被带到海滩上旅行。在没有成年人的监督下，他们发现了一只搁浅的海豚。海豚死了，孩子们把它打开了。该片获得202年挪威短片节ejeign013年Miimlen片挪威最佳短片奖，013年瓜纳华托国际节最佳女导Agroupofchildrenistakenonatriptoabeach.Whileseparatedfromadultsupervision,theydiscoverastrandedporpoise.Itisdead.Theyopenitup.ThefilmwonmanyprizesincludingTerjeVigenAwardinTheNorwegianShortFilmFestival,BestNorwegianShortFilmin2013MinimalenShortFilmFestival,SpecialMentionin2013LeuvenInternationalShortFilmFestival.这里三部片中描述的都是极地地区的偶像人物，当地人的本土： Inthissectionwehaveputtogetherthree ariesaboutsomeoftheinteresting-andreal-peoplefromourregion.Theseareiconicfigures,meaningveryrecognizableformostpeoplelivingintheNorth.Thefiaskquestionsaboutlifevaluesandchoices.Identity,andhowyourbackgroundshapesyou,arekeyissuesputforwardbyamixofstrong alities-oldfishermen,aformerOlympicChampionandayoungICE片彩色挪威导演Director：和斯图拉·皮尔斯科格AreandSturlaPilskog

Harshweather,waterandiceshapeourlandscape.Alonglifeshapesourhands.HuntersgoingtotheArcticOceanhaveexperiencedheavylabourinanenvironmentthatpeoplewaitingathomecouldscarcelyimagine.Couldtheirhandscapelussomethingabouttheworkandenvironment,whichhascontributedsoheavilytomakingthehunterswhotheyare?片彩色Color|58min|瑞典、芬Swedenand导演Director：亚历山德拉·Alexandra

艾罗·门蒂兰塔是一名前奥运会滑雪冠军，当年的芬兰国家，而今他却是名衰老固执的老人，在幽静的芬兰森林中子音乐家维克多从城里回到林中向他寻找答案。这是一部关于想家的，即便你可能连家在何方也EeroMäntyranta,onceanOlympicchampionandaFinnishnationalicon,isnowanold,stubbornreindeerkeeper,secludedinthedarkFinnishforests.HisgrandsonViktorturnstohimforanswers.Thisisafilmaboutbeinghomesick,evenwhenyoumightnolongerknowwhereyourhomeis.Itisaboutlongingforsomethingtobereal,forsomethingtofinallygivemeaningandsubstanceinamodernlifethatsometimesfeelsempty.今年32岁的ilsslund在瑞典北方拉普兰地区的一个小村子向观众提出关于人生选择的问题。在大多数人都选择搬往大城市居住的时候，选择留在人迹至的地方？人生快乐底来源ThisfilmfollowsNilsÅslund,a32year-oldmanwholivesandworksinSaxnäs,alittlevillageinLaplandinnorthSweden.Followinghiseverydaylifeandhispassionforsnowboarding,thefilmquestionstheaudiencetothinkaboutthechoiceswemadeinourlife.WhydidNilschoosetoliveinthedepopulatednorthernpartofSwedenwhenmostpeoplemovetothebigcities?Justwhatmakesa happyinlife?

THESNORKELERFROMMALGOMAJ片彩色Color|13min|瑞典导演Director：林娜·西古德松LinneaI ，他居住的 的维 米人基本已 ，但依很大 地持自己语言文， 的米 表的正在 交中对自己 的伤的 老文完结合的功 Jn 表TheSámiaretheindigenouspeopleofScandinaviatraditionallyassociatedwithanomadicwayoflifeandReindeerherdingTheyhavealsobeenlivingincoastalareasmakinglivelihoodsbybothlandandseaTodaySámitraditionandlanguageliveoninbothFinlandNorwayandSwedenbutinnegotiationwithmodernlifeThefiinthisprogramarebyyoungfilmmakersofferingbothalookbackatahistoryofrepressionbutalsoatdifferentSámiidentitiesoftodayGreamusiciansamongthemtheeminentMariBoinedemonstratehowoldandnewcanbefruitfullycombinedMikkel是一名驯鹿猎得Skårungen奖提名。Mikkelisareindeerherderandhastheentireresponsibilityfortheherdofhisfamily.Hehasatoughslikeasámibojáshouldhave.Butinhisinsidethereischaos.

SAMI剧情片彩色萨米地区Director：艾丽·索芙·亨里克森ElleSofeHenriksen彩色Color|19min|萨米地区Sápmi导演Director：玛亚·博·MarjaBål们想做一些。天真的少女麦根被比她更有经验的好朋友而感到压Twoteenagegirlsareboredoftheirvillage.Theywantsomeadventure,thenaiveMáigonischallengedbyhermoreexperiencedbestfriendtodebutandshefeelsthepressure.MeanwhileMáigondreamsoftheperfectboy,buthelivesfarawayanditleadsthemonafatefulhitchhikingtrip.—个年轻的萨米族儿Majjen发现传教开始萨米的帽子。惊慌中Majjen躲藏斗。Majjen要保住祖上留给帽子,传教士却说

BURNING彩色Color|13min|萨米地区Sápmi导演Director：艾丽·玛丽亚·艾勒ElleMárjáAyoungsámi-girl,Majjen,discoverchurchgentlemenwhohavearrivedinthevillagetoburntheirfemalehats.Shehidesinfearbutisdetectedbythechurchgentlemen.Shetriestofleeanditturnsintoanintensebattle.Majjenwantstokeepthehatwhichshehasinherited.ChurchLordsisconvincedthatatthetipofthehatsitsthe曲的片。在这里，一歌曲创作了音乐、文演和紧张的演出行程中抽出时间，旅行了数百公里，在Vássejávri火车站外SÁPMISESSIONSisaaryseriesabouthowSápmi’smostcelebratedartistandSweden’sgreatestartistcametogether.Crossingthebordersofmusicalgenres,cultureandlanguage,thisisaonce-in-a-lifetimesessionwheretheycreateonenewsongtogether.Comingstraightfromsold-outworldtoursandpackedschedules,theytravelhundredsof andmeetforthefirsttimeinSápmi.Threedaysoftears,laughterandmagic,andhopefullyanewsong.Threedays,twoartists,onenewsong.

SÁPMI片彩色瑞典导演Director：丽莎·玛丽·克里斯滕森LisaMarieAS音乐带彩色Color|4min|萨米地区Sápmi导演Director：奥斯卡·奥斯特恩OskarÖstergren

萨米歌手索菲亚的歌声将传统的萨米吟唱同现代电子音乐自由结，为表北声的界音的名乐。曲绘生的米地这年人现社的。SofiaJannokisaSamisinger.HersongscombinethetraditionalSamijoikingwithmodernelectricmusicwinherawellclaimednamewithinworldmusicgenre.ShesingsabouttheSápmilandwhereshecomesfromandtheyoungpeople'slifeandtheirswiththemodernsociety.中国单THECHINESE四部中国影片从地理、人文，人生哲学展开同北极单元的。内导演顾桃坚持十多年在大兴安岭森林记录中地上最后的狩猎部落鄂温克人，《猂达罕》讲述一个正在消 越地域的共通性。画家背景的导演邢健的作《冬》是一部无对白的黑白影片，每一帧绝美的画面体现孤独、贪念，执着，的人生感悟，精致和深沉是华语中不曾见过的极致味道。周洪波的《冬蝉》讲述一个后亲情的破裂和重建的故事，雪地和大山成Thissectioncontains4Chinesefi asaresponsetotheStoriesfromtheNorth.TheInnerMongolianfilmdirectorGuTaofollowedthefateofChina’slasthuntingtribe,theEvenkis,foryears.TheLastMooseofAoluguyadepictedthelifeofanEvenkipoet,withhispoems eanelegytohisdisappearingculture.GengJun,afilmdirectorfromnortheast