莱因特的兹宅邸博物馆改造温特图尔

1、奥斯卡的雷马赫尔兹宅邸博物馆改造，温特图尔，ALTERATIONS TO THE OSKAR REINHART COLLECTION “AM R MERHOLZ”, W SWITZERLAND, 1998建筑设计：安妮特纪贡/迈克古耶尔建筑师 ARCHITECTS: Annette Gigon/Mike Guyer ArchitectsERTHUR,4 0 世界建筑 2006/12随着对雷马赫尔兹宅邸的加建和改造，该建筑迎来了又一次变更。1915年，日内瓦建筑师莫里斯图里蒂传感控制的采光设备下增挂蚀刻的玻璃板以调节光强等。影响最深远的变化是在原住宅与展馆之间新建了3个展厅。因其中展示艺术品的不

2、同，3个展厅的空间大小和比例各不相同。较大的一个展厅用于陈列油画，而两个较小的展厅计划被用作展示对光敏感的图形作品。 3个展厅都采用日光照明，电子控制的光顶减弱了日光的强度。悬挂在天顶上像灯一样的天光采光顶保证了房间中照度的均匀。新的展厅和其上凹陷的天窗从外面看去是台阶状收缩的密闭混凝土体块。它们位于住宅和展厅的交界处，尼，受当时的业主海因里希舒尔策的委托，以法国文艺复兴乡村风格修建了这幢建筑。1924年，奥斯卡买下了这幢房子，并且任命同一位建筑师为他不断扩充的收藏加建了展厅。1965年，奥斯卡莱因哈特予了后，这幢建筑及其蜚声国际的收藏被一并赠。1970年改扩建之后，该建筑居住部分的首层和展厅

3、部分成为对公众开放的博物馆。最近一次的改造和更新是为满足当代博物馆空间要求而对照明、操作和安全方面做的改造。高品质的艺术品需要更好的陈展条件，这是改造的重点。是广场短向的终点。同原来的展厅翼一样，其屋顶表面由铜板覆盖。墙体和凹陷的天窗采用大块的预制混凝土构件原有别墅的基本材料石灰石沉积岩和铜被设计采用建构法以满足多样的需求，包括新建一个展室替代现存的两个展示空间、简单的更新工作、甚至对从前的布局和材料做出的几乎是推倒重来似的改造。因此，整个项目分化为一系列不同的环节。比如说，加工成粉末添加到混凝土中。这两种添加材料能快速的氧化反应，也就是说，使混凝土板变绿。因为屋顶落水富含铜离子，立面上这个上

4、色的过程会随着时间的推移而更强烈。这种加快锈化的设计，使得新建筑能以 “时光穿梭”的方式靠近两个老建筑感觉上用一种对空间与衣帽间进行空间分隔使得有用来接待来访者的空间，对从前的餐厅重新进行空间布局，重新设计原来的窗户以为特定的雕塑提供光照，重新铺装先前展厅中的镶木地板，在大展厅中的箱式光顶或者“炼金术”式的方法将新建筑植入了特定的（张婷 译）之中。古耶尔建筑师/THE COMPLEXITY OF COLOGIGON/GUYERCHITECTS414 2 世界建筑 2006/12to receive guests: restoration of the original spatial arra

5、ngement of the former dining room; reconstruction of former windows in order to illuminate certain sculptures; reconstruction of theprevious parquet floor igallery spaceswellas addition of etched panes of glass hu before the lantern skylight of the large gallery and installation of sensor-controlled

6、 louvers to regulatelightisity.The most far-reaching changes made are thethree new exhibition spachark the transitionbetn the former residence and gallery area.Corresponding to the works on display, the threespaess various sizes and proportions. Thelarger room is inded to house oil paigs,while the t

7、wo smaller rooms are planned to houselighsitive graphic works. All three spaceeilluminated by daylight whose insity is regulated electronically by louvers. Lamike skylight glazing g from the ceiling distributes the light evenly inthe space.On the exterior, reced skylights make the new exhibition hal

8、ls appear as closed, step-tapevolumes in concrete. Ako a joplacedbetn the residence and the gallery wing, they terminate the entrance court on its shorter side. Like the existing gallery wing, the roof surfaces covered with copper sheet. Large, pre-fabricated concrete elements form the cladding of t

9、he wallsand the resed skylight lanternst areconstructed of concrete in which Jura limestone and cooper, two of the primary materials of theexisting villa, were mixed in asderedingredients. The combination of limestone andcoppowders contributes to quick-actingoxidation and, ah, to a green shift icolouration of the concrete slabs. As the roof water is enriched by copper ions over time the procesthe facade turning even greener will be even ensified.Byvirtueofthisacceleratedpatinization,the new building wildergochemicaladapion