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暑期提升训练:阅读理解(一)
2020-2021学年高中英语人教版必修2下册
姓名:日期:用时:完成情况:家长签字:
1.
Howtoeducateyoungpeopleandattractthemintotheatershaslongbeenaquestion
discussedbyexpertsofthestageartsaroundtheworld.AttheongoingWorldClassTheater
forChineseAudiencesmeetingonThursday,thedialogueTheatreandYouth:Theater
PracticeforYouthdealtwiththisissue.
WangKeran,aproducerfromChineseculturalcompany,stressedthatthetheater
industryneedstocarryoutcomprehensive(综合性的)educationconcerningthetheaterfor
theyoung,whileZhouXingfromChina'sMinistryofEducationsaidthattheatereducation
hasabroaderdefinition,whichincludeshumanthoughts,emotionsandexpression.
OverseastheaterdirectorsandactorsincludingJeanVarela,FlorenceMarchandOriol
Broggi,alsosharetheirexperiencesandthoughtsonthistopic.
IntheeyesofVarela,theatereducationisoneofthemostimportantmeanstoraise
people'sabilitytoappreciatetheartform."Iwasforcedbymymumtoattendthese
performanceclassesinthehopeofhelpingmegetridofmyshynessovermyobesity(月巴月半)
whenIwasakid.Itturnedoutshewasright,'*hesaid.March,whofocusesonartseducation
andresearch,saidthathisprojectSpringofSchoolaimstohelpyoungstersaged14-16with
thegoalof"helpingthembecomebetterpeople".
Theseguestsalsogavedifferentadvicetoencouragemoreandmoreyoungpeopleto
walkintothetheaters.AnaisMartanecameupwiththeideaoflow-pricedstudentticketson
dayslikeTuesdays,WednesdaysandThursdays,whichshesaidwillhelpkidsturnthe
performingartsintoahobby,"InFrance,thepriceforkidscanbeverylow,sothatparents
cantakethemtomanyplays.Thisisalsoanimportantpartoftheatereducation,"shesaid.
(1)Whatistheexperts1commonopinionabouttheatereducation?
A.ItshouldbecarriedoutbyChineseculturalcompanies.
B.Itteachestheyouthtosharetheirexperiencesandthoughts.
C.Itcanraisetheyouth'sabilitytoperformartsatschool.
D.Itplaysanimportantroleintheeducationfortheyouth.
(2)WhatcanwelearnfromVarela'sexample?
A.Parentsarethefirstteachersintheatereducation.
B.Artsareofvalueinchildren'seducation.
C.Childrendislikeartsperformanceclasses.
D.Shynesspreventschildrenfromperformingarts.
(3)WhatisAnaisMartane'ssuggestion?
A.StartingaSpringofSchoolproject.
B.Offeringstudentsadiscountonticketprices.
C.Organizingstudentstoperformartsintheaters.
D.Givingfreeticketstoparents.
(4)Whichofthefollowingisthebesttitleforthetext?
A.DiscoverYouth'sArtisticTalent
B.MeetArtsExpertsaroundtheWorld
C.AppreciateArtFormsWorldwide
D.PerfbrmArtsEducationforYouth
2.
Researchhasshownthatsomespeciesofmonkeys,birdsanddomesticated(驯化的)
animalscanevendistinguishamongdifferentfacesbylookingatphotographsalone.
Scientistshavealsowonderedwhetherdomesticatedanimalsthathavecoexistedwithpeople
forthousandsofyearscanrecognizedifferenthumanfaces.
LeaLansadeoftheFrenchNationalResearchInstitutedidanexperimenttofindouthow
wellhorsescanrecognizeindividualpeopleinphotographs.Sheandherteamfirsttaughtthe
horseshowto''choose'1betweentwoside-by-sideimagesbytouchingtheirnosestoa
computerscreen.Thehorseswerethenshownphotosoftheircurrentkeeperalongsidefaces
ofunfamiliarhumans.Theyhadneverseenphotosofanyofthepeoplebefore.Thehorses
correctlyidentifiedtheircurrentkeeperandignoredthestranger'sfaceabout75percentofthe
time,significantlybetterthanchance.Whafsmore,thehorsesalsopreferentiallypicked
photosoftheirpreviouskeeper-apersontheyhadn'tseeninsixmonths.Infact,eventhough
thehorsesdidn'tgetitrighteverysingletime,theywereatleastasaccurateinpickingout
theirpreviouskeeperastheywereatidentifyingtheircurrentone.
Theresultssuggestthatnotonlycanhorsestellthedifferencesbetweenfamiliarand
unfamiliarhumanfaces,theycanalsounderstandthatphotographsarerepresentationsofreal
life.Inaddition,horsesseemtohavealong-termmemoryforhumanfaces.
Infutureexperiments,theresearcherswouldliketotestwhetherlookingatphotosof
peoplethattheyhavehadbadexperienceswithinthepastmightcausehorsestoactanxious
orevenavoidant.Somaybethinktwicebeforedoinganythingthatmightgiveahorsealong
face.
(1)Whatdidthehorsesprobablydointheexperiment?
A.Theypickedoutthestranger'sphoto.
B.Theyignoredtheircurrentkeeper'sphoto.
C.Theypickedouttheirpreviouskeeper'sphoto.
D.Theyidentifiedtheirownspecies*photo.
(2)Whatdoestheunderlinedphrase"giveahorsealongface"inthelastparagraphmean?
A.makeahorseangryB.getahorseinterested
C.damageahorse'smemoryD.misleadahorse'sunderstanding
(3)Whatisthepurposeofthetext?
A.Tosolveaproblem.B.lbgivepracticaladvice.
C.Topresentaresearchresult.D.Totellaninterestingstory.
试卷第2页,总12页
3.
Asisoftenthecasewithmythreefriends,onehadlostherwayinherprojectandwas
mentallyexhausted.Yetshewasafraidtoopenuptoherteacherandaskedforhishelp.
Anotherfriendstruggledwithanxiety,whichmadeheruncomfortableintheclassroom.But
shecouldnotbringherselftoaskherheadteacherforhelp.Yetanotherpersonhada
breakdownbecauseshewasnotabletotalktoherteachertogetadviceonheressay.
Soitwasthesamewithme.Facingameetingroomofmorethan150people,Ibecame
sonervousthatmyhandswereshakingandmystomachbegantotwist.IknewthatIcouldn't
deliveratalkaboutmentalhealthwithoutincludingsomeofmypersonalstory.Iworried
whattheywouldthinkofmeifItalkedaboutmyexperienceswiththeseconditions.Ihad
decidedtogivethistalkbecauseIwastiredofkeepingthissecret,butIalsoknewofmany
otherstudentswhoweregoingthroughsimilarchallenges.
AsIstoodthereforthose15minutestalkingaboutmypersonalexperienceswithmental
illness,Ihadneverfeltsocalmandfrank.ItalkedabouthowIstruggledduringlowweeks.
Thefewsecondsaftermyclosingsentencefeltamongthelongestinmylife.WhenIhad
referredtomyspeechmanymonthsbefore,Ithoughtthatthewholesufferingswouldbe
worthitifIjustcouldreachonepersonintheaudience.Instead,Iwasmetwithhugs,
applauseandwarmwordsfrommyaudience.Manypeoplecameforwardtosharetheirown
experiences.Manymorethankedmeandtoldmehowmovedtheywerebymyhonesty.A
numberofpeopleaskedwhetherFdbewillingtodelivermytalkagain.
(1)Whatdidthewriter'sthreefriendshaveincommon?
A.Theydislikedtheirteachers.
B.Theysufferedmentalanxiety.
C.Theyhadnoonetoturntoforhelp.
D.Theyperformedpoorlyintheirstudy.
(2)WhydidIdecidetotalkaboutmymentalillnessinthespeech?
A.Theaudiencewerecuriousaboutit.
B.Itwasnolongerasecret.
C.Iwishedtohelpthosewithsimilarproblems.
D.Ifeltcalmenoughtotalkaboutit.
(3)Whatcanbelearnedfromthelastparagraph?
A.People'ssympathymadethespeechasuccess.
B.People'senthusiasmmadethespeechasuccess.
C.Thewriterdidn'texpecttoomuchaboutherspeechatfirst.
D.Thewriterdecidedtodeliverherspeechagain.
4.
Horticulturaltherapist(园艺治疗师)ThomasErskineenjoys"asenseofconnection"
whenheworksoutdoors.Beingfullyabsorbedinanactivity-takingintheimmediacy(实
感)oftheenvironment-enableshim"tolosethecrazynoiseofaspeedingworld',.
Erskinerunsgardeningprojectsforpeoplewithlearningdisabilitiesorphysicaland
mentalhealthproblems.Hebeganhissocialcarecareerinresidentialsettingsbuthefound
theenvironmentwasfrustratingandthattherewasnomeaningfulactivity."Ihavealwaysfelt
thatsocialcareisatitsbestwhenit*sfocusedandactivity-based,'1hesays.
Aftersettingupacookingandgardeninggroupinaplaceforyounghomelesspeople,he
tookontherunningofawalledgardeninAlfretonPark,whichbecamepartofadaycenter
foradultswithlearningdisabilities.Overthepasttenyears,hehasturneditintoasuccessful
communitygardenandruntheprojectasasmallsocialenterprise,whichsellsplantsand
produce,andcreateswelcomingandaccessiblespaces.Erskinenowworksinwoodland
therapyor,ashedescribesit,"wildhorticulturaltherapy11,whichincludeshands-onmaking
andworkingwithnaturalmaterialsusinghandtools.Heconstantlycameupwithnewideas
andrespondedtonewintereststokeepaprojectfreshandrelevant.
"Thedirectconnectionbetweenphysicallydoingsomethingandtheprogressmade,can
beagoodantidote(灵丹妙药)forthosewhofindbeinginsiderestrictive/saysErskine.
Therewasayoungwomanwhohadaverylimitedvocabulary,butwhensheworkedwithher
hands,shebecameoneofthemostexpressivepeopleinthegroup.Asonevolunteerata
communityvolunteeringcharitysaid,"Thegardenslowsyoudownandbringsyouintothe
moment:youcan*thurryitalong.11Sheadds,''Whenyou'resufferingfromdepression,ifs
hardtothinkaboutthefuture.Butgardeningmeansyou'replanningforthefuture."
(1)WhatdidErskinethinkimportanttohisgardeningprojects?
A.Theneedsofthetargetusers.
B.Thetherapist-patientrelationship.
C.Theenvironmentandmeaningfulactivities.
D.Thesocialworkers*attitudetowardsthepatients.
(2)WhichofthefollowingwordscanbestdescribeErskine?
A.Confidentandcurious.B.Generousbuthesitant.
C.Gratefulbutsensitive.D.Determinedandresourceful.
(3)Whatdoestheauthorintendtodointhelastparagraph?
A.Toillustratetheeffectivenessofhorticulturaltherapy.
B.Tomentiontherapidgrowthofhorticulturaltherapy.
C.Tostressthepopularityofhorticulturaltherapyamongpeople.
D.TodescribethecharacteristicsofpeopleinvolvedinErskine'sprojects.
(4)Whichofthefollowingcanbethebesttitleforthetext?
A.Thedevelopmentofhorticulturaltherapy
B.Thestoryofagreathorticulturaltherapist
C.Nature:thebridgebetweenworkandlife
0.Horticulturaltherapy:theantidotetodepression
5.
4BestDrive-InMovieTheatersintheUS
试卷第4页,总12页
Colorado:HolidayTwinDrive-In
Address:2206SOverlandTrail,FortCollins,CO80526,USA
Phone:+1970-221-1244
Thetheater,opensince1968andcurrentlythemostpopulardrive-inintheUS,provides
variousspecialfoods.Themenuthereevenamazesmeat-freecustomers.Butplease
remembertheoutsidefoodisforbiddenhere.Besides,theRockyMountainsprovidea
pastoral(田园式的)backdroptoscreenings,andsunsetsusuallydon'tdisappointeither.It
alsoofferslotsofuniqueeventsthatgobeyondthebigscreen.
NorthCarolina:Hound'sDrive-In
Address:114RavenCir,KingsMountain,NC28086,USA
Phone:+1704-739-4424
Havingonlyopenedin2016,it'soneofthenewesttheatersontheblock.Thedrive-in
featuresnewerequipmentanddigitalprojection.Peoplecanbringtheiranimalfriendsalong.
Florida:FortLauderdaleSwapShop
Address:3291WSunriseBlvd,FortLauderdale,FL33311,USA
Phone:+1954-791-7927
TheFloridafavoriteoffersplentyofwaystohavefun.With14screens,theself
proclaimed(自称的)world'slargestdrive-inequalsanyindoorcinemaintermsofcapacity
andprogramming.Italsoincludesan88-acreflea(跳蚤)marketandafreeFerrarimuseum.
It'sbesttobookticketsontheInternetaheadoftimeifyoudon'twanttowaitinline.
California:MissionTikiDrive-In
Address:10798RamonaAve,Montclair,CA91763,USA
Phone:+1909-628-0511
Let'shavefunintheold-schooloutdoorcinemainMontclair,California.Remember
ticketsareavailableattheticketofficeonly.Italternates(交替)uptoeightnewreleaseson
fourscreensandhostsalmostdailyswapmeetswherepeoplecanexchangethingstheyno
longerneed.Italsoorganizesclassiccarandlowridermeet-ups.
(1)WhatcanpeopledoinHolidayTwinDrive-In?
A.Sharehome-madecookieswhilewatchingthefilm.
B.Learnaboutthebenefitsofbeingmeat-free.
C.Enjoythefilmwiththelatestequipment.
0.Participateinsomespecialactivities.
(2)Whichofthefollowingtheatersisfriendlytovisitorswithpets?
A.FortLauderdaleSwapShop.B.HoldayTwinDrive-In.
C.MissionTikiDrive-In.D.Hound*sDrive-In.
(3)WhatdoFortLauderdaleSwapShopandMissionTikiDrive-Inhaveincommon?
A.Bothofferchancestotradesecond-handgoods.
B.Bothprovidefreemuseumexhibitions.
C.Bothallowbookingticketsonline.
D.Bothfeatureold-fashionedstyles.
6.
InNorthwesternItaly,ricefarmsareemployingbats.Batsaretheforemostknown
predatorsofinsectsthatareactiveatnight,includingseveralpeststhatcanbefoundinrice
fields."Theideaisthatwhatisneededtoachievesustainablefoodproductioniswhatwe
alreadyhave,buthasbeenignoredforadecade,1'saysLauraGarzoli,2017winnerofBCFN
YoungEarthSolutions.
“Ithasbeenpredictedthat,globally50percentofpestspecieshavebecomepests
becausechemicalskilledtheirnaturalpredators.Thereisnosustainabilityinthelongtermif
therearenoconservationefforts,1'saysGarzoli.
Since2017,Garzoli,alongwithcolleaguesfromtheNationalResearchCouncilhas
fixed60artificialbathabitatsinthreericefieldsinNorthwesternItaly.Now,theyare
collectingbats'wastetoanalyzetheirdietsatthesesitesandtogaininsightintotheinsects
livingintheseareas.
"InItaly,thereare34batspecies,eachfeedingonavarietyofinsects-eachbatspecies
hasitspreferredinsectsnack,1'saysGarzoli.Batscaneatuptoone-thirdoftheirbodyweight
eachnight,whichmeanstheycanconsumethousandsofinsectspernight.Theyarealso
flyinghunters-theycanpreyonnewnon-nativepestspecies.
Garzoliiscommittedtodevelopinganawarenessoftheimportanceofbatsinthe
ecosystem."Theirusefulnesshasbeenacknowledgedinseveralcountries—notonlydothey
contributetoprotectingcrops,buttheyareimportantpollinators(传粉者).Batsstillget
badpressinthenews,inparticularconcerningthespreadingofvirusdiseases,"saysGarzoli
toFoodTank.Sheexplains,"Manybatspeciesarenowadaysfacingtheriskofextinction."
Garzoliisalsodraftingabestpracticeguideforfarmersoutliningtargetedhabitat
managementtechniquesforsustainableproduction.
(1)WhydosomespeciesbecomepestsaccordingtoGarzoli?
A.Ineffectiveagriculturalmethodsarewidelyused.
B.Theirhabitatsaredisappearing.
C.Theevolutionofthesespecies.
D.Theirnaturalenemiesdieoff.
(2)WhatdoesParagraph4mainlytalkabout?
A.Thevarietyofbats*diets.
B.Thethreatofbats'insectsnacks.
C.Bats*abilitytomanageinsects.
D.Thepotentialriskofincreasingforeignpests.
(3)Whatcouldcausetheextinctionofbatsaccordingtothetext?
A.People'smisunderstandingofthem.
B.Anincreaseinunknowndiseases.
C.Theintroductionofnewinsects.
D.Theirpooradaptabilitytoartificialhomes.
试卷第6页,总12页
(4)Whatcolumnisthetexttakenfrom?
A.HealthandLifestyle.B.ArtandDesign.
C.NatureandEcology.D.SportsandEntertainment.
7.
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areasrelevanttoyourprogram,allthebetter!
Whoit'sfor
Highschoolers,universityandcollegestudents,corporateteambuildinggroupsareall
welcome.
Ataglance
•Programlength:2-4weeks
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What'sincluded
•TransportcostsforthedurationoftheprogramfromDay1collectionatFortDauphin
airporttodrop-offattheprogram'send
•Useofourbeautifulcampsitesandfacilities
•Allmealswhileonprogram(OptionalmealsoutatFortDauphinrestaurantsare
extra.)
•Fulltrainingforbuildingandconstructiontasksandconservationfieldresearch
techniques
•Malagasylanguagelessons
Additionalcosts
Internationalflights(returnfromtheUK)£680-£1,000
Internalflights(returnfromAntananarivotoFortDauphin)£280-£400
Comprehensivetravelinsurance£60-£150
Touristvisa£60
Medicalpreparations£30-£80
Personalequipment£0-£100
Getstarted
Contactustodayviaouronlineform:Onlineenquiryform
(1)WhatshouldyoubearinmindifyouwanttoapplyforSEEDMadagascarVolunteer?
A.Itlastsforfourweeks.
B.Itdoesn'thavefixedstartdates.
C.Itrequiresrelevantexperience.
D.Itisintendedforhighschoolstudents.
(2)Whichofthefollowingisprovidedwithoutextracharge?
A.Comprehensivetravelinsurance.
B.Trainingforconservationfieldresearchtechniques.
C.Short-terntrainingfordifferentlanguages.
□.TransportfromAntananarivotoFortDauphin.
(3)HowmuchdotwoparticipantspayfortheInternationalflightsatleast?
A.£560.B.£680.C.£1,360.D.£2,000.
8.
LifebeganinHawaiiin1985formusicalcelebrityBrunoMars.Hisdad,Pete,wasa
percussionist(打击乐手)andhismom,Bernadette,wasasingeranddancer,soitseemed
naturalthatBrunowouldonedaybecomeamusician.Atage4,Brunoofficiallyjoinedina
show,andaudiencesadoredhim.Thatearlyintroductiontoshowbusinesshelpedhim
developconfidence.Hesays,"Performingfromsuchayoungagejustgotmesocomfortable
onstage.Growingupperforming-thatwasnormalforme."
Aftergraduatingfromhighschool,BrunodecidedtomovetoLosAngelestopursuea
musiccareer.Itwasn'teasy,though.Hewasusedtoperformingregularlyasamusicianin
Honolulu,Hawaii.ButLA'scompetitiveatmospherewasnothinglikethatinHawai."It'snot
likeinmovies,whereyouwalkintoarecordcompanyandyou'regivenallthesegreatsongs.
Youhavetowritewhattheworldisgoingtowanttohear.Ilearnedthatthehardwayherein
LA,“Brunosaid.
Thoughtheenticementtogiveupwasgreat,heneverdid.Brunofoundthathecould
makemoneyandbecomeestablishedbywritingsongsforfamoussingers.In2010Bruno
caughtaluckybreakwhenhewasaskedtorecordoneofhissongs.Itrocketedtothetopof
thecharts.Thatsameyearhereleasedhisfirstoriginalsolosingle,JusttheWayYouAre,
whichalsohitnumberone.Thesong'ssuccessbroughtBrunoinstantfameandstarstatus.
SincethenBrunoMarshasreceivednumerousmusicawardsandhonors.Hehassold
morethan130millionrecords,makinghimoneofthebest-sellingartistsever.Manyofhis
fansandpeersconsiderhimamusicalgeniusandoneoftheworld'sbestperformers.
(1)WhywasBruno'scareerdevelopmenthardinLA?
A.Hewaslackinginconfidence.
B.CompetitioninLAwasfiercer.
C.Hedidn'tperformregularlyinLA.
D.Theaudiencewasn*tattractedbyhim.
(2)Whatdoestheunderlinedworduenticement"inParagraph3probablymean?
A.Instruction.B.Command.C.Inspiration.D.Temptation.
试卷第8页,总12页
(3)WhatmadeBruno'scareertakeoff?
A.Famoussingers1songswrittenbyhim.
B.Hisrichexperienceinperformingonstage.
C.Songshewasrequiredtorecordforhimself.
D.Famoussingers1directionandrecommendation.
(4)Whafsthemainideaofthispassage?
A.AwardswonbyBrunoMars.
B.PopularsongsbyBrunoMars.
C.BrunoMars'struggleinLA.
D.BrunoMars'roadtofame.
9.
OnahoteveninginSeptember,theHighlandHighSchoolteamwaspronouncingtowin
itsfirstgameoftheseason."Iwasreallyexcited,"saidHighlanders*linebackerRyanFenini.
“Thiswasthegamewhenitfinallycametogether."Withseveralsecondsleftinthefourth
quarterandtheTompkinsHighSchoolteamup29:28,alltheHighlandershadtodowasgo
oneyardforatouchdowntoseizeadramaticcome-from-behindvictory.
Onthepreviousplay,aftertheHighlandershaddriventheballdeepintotheTompkins*
territory(防守区),quarterbackWillGentryhadconnectedwithreceiverAustinBrauweiler
atthethree-yardline.AsBrauweilerturnedupfield,aTompkins'defenderdeliveredahit,
knockingthembothtothegroundattheone-yardline.
''Therewasahugeforce,asifatruckhadhitme,”saidBrauweiler,whosufferedfrom
thecollision(撞击).ButitwastheTompkins'playerwhogottheworstofit.Helaystillon
thegroundandadoctorhadbeencalled.That'swhentheTompkins*coachwalkedacrossthe
fieldandtoldHighlanderscoachColschenthathisplayersweretooupsettofinishthegame
andtheywouldlosethegame.
*'Inlife,thewell-beingofothersiswhat'simportant,notthescoreboard."saidColschen.
HegatheredhisHighlandersandtoldthemitwastimetosupporttheirgrieving(悲伤的)
competitors.Theyagreed.
Aftertheinjuredplayerwasairliftedtoahospital,thetwoteamstookthefieldagain.
TheHighlandteam*steammatestookakneeanddidn'tstartanyaction,onlywaitingtothe
gameclockhitzero.Gameover.
"Whatmyplayersdidwasamazing,"saidColschen,"Iwassurprisedandencouraged
thattheywerethinkingnotaboutthemselvesbutaboutothers/*
(1)Whatcanwelean)fromParagraph1?
A.Thematchwascomingtoanend.
B.Thematchwouldendthefootballseason.
C.TheHighlandersisadifficultteamtobeat.
D.TheTompkinswasconfidentofvictoryinthefinal.
(2)Whowasmostinjuredinthecollision?
A.AHighlanders'player.B.ATompkins*defender.
C.AustinBrauweiler.D.WillGentry.
(3)WhydidtheHighlanderstakenoactionuntiltheendofthegame?
A.Becausetheyhadalreadywonit.
B.Becauseoneoftheirplayersgotinjured.
C.Becausetheycaredandrespectedtheircompetitors.
D.Becausetheyweregivenanunfairjudgment.
(4)Whatmessageisconveyedinthepassage?
A.Morehaste,lessspeed.
B.A11mencannotbefirst.
C.Bettertobesafethansorry.
□.Friendshipfirst,competitionsecond.
10.
Whiletheartscan'tstoptheCOVID-19virusorthesocialunrestweseeintheworld
today,theycangiveusinsightintothechoiceswemakewhenmovingthroughcrisesand
chaos.Theartsinviteeveryonetothinkinnewways.
Weoftenexperienceworksofartassomethingthat'
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