Hamlet哈姆雷特赏析

1、Hamlet赏析真正构成哈姆雷特的精华部分Best parts，是剧中哈姆雷特十数段或长或短的“独白”。它们全面而完整地勾画了悲剧主人公的心路历程，反映了当时人们对社会，人生，自我，善恶，正义与腐败，美好与丑恶等的思考，也正是这些独白，使哈姆雷特具备了深刻的人文主义精神和深邃的思想，超越了同时代一般意义上的复仇悲剧。Constitute the essence of the real Hamlet, Hamlet is a play a dozen or long or short paragraph of the monologue. They are comprehensive and c

2、omplete picture of the tragedy of the mentality of the main character, at that time reflected the peoples social life, self, good and evil, justice and corruption, good and evil, such as thinking, it is these monologues, so that Hamlet has a deep The spirit of humanism and deep thinking, from the sa

3、me period beyond the general sense of revenge tragedy. 真正构成哈姆雷特的精华部分，哈姆雷特是一打一打或长或短的“独白段落。”他们的主要人物的心理悲剧的全面和完整的画面，体现了当时人们的社会生活，自我，善与恶，正义与腐败，好的邪恶的，如思想，正是这些独白，让哈姆雷特具有深厚的人文精神和深刻的思考，从超越复仇悲剧一般意义上的同一时期。There are thousand Hamlets in a thousand peoples eyes.一千个读者眼中有一千个哈姆雷特。Once the Oak to be inflated to open

4、the root, the vase on the non-breaking is not to squeeze, and this is a tragedy. Found in Hamlet, the vulnerability of people and the environment is so brutal and contrary to each other, as well as the unique aspects of the character appears in the connotations of dense and thick, it is also in the

5、extension of broad and deep. By doing so, some experts have claimed that Hamlet is not an objective of the role of out-of-date, but each of us own.Shakespeare does not belong to an era which belongs to the whole century, his plays like a brilliant Star of the Big Dipper, the direction of guidelines

6、for people.The survival or destruction, this is a problem worth considering, he raised the issue of philosophy is the basic proposition. Because just occurred to him of these things lead to his philosophy of life, thinking, in his life, everything good or bad times, he will not take into account thi

7、s issue, then the only life he saw the light face, then life is good, and now, the sudden tragedy forced him to face up to the dark side of life and the ugly side of human nature.It can be said that Hamlet to life the dark side or a more profound understanding. The past he only turned a blind eye to

8、 it all. Now the harsh reality forced him to face all this. He had a premonition that he had been dragged into the inevitable fate of a tragedy. If it was to kill his father, then became a father for revenge can not shirk his lifes mission. And his enemy is todays king, to kill him, certainly not an

9、 easy task, but no matter how difficult, is not hatred of killing father reported,His immediate task is to think of a clever way to verify whether his uncle killed his father. Plot, plot and the killing, which is contrary to the nature of Hamlet kind of innocence, but his mission of revenge necessar

10、y. In the Mood for Love in the life of Hamlet in the back of a heavy revenge mission, the hearts of all day is full of hatred, the dark and his heart heavy, he can not extricate themselves into the abyss of suffering. 一旦“橡树”充气打开根，“花瓶”的不间断不挤，这是一个悲剧。发现在哈姆雷特，脆弱的人和环境是如此的残酷相反，以及独特的方面的人物出现在浓密的内涵，也正是在延长的广泛

11、和深入。通过这样做，一些专家认为哈姆雷特是不是过时的客观作用，但我们每个人自己。莎士比亚不属于一个时代属于整个世纪，他扮演一个星光灿烂的北斗七星，指引方向的人。“生存还是毁灭，这是一个值得思考的问题，”他提出的问题是哲学的基本命题。因为他刚刚想到这些事情导致他的人生哲学，思考，在他的生活中，一切好的或坏的时代，他没有考虑到这一问题，那么唯一的生活他看到光的脸，然后生活是好的，现在，突然发生的悲剧使他面对的生活的阴暗面和人性丑恶的一面。可以说，哈姆雷特生活的阴暗面和更深刻的理解。过去他只视而不见这一切。现在，严酷的现实迫使他面对这一切。他有一种预感，他被拖进了不可避免的悲剧命运。如果是杀死自己的

12、父亲，然后成为一个父亲报仇不可推卸他一生的使命。他的敌人是今天的王，杀了他，当然不是一件容易的事，但无论怎样困难，不杀父亲报告的仇恨，他当前的任务是把一个来验证他的叔叔杀害了他的父亲聪明的方式。阴谋，阴谋和杀戮，这是违背自然的哈姆雷特的纯真，但他的使命所需的复仇。想在在沉重的复仇使命后哈姆雷特的爱的生活，所有人的心是充满了仇恨，黑暗和他的心重，他无法自拔地陷入了痛苦的深渊。从哈姆雷特解析莎翁戏剧的4个关键词莎士比亚（William Shakes beare15641616）这位伟大的英国著名戏剧家和诗人。他的每一部戏剧几乎都是经典的传世之作，但是可能由于东西方文化的差异，对于他那华丽、夸张而极

13、富表演性质的戏剧对白可能许多人都不太接受，包括我在内，甚至会有一丝肉麻之感。但是除了这些，莎翁的戏剧还是有许多值得一看的地方。那么今天，让我们抛开其它想法，从一部哈姆雷特(Hamlet)中去感受一下莎士比亚戏剧的特点。而题目中所说的这4个关键词便是：复仇、爱情、悲剧、夸张。Shakespeare(WilliamShakesbeare1564 1616)the greatfamous English dramatist and poet.Each of his playsare almost allclassicalmasterpieces,butmay be due tothe East We

14、st cultural differences,forhis gorgeous,exaggeration andso dramaticpropertiesdramatic dialoguemay bea lot of peopledo not accept,including me,eventhe slightestrouma sense.But in addition to that,Savons drama,there are still manyplaces worth visiting.So today ,let us put asideother ideas,fromaHamlet(

15、Hamlet)tofeel the characteristics of Shakespearesdrama.These 4 wordsand thesaidis:revenge,love,tragedyand exaggeration.关键词1复仇复仇往往是许多戏剧中所会运用的手段之一，比如罗密欧与朱丽叶(Romeo and Juliet)中，罗密欧就是为了替好友报仇而杀死了朱丽叶的堂兄。而哈姆雷特(Hamlet)的中心内容便是讲了丹麦王子哈姆雷特复仇的故事。自己的父王被杀，而凶手正是已经篡位的叔父，无知的母亲更是成为了杀父仇人的妻子。这样的屈辱打乱了哈姆雷特原本平静的生活，复仇的种子过早的

16、被埋在哈姆雷特的心中，为了死去的父亲，为了正义，他别无选择，即使他知道要复仇是多么不容易，而自己也可能会付出更为惨痛的代价。于是，复仇的戏码上演。他的装疯卖傻，骗过了所有的人，然而结果呢？他成功地为父亲报了仇，但是他错手杀死了自己所爱的姑娘的父亲和哥哥，他所爱的姑娘奥菲利娅也死了，而他也最终赔上了自己的性命。没有人能告诉他这是否值得，而我们也只能看着原本善良的小王子哈姆雷特成为复仇这场悲剧下的牺牲品。Keywords1 revengeRevengeis oftenone of the manyusesin the dramameans,such as Romeo andJuliet(Romeo

17、andJuliet),Romeois tokill Julietrevengefor friendsandcousins.Hamlet(Hamlet)andthecore idea isaboutthe Danish PrinceHamletthe story of revenge.Hisfatherwas killed,and the murderer isalreadyusurpinguncle,ignorance of themotheris becoming moreenemies killed fathers wife.Such humiliationdisrupted lifeca

18、lm Hamlet,seedearlyRevenge of theburiedin the heart of the Hamlet,in order todead father,in order to justice,he had no choice,even though he knewtorevenge ishow not easy,and the oneself alsomay have to paymorepainfulprice.So,the revengedrama.Hisplay the fool,fool all thepeople,but the results?He suc

19、cessfullyavenged his father,but heaccidentally killshis beloved girls father and brother,helovedthe girlOffe Liah isdead,and he is eventuallylost their lives.No one cantell himwhether it is worth, and Hamlet,we can only look atthe goodlittle princehas become a victim ofthe tragedyofrevenge.关键词2爱情复仇的

20、同时，也葬送了哈姆雷特与奥菲利娅原本一帆风顺的爱情。一个王子，一个御前大臣的女儿，这样难得的门当户对，情投意合，却被哈姆雷特的仇恨给拆散了，尤其当他在无意间杀死了奥菲利娅的父亲御前大臣波洛涅斯，这场爱情注定是以悲剧收场的。哈姆雷特不会为爱情而放弃复仇，在他看来，复仇充斥着血腥的味道，和求爱的罗曼蒂克很不相称，同时这种悠闲的感情和他背负的责任也是格格不入的。当他假装发疯的同时，使奥菲利娅为了他痛苦，也使自己伤心无奈。当他情不自禁地思念起可爱的奥菲利娅，他开始为自己的冷酷无情感到内疚和不解，来看看哈姆雷特给奥菲利娅的情书吧：“给我灵魂的偶像，只应天上有的、绝顶美艳的奥菲利娅愿此数行留在她皎洁的杯中

21、：你可以怀疑星辰的发光，你可以怀疑日月的运行；你可以疑心真理会说谎，决不要怀疑我的爱情。”虽然言辞十分夸张，但从这里我们可以看到哈姆雷特对于奥菲利娅的一份纯真的爱情，也为这一部悲剧增添了一些柔和、浪漫的感觉。2 words ofloveRevengeat the same time,but also ruinHamletand Opheliawas Everything is going smoothly.love.A prince,aministers daughter,so rare aMendanghudui,agree in opinion,but Hamlethatetobreak

22、up, especially whenhe killedOffe Liahs father-imperial former minister Pologne Jinadvertently,thislove is doomedto end in tragedy.Hamlett was not going togive uploveandrevenge,in his view,revengefilled with the taste of blood,is not commensuratewiththeromanticcourtship,and this laid backfeeling andh

23、e bears theresponsibility andbe misfits .When hepretended to be insaneat the same time,in order tomakeOffe Liahhis pain,also make their ownsadhelpless.When hecouldnt help missingthe lovely Offe Liah,he began tofeel guilty andconfusedfor hisruthlessness,came to see Hamletto Offe Liahletter:Give methe

24、 soul of theidol,should only be the sky,verybeautifulsome Ophelia-may thenumber of rowsto stay in herbrightcup:Lightyou can suspect that thestars,the sun and the moonyou can doubtthe operation;Doubt truth tobea lie,never doubtmy love.Although the words arevery exaggerated,butfrom here we can see Ham

25、letfora pure loveOphelia,also addedsome softand romantic feelingsfor thistragedy.关键词3悲剧莎士比亚的戏剧中，优秀的喜剧作品很多，如皆大欢喜(Alls Well That Ends Well)、仲夏夜之梦(A Midsummer Nights Dream)等等，但是莎翁的悲剧往往更胜一筹。这可能与其写作时期有关，几部喜剧大多在其早期（15901600）所写。而之后，他的作品往往以悲剧为主，而同时期的几部喜剧如一报还一报(Measure for Measure)等也都带上了几许悲剧色彩。莎翁的悲剧不用多说，四大悲剧

26、以及罗密欧与朱丽叶(Romeo and Juliet)等都是人们耳熟能详的，而今天我们就从哈姆雷特(Hamlet)这部戏剧中来看一看。无疑，这是一部情节复杂的悲剧，谋杀、篡位、爱情、装疯、错杀、阴谋，直到最后有关人物的统统死亡，令人震惊且悲哀。权力和地位一直是人们追逐的对象，欲望之火一旦点燃，人类种种丑恶的本性便暴露无遗，为此，亲情、道德显得那么渺小，那么无力，而上演了一出出无奈的悲剧，帝王之家便成了最合适的舞台。正如哈姆雷特的好友霍拉旭在最后一幕哈姆雷特死后所说的一段话：“让我对至今还一无所知的外界讲一讲事情的底细。你们会听到荒淫、残杀、反常背理的行为、处于偶然的灾殃、意外的送命、迫不得已、

27、将计就计的成功，以及，这一个收场里，谋害别人、反害自己的结局。”中国的戏剧往往以大团圆为结局，或者假手于上天来惩罚恶者。而西方戏剧中尤其是莎翁笔下，悲剧反而成为了最完美的结局。Keywords3tragedyShakespeares plays,a good comedy.A lot of work,such asto the satisfaction of all(AllsWellThatEndsWell),A Midsummer Nights dream(AMidsummerNightsDream)and so on,but Savonstragedy is oftenbetter.Thi

28、smay be associated withseveral comedywritingperiod, mostlyin their early(15901600)wrote.After that,his works often tragedies,but same timeseveral comedyasrequite like for like(MeasureforMeasure)alsobroughtmanytragic color.The tragedy of Savonneedless to say,the four major tragedy,Romeo andJuliet(Rom

29、eoandJuliet)arefamiliar,and todaywe have fromthe Hamlet(Hamlet)this playa look.Undoubtedly,this is acomplex plotof the tragedy,murder,usurped the throne,love,madness,kill the wrong ,conspiracy,until finallythe relevantfiguresare all dead,shocking and sad.Power and statushave beenchasing,the fire of

30、desireoncelit,all kinds of uglyhumannatureis exposed,therefore,affection,moralseems so small,so helpless,andstaged atragedyout ofhelpless,the imperial familybecamethe most suitablestage.AsHamlets friendHoratio saidin the final sceneafter the death of Hamleta few words:Let mesaythings tostillignorant

31、 outside.Youwill hear adissolute, illing,abnormalfoolishbehavior,inaccidentaldisaster,accidentally illed,forced,s beat him at his own gamesuccess,and,this oneend, gainstothers,antipestown ending.Chinas playoftenconcluded with a happyending,orhandtoGod top nishthe wicked.While the westerndramaespecia

32、llyunder the pen of Savon,tragedyhas instead become themost perfect ending.关键词4夸张看过莎翁作品的人往往会对他笔下那华丽而夸张的对白印象深刻，可对于我们来说，用“夸张”一词来形容这些对白可能更为恰当。认真读下来之后虽然感动不已但往往也已经鸡皮疙瘩掉一地了。罗密欧与朱丽叶(Romeo and Juliet)就不用说了，爱情嘛，夸张还是需要的，而哈姆雷特(Hamlet)中也不乏夸张的对白。在最后一幕中哈姆雷特得知自己已经中毒时所说的一段话：“我死了，霍拉旭。苦命的王后，再见。你们做了这场变故的哑角，面色发白、浑身打抖的见

33、证啊！要不是死神来拘捕，决不能通融、让我留一下，我可以告诉你们可是就随他去吧。霍拉旭，我死了；你还在；把我的品行和道义好好对不明白真相的讲讲吧！”还有霍拉旭的话：“一颗高贵的心现在是碎了。晚安，可爱的王子！成群的天使们唱歌来送你安息吧！”从这两段对白中不难看出，即使是让人最难以接受的死亡，在莎翁笔下此时的对白也变得柔和许多。当然，戏剧总是需要对白去表现的，否则台下的观众就难以看懂剧情，更不用说是欣赏了。但是听着一个人不断地重复着自己就要死了，是一种很奇怪的感觉，而“夸张”也就是体现在这一点吧！Keywords4exaggerationReadSavons workoftentohis pent

34、hatgorgeous andexaggerated mpression,butfor us,exaggerated to describethesedialoguemay be moreappropriate.Aftercarefully readdownalthoughmovedbut often avegoosefleshdroppeda.Romeo andJuliet(RomeoandJuliet)needless to say,love well,exaggeratedor need,andHamlet(Hamlet)areexaggerated.In the last actHam

35、let thatsays hehas beenpoisoninga few words:Im dead,Horashi.Poorqueen,goodbye.You dothe storms dumbangle, ale complexion,bodyshakingwitnessah!If notdeath toarrest,never ccommodation,let me stay,I can tell you- butto go along with him. oratio,I died;you still;mycharacterand moralgood tonot understand

36、 he truthabout it!AndHoratios words: a noble heartis nowbroken Goodnight,sweet prince!Flocks ofangelssing tosend you therest!From thistwo dialogueis not difficult to see,evenlet a person is the most ifficult to acceptdeath,in thedialogueat theShakespearehas become softa lot.Of course,the drama alway

37、sneed dialogueto act,otherwise the diencewouldnot understand thestory,not to mentionthe appreciation of.Butlisten toa person constantlyrepeats itselfwill die,isa very strange feeling,butexaggerated isreflected inthis point!这部剧作描写王子哈姆雷特犹豫徬徨、忧伤苦闷的复仇过程，真挚纯洁、感伤无奈的爱情，到最后虽然复仇成功但也付出了一切甚至生命的悲剧结局。那夸张华丽的对白和引人

38、入胜的情节，使得这部哈姆雷特(Hamlet)也成为了舞台上经久不衰的演出剧目之一。以哈姆雷特为例分析莎士比亚戏剧艺术特色 威廉莎士比亚是欧洲文艺复兴时期的巨人，世界戏剧史上的泰斗，被认为是古往今来少数最伟大的作家之一。哈姆雷特是莎士比亚的代表作，在艺术上代表了莎士比亚戏剧的最高成就。This drama describedPrinceHamlethesitate,saddepressedrevenge process,pure sincere,sentimentalhelpless love,to the lastalthoughrevengesuccess but alsopayall ev

39、en lifetragedy.Therhetoricaldialogue andfascinating story,making thisHamlett(Hamlet)has become one of theperformanceson the stageof enduring.Inthe Hamlettas the example to analysis theartistic characteristics ofShakespearedramaWilliamShakespeare of the EuropeanRenaissancegiants,the dean ofthe world

40、dramahistory,is considered one of the greatestwritersof all agesa few.Hamlettisthe masterpiece of Shakespeare,in the artrepresents the highest achievementof Shakespeares drama. 首先，莎士比亚善于刻画人物性格。 莎士比亚剧中的人物性格鲜明生动，具有多面性和复杂性的特点，同时人物性格随着清洁的发展、矛盾的计划发生变化，有个性化特点，剧中的主要人物都是一定阶层和时代思想的代表，如克劳狄斯象征着文艺复兴晚期以满足个人私欲为核心

41、的“新信仰、新道德”，他为权势所诱惑杀死自己的亲哥哥老哈姆雷特；又为情欲所驱使，霸占其兄嫂，又为了保住自己的地位而想尽各种办法杀害王子哈姆雷特，克劳狄斯的种种行为正是文艺复兴时期私欲泛滥、社会混乱的真实写照；挪威王子福丁布拉斯代表了一种不顾一切的冒险和掠夺精神，他是一个丧失了理性的冒险家；而哈姆雷特是一个人文主义者的典型，他标榜平等互爱，打破传统等级观念，如霍拉旭对哈姆雷特说“我永远是您卑微的仆人。”哈姆雷特却回答说：“不，你是我的好朋友，我愿意和你朋友相称。”他把友谊和爱情看成是人间最美好的事情，是人文主义者的生活理想，同时哈姆雷特又是一个德才兼备的人，体现了文艺复兴时期对人的理想，我们借剧

42、中人物奥菲利娅的话来形容最贴切不过了“朝臣的眼睛、学者的辩舌、军人的利剑、 国家所瞩望的一朵娇花；时流的明镜、人伦的雅范、举世瞩目的中心”她给我们描述了一个看问题深刻、有洞察力；口才好、思维敏捷；有军事才能、武艺好；代表着民族和国家的希望；同时又很时尚，能正确处理各种关系；被世界关注着的哈姆雷特形象。寥寥几句话就精辟而且形象地道出了哈姆雷特的特点，莎士比亚的功力可见一斑。First of all,Shakespeare is good atportraying characters.Shakespeareplaysthecharactervivid,has the characteristic

43、 ofversatilityand complexity,at the same timecharacteras cleandevelopment,conflicting planschange,personalized characteristics,the main character in the playisrepresentative of a certainclass andageof thought,such asGLaoDi Sisymbolizes thelate Renaissanceto satisfypersonal desiresas the corenewrelig

44、ion,new morality,heis apowerfultemptationto kill hisdearbrotherold Hamlett;anddriven bylust,occupythe brother,andin order to keep their statusandtried various ways tokillthe princeHamlett,various acts ofClaudiusis theRenaissancespread,social chaos of thetruedesiresportrayal ofNorway;PrinceFortin Bla

45、s represented afling caution to the windsof adventure andpredatory spirit,he is alostrationaladventurer;andRett Hammis a typicalhumanist,he advertisedequality and mutuallove,breaking the traditionalhierarchy,such asHoratiosaid to Hamlett,I will always beyour humble servant.Hamlettanswered and said:n

46、o,you are mygood friend,I am willing tomatchwith your friend.Heto friendship and loveis regarded asthe best of things. Andhumanistideal of life,at the same time Hamlettis aperson with ability and political integrity,embodies theidealoftheRenaissanceman,weborrowthe charactersof Offe Liahswords to des

47、cribethe most appropriate butthe courts eyes,scholarsdebate thetongue,soldiersswordand countrieslooked forward to a tender flower;when the flow ofDer Spiegel,human relations elegant fan,the world-renownedcenter.Shegave us a description of theproblem,seeprofoundinsight;eloquence good,quick thinking;m

48、ilitary skills,Wu Yi;represents thenation and the countryshope;at the same time veryfashion,cancorrectly handle variousrelations;the image of Hamlettwas the worlds attentionwith the.A fewwords on theincisivelyandvividly shows thecharacteristic of Hamlett,Shakespearesskill is. 莎士比亚刻画人物性格善于把人物放在内外两重冲突

49、中，通过对人物内心矛盾冲突的描写来揭示人物的深度。在哈姆雷特中，哈姆雷特于以其叔父为代表的强大黑暗势力的冲突，以及老哈姆雷特被害死，其母乔特鲁德改嫁克劳狄斯等客观现实构成了外部冲突；哈姆雷特内心对理想的追求与残酷现实的冲突形成了内在冲突，在外在冲突与内在冲突此消彼涨的过程中，逐渐揭示出哈姆雷特由于延宕的本质特性。随着两重矛盾的发展变化，哈姆雷特的性格也随之变化，家庭遭遇变故后，他由“快乐的王子”变为“忧郁王子”，经历过一件件事和内心的挣扎后，他终于变成了“行动王子”。在面对矛盾时不同的行动，也表现出人物不同的性格，如丹麦国易主后，原先哈姆雷特的朋友罗森格兰兹和吉尔登斯吞背叛了哈姆雷特的友情，而

50、霍拉旭却仍旧是哈姆雷特的挚友，彼此能互相信任的人。Shakespeareportrayed thegoodto people onthe twoconflicts,to revealthe depthofcharacterbycharacterinner conflictsdescription.InHamlett,Hamlettto thepowerfulforces of the darkconflictwith hisuncleas a representative of theold,andHamlett waskilled,his motherremarriedClaudius JJ

51、o Trudeobjective realityconstitute the externalconflict;Hamlett innerpursuit of idealand conflictthe brutal realityform the internalconflicts,external conflict and internalconflictinthis eliminationprocessherose,graduallyreveals theessential characteristics ofHamlettbecause ofdelay.With the change a

52、nd development ofdualcontradiction,Hamletts characteris also changing,the familysufferedmisfortune,hefrom the Happy Prince into melancholy Prince,experienceda thingandinner struggle,he finallybecame actionprince.Differences in theface of contradictionsof the action,alsoshow the characterof different

53、 character,such as Denmarksowners,the originalHamlettfriends Rosen Glanz andJill Dinse whobetrayed Hamlettfriendship,Horatio whostillis Hamlettsbest friend,each other canconfidence betweenpeople. 莎士比亚十分善用内心独白这一艺术手段来展示人物心灵世界和刻画人物性格在剧中哈姆雷特的独白占六段，如人是一件多么了不起的杰作！多么高贵的理性！多么伟大的力量！多么优美的仪表！多么文雅的举动！在行为上多么像一个天

54、使！在智慧上多么像一个天神！宇宙的精华！万物的灵长！通过这段哈姆雷特充分肯定人的议论，我们可以看出哈姆雷特曾经是个怀抱理想的乐观的人文主义者。在国王对哈姆雷特表示假意的关心并说到“我的孩子”时，哈姆雷特的旁白“超乎寻常的亲族，漠不相干的路人，一针见血地道出了他与克劳狄斯的关系和哈姆雷特对他的态度以及蕴含其中的各种情感纠葛。又如他“生存还是毁灭，这是一个值得考虑的问题”这段旁白，传神地表达了他内心的矛盾、苦闷、彷徨，既有哲理，又富艺术感染力，有效地刻画了哈姆雷特犹豫延宕的性格，推动了剧情的发展。它也向我们展示了哈姆雷特思索的问题：人为什么活着？生命的意义是什么？宿命的力量到底有多大？现实的出路在

55、哪？旁白的运用，能深入人内心，窥探人心内在的秘密，加深人物的深度和复杂性，是对人精神世界的深层关怀。这些独白使哈姆雷特具有深度，也使哈姆雷特有了思想家的特点。Shakespeare is verygood use ofinterior monologueof this artisticmeans to showthe charactersmind world and thecharacterin the playHamlett.Accounted for sixsection ofmonologues,such as peopleisa greatmasterpiece!How noble i

56、n reason!What a great power!What a beautifulinstrument!How gentle act!In action how like an angelon!Inapprehension how like a god!The essence of the universe!The measure of all things!Through this period ofHamlett fully affirmed thepeoples discussion,we can see thatHamlett was anidealisticoptimismhumanist.In the kingsaid to Hamletthypocrisycareand saidmy child,Hamlettsnarratorex