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1、TTA standardization office TTA 5AB- TTAK 08- TTA 2C2 0 1 5年1月31日雅思阅读真题与解析Passage 1 (旧题)题材:历史文化类题目:Tattoo on Tikopia题型:判断4+图表填空5+表格填空4文章大意:本文研究的是毛利人的传统纹身,先介绍背景(定义、历史),科学家喜欢研究这种纹身,然后 介绍纹身的制作工艺,最后说了纹身的含义。A There are still debates about the originsof Polynesian culture, but one thing we can ensure is th
2、at Polynesia is not asingle tribe but a complex one. Polynesians which includes Marquesans, Samoans, Niueans, Tongans, Cook Islanders, Hawaiiansr Tahitians, andMaori, arc genetically linked to indigenous peoples of parts of Southeast s a subregion of Oceania, comprising of a large grouping of over 1
3、 OOislands scattered over the central and southern Pacific Ocean, within atriangle that has New Zealand, Hawaii and Easter Island as its corners.B Polynesian history has fascinated thewestern world since Pacific cultures were first contacted by European explorersin the late 18th century. The small i
4、sland of Tikopia, for many people - evenfor many Solomon Islanders- is so far away that it seems like a mythical land;a place like Narnia that magical land in C. S. Lewis, classic, 'The Chronicles of Namia." Maybe because of it Tikopia, its people, and their cultures have long fascinatedsch
5、olars, travelers, and casual observers. Like the pioneers Peter DillionfDumoni D' Urville and John Colleridge Patterson who visited and wrote about theisland in the 1800s, Raymond Firth is one of those people captured by thealluring attraction ofkopia.As a result, he had made a number of trips t
6、othe island since 1920s and recorded his experiences observations and reflectionson Tikopia, its people, cultures and the changes that have occurred.C While engaged in study of the kinship andreligious life of the people of Tikopia, Firth made a few observations on theirtattooing. Brief though these
7、 notes are they may be worth putting on record asan indication of the sociological setting of the practice in this primitivePolynesian community. The origin of the English word 'tattoo' actually comesfrom the Tikopia word 'tataul. The word for tattoo marks in general is tau.and the opera
8、tion of tattooing is known as ta taur ta being thegeneric term for the act of striking.D The technique oftattooing was similar throughout Polynesia. Traditional tattoo artists createtheir indelible tattoos using pigment made from the candlenut or kukui r they bum the nut inside a bowl made of half a
9、 coconut shell. They thenscrape out the soot and use a pestle to mix it with liquid. Bluing is sometimesadded to counteract the reddish hue of the carbon-based pigment. It also makesthe outline of the inscribed designs bolder on the dark skin of tattooingsubjects.E For the instrumentsused when tatto
10、oing, specialists used a range of chisels made from albatrosswing bone which were hafted onto a handle which was made from the heart wood ofthe bush and struck with a mallet. The tattooer began by sketching withcharcoal a design on the supine subject, whose skin at that location wasstretched taut by
11、 one more apprentices. The tattooer then dipped the appropriatepoints - either a single one or a whole comb into the ink (usually contained ina coconut-shell cup) and tapped it into the subject's skin, holding the bladehandle in one hand and tapping it with the other. The blood that usuallytrick
12、led from the punctures was wiped away either by the tattooer or hisapprentice, the latter having also served by restraining a pain-wracked subjectfrom moving, for the operation was inevitably painful a test of fortitude thattattooers sought to shorten by working as fast as possible. In fact, tattoos
13、nearly always festered and often led to sickness - and in some cases death.F In ancient Polynesian society, nearlyeveryone was tattooed. It was an integral part of ancient culture and was muchmore than a body ornament. Tattooing indicated ones genealogy and/or rank insociety. It was a sign of wealth
14、, of strength and of the ability to endurepain. Those who went without them were seen as persons of lower social such, chiefs and warriors generally had the most elaborate was generally begun at adolescence, and would often not be completed for a number of years. Receivingtattoo constituted an impor
15、tant milestone between childhood and adulthood, andwas accompanied by many rites and rituals. Apart from signaling status andrank, another reason for the practice in traditional times was to make a personmore attractive to the opposite sex.G The male facial tattoo is generallydivided into eight sect
16、ions of the face. The center of the forehead designateda person's general rank. The area around the brows designated his position. Thearea around the eyes and the nose designated his hapu, or sub-tribe rank. Thearea around the temples served to detail ms marital status, like the number ofmarriag
17、es. The area under the nose displayed his signature. This signature wasonce memorized by tribal chiefs who used it when buying property, signingdeeds, and officiating orders. The cheek area designated the nature of theperson's work. The chin area showed the person's mana. Lastly, the jaw are
18、adesignated a person's birth status.H A person's ancestry is indicated on eachside of the face. The left side is generally the father's side, and the right side was the mother's. The manutahi design is workedon the men' s back. It consists of two vertical lines drawn down the spi
19、ne, withshort vertical lines between them. When a man had the manutahi on his back, he took pride in himself. At gatherings of the people he could stand forth in their midst and display histattoo designs with songs. And rows of triangles design on the men's chestindicate his bravery.I Tattoo was
20、 a way delivering informationof its owner. It s also a traditional method to fetch spiritual powerfprotection and strength. The Polynesians use this as a sign of characterrposition and levels in a hierarchy. Polynesian peoples believe that a person1 smana, their spiritual power or life force, is displayed through their tattoo.部分答案:判断题1. Scientists like to do research in Tikopiabecause this tiny place is of great remoteness.2. Firth was the first scholar to
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