创作与文化关系

InfluenceofChineseCultureonPound’sPoeticCreationBy蔡乐李星星吴伊宁王晨Pound'sConnectiontoTime:Location:ImportantCharacterAllanUpward(《论语LunYuor ectsErnest(ChineseandJapanesepoetry;AestheticsofChineseClassicalPoetryandPound'sPoeticImageinChineseClassicalPoetryandPound'sDefinitionofClassificationofExpressivetechniquesofimageinpoeticThecharacterofconnotationofChineseclassicalBeautyofBeautyofRulesandBeautyofBeautyofDefinitionofTheproductionoftheperfectandharmoniouscombinationofsubjectivefeelingsandphysicalimage.HerbertAllenGiles'AHistoryofChineseFenollosa'sHisdefinitionofimage:WhichpresentsaninlectualandemotionalcomplexinaninstantoftimeClassificationof·Thescenethatthepoetwitnessed·Theimaginaryscenewhicharoseinmindaccordingtothepoet'semotionsandfeelingsatthatmoment.ExpressionTechniquesofImageinPoeticCreationperfectharmony&unificationofandimages--Say“No”to:（华而不实的）andgaudy（俗丽的）directexpression mindanddeclarationofTheCharacterofConnotationofChineseClassicalPoetryTheJewelStairs' ThejewelledstepsarealreadyquitewhitewithItissolatethatthedrewsoaksmygauzeAndIletdownthecrystalcurtainAndwatchthemoonthroughtheclearautumn--byLiNote:Jewelstairs,thereforeapalace.Grievance,thereforethereissomethingtocomplainof.Gauzestockings,thereforeacourtlady,notaservantwhocomplains.Clearautumn,thereforehehasnoexcuseonaccountofweather.Alsoshehassomeearly,forthedewhasnotmerelywhitenedthestairs,buthassoakedherstockings.Thepoemisespeciallyprizedbecausesheuttersnodirectreproach.BeautyofChineseClassical1.Thesuperposition(叠加，重合andjuxtapositionof1.Hisdefinitionof2.Layerprogressiveorderofimage(Itmeantthatthepoetsystematicallycombinedimagesinordertotheobjectivelawof2.Thetechniqueoftheof3.HepaidmuchattentiontotheordersofimagessincehetouchedChineselandscapepoetryforthedistanceofThe‘oneimagepoem’isaformofsuper-position,thatistosay,itisoneideasetontopofanother…Inapoemofthissortoneistryingtorecordthepreciseinstantwhenathingoutwardandobjectivetransformsitself,ordartsintoathinginwardandsubjective.TheCantosForthesevenlakes,andbynomantheseversesRain,emptyriver,aFirefromfrozencloud,heavyrainintheUnderthecabinroofwasonelantern.Thereadsareheavy;bent;andthebamboosspeakasifwee--CantoBeautyofSixDynastiesaperiodofpomposity(浮夸)withdecadent(颓废的),downcast(沮丧的）andabundantflowerywordsChenZi'ang①“ogyandempathy”(兴寄）BookofPoetry（《诗经》②vigorouspoeticstyleofJian‘an（建安风骨Imagistpoeticprinciples①Treatthesubjectiveorobjective②Economy:touseabsoluynothatdoesnotcontributetotheSeveral"Don'ts"inhisA①nosuperfluous（多余的）word,adjectivewhichdoesnotreveal②Don'tallow"influence"tomeanmerelythatyoumopuptheparticulardecorativevocabularyofsomeoneortwopoetswhomyouhappentoadmireBeautyofBookofPoetry(《诗经》Cathay《中国》onepoemfromBookoftwoancinetChineseTranslationofBookofPoetryThethirdimagistpoeticprinciple“Asregardingrhythm:tocomposeinthesequenceofthemusicalphrase,notinsequenceofametronome（节拍器）."Blessedwith 螽Insectsin Wellyouappear Itis 宜尔子孙Toteemwithchildren Insectsinflight Howshouldyou Itis 宜尔子孙Tohavechildrenin Insectsinflight Youfeelsowarm Itis 宜尔子孙Tohavechildrenin TheLakeOGod,OVenus,OMercury,patronofGivemeinduetime,Ibeseechyou,alittletobacco-WiththelittlebrightboxespiledupneatlyupontheshelvesAndtheloosefragmentandtheAndthebrightlooseunderthebrightglassAndapairofscalesnottoogreasy,Andthevotaillesdropinforawordortwoinpassing,Foraflipword,andtotidytheirhairabit.OGod,OVenus,OMercury,patronofLendmealittletobacco-orinstallmeinanySavethisdamn'dprofessionofwriting,whereoneneedsone'sbrainsallthetime.ReduplicatedLonglongtheway;Hardhardthe Hungerand AHomesick Gold,gold,asheafofhairThicklikeawheatswatchBlaze,blazeintheThedogsleaponStumbling,stumblingalonginthewood,Muttering,mutterinid;""Pool…poolofTheemptyarmourshakesasthecygnetandTaoisminPound’sPoeticthetoleranceandgoodrelationshipbetweenfriends, relativesandevencountriestherespect alityandhuman“themean（中庸“RectificationofHeart,Self-cultivation,FamilyHarmony,erningandWorldPeace（修身齐家治国平天下“IntegrationofnaturewithhumanPoundhadtranslatedFourBooksandFiveClassicsofConfucianclassics,andthecreationofhismasterpiece,TheCantos,wasmuchinfluencedbyConfucianism.Accordingtostatistics,inThePisanCantos,PoundquotedTheGreatLearning《大学》twice,TheDoctrineoftheMean《中庸》fourtimes,Theects《论语》twenty-onetimes,andMencius《孟子》ninetimes.Confucian“Humanity”inThe“Humanity”wasthestandardtojudgea .PoundusedConfucius’attitudestoillustratethatthepowerof““Humanity”wasthestandardtojudgea .PoundusedConfucius’attitudestoillustratethatthepowerof“humanity”wasovertheimperialpower.Andtheysaid:IfamancommitShouldhisfatherprotecthim,andhideAndKungHeshouldhideAndKunggavehisdaughtertoKong-AthoughKong-Tch’angwasinAndhegavehisniecetoNan-althoughNan-Youngwasoutof--Canto13(Pound,Confucian“Humanity”inTheInPound’sopinion,Confucius’“humanity”wasverysimilartotheviewsofwesternhumanism,whichemphasizedthecarefor ality,andtheimportanceofhumandignity,concernsandcapabilities.HeusedawesternwaytopresentConfucius’respecttohumannatureand RespectHeusedawesternwaytopresentConfucius’respecttohumannatureand Fromthemomentitinhalestheclear--CantoDoctrineoftheMeaninThePoundcriticizedwesternpoliticalabuses,andpointedoutthat“Confuciusorderwasthemostidealsocialorder.InhisCanto70,Pounddirectlyusedtheideogramtoexpresshisunderstandingandyearningto

ericansmorerapidlydisposedtocorruptioninThanIthoughtinfraudulentuseofwordsmonarchyandIamforandknownorhowitisbutmankindhave toanystudy --Canto70(Pound,“Rectificationofheart,self-cultivation,familyharmony,stateerning,andworldpeace”TheGreatLearning(《大学》anysisofwhytheearliergreatemperors,especiallyYao,Shun,andYuhadbeenabletoerngreatlyInCanto52-61,whichwasalwayscalledtheChinaCantos,PoundusedthenarrationofriseandfallofdynastiesinthehistoryofancientChinafromYao,Shun,YutoEmperorYongTchingtoimplythat“Kung’sorder”wastherootoftheprosperityandpeaceofacountry.TaoismandPound’sPoeticWhatcanbeverbalizedislarge;whatcanbementallyvisualizedissomethingsmall(可以者，物ImageissomethingthatpresentedinlectualandemotionalThecoreofChineseclassicalpoetrywasemotions.PoundabsorbedthischaracterofChineseclassicalpoetryinhisimagisttheoryandpoeticcreation,thatwastosay,heemphasizedmoreontheexpressionoffeelingsandemotionsthandecorationsoflanguage.IntegrationofnaturewithhumanComesthensnowscurontheriverAndaworldiscoveredwithjadeSmallboatfloatslikealanthorn,Theflowingwaterclotsaswithcold.AndatSantheyareapeopleofWildgeeseswooptothesand-CloudsgatherabouttheholeofthewindowBroadwater;geeselineoutwiththeautumnRooksclatteroverthefishermen'slanthorns,Alightmovesonthenorthskyline;wheretheyoungboysprodstonesforInseventeenhundredcameTsingtothesehilllakes.AlightmovesontheSouthskyline.--Canto49(Pound,

HisCanto49,SevenLakesCanto,wasatypicalevidenceoftheinfluenceofTaoism.Pounddescribedthelifeofvariouspeople.Thewholecantogaveabeautifulpictureofpeace,quietandChineseTraditionalAestheticsandPound'sPoeticCreation artisticconceptionandpound'spoeticThestatusofArtisticconceptioninThetheoryofartisticconceptionisveryimportantinChineseclassicalpoetry.InthehistoryofChineseclassicalpoetry,artisticconceptionasanimportantcreativetechniqueandelementinpoeticcreationwasattachedimportancebymanyliterarycriticsandWangGuowei,aspokesmanofthetheoryofartisticconception,arguedthat:古诗词之佳者，无不如是Howit古诗词之佳者，无不如是‘havingartisticItmeansthatifitistheofemotion,theemotionwillthroughreaders’IfitisthedescriptionofthescenerywillseemtoappearAllexcellentclassicalpoetriesarelikeArtisticconceptionisthecombinationoffeelingsandscenes.《ElegyonMyJapanesefriendAbelefttheHissinglesailturnedroundfortheFairyThemoonhassunkintheseatoreturnTheland’soverspreadwithgloomyclouds 《ElegyonAbeNakamaroInthispoem,LiPo（李白）usedtwoimages“moonand“cloud”.Inthenatureworld,itwasimpossiblethatthemoonsunkinthesea.Thecloudscouldnotbegloomy.Thepoetcombinedhisgriefwiththenaturalscenes.Heusedthedisappearedmoontoimplyhisdrownedfriend,andsupposedthegloomofcloudstoexpresshissadness.Thedisappearedmoonandthegloomycloudsformedanartisticconceptionofsadnessandgrief.Thenwhenreadersreadthispoem,theycouldrecognizethepoet’ssadnessandhadthesamefeelingswiththepoet.WellthenhowdoesitrelatestoPound'spoeticBecausePoundmuchfavoredLiPo’spoemwhenhereadFenollosa’smanuscripts.TherewerethirteenLiPo’spoemsinhisCathay.Therefore,