好莱坞电影发展史及美国电影概述

AmericanfilmcultureTheformationofHollywood

HollywoodThereareseveralwaystodefinethe“Hollywood”thebroadestistheAmericanfilmindustry,includingdifferentcitiesanddifferentscalefilmproductionanddistributioncompanies.Italsoreferstothesevenbiggestfilmcompanies,includingMGM，ParamountPicture，ColumbiaPictures,WarnerBrothersPictures,WaltDisneyCompany,20thCenturyFoxCorporation,UniversalPictures.HollywoodliesonthewestcoastoftheUnitedStates,outsideLosangeles,California.TheformationofHollywoodmovieindustry1907,becauseofsomebadweather,thecountofMonteCristocameheretomakesomeshots.1911,agroupoffilmworkersfromNewJerseycreatedHollywood'sfirstfilmstudio,NestorFilms.Inthesameyear,15otherstudioshavesettledhere.1913,Daimlercompletedthefirstfilm"IndianWoman'sWhiteHusband"filmedinHollywood.1923,thewhitecharacterHOLLYWOOD,oneofHollywoodsymbols,waserectedonthehillsidebehindHollywood.1929,theAcademyAwardswereawardedforthefirsttime.TheSilentFilmsTheEarly20thCentury

In1915,TheBirthofANationwasfirstreleased.ItwasthebeginningofHollywood'sdominationoftheworld.

CharlieChaplin1889-1977Chaplinisaworld-famouscomedian.withrichlifeexperience,profoundsocialinsight,hecreatedhighestachievementsofsilentfilmformankind.

TheFirstGoldenPeriodofHollywood

1930sto1950sNewHollywood1970sto1980sNewHollywood

Inthe1960s,theUnitedStateshadaserioussocialcrisis,Theoldmovieproductionsystemhasbeenshakenforhalfacentury,Therehavebeenmanynewmovies.TheGodfatherOneFlewOvertheCuckoo'sNestJawsNowHollywoodAftermorethan100yearsofdevelopment,Hollywoodhasamaturebusinessculturemodelformovies.ThemovieisalreadyamatureculturallineinHollywoodThankyouI'llshareitwithyoutodayMyfavoriteAmericarepresentativeDirectorandactor!今天和大家分享我喜欢的美国有代表性的导演与演员！StevenAllanSpielberg史蒂文·斯皮尔伯格01VinDiesel范·迪塞尔02LeonardoDiCaprio莱昂纳多·迪卡普里奥03JamesCameron詹姆斯·卡梅隆04catalogueHavetomentionThe2018empirefilmawardforlifetimeachievement——StevenAllanSpielbergAbouthisunderstanding,let'sbaidu史蒂文·斯皮尔伯格为“电影织梦者”一点也不为过，他是以影片《辛德勒名单》和《拯救大兵瑞恩》而两次荣获奥斯卡金像奖的大导演，他的《大白鲨》、《E.T.》、《侏罗纪公园》等著名的商业片也为全球广大影迷们所熟知，当人们带着这种印象涌向电影院去欣赏那部黑白电影《辛德勒名单》时，却发现了斯皮尔伯格的另一个世界，一个充满智慧和理性的世界，一个真正斯皮尔伯格可以将电影的深刻思想性与商业元素完美的结合在一起，让观众们体验震撼壮美的画面效果同时，感受到其影片中所传达出的深刻内涵，让人意犹未尽，回味无穷。这在整个美国电影界乃至全球电影界都是非常稀有的.StevenAllanSpielberg史蒂文·斯皮尔伯格01Stevenspielbergfilmweavethedreamer"alittletoomuch,heisamovie"schindler'slist"and"savingprivateRyan"andthedirectortwicewontheOscar,hisjaws,"E.T.","Jurassicpark"andotherfamouscommercialalsoknownbytheglobalfanswhenpeopleflockingtothecinemawiththisimpressiontoappreciatetheblackandwhitemovie"schindler'slist",onlytofindthatthespielberg'sanotherworld,aworldfullofwisdomandreason,arealmovieartoftheworld.Spielbergfilmcanbeaprofoundideologicalcontentandcommercialelementsperfectunifiesintogether,lettheaudienceexperienceshockmagnificentpictureatthesametime,tofeelthefilmconveysprofoundconnotation,letapersonwantingmore,endlessaftertaste.ThisisveryrareintheentireAmericanfilmindustryandintheglobalfilmindustry

领衔硬汉特工团，用速度与激情征服观众1967年，他出生于美国纽约州纽约市，从小没有见过自己的亲生父亲，而是由非洲裔美国人继父欧文抚养大的，迪塞尔的童年一直在剧院工作。他想为他成为好莱坞演员梦想而放弃高中，高中毕业以后，他被亨特学院录取，他在学校主修英语编剧在在学院学习三年后，他决定离开做电影，从1997年他自编、自导、自演了一部小投资影片《迷失》到2017年，主演《速度与激情8》中继续饰演多姆，最终取得12亿美元的全球票房，期间他一次又一次塑造了经典形象。VinDiesel范·迪塞尔02

Leadthetoughguys,conquertheaudiencewithTheFastandtheFuriousIn1967,hewasborninNewYorkCity,NewYork,havenotseenhisfathersincechildhood,butbytheAfricanAmericanstepfatherraised,disel‘schildhoodhavebeenworkinginthetheatre.HewantstobeaHollywoodactorforhisdreamandgiveuphighschool,graduatedfromhighschool,hegothuntercollegeadmission,hemajoredinEnglishatschoolwritersintheschoolthreeyearslater,hedecidedtoleaveforthemovie,from1997,hewrote,directedandactedinasmallinvestmentfilm"lost"in2017,starringin"fastandfurious8"continuetoplaytheroleofdaum,winning$1.2billioninglobalbox-office,duringhisclassicimageagainandagain.1974年11月11日出生于美国加利福尼亚州洛杉矶，美国影视演员、制作人。1990年，16岁的他参加了电视剧《成长的烦恼》，1997年，莱昂纳多主演了《泰坦尼克号》。2010，他出演了《盗梦空间》，2016年，凭借电影《荒野猎人》获得第73届金球奖最佳男主角奖和第88届奥斯卡金像奖最佳男主角奖。莱昂纳多保持着前进的动力，他做到了角色在情感和心理上的真实化表演，无论它是如何的丑陋，幼稚或是令人费解。通过他的脸庞，他的眼睛，他占据了整个屏幕，就像一个默片演员，他知道如何运用它们，也知道如何运用他的身体；他对于表演的收放有着天生的感悟。LeonardoDiCaprio莱昂纳多·迪卡普里奥03返回目录BorninLosAngeles,CaliforniaonNovember11,1974,heisanAmericanfilmactorandproducer.In1990,attheageof16,heappearedingrowingpains,andin1997,leonardostarredinTitanic.In2010,hestarredininception,andin2016,hewonthegoldenglobeawardforbestactoratthe73rdgoldenglobeawardsandbestactoratthe88thAcademyAwardsforhisfilmtherevenant.Leonardokepthismomentumgoing,andhemadehischaracteremotionallyandpsychologicallyrealistic,nomatterhowugly,childishorincomprehensibleitwas.Throughhisface,hiseyes,hetakesoverthescreen,likeasilentactor,heknowshowtousethem,heknowshowtousehisbody;Hehasanaturalappreciationofthewaytheshowisplayed.

詹姆斯·卡梅隆1954年8月16日出生于加拿大安大略省，好莱坞电影导演、编剧。他12岁时所写的一部科幻小说是他的科幻影片《深渊》故事的原型。1980年，他获得了在影坛的第一份正式工作，在罗杰·考执导的影片《世纪争霸战》中任艺术总监，制作特效模型。1981年，詹姆斯·卡梅隆执导了第一部作品《食人鱼2》。1997年，詹姆斯·卡梅隆执导了电影《泰坦尼克号》，上映后，在美国的票房达到了4亿7千万美元；全球票房超过18亿美元，打破影史票房纪录。2010年1月，詹姆斯·卡梅隆凭借《阿凡达》获得第67届金球奖最佳导演奖。詹姆斯·卡梅隆的影片体现了成人化的幻想，但他的为人却非常地孩子气。这种“孩子气”更多体现在不顾任何世俗的限制，一心追求自己心目中的完美目标。JamesCameron詹姆斯·卡梅隆04返回目录JamesCameronwasborninOntario,CanadaonAugust16,1954.Hewroteasciencefictionnovelwhenhewas12yearsold,whichwasthebasisofhissciencefictionfilmtheabyss.In1980,hegothisfirstofficialjobinthefilmindustry,workingasartisticdirectorandmakingspecialeffectsmodelsintheRogercoveyfilm"thecenturyisafighter."JamesCamerondirectedthefirstfilm,piranhaii,in1981.In1997,JamesCamerondirectedthefilmTitanic.Worldwideboxofficereceiptsexceeded$1.8billion,breakingabox-officerecordinfilmhistory.InJanuary2010,JamesCameronwonthegoldenglobeawardforbestdirectorfor"avatar."JamesCameron'sfilmsembodyadultfantasies,butheisverychildish.Thiskindof"childish"ismorereflectedinthedisregardofanysecularrestrictions,thepursuitoftheirownidealgoal.THAT,SALLTHANKYOUManymore,tobecontinued······SUCHAS：The12directorsbehindthemarvelmoviesThenextFeatureofAmericanfilmsThroughtheunderstandingofthecharacteristicsofAmericanfilms,wecandiscoverthecharacteristicsofAmericancultureTherelationshipbetweenAmericanmoviesandAmericancultureAmericanmoviesareamajorpartofAmericanculture.ItgrowsanddevelopswiththegrowthanddevelopmentofAmericanculture.ItvividlyembodiesmanyfeaturesofAmericanthoughtandtheAmericannationandculture.ItconformstothelivelynatureandactivepersonalityoftheAmericans.Atthesametime,italsoreflectstheoptimisticspiritandhumannatureoftheAmericans.Americanmoviesfocusoncommercialityandboxofficevalue,buttheyarestillveryconcernedaboutsocietyandrealitywhilepursuingpopulartaste,beingapproachableandaccessible.ItmakesapoeticdescriptionofAmericanlife.FeatureofAmericanfilmsAmericanmoviesarefullofheroismAmericanmoviesarefullofeternalaffectionandloveAmericanmovieshaveastrongscienceandtechnologyculture"nineeleven"attacksTheSeptember11,2001,attacks(oftenreferredtoas9/11—pronounced"nineeleven")consistedofaseriesofcoordinatedsuicideterrorist[1]attacksupontheUnitedStates,predominantlytargetingcivilians,carriedoutonTuesday,September11,2001.Thatmorning,19terrorists[2]affiliatedwithal-Qaeda[3]hijackedfourcommercialpassengerjetairliners.Eachteamofhijackersincludedatrainedpilot.Twoplanes(UnitedAirlinesFlight175andAmericanAirlinesFlight11)crashedintotheWorldTradeCenterinNewYorkCity,oneplaneintoeachtower(OneandTwo).Bothtowerscollapsedwithintwohours.ThepilotofthethirdteamcrashedAmericanAirlinesFlight77intothePentagoninArlingtonCounty,Virginia.Passengersandmembersoftheflightcrewonthefourthaircraft(UnitedAirlinesFlight93)attemptedtoretakecontroloftheirplanefromthehijackers;thatplanecrashedintoafieldnearthetownofShanksvilleinruralSomersetCounty,Pennsylvania.Aswellasthe19hijackers,aconfirmed2,973peoplediedandanother24aremissingbutpresumedkilledasaresultoftheseattacks.Americanmoviesarefullofheroism

Afterthe9.11incident,Americancitizenshaveanunprecedentedsenseofcrisis.Theyareeagertohaveheroeswhocanstepforwardandsavethemwhentheyareindistress.Americanshaveastrongsenseofself-centeredness,believeinindividualism,andpursuepersonalhappinessasasocialconsensus.Americancitizensworshipindividualheroes.Theyadvocateindividualstruggleandtakerisks.Therefore,Americanmoviesstronglyadvocateself-centeredindividualismandheroism.Theyhopetoencouragetheirownpeopleandtaketheirownresponsibility.Theblackpresidentoffilm“2012”,atthetimeofthehumandisaster,gaveuptheopportunitytoboardanescapeboatandlefttheline:“Ayoungscientistwantstoovercometwentyoldpoliticians.”ThisisAheroicrealmwiththehumanfutureasitsownresponsibilityThemaleprotagonistssavethesocietywiththeirownextraordinaryabilityandpunishevil.Andthistypeofloneheroisoftenjustanordinarypersonatthebeginningofthemovie,reflectingthatordinarycitizenscanalsofindtheirownresponsibilitiesinthissociety.Nomatterwhatkindofcrisesorhardshipstheyface,nomatterwhatfatalblowstheyreceive,theyneverbelieveinfailure.Theheroesalwaysusetheincomprehensiblerationalmindtoquicklymakeaperfectlayoutandinstantlymakeabsolutecorrectjudgments.Youcanalwayscatchonlyonepercentchanceofwinning

Americanmoviesarefullofeternalaffectionandlove

Loveistheeternalthemeofthemovie.Ithasanirreplaceableposition.Nomatterwhichmovie,itdescribestheperfectionandeternityoflovemoreorless.ThefamilyisthemostimportantpartofAmericans.After9/11,theUnitedStatescompletelychangedtheconceptofpeople'slife:thefamily'swarmestaffectionisthemostvaluable.SoAmericanmoviesthatreflectloveandfamilyaffectionaregettingmoreandmore,anditcanbeseenthatAmericansattachimportancetoaffectionandlove.Americanmovieshaveastrongscienceandtechnologyculture

ThehightechnologyintheUnitedStateshascontributedtotheglobalcompetitivenessofAmericanmovies,theluxuryofcinema,thespectacleandthedreaminess.Americanmovieshavecreatedauniquecultureofthefilmwithavarietyofvisualstylingandtechnologicalmeans,reflectingitsinfinitecreativity.Somemassivedisasterfilms,sciencefictionfilmsanddramafilmshaveemergedinlargenumbers,suchas"Jaws","Alien","JurassicPark","PearlHarbor","Avatar"andotherfilms,withhigh-techadvantages.Createdimpressivemovieeffects,Americanmovieshavealwaysbuiltuptheimageofindividualheroisminthespiritofscienceandtechnology,andtheyhaveanultra-modernsenseofscienceandtechnology.AmericanmoviesareoneofthemostimportantexpressionsofAmericancultureonthescreen.AmericancinemaincorporatesthespiritualvisionofAmericanliteratepeople,implicatestheirdeepculturalvalues,propagatestheirculturalvalues,andinfluencestheformationofculturalvaluesforfilmloversaroundtheworld.Americanmoviesembodytheculturalcharacteristicsofself-centeredindividualismandheroism,eternalloveandaffection,andastrongscienceandtechnologyculture.ThereasonisthatinadditiontoHollywoodisgoodattellingstoriesandhasstrongcommercialoperations,thecompletenarrativestructureofAmericanmovieshasmaturelyreflectedthegeneraldemandforrationalorder.Themovieasaworkofarthasdeeplyattractedourattention.Inthecourseofmanyyearsofwatchingthemovie,wehavealsoprogressedfromsimplyappreciatingthedirectionofthefilmtoexploringthefootprintsofitscreativebackground.AmericanmoviescontinuetoattractustolookbackandpayattentiontotherelationshipbetweenthehistoricalbackgroundoftheUnitedStatesandthecreationofamovie.Thankyou!

ThemeofAmericanmovies1Manandnature3Heroism4Globalization2Fantasyofthefuture1Manandnature

Themovietellsthestoryofthegreenhouseeffectcausingglobalclimatechange,andtheworldisabouttofallintothesecondglacialperiod.Thenorthernhemispherewasmeltedbythegreenhouseeffect,theearthenteredthesec