苏州博物馆英文

1、English Homework group members 窦新群 0858 魏佳琳 0860 廖贵钦 0863 陈大洋 08791，Designers introduction2，Outside the Museum3，Inside the Museum4，ATTENTION Suzhou museum Ieoh Ming Pei 贝聿铭（1917-）“让光线来作设计” 贝聿铭“Let the light to do the design” Ieoh Ming Peiprofile（人物简介） He was born in guangzhou, whose hometown is in s

2、uzhou。（出生于广州，祖籍苏州）As the last modernism architecture master, he was described as a focus on the abstract form of the architect. He is fond of of materials including stone, concrete, glass and steel.（作为最后一个现代主义建筑“大师”，他被人描.述成为一个注重于抽象形式的建筑师。他喜好的材料只包括石材、混凝土、玻璃和钢。）Pei is called the unprecedented in Ameri

3、can historys most outstanding architect. In 1983, he received the Nobel Prize of architecture, the Pritzker Architecture Prize（贝聿铭被称为“美国历史上前所未有的最优秀的建筑家”。1983年，他获得了建筑界的“诺贝尔奖”普里茨克建筑奖。）Reason for Pei to designPei said, “suzhou is surrounded by water. Water is everywhere. Its a very poetic place. But mo

4、st important, I think when you look at suzhou you have to think of Suzhou as a city that is 2,500 years old. Built of wood ,tile and brick. So this is a small-scale city. It is a human-scale city. And it is a city for life, for people living there. And as such, I think the museum has to reflect this

5、 tradition and at the same time we have to think about change . Suzhou cannot remain like this forever. It has to have a chance to renew itself - to become modern.“贝聿铭说：“苏州市三面环水，水是无处不在，这是一个很有诗意的地方，但最重要的，我觉得当你看苏州，你要想到苏州作为一个城市，2500岁。用木头建造的建成瓦和砖，所以这是一个小规模的城市，它是一个以人为尺度的城市，它是一个城市的生活，为生活在那里的人，正因为如此，我觉得博物馆

6、有反映这一传统并在同一时间，我们不得不考虑“改变”苏州不能保持像这样永远它有一个机会来恢复自己 成为现代“OUTSIDE OF THE MUSUEM Thebuildingcomplexof theSuzhouMuseumisdividedintothreemajorparts.Thecenter partincludestheentrance, frontcourtandgreathallwhilethewestwingisdesignedas themainexhibitionarea,and theeastbelongsto primarily theadministrationoffi

7、cesand sub-exhibitiongalleries.苏州博物馆的建筑群被分为三个主要部分。 该中心部分包括大堂，前场和人民大会堂，而西厢房被设计为主体的展示区，以及东部属于主要的行政办公室和子展览厅。The building with white walls and grey tiles can reduce the contrast.（traditional white walls and black tiles）建筑色彩用白墙灰瓦降低对比度（传统民居的白墙黑瓦）TheinspirationcamefromthelandscapepaintingofMiFu,agreatSongD

8、ynasty(9601279)painter.灵感来自米芾，一个伟大的宋朝（9601279）画家的风景画。AlthoughPeisimplifiedtheshapesandpatternsofthewindowsofmuseum,borrowedscenerywillnotbe influenced.虽然贝聿铭简化了形状和博物馆的窗口模式，借景将不会受到影响。In order to create garden atmosphere, Pei has chosen trees carefully.There is a bamboo court and pine trees . And all t

9、hese plants in the museum have the same meaning like that of Suzhou traditional gardens.为了营造花园氛围，贝聿铭选择树木很仔细。 有竹院和松树。在博物馆里，这些植物具有和苏州古典园林相同的含义。INSIDE OF THE MUSUEMCategory （copy on the website）Thetotalexhibitionareacoversnearly3600squaremeters,andhouses1160culturalrelicsdatedfromtheprehistoriceratoMin

10、gandQingDynastiesaswellasmorerecentyears.展览总面积占地约3600平方米，和房子从史前时期到明清时期，以及最近几年1160年文物。Famous collections in the museumTHE PAINTERS1、唐寅(1470-1523年)，字伯虎，一字子畏，别号六如居士、桃花庵主，吴县(今江苏苏州)人。弘治十一年(1498年)应天府乡试第一，翌年囚受科场案牵连，不入仕途。自称“江南第一风流才子”。工书画诗文。画长于山水，兼精人物，初师事沈周，上承李成、李唐以及赵盂頫、王蒙诸家，而自出新意，在明四家中声名尤著。2、文徵明(14701559年)，

11、初名壁，字徵明，后改字徵仲，号衡山居士，长洲(今江苏苏州)人。曾任翰林院待诏。习诗文于吴宽，学书于李应桢，画则师从沈周。工书法，尤精绘画，与沈周齐名，画史并尊为吴浙宗师，为明四家之一。3、蓝瑛(15851664年，一作15851666年)，字田叔，号蝶叟，晚号石头陀、山公、万篆阿主者、西湖研民。浙江杭州人。是浙派后期代表画家之一。工书善画，长于山水、花鸟、梅竹，尤以山水著名。其山水法宗宋元，又能自成一家。其于蓝孟，孙蓝涛、蓝青均善绘画，能承家法，在当时颇有声誉。Attention: Meseum hours：9:00-17:00 form Tuesday to Sunday (No admis

12、sion after 16:00 ) The museum is closed on Monday except the national holidays Visitors will be informed previously if the museum is closed for special activities or maintenance. ThenewSuzhouMuseumisnotonlyasymbolicbuildingbutalsoguidingChinesetraditionalculturetothefuture.PeihasmadeacontributiontoChinese