英语电影剧本大全(中英对照)

英语电影剧本大全(中英对照)英语电影剧本大全(中英对照)英语电影剧本大全(中英对照)资料仅供参考文件编号：2022年4月英语电影剧本大全(中英对照)版本号：A修改号：1页次：1.0审核：批准:发布日期：目录《泰坦尼克号》全部英文剧本 1Mammamia!《妈妈咪呀》 248HowtoLoseaGuyin10Days《十日拍拖手册》精讲笔记 254YESMAN精讲笔记 263《哈利·波特与混血王子》精讲笔记 271JustMyLuck《倒霉爱神》精讲笔记 281NannyDiaries《保姆日记》精讲笔记 287Twilight《暮光之城》精讲笔记 293Up《飞屋环游记》精讲笔记 301《泰坦尼克号》全部英文剧本TVREPORTER:TreasurehunterBrockLovettisbestknownforfindingSpanishgoldoffislandsinthebestCaribbean.

LIZZY:It’sOK,I’llgetyouinaminutes.Comeon.

TVREPORTER:NowheisusingRussiansubstoreachthemostfamousshipwreckofall,theTitanic.HeiswithusliveviasatellitefromtheresearchshipKeldyshintheNorthAtlantic.Hello,Brock.

BROCK:Hello,Tracy.OfcourseeveryoneknowsthefamiliarstoriesofTitanic.Youknow,thenobility,thebandplayingattheveryendandallthat.ButwhatI’minterestedinaretheuntoldstories,thesecretslockeddeepinsidethehullofTitanic.We’reouthereusingrobottechnologytogofurtherintothewreckthatanybodyhasdonebefore.

TVREPORTER:Yourexpeditionisatthecenterofastormofcontroversyoversalvagerights,andevenethics.Mediaarecallingyouagraverobber.

BROCK:Well,nobodyevercalledtherecoveryoftheartifacts…

LIZZY:Whatisit

OLDROSE:Turnthatup,dear.

BROCK:Ihavemuseum-trainedexpertsoutheremakingsurethattheserelicsarepreservedandcataloguedproperly.Takealookatthisdrawingthatwefoundjusttoday,apieceofpaperthathasbeenunderwaterfor84years,andmyteamwereabletopreserveit,intact.Shouldthishaveremainedunseenatthebottomoftheoceanforeternitywhenwecanseeitandenjoyitnow

OLDROSE:Well,I’llbegoddamned!

BUELL:Thereisasatellitecallforyou!

BROCK:Buell,wearelaunching!Can’tyouseethesesubmersiblesgoinginthewater

BUELL：Trustme,buddy!Youwanttotakethiscall!

BROCK:Great!ThisisBrockLovett.HowcanIhelpyou,Mrs

BRULL:Calvert.RoseCalvert.

BROCK:Mrs.Calvert.

OLDROSE:IwasjustwonderingifyouhadfoundtheHeartoftheOceanyet,Mr.Lovett

BUELL:Itoldyouwantedtotakethecall.

BROCK:Allright.Youhavemyattention,Rose.Canyoutelluswhothewomaninthepictureis

OLDROSE:Oh,yes.Thewomaninthepictureisme.

OLDROSE:Yes

BROCK:Areyourstateroomsallright

OLDROSE:Oh,yes.Verynice.Oh,haveyoumetmygranddaughter,Lizzy

Shetakescareofme.

LIZZY:Wemetjustafewminutesago,rememberNanna,upondeck

OK.

OLDROSE:There.That’snice.IhavetohavemypictureswithmewhenItravel.

BROCK:CanIgetyouanythingIsthereanythingyouwouldlike

OLDROSE:Yes.Iwouldliketoseemydrawing.

BROCK:LouistheSixteenthworeafabulousstonethatwascalledtheBlueDiamondoftheCrown,whichdisappearedin1792,AboutthesametimeoldLouislosteverythingfromtheneckup.ThetheorygoesthattheCrownDiamondwaschoppedtoo,tobecutintoaheart-likeshapethatbecameknownastheHeartoftheOcean.TodayitwouldbeworthmorethantheHopeDiamond.

OLDROSE:Itwasadreadfulheavything.Ionlyworeitthisonce.

LIZZY:Youactuallythinkthisisyou,Nanna

OLDROSE:Itisme,dear.Wasn’tIadish

BROCK:Itrackeditdownthroughinsurancerecords,anoldclaimthatwassettledundertermsofabsolutesecrecy.Canyoutellmewhotheclaimantwas,Rose

OLDROSE:IshouldimagineitwassomeonenamedHockley.

BROCK:NathanHockley.That’sright.Pittsburghsteeltycoon.TheclaimwasforadiamondnecklacehissonCaledonhadboughthisfiancée-you-aweekbeforehesailedonTitanic.Itwasfiledrightafterthesinking.Sothediamondhadtohavegonedownwiththeship.Doyouseethedate

LIZZY:April14,1912.

BUELL:Whichmeansifyourgrandmotheriswhoshesayssheis,shewaswearingthediamondthedaytheTitanicsank.

BROCK:Andthatmakesyoumynewbestfriend.

BUELL:Therearesomeofthethingswerecoveredfromyourstateroom.

OLDROSE:Thiswasmine.Howextraordinary.AnditlooksthesameasitdidthelasttimeIsawit.Thereflectionhaschangeabit.

BROCK:AreyoureadytogobacktoTitanic

BODINE:OK.Herewego!Shehitsthebergonthestarboardside,rightShekindofbumpsalong,punchingholeslikeMorsecode,Dit,dit,ditalongtheside,belowthewaterline.Thentheforwardcompartmentsstarttoflood.Nowasthewaterlevelrises,itspillsoverthewatertightbulkhead,whichunfortunatelydon’tgoanyhigherthanE-deck,sonowasthebowgoesdown,thesternriseup,slowatfirst,thenfasterandfaster,untilfinallyshe’sgotherwholeassstickingupintheair.Andthat’sabigass.We’retalking20,30thousandtons.OK.Andthehull’snotdesignedtodealwiththatpressure,sowhathappensSchkee-shesplitsrightdowntothekeelandthesternsectionjustkindofbobstherelikeacorkforacoupleofminutes,floods,thenfinallygoesunderabout2:20am,2hoursand40minutesafterthecollision.Thebowsectionplanesaway,endingabouthalfamileaway,going20or30knotswhenithitstheoceanfloor.Brrrroo!Brrooo!Prettycool,huh

OLDROSE:Thankyouforthatfineforensicanalysis,Mr.Bodine.Ofcourse,theexperienceofitwassomewhatdifferent.

BROCK:Willyoushareitwithus

LIZZY:I’mtakinghertorest.

OLDROSE:No!

LIZZY:Comeon,Nanna.

OLDROSE:No!

BROCK:Tellus.Rose.

OLDROSE:It’sbeen84years.

BROCK:It’sOK.Justtryandrememberanything.Anythingatall.

OLDROSE:Doyouwanttohearornot,Mr.Lovett

It’sbeen84years,andIcansmellthefreshpaint.Thechinahadneverbeenused.Thesheetshadneverbeensleptin.Titanicwascalled“TheShipofDreams”,anditwas.Itreallywas.Itwastheshipofdreamtoeveryone.Tome,itwasaslaveship,takingmebacktoAmericainchains.Outwardly,Iwaseverythingawell-broughtupgirlshouldbe.Inside,Iwasscreaming.

JACK:Allright.Themomentoftruth.Somebody’slifeisabouttochange.Fabrizzio.

FABRIZZIO:Niente.

ANOTHER:Niente.

JACK:Olaf

OLAF:Nothing.

JACK:Sven

JACK:Uh,oh..Twopairs.I’msorry,Fabrizio.

FABRIZIO:Who’ssorry

JACK:I’msorryyou’renotgoingtoseeyourmomagainforalongtime,causewe’regoingtoAmerica!Fullhouse,boys!

JACK:Yeah!

JACK:Comeon!I’mgoinghome!I’mgoinghome!

FABRIZIO:IgotoAmerica!

PUBKEEPER:Nomate!TitanicgotoAmerica.Infiveminutes!

JACK:Shit!Comeon!What’shere!What’shere….

JACK:We’reridingithighstylenow!We’reacoupleo’regularswells!We’repracticallygoddamnroyalty,ragazzomio!

FABRIZIO:Yousee,likeItellyou,IgotoAmericatobeamillionaire.You‘refozzo!

JACK:Imaybecrazy,butIgotthetickets!Comeon,Ithoughtyouwerefast!

FABRIZIO:Faster!

JACK:Hey,wait!Wait!Wait!Wait!Wait!Wait!Hey,wait!We’repassengers!We’repassengers!

MAN:Haveyoubeenthoughtheinspectioncue

JACK:Ofcourse.Anyway,wedon’thaveanylice.We’reAmericans.Bothofus.

MAN:Right.Comeonboard.

JACK:We’retheluckiestsons-of–bitchesintheworld,youknowthat!

STEWARD:Upperdeck.We’reboardingplease.

OLDROSE:AtCherbourg,awomancameaboardnamedMargaretBrown.WeallcalledherMolly.Historywouldcallherthe“UnsinkableMollyBrown.”

Molly:Well,Iwasn’tabouttowaitalldayforyou,sonny.Here.Doyouthinkyoucanmanage

PORTER:Yes.

OLDROSE:Herhusbandhadstruckgoldsomeplaceoutwest,andshewaswhatmothercalled,“newmoney.”Bythenextafternoon,weweresteamingwestfromthecoastofIreland,withnothingoutaheadofusbutocean.

CAPTAINSMITH:Takeittosea,Mr.Murdoch.Let’sstretchherlegs.

MURDOCH:Yes,sir.Fullahead,Mr.Moody.

MOODY:Allaheadfull!

SAILOR:Allaheadfull!

SAILOR:Comeonlads,looklively!

ISMAY:Sheisthelargestmovingobjectevermadebythehandofmaninallhistory.AndourmastershipbuilderMr.Andrews,here,designedherfromthekeelplatesup.

ANDREWS:Well,Imayhaveknockedhertogether,buttheideawasMt.Ismay’s.Heenvisionedasteamersograndinscaleandsoluxuriousinitsappointmentsthatitssupremacywouldneverbechallenged.Andheresheis,willedintosolidreality.

ALL：Here,here!

RUTH:YouknowIdon’tlikethatRose.

CAL:Sheknows.We’llbothhavethelamb.Rare,withverylittlemintsauce.Youlikelamb,right,sweetpea

MOLLY:Yougonnacuthermeatforhertoothere,CallHey,whothoughtofthenameTitanicWasityou,Bruce

ISMAY:Well,yes,actually.Iwantedtoconveysheersize,andsizemeansstability,luxury,andaboveall,strength.

ROSE:DoyouknowofDr.Freud,Mr.Ismay

Hisideasaboutthemalepreoccupationwithsizemightbeofparticularinterestyou.

RUTH:What’sgottenintoyou

ROSE:Excuseme.

RUTH:Idoapologize.

MOLLY:Sheisapistol,Cal.Ihopeyoucanhandleher.

CAL:Well,Imayhavetostartmindingwhatshereadsfromnowon,won’tI,Mrs.Brown

ISMAY:Freud.WhoisheIsheapassenger

JACK:Don’tdoit!

ROSE:Stayback!Don’tcomeanycloser!

JACK:Comeon!JustgivemeyourhandandI’llpullyoubackover.

ROSE:No!staywhereyouare!Imeanit!I’llletgo!

JACK:Noyouwon’t!

ROSE:Whatdoyoumean,NoIwon’t

Don’tpresumetotellmewhatIwillandwillnotdo.Youdon’tknowme.

JACK:Well,youwouldhavedoneitalready.

ROSE:You’redistractingme.Goaway!

JACK:Ican’t.I’minvolvednow.Youletgo,andI’mgonnahavetojumpinthereafteryou.

ROSE:Don’tbeabsurd.You’dbekilled.

JACK:I’magoodswimmer.

ROSE:Thefallalonewouldkillyou.

JACK:Itwouldbehurt,I’mnotsayingitwouldn’t.Totellyouthetruth,I’malotmoreconcernedaboutthatwaterbeingsocold.

ROSE:Howcold

JACK:Freezing.Maybeacoupleofdegreesover.Haveyouever,uh,everbeentoWisconsin

ROSE:What

JACK:Well,theyhavesomeofthecoldestwintersaround.Igrewupthere,nearChippewaFalls.IrememberwhenIwasakid,meandmyfather,wewentice-fishingoutonLakeWisota.Ice-fishingis,youknow,whenyou…

ROSE:Iknowwhatice-fishingis!

JACK:Sorry.Youjustseemedlike,youknow,kindofanindoorgirl.Anyway,I,uh,Ifellthroughsomethinice,andI’mtellingyouya,waterthatcold,likerightdownthere,ithitsyoulikeathousandknivesstabbingyoualloveryourbody.Youcan’tbreathe,youcan’tthink,atlastnotaboutanythingbutthepain.WhichiswhyI’mnotlookingforwardtojumpinginthereafteryou.LikeIsaid,Idon’thaveachoice.IguessI’mkindofhopingthatyou’llcomebackovertherailingandgetmeoffthehookhere.

ROSE:You’recrazy!

JACK:That’swhateverybodysays,butwithallduerespect,miss,I’mnottheonehangingoffthebackofashiphere.Comeon!Comeon,givemeyourhand.Youdon’twanttodothis.

JACK:Whew.I’mJackDawson.

ROSE:RoseDewittBuchater.

JACK:I’mgoingtohavetogetyoutowritethatonedown.Comeon.

JACK:I’vegotyou!Comeon!Comeon!

ROSE:Helpme,please!

JACK:Listen.Listentome.I’vegotyouandIwon’tletgo.Nowpullyourselfup.Comeon!Comeon!Try!Youcandoit!

JACK:Igotyou!

SAILOR:What’sallthis

SAILOR:Standbackanddon’tmoveaninch!Fetchthemaster-at-arms!

CAL:Thisiscompletelyunacceptable!Whatmakeyouthinkthatyoucouldputyourhandsonmyfiancée!Lookatme,youfilth!

ROSE:Cal.

CAL:Whatdidyouthinkyouweredoing

ROSE:Cal!Stop!Itwasanaccident!

CAL:Anaccident

ROSE:Itwas.Stupid,really.IwasleaningoverandIslipped.Iwasleaningfarovertoseetheah,ah,ah,um…

CAL:Propellers

ROSE:Propellers.AndI,um,slipped,andIwouldhavegoneoverboard,butMr.Dawsonheresavedme,andalmostwentoverhimself.

CAL:Youwantedtoseethe…Shewantedtoseethepropellers.

GRACIE:LikeIsaid,womenandmachinerydonotmix.

MASTERATARMS:Wasthatthewayofit

JACK:Yeah.Yeah,thatwasprettymuchit.

GRACIE:Well,theboy’saherothen.Goodforyou,son.Welldone.So,it’sall’swellandbacktoourbrandy,eh

CAL:Youmustbefreezing,let’sgetyouinside.

GRACIE:Um,perhapsalittlesomethingfortheboy

CAL:Ofcourse.Uh,Mr.Lovejoy,Ithinkatwentyshoulddoit.

ROSE:Oh,isthatthegoingrateforsavingthewomanyoulove

CAL:Roseisdispleased.Whattodo

Iknow.Perhapsyoucouldjoinusfordinnertomorrowevening,toregaleourgroupwithyourheroictale.

JACK:Sure.Countmein.

CAL:Good.It’ssettledthen.Thisshouldbeinteresting.

JACK:CanI,uh,bumasmoke

LOVEJOY:Yououghttotiethose.Itisinterestingthattheyoungladyslippedsosuddenly,butyoustillhadtimetoremoveyourjacketandyourshoes.

Titanic(1997)

byJamesCameron.

1BLACKNESS

Thentwofaintlightsappear,closetogether...growingbrighter.They

resolveintotwoDEEPSUBMERSIBLES,free-fallingtowarduslikeexpress

elevators.

Oneisaheadoftheother,andpassescloseenoughtoFILLFRAME,looking

likeaspacecraftblazingwithlights,bristlingwithinsectile

manipulators.

TILTINGDOWNtofollowitasitdescendsawayintothelimitlessblackness

below.Soontheyarefireflies,thenstars.Thengone.

CUTTO:

2EXT./INT.MIRONE/NORTHATLANTICDEEP

PUSHINGINononeofthefallingsubmersibles,calledMIRONE,rightupto

itscircularviewporttoseetheoccupants.

INSIDE,itisacrampedsevenfootsphere,crammedwithequipment.ANATOLY

MIKAILAVICH,thesub'spilot,sitshunchedoverhiscontrols...singing

softlyinRussian.

NexttohimononesideisBROCKLOVETT.He'sinhislateforties,deeply

tanned,andlikestowearhisNomexsuitunzippedtoshowthegoldfrom

famousshipwreckscoveringhisgraychesthair.Heisawiley,fast-talking

treasurehunter,asalvagesuperstarwhoisparthistorian,partadventurer

andpartvacuumcleanersalesman.Rightnow,heisproppedagainsttheCO2

scrubber,fastasleepandsnoring.

Ontheotherside,crammedintotheremainingspaceisabeardedwide-body

namedLEWISBODINE,shoisalsoasleep.LewisisanR.O.V.(REMOTELY

OPERATEDVEHICLE)pilotandistheresidentTitanicexpert.

Anatolyglancesatthebottomsonarandmakesaballastadjustment.

CUTTO:

3EXT.THEBOTTOMOFTHESEA

Apale,dead-flatlunarlandscape.Itgetsbrighter,litfromabove,asMIR

ONEentersFRAMEanddropstotheseafloorinadownblastfromits

thrusters.Ithitsbottomafteritstwohourfree-fallwithaloudBONK.

CUTTO:

4INT.MIRONE

LovettandBodinejerkawakeatthelanding.

ANATOLY

(heavyRussianaccent)

Wearehere.

EXT./INT.MIRONEANDTWO

5MINUTESLATER:THETWOSUBSskimovertheseafloortothesoundof

sidescansonarandtheTHRUMofbigthrusters.

6Thefeaturelessgrayclayofthebottomunrolsinthelightsofthesubs.

Bodineiswatchingthesidescansonardisplay,wheretheoutlineofahuge

pointedobjectisvisible.Anatolyliesprone,drivingthesub,hisface

pressedtothecenterport.

BODINE

Comeleftalittle.She'srightinfrontofus,eighteenmeters.Fifteen.

Thirteen...youshouldseeit.

ANATOLY

Doyouseeit

Idon'tseeit...there!

Outofthedarkness,likeaghostlyapparition,thebowoftheship

appears.Itsknife-edgeprowiscomingstraightatus,seemingtoplowthe

bottomsedimentlikeoceanwaves.Ittowersabovetheseafloor,standing

justasitlanded84yearsago.

THETITANIC.Orwhatisleftofher.MirOnegoesupandoverthebow

railing,intactexceptforanovergrowthof"rusticles"drapingitlike

mutatedSpanishmoss.

TIGHTONTHEEYEPIECEMONITORofavideocamcorder.BrockLovett'sface

fillstheBLACKANDWHITEFRAME.

LOVETT

Itstillgetsmeeverytime.

Theimagepanstothefrontviewport,lookingoverAnatoly'sshoulder,to

thebowrailingvisibleinthelightsbeyond.Anatolyturns.

ANATOLY

Isjustyourguiltbecauseofestealingfromthedead.

CUTWIDER,toshowthatBrockisoperatingthecamerahimself,turningit

inhishandsoitpointsathisownface.

LOVETT

Thanks,Tolya.Workwithme,here.

Brockresumeshisserious,pensivegazeoutthefrontport,withthecamera

aimedathimselfatarm'slength.

LOVETT

Itstillgetsmeeverytime...toseethesadruinofthegreatship

sittinghere,whereshelandedat2:30inthemorning,April15,1912,

afterherlongfallfromtheworldabove.

AnatolyrollshiseyesandmuttersinRussian.Bodinechucklesandwatches

thesonar.

BODINE

Youaresofullofshit,boss.

7MirTwodrivesaftdownthestarboardside,pastthehugeanchorwhile

MirOnepassesovertheseeminglyendlessforecastledeck,withitsmassive

anchorchainsstilllaidoutintwoneatrows,itsbronzewindlasscaps

gleaming.The22footlongsubsarelikewhitebugsnexttotheenormous

wreck.

LOVETT(V.O.)

Divenine.HereweareagainonthedeckofTitanic...twoandahalfmiles

down.Thepressureisthreetonspersquareinch,enoughtocrushuslikea

freighttraingoingoveranantifourhullfails.Thesewindowsarenine

inchesthickandiftheygo,it'ssayonaraintwomicroseconds.

8MirTwolandsontheboatdeck,nexttotheruinsoftheOfficer's

Quarters.MirOnelandsontheroofofthedeckhousnearby.

LOVETT

Right.Let'sgotowork.

Bodineslipsonapairof3-Delectronicgoggles,andgrabsthejoystick

controlsoftheROV.

9OUTSIDETHESUB,theROV,asmallorangeandblackrobotcalledSNOOP

DOG,liftsfromitscradleandfliesforward.

BODINE(V.O.)

Walkin'thedog.

SNOOPDOGdrivesitselfawayfromthesub,payingoutitsumbilicalbehind

itlikearobotyo-yo.Itstwinstereo-videocamerasswivellikeinsect

eyes.TheROVdescendsthroughanopenshaftthatoncewasthebeautiful

FirstClassGrandStaircase.

SnoopDoggoesdownseveraldecks,thenmoveslaterallyintotheFirst

ClassReceptionRoom.

SNOOP'SVIDEOPOV,movingthroughthecavernousinterior.Theremainsof

theornatehandcarvedwoodworkwhichgavetheshipitselegancemove

throughthefloodlights,thelinesblurredbyslowdissolutionand

descendingrusticleformations.Stalactitesofrusthangdownsothatat

timesitlookslikeanaturalgrotto,thenthesceneshiftsandthelines

ofaghostlyunderseamansioncanbeseenagain.

MONTAGESTYLE,asSnooppassestheghostlyimagesofTitanic'sopulence:

10Agrandpianoinamazinglygoodshape,crashedonitssideagainsta

wall.Thekeysgleamblackandwhiteinthelights.

11Achandelier,stillhangingfromtheceilingbyitswire...glintingas

Snoopmovesaroundit.

12Itslightsplayacrossthefloor,revealingachampagnebottle,then

someWHITESTARLINEchina...awoman'shigh-top"grannyshoe".Then

somethingeerie:whatlookslikeachild'sskullresolvesintothe

porcelainheadofadoll.

Snoopentersacorridorwhichismuchbetterpreserved.Hereandtherea

doorstillhangsonitsrustedhinges.Anornatepieceofmolding,awall

sconce...hintatthegrandeurofthepast.

13THEROVturnsandgoesthroughablackdoorway,enteringroomB-52,the

sittingroomofa"promenadesuite",oneofthemostluxuriousstaterooms

onTitanic.

BODINE

I'minthesittingroom.HeadingforbedroomB-54.

LOVETT

Stayoffthefloor.Don'tstirituplikeyoudidyesterday.

BODINE

I'mtryin'boss.

Glintinginthelightsarethebrassfixturesofthenear-perfectly

preservedfireplace.AnalbinoGalatheacrabcrawlsoverit.Nearbyarethe

remainsofadivanandawritingdesk.TheDogcrossestheruinsofthe

onceelegantroomtowardanotherDOOR.Itsqueezesthroughthedoorframe,

scrapingrustandwoodchunkslooseonbothsides.Itmovesoutofacloud

ofrustandkeepsongoing.

BODINE

I'mcrossingthebedroom.

Theremainsofapillaredcanopybed.Brokenchairs,adresser.Throughthe

collapsedwallofthebathroom,theporcelaincommodeandbathtubtook

almostnew,gleaminginthedark.

LOVETT

Okay,Iwanttoseewhat'sunderthatwardrobedoor.

SEVERALANGLESastheROVdeploysitsMANIPULATORARMSandstartsmoving

debrisaside.Alampislifted,itsceramiccolorsasbrightastheywere

in1912.

LOVETT

Easy,Lewis.Takeitslow.

Lewisgripsawardrobedoor,lyingatanangleinacorner,andpullsit

withSnoop'sgripper.Itmovesreluctantlyinacloudofsilt.Underitis

adarkobject.ThesiltclearsandSnoop'scamerasshowthemwhatwasunder

thedoor...

BODINE

Ooohhdaddy-oh,areyouseein'whatI'mseein'

CLOSEONLOVETT,watchinghismoniteors.Byhisexpressionitislikeheis

seeingtheHolyGrail.

LOVETT

Ohbabybabybaby.

(grabsthemike)

It'spayday,boys.

ONTHESCREEN,intheglareofthelights,istheobjectoftheirquest:a

smallSTEELCOMBINATIONSAFE.

CUTTO:

14EXT.STERNOFDECKOFKEDYSH-DAY

THESAFE,drippingwetintheafternoonsun,isloweredontothedeckofa

shipbyawinchcable.

WeareontheRussianresearchvesselAKADEMIKMISTISLAVKELDYSH.Acrowd

hasgathered,includingmostofthecrewofKELDYSH,thesubcrews,anda

hand-wringingmoneyguynamedBOBBYBUELLwhorepresentsthelimited

partners.Thereisalsoadocumentaryvideocrew,hiredbyLovetttocover

hismomentofglory.

Everyonecrowdsaroundthesafe.InthebackgroundMirTwoisbeinglowered

intoitscradleondeckbyamassivehydraulicarm.MirOneisalready

recoveredwithLewisBodinefollowingBrockLovettasheboundsovertothe

safelikeakidonChristmanmorning.

BODINE

Who'sthebest

Sayit.

LOVETT

Youare,Lewis.

(tothevideocrew)

Yourolling

CAMERAMAN

Rolling.

Brocknodstohistechnicians,andtheysetaboutdrillingthesafe's

hinges.Duringthisoperation,Brockampsthesuspense,workingthelensto

fillthetime.

LOVETT

Well,hereitis,themomentoftruth.Here'swherewefindoutifthe

time,thesweat,themoneyspenttocharterthisshipandthesesubs,to

comeoutheretothemiddleoftheNorthAtlantic...wereworthit.Ifwhat

wethinkisinthatsame...isinthatsafe...itwillbe.

Lovettgrinswolfishlyinanticipationofhisgreatestfindyet.Thedoor

ispriedloose.Itclangsontothedeck.Lovettmovescloser,peeringinto

thesafe'swetinterior.Alongmomentthen...hisfacesaysitall.

LOVETT

Shit.

BODINE

Youknow,boss,thishappenedtoGeraldoandhiscareerneverrecovered.

LOVETT

(tothevideocameraman)

Getthatouttamyface.

CUTTO:

15INT.LABDECK,PRESERVATIONROOM-DAY

Techniciansarecarefullyremovingsomepapersfromthesafeandplacing

theminatrayofwatertoseparatethemsafely.Nearby,otherartifacts

fromthestateroomarebeingwashedandpreserved.

BuellisonthesatellitephonewiththeINVESTORS.Lovettisyellingat

thevideocrew.

LOVETT

YousendoutwhatItellyouwhenItellyou.I'msigningyourpaychecks,

not60minutes.Nowgetsetupfortheuplink.

BuellcoversthephoneandturnstoLovett.

BUELL

Thepartnerswanttoknowhowit'sgoing

LOVETT

Howit'sgoingIt'sgoinglikeafirstdateinprison,whattayathink!

LovettgrabsthephonefromBuellandgoesinstantlysmooth.

LOVETT

Hi,DaveBarryLook,itwasn'tinthesafe...no,look,don'tworryabout

it,there'hefloordebrisin

thesuite,inthemother'sroom,inthepurser'ssafeonCdeck...

(seeingsomething)

Hangonasecond.

Atechcoaxessomelettersinthewatertraytoonesidewithatong...

revealingapencil(contecrayon)drawingofawoman.

Brocklookscloselyatthedrawing,whichisinexcellentshape,thoughits

edgeshavepartiallydisintegrated.Thewomanisbeautiful,andbeautifully

rendered.Inherlateteensorearlytwenties,sheisnude,thoughposed

withakindofcasualmodesty.SheisonanEmpiredivan,inapoolof

lightthatseemstoradiateoutwardfromhereyes.Scrawledinthelower

rightcorneristhedate:April141912.AndtheinitialsJD.

Thegirlisnotentirelynude.Atherthroatisadiamondnecklacewithone

largestonehanginginthecenter.

Lovettgrabsareferencephotofromtheclutteronthelabtable.Itisa

periodblack-and-whitephotoofadiamondnecklaceonablackvelvet

jeller'sdisplaystand.Heholdsitnexttothedrawing.Itisclearlythe

samepiece...acomplexsettingwithamassivecentralstonewhichis

almostheart-shaped.

LOVETT

I'llbeGoddamned.

CUTTO:

16INSERT

ACNNNEWSSTORY:alivesatellitefeedfromthedeckoftheKeldysh,

intercutwiththeCNNstudio.

ANNOUNCER

TreasurehunterBrockLovettisbestknownforfindingSpanishgoldin

sunkengalleonsintheCaribbean.Nowheisusingdeepsubmergence

technologytoworktwoandahalfmilesdownatanotherfamouswreck...the

Titanic.HeiswithusliveviasatellitefromaRussianresearchshipin

themiddleoftheAtlantic...helloBrock

LOVETT

Yes,hi,Tracy.Youknow,TitanicisnotjustAshipwrick,TitanicisTHE

shipwreck.It'stheMountEverestofshipwrecks.

CUTTO:

17INT.HOUSE/CERAMICSSTUDIO

PULLBACKfromthescreen,showingtheCNNreportplayingonaTVsetin

thelivingroomofasmallrustichouse.Itisfullofceramics,figurines,

folkart,thewallscrammedwithdrawingsandpaintings...thingscollected

overalifetime.

PANNINGtoshowaglassed-instudioattachedtothehouse.Outsideitisa

quietmorninginOjai,California.Inthestudio,amidincredibleclutter,

anANCIENTWOMANisthrowingapotonapotter'swheel.Theliquidredclay

coversherhands...handsthataregnarledandage-spotted,butstill

surprisinglystrongandsupple.Awomaninherearlyfortiesassistsher.

LOVETT(V.O.)

I'veplannedthisexpeditionforthreeyears,andwe'reouthererecovering

someamazingthings...thingsthatwillhaveenormoushistoricaland

educationalvalue.

CNNREPORTER(V.O.)

Butit'snosecretthateducationisnotyourmainpurpose.You'rea

treasurehunter.Sowhatisthetreasureyou'rehunting

LOVETT(V.O.)

I'drathershowyouthantellyou,andwethinkwe'reveryclosetodoing

justthat.

Theoldwoman'snameisROSECALVERT.Herfaceisawrinkledmass,herbody