jf33的英语学习方法论from andy warhol to woody allen

ItmightbeagoodideatolearnEnglishthroughwatchingEnglishmovies.Thebookishopefullydesignedtoprovethis. havebeencarefullyselectedasteachingmaterials,notonlybecausetheyarewonderfulforlanguagelearning,butallbrilliantasmoviesthemselves.ThecorecompetenceoflearningEnglishthroughwatchingEnglishmoviesseemstoenablelearnerstoexpresstheirfeelingsandthoughtswithemotions,plusawholelotmoreactually.Inotherwords,itmakesyougetemotionallyinvolved.Itisrarelyfoundinotherteachingmethodsor tforms.Toexpresswithemotionsmaylargelyimprovetheefficiencyofcommunication.Youmaylearnpronunciationwithfilmactorswhonormallyspeakwithbeautifuland,moreimportantly,precisetone.Youwillalsomeetwesternculture.Yourvocabularyisgoingtobeenlargedandyouknowhowtousethemincorrectways.Thankyoufordownloadingthisbook,andIhopeyouenjoyit.iTHANKS ALVYANNIE

ANNIEANNIE

JOHNDEADPOETS

IAM

JOHNABEAUTIFUL

THEPRIMELOVE KATEAND

KATEAND

NEILDEADPOETS TODDDEADPOETS

THETRUMAN

SLEEPLESSIN

SLEEPLESSIN13这一章已经不谈看 的问题了，我们谈谈发音、语速和语法。即便如赛口模奖的，我当年参加微软举办赛口模奖4

并加以模仿。我为什么选择演员，因为演员有台词功底。我先后模仿过TOMHANKS，HUGHJACKMAN等多位讲英文时带有一些播音腔，且讲英美混合国配音，配出来的中国话发音很不标Movie1.1许岑啰哩吧嗦讲发ABITTYNOTEOFWORLDMarkC.Beforethetwentiethcentury,peoplewereabletoviewmovingpictures.Those"movingpictures"werethennamed ".Ataboutthesametime,fi wereactuallyveryshort.Subjectsusuallyincludedviewsofacoupleofpeoplehavingbreakfast,akidyingwithabanana,amanngexercises,apigeatinganegg,orevenjustseveralhouses,allverysimpleideas.Inotherwords,theearly wereextremely"physical"andcasual.Thenpeoplestartedexpressingtheirfeelings,nervousoranxious,andtheirthoughtsin .Later,conversationsandinterviewsshowedupin ,peoplecallthosefi ary".Withthediversityofcontents,itappearedgenres,butfewfilastedmorethananhour.By1914,nationalfilmindustrieswereestablished.ThegreatstrengthoftheItalianindustrywas

historicalepic,withlargecastsandmassivescenery.TheFirstWorldWardefini retardedthefilmindustryinEurope;meanwhiletheAmericanindustrygrewinrelativeimportance.FilmmakersintheU.S.earnedmillionsofdollars,becamerichandfamous.Butthefactsbehindwererevealedtobeextremelycommercial.Duringthe1960s,thecinemaofFrancebecamepowerful.FrenchNewWavedirectorsbroketherulesofHollywoodcinemanarrativestructure,suchascampuslife,urbanityorhorrorWiththeworldwidefilmboom,cinemaprobablybecamethemostimportanttoolofcommunicationandentertainment,andmassmedia.Cinemacompaniesknewhowtomarketamovie.ForsomespecialoccasionslikeChristmas,theywouldgenerallymakeblockbustersonshownintheaters.Additionally,filmmakerswouldoffertrailersforaudiencestohaveaquickpreview.Moreover,youcouldseemoreandmoreinserted566advertisementinfi ,suchasNestlémilkanddietCoke.ItwasregardedasaninterestingphenomenonthatrecentlyfilmmakersfromKoreagotremarkableinAsia.以上就是我在中提到的所有练习发音的文字内容。我为你录了几个版本的，并你应该跟着慢速将每个词的音发对，发好。接下来跟着正常速度的版本练习节ABittyNoteofWorldMarkC.¬Beforethetwentiethcentury,peoplewereabletoviewpictures.Those"movingpictures"werethennamed Ataboutthesametime, wereactuallyvery¬ Subjectsusuallyincludedviewsofacoupleofpeople¬breakfast,akidyingwithabanana,a ng¬apigeatinganegg,orevenjustseveralhouses,all simpleideas.Inotherwords,theearly were"physical"andcasual.Thenpeoplestartedexpressing feelings,nervousoranxious,andtheirthoughtsin ¬Later,conversationsandinterviewsshowedupinfi,callthose ary".Withthediversityof ¬itappearedgenres,butfewfilastedmorethanan7 By1914,nationalfilmindustrieswereestablished.The strengthoftheItalianindustrywashistoricalepic,¬largecastsandmassivescenery.TheFirstWorldWar retardedthefilmindustryinEurope;meanwhiletheindustrygrewinrelativeimportance.Filmmakersinthe earnedmillionsofdollars,becamerichandfamous.Butfactsbehindwererevealedtobeextremelycommercial.¬the1960s,thecinemaofFrancebecamepowerful.French¬WavedirectorsbroketherulesofHollywoodcinema¬structure,suchascampuslife,urbanityorhorror¬Withtheworldwidefilmboom,cinemaprobablybecamethe importanttoolofcommunicationandentertainment,andmedia.Cinemacompaniesknewhowtomarketamovie.For¬specialoccasionslikeChristmas,theywouldgenerally¬blockbustersonshownintheaters.Additionally, wouldoffertrailersforaudiencestohaveaquick¬Moreover,youcouldseemoreandmoreinsertedadvertisement ¬ ,suchasNestlémilkanddietCoke.ItwasregardedasinterestingphenomenonthatrecentlyfilmmakersfromKorea¬¬remarkableinAsia.Audio1.1慢 Audio1.2常9Audio1.3快速版外国人讲英文时跟我们说中文的时候方式有区别。他们那种方式叫做腹式发生问我怎么能够使用外国人那种腹式方法。我其实自己练过腹式，虽然没有养成说中文的时候自然的腹式，但是掌握了腹式方式。其实话剧演员在舞台上演出时就是腹式，他们不用麦克也能使最到后面快没气的时候就是腹式。所以我了一些效果。你听快速版本的自己感受

Movie1.2TALKINGINT.Atypicalold-fashionedtheatricalagencyinaBroadwayofficebuilding,Autographed8X12steredinthesloppyTheagent,chewingacigar,sitsbehindhisdesktalkingtooneofhis acomedian,whostandswithhishandsinhispockets.AyoungAlvysitsstifflyinachairnearbywatching.Thisguyisnaturallyfunny.Ithinkhecanwriteforyou.2WOODYALLEN开始读这本书的人，有多少是真正想处并非指分级）。无论你之前是否学过Movie2.1YOURFIRSTAnnie.Hall.002351.002748Alvy'sfirstmeetingwithAnnieonthetenniscourt这整册书中，你看到的任何英文段落都释义）。我现在只是让你知道，我们在学习，不是玩儿。我将MOVIE1.1影片的英

到的那么简单，因为这是·艾伦的。正的希望是你能在“大致”了解了这段影生。你如果觉得自己本来对艾伦和他的文意思，再点击译文中的图标，了解详 Movie2.2许岑式讲解艾Annie.Hall.002351.002748Alvy'sfirstmeetingwithAnnieonthetenniscourt释义。点击。 Hi.Hi.Hi,Oh,hi.阿尔Well,You-y...very阿尔Oh,yeah?Sodoyou.Oh,God,whatta-whattadumbthingtosay,right?Imean,yousayit,"You ywell,"andrightaway...Ihavetosay ywell.Oh,oh...God,Annie.Well...oh,wellla-de-da,la-de-da,la-Uh...you-youwannaOh,why-uh...y-y-youNo,um...Iwasgonnatake

这说什么傻话呢。我意思是，你说，“你打得不错。”然后我就不得不说，“你打得很好。”噢，噢……上帝啊，安妮啊（你可长嗒，啦啦。阿尔噢，为啥 呃……你-你-你有车阿尔Oh,no,IhaveaYouhaveacar?So...Idon'tunderstandwhy...ifyouhaveacar,sothen-thenwh-whydidyousay"Doyouhaveacar?"...likeyouwantedaIdon't...Idon't...Idon'tknow,I've...Iwa-This...yeah,IgotthisVWoutthere...Whatajerk,yeah.WouldyoulikeaSure.W-w-w-whichwayMe?Oh,Down-I'm-I'mgoin'

阿尔有车的话，那，那么为啥你刚才说“你有车才……，这个……对，我的大众车（甲 ctive2.1阿尔当然。阿尔Oh,well,I'mgoin'Uh,well,youjustsaidyouweregoingYeah,well,I'm,butIAlvypicksuphisbagandmovestowardthedoor.Asheturnshisbagaround,thehandleofthetennisracketbitsAnniebetweentheSoImean,Icangouptown,too.Iliveuptown,but...uh,whatthe ,Imean,it'dbenicehaving ,youknowImean,Ihatedrivingalone.So,howlongdoyouknowJanet?Wheredoyouknow

阿尔阿尔维拎起自己的包門口。当他调整手对隐晦地耍。当然，也可能是想阿尔我的意思是，我也可以去上城。我住在上阿尔阿尔Oh,I'minheractingOh-you'reanWell,Idocommercials,ofI,uh...well,you'renotfromNewYork,No,ChippewaRight!Uh,you'redrivingUh,don'tworry,I'mavery-averygooddriver.So,listen-hey,youwantsomeNo,nothanks.Hey,

我在 阿尔阿尔 阿尔阿尔 阿尔不，不用，谢谢。嘿Well,whereisit?No,no,no,youjust...justwatchtheroad.I'llgetforOkay,that'sAllI'llgetchaaYeah...so,listen-youDoIdrive?Uh,no,Igotta-IgottaproblemwithOh,youYeah.Igot,uh,IgotalicensebutIhavetoo

咦，哪去了阿尔好哒阿尔阿尔阿尔Oh,NiceYoukeepitnice.CanIaskyou,isthis-isthisHuh?Oh,Iliveoverhere.Oh,myGod!Look!There'saparkingThat'sokay,you...we-wecanwalktothecurbfromhere.Youwantyourtennisstuff?Huh?Oh...Youwantyourgear?HereYeah,thanks.Thanksa

阿尔维车阿尔阿尔 阿尔Well,thanks,thankyou.You-you'reawonderfulYou'retheworstdriverI'veeverseeninmylife...that'sincludinganyce...theworst...United...anyce...AndIlovewhatOh,youdo?Yeah?Oh,well,it'suh...thisis,uh...thistieisapresent,GrammyWho?Grammy?GrammyYeah,my

阿尔噢阿尔你是我一生中见过的……包括任何地方的……的……欧洲，……任何阿尔噢，是么。真的？噢，好吧，它是……这是……嗯，这个领带是我送给我的礼阿尔You'rejo-What?yuhkid-Whatdidyoudo,growupinaNormanRockwellYeah,IYourIknow,it'sprettyisn'tJesus,my-mygrammy...n-nevergavegifts,youknow.She-shewastoobusyrapedbyWellWell...thankyouOh,yeah,I'llsee

阿尔 阿尔阿尔 知道么。她-她整天忙着应付哥萨克人。阿尔阿尔Hey,well,listen...hey,youwannacomeupstairsand,...andhaveaglassofwineandsomething?Aw,no,I...Imean,youyou'reNo,no,that'llbefine.don'tmind.YouNo,IgotSure,Igot...Igotnothing,uh,nothingtill Oh,yousee Y-y-yeah,justforFIFTEEN

嘿，那个，听着……嘿，你想上来么，呃……喝杯酒啥的？啊，不是，我的意思阿尔阿尔阿尔阿尔Yeah,uh,I'mgonnagivehimonemoreyearandthengoin'toFifteen-aw,comeon,you're..yeah,

阿尔 3EXPRESSION 的精髓并不在于学 口语中看到的那样，语言学习材料大多以功能划分，诸如“问路”，“点餐”，“去银行”，“机场送行”等等。这些“场景”在中也有不少展现，但是人们拍并不是为了展示这些“场景”。这也许就是看跟通过《走遍》这套 区别。说到《走遍》，里面演员的演技 教学时，将片

Movie3.1ORDER 接触的东西是的想法交流和情感表达。这些东西在《走遍》等传统中是极在这一章节中，我还是想举个例子，告诉英语学习者，即便是跟着学语是能达到极好的效果的。比如“点餐”，我们在传统英语中只会学到一些餐具和食物的名称，或如何结账、给小费如果我们点下一道食物，对这个食物的烹调方式有自己的一些特殊要求，传统英语嗯，现在点两个煎蛋，我要单面儿煎，

OK.WhataboutIwouldliketohavetwoeggs,sunny-sideup,butnotrunny,OK?Notrunny.AndthenIwouldliketohaveFrenchpancakes...withthefruit onthe这样看起来，我们就知道鸡蛋“单面儿煎”是sunny-sideup，而“不要太生”的说法则是notrunny了。这就是在中“遇到”的功接下来我们不再谈零散的功能点，我们只说人们用语言来做的最多的事情就是“描述”。我讲授托福口语课程的几年时间里，了解到托福口语考试六个题目只两件事，就是应试（DESCRIBE）辩论(AGE)述能力（当然托福口语考试亦应试者的笔记。托福口语考试的应试者在备考初期对人、不够详细（specific）。我们下面就来尝试

首先，你可以说，em,huh...well,...这些考生会，但是如果面对一个在“嗯、啊、那个……”的考生，会考生要表说起，你也可以说Letmethink...虽然你跟着你如果仍然说不出完整的句子，那你也可以蹦词儿，mn,ldmn,oghi,lk,yshtesit,ity,o,lkslkelMx这词实际然我们也不需要文学家了。即便是nativespeakers用英文描述这幅肖像，也未必容表达的并不强烈，甚至是抵触。这个情况在接下来的片段中表现得淋漓尽致。一个年轻学生被老师叫起来，要他表达自Movie3.2HOWTONow,who'snext?Mr.Anderson,Iseeyousittingthereinagony.Comeon,Todd,stepup.Let'sputyououtofyourmisery.I,Ididn'tdoit.Ididn'twriteapoem.Mr.Andersonthinks

everythinginsideofhimisworthlessandembarrassing.Isn'tthatright,Todd?Isn'tthatyourworstfear?Well,Ithinkyou'rewrong.Ithinkyouhavesomethinginsideofyouthatisworthagreatdeal.Keatingwalksuptotheblack-boardandbeginstowrite."Isoundmybarbaricyawpovertherooftopsoftheworld."W.W.UncleWaltagain.Now,forthoseofyouwhodon'tknow,ayawpisaloudcryoryell.Now,Todd,Iwouldlikeyoutogiveusademonstrationofabarbaric"yawp."Comeon.Youcan'tyawpsittingdown.Let'sgo.Comeon.Up.ToddreluctantlystandsandfollowsKeatingtothefront.Yougottagetin"yaw stance.ANo,notjustayawp.Abarbaricyawp.(quietly)Comeon,louder(quietly)No,that'samouse.Comeon.Oh,goodGod,boy.Yelllikea(shouting)Thereitis.Yousee,youhaveabarbarianinyou,afterall.ToddgoestoreturntohisseatbutKeatingstopshim.

Now,youdon'tgetawaythateasy.KeatingturnsToddaroundandpointsoutapictureontheThepictureofUncleWaltupthere.Whatdoesheremindyou Don'tthink.Answer.GoKeatingbeginstocirclearoundTodd.Am-m-madmanWhatkindofmadman?Don'tthinkaboutit.Justansweragain.Ac-crazymadmanNo,youcandobetterthanthat. upyourmind.Useyourimagination.Saythefirstthingthatpopsintoyourhead,evenifit'stotalgibberish.Goon,goUh,uh, asweaty-toothedGoodGod,boy,there'sapoetinyou,afterall.There,closeyoureyes.Closeyoureyes.Close'em.Now,describewhatyousee.KeatingputshishandsoverTodd'seyesandtheybegintoslowlyspinaround.Uh,I-IclosemyeyesUh,andthisimagefloatsbesideme.Asweaty-toothedAsweaty-toothedmadmanwithastarethatpoundsmybrain.Oh,that'sexcellent.Now,givehimaction.Makehimdosomething.

H-Hishandsreachoutandchokeme.That'sit.Wonderful.KeatingremoveshishandsfromToddbutToddkeepshiseyesAnd,andallthetimehe'smumbling.What'sheM-Mumbling,"Truth.Truthislike,likeablanketthatalwaysleavesyourfeetcold."ThestudentsbegintolaughandToddopenshiseyes.Keatingquicklygesturesforhimtoclosethemagain.Forgetthem,forgetthem.Staywiththeblanket. lmeaboutthatblanket.Y-Y-Y-Youpushit,stretchit,it'llneverbeenough.Youkickatit,beatit,it'llnevercoveranyofus.Fromthemomentweentercryingtothemomentweleavedying,itwilljustcoveryourfaceasyouwailandcryandToddopenshiseyes.Theclassissilent.Thentheybegintoclapandcheer.(whisperingtoTodd)Don'tyouforgetthis.

刚才TODD说的原话说出来就行。我现在Am-m-madman.Ac-crazymadman.Uh,uh,asweaty-toothedmadman.Atoothedmadmanwithastarethatpoundsmybrain.H-Hishandsreachoutandchokeme.And,andallthetimehe'smumbling.M-Mumbling,"Truth.Truthislike,likeablanketthatalwaysleavesyourfeetcold."Y-Y-Y-Youpushit,stretchit,it'llneverbeenough.Youkickatit,beatit,it'llnevercoveranyofus.Fromthemomentweentercryingtothemomentweleavedying,itwilljustcoveryourfaceasyouwailandcryandOh,that'sexcellent.That'sit.Wonderful.Wonderful.材，我们更要学习MR.KEATING是如何引领TODD一步一步展开描述的。我们再总结KEATING说的重要的话：Comeon,Whatkindofmadman?Don'tthinkaboutit. upyourmind.Useyourimagination.Saythefirstthingthatpopsintoyourhead,evenifit'stotal...Now,givehimaction.Makehimdosomething.Forgetthem,forgetthem.Staywiththeblanket.以上这些话，就是我在教学中要对说的 一个段落，我希望每个人都可以熟记MR.KEATING说的话，并能将TODD的

国最伟大的诗人之一WALTWHITMAN，有因其对性的大胆描述而被归为秽。他的诗作展现了种族主义的观点，曾一度公开 对的阻碍。4SLEEPLESSIN学一部。事实上你如果能坚持学完一个电学完一部要多长时间？我们先说什么叫学完一部吧：①能用中文讲清楚一部能用英文描述这部讲了什么，越细致越不是一句话；③能大段大段地说出中学完一部，如果你能继续学两三个电部SLEEPLESSINSEATTLE。我知道很多人对这部可能会有生理不适感。如果

匪的、悬疑的、的，这些本身的电我为什么选择SLEEPLESSIN这部？很多国外的看材料也首推这部。它是当代的、都市的、讲情子之情。对于大部分人来讲，选择一部电一次学个片段就可以了。比如你第一天Mommygotsick,andithappenedjustlikethat.Therewasnothinganybodycoulddo.Itisn’tfair.There’snoreasonandifwestartasking“why”,we’llgocrazy.之前一样的给出。GOODLUCKSLEEPLESSINFADECLOSEONSAMAcard:He'sinhisthirties.Hisneckispinchedintoacrispdressshirtandtie.Hisexpressionisvacant,faraway.Abreezeblowsbuthedoesn'treacttoit.Movie4.1CHICAGO-AGRAVESITE-Mommygotsick,andithappenedjustlikethat.Therewasnothinganybodycoulddo.Itisn’tfair.There’snoreasonandifwestartasking“why”,we’llgocrazy.

GREG‘SFiveminutesinthemicrowave,anyoneofthem,fiveminutesand....done,readytoeat.Doyouknowhowtomakejuice?Microwave.FiveminutesMovie4.2SAM'SOFFICE-SAM’SWORKMATEHere,myshrink.Call“LossofSpouseSupportGroup”,“ChicagoCancerFamilyNetwork”;“ParentsWithoutPartners”;“PartnersWithoutParents”;Hugyourself.Hugafriend,hugashrinkorwork,workhard,workwillsaveyou.Workistheonlythingthatwillseeyouthroughthis.Don’tmindhim,he’sjustaguywho’slosthiswife.Ithinkwhatwereallyneedisachange.SAM’SWORKMATEGoodidea.Takeacoupleofweeksoff.Getsomesun.TakeJonahfishing.No,arealchange,anewcity.SomecewhereeverytimeIgoaroundacornerIdon’tthinkofMaggie.SAM’SWORKMATEWhereareyougoingtoIwasthinkingaboutMovie4.3O'HAREAIRPORT-

Eventually,inafewyou’llstartseeingwomen.You’llmeetsomeone.Right,right.Moveon.Right.That’swhatI’mgoingtodo.Andthen,inafewmonths“Boom”,I’llbefine.I’lljustgrowanewheart.Sam,I’msorry.Ididn’tmeanIknow.Iknow.Look,itdoesn’thappenMovie4.4 NE-NIGHT-Movie4.5EXT.BALTIMORESUN-LATEAFTERNOON-CHRISTMASThetallonewithredhairisyourcousinIrene...You’llrecognizeherbydisappointedlookonher...WhoismarriedtoHarold,whoranoffwithhisButcamebackbecauseIrenethreatenedtoputthedog ifhedidn’t.YourbrotherDennisis

professoratJohnwho’smarriedtoThemostcompetitivewomanintheworld.Idon’tseehowgoingtorememberallOh,well,Walter,youYouruncleMiltonlostallofhismoney.......andsome...inapyramidscheme.Don’tmentiontheIRS orthefederalbusinesssystem.YourmotherisBarbara.YourfatherisCliff.MyfatherhaselectricReally?AmIwhattheyhadinmind?Oh,Walterthey’regoingtoloveyou!Movie4.6INT.ANNIE'SPARENTS'DININGROOM-NIGHT Everybody,AnniehasanWalterandIareengagedYea!CongratulationsBlessyou.Bless

AreyouallIt’sMaybeit’stheWe’llmoveNo,no!Don’ttouchthem.It’sterriblesneezingatatimelikethis.Thisisaveryimportantmomentforme.He’sallergictoDon’tworryaboutBees...I’mallergictoHaroldisallergictoeverytypeofbee.Wealwayshavetocarryahypodermicof whereverwego.Ifheeatsevenonetinypieceofanut...MyheadswellsuplikeawatermelonandIdropdeadIt’sthesamewithHaroldandYourmotherandIhadsalmonatourwedding,andIreallythinkthataweddingwithoutcoldsalmonis...Iamnotallergictosalmon...Idon’tthink.But,youneverYouneverHaroldwasn’talwaysallergictobees.Oh,honey,whatashame!Wehadsomechampagneandwhatdidweuseitfor?UncleMilton’sparoleItwas

Itwas,wasn’tit,Whenareyougettingmarried,EarlyJune,intheDoesithavetobeintheWhataboutHaroldandI’mallergictoWe’llsprayyouColdSalmon,alovelycucumbersalad,strawberries...I’mafraidIamallergictostrawberries.TodayIconsidermyselftheluckiestm-m-manonthef-f-faceofthee-e-earthALouGehrigline.remember?TheLouGehrigline“Prideofthe“PrideoftheBaseball.It’sbaseball,ahistoricalreference.Iwouldliketoproposeatoast...tomykidsister.ToWalterandmyEveryone,pleaseeat,beforeitgetscold.Movie4.7INT.ATTIC-

Hereitis.ThehistoricalsocietywantedthisandIneverwouldgiveittothem.Oh,Inoticethesethingsarebackinfashion.Grandmother’sHe’salovelyman,Iknow.Heiswonderful,isn’the?Andhe’ssuchawonderfulArehis You’lllovethem.We’regoingdowntoD.C.tonighttobewiththemChristmasmorning.HowdiditIt’ssilly,really.Um,seenhimattheoffice.ObviouslyI’dseenhim,he’stheassociatepublisher,andthenoneday,webothorderedsandwichesfromthesameceandhegotmylettuce-and-tomatoonwholewheatwhichofcoursehewasallergicto,andIgothislettuceandtomatoonwhite.HowItis,isn’tit?Youmakeamilliondecisionsthatmeannothingandthenoneday,youordertake-out anditchangesyourlife.DestinytakesaMom,destinyissomethingwe’veinventedbecausewecan’tstandthefactthateverythingthathappensisThenhowdoyouex inthatyoubothorderedexactly

samesandwich,exceptforthebread?Howmanypeopleinthisworldlikelettuce-and-tomato,withoutsomethingelselikeWell,itwasn’tasign.Itwasacoincidence.IwasinAtlanticCitywithmyfamily.Cliffwasawaiter.Hewasn’tevensupposedtoworkthatnight,andsupposehehadn’t?Heaskedmetotakeamidnightwalkonthesteelpier.I’veprobablytoldyouthisamilliontimes,butIdon’tcare.Andheheldmyhand.AtonepointIlookeddownandIcouldn’t lwhichfingerswerehisandwhichweremine,andIknew.....YouMagic.ItwasIknewwe’dbetogetherforever,andthateverythingwouldbewonderful,justthewayyoufeelaboutWalter.Walter,it’squiteaformalname,isn’tit.OneofthethingsItrulyknewwasthatyourfatherandIweregoingtohaveawonderfultimein...“thesack”,Ibelieveyoucallit.Ofcourseittookseveralyearsbeforeeverythingworked

Oh!It’saYoudon’tbelieveinMovie4.8EXT.STREET-likeclockwork inthatdepartment,sodon’tbeworriedifittakesawhile.Well,weFine,fine.Fiddle-de-deeHow’sitworking

Theyloveyou.ItoldyoutheywouldloveyouandtheylovedIloveIloveyou,Walter.DidanyonecallyouanythingotherthanNotevenwhenyouwereNo.NotevenwhenIwasyoung.You’resureyoudon’twantdodrivewithme?HowwillIgetbacktoBaltimoreonFriday?Oh,Iforgotthepresent.Walter,Ileftyourstep-mother’spresentinsidebyaccident.Iswear,whenwe’reoldandgrayyou’regoingtohavetoremindmetoputmyteethin.I’llbewalkingallovertownsmackingmygumstogetherandnotevenI’llOh,right.No,don’twait,Walter.It’ssilly.Yougoahead.We’relateanyway.I’llbetenminutesbehindyou.

Movie4.9INT.CAR-DR.ebackto“YouandYourEmotions”.I’mDr.MarciaFieldstone,broadcastingliveacrossAmericafromthetopoftheSearsTowerinChicago.Tonight,we’retalkingabout“WishesandDreams“.What’syourwishthisChristmasWhat’syourwish?MywishistoturntheradioDR.Seattle,goo,thisisDR.Nolastnames,Jonah.Yousoundyoungerthanourusualcallers.Howoldareyou?I’mDR.Eight!Howcomeyou’reupsolate?It’snotthatlateinDR.Oh,ofcourse. yright.What’syourChristmaswish,Jonah?It’snotforme.It’sformydad.Ithinkheneedsanewwife.DR.

SheDR.I’msosorrytohearWell,whocanbelieveI’vebeenprettysad,butthinkmydad’sDR.Haveyoutalkedtoyourdadaboutthis?DR.WhyIt’slikeitmakeshimYoudon’tliketheonehe DR. Well,IcanunderstandJonah,isyourdadhome Hedoesn’thaveoneThat’stheDR.Where’syour

DR.What’s ng?IsheNotreally.He’soutonthedeck.DR.Well,I’msurethatIcanhelp,butI’mgoingtoneedyoutohelpmehelphim...WretchedwomanDR....sobringyourdadtotheHangupJonah!Don’tlistento

DR.Alright,fairDad!Thereissomeoneonthephoneforyou.HisnameisDR.Ifyou’vejusttunedin,thisisDr.MarciaFieldstoneandtonight’stopicis“YourWishesandDreams”andwe’reonthelinenowwithsomeonefromSeattle.Noway!He’d

me

DR.o,Sam.ThisisDr.MarciaFieldstoneonNetworkDR.Trustme,Jonah.Hewon’tbeangrywhenherealizeshowconcernedyouareabouthim.WannaOK,butifIgetyelledat,I’mnevergoingtolistentoyourshowagain.

OK,whatareyousellingtonight?ThemicrohibachisortheGINSUKnives.DR.No,I’mnotsellinganything.Ijustwanttohelp.Iwantyoutoknowthatyoursoncalledandheaskedmeforsomeadviceonhowyoumightfindanewwife.WhoisDR.Dr.MarciaFieldstoneofNetworkAmericaandyouareontheair.YoucalledtheradioDR.Sam,Sam,Sam,areyouwithYeah,DR.Yoursonfeelsthatsinceyourwife’sdeathyou’vebeenveryveryunhappyandhe’sgenuinelyworriedaboutyou.Hey,getouthere.Getouthere!NowI’mnotgoingtogo thisalone.DR.Ithinkit’sveryhardforhimtotalktoyouaboutallthisandIthoughtmaybeyouandIcouldtalk,maybeitwouldmakeJonahfeelalittle

better,Talktoherdad,she’sadoctor.Ofwhat?Herfirstnamebe“Doctor”DR.Sam.Sam.It’shisChristmaswish.DR.OK.Good.NowIknowthisisdifficult,buthowlongagodidyourwifedie?AboutayearandahalfDR.HaveyouhadanyrelationshipsDR.No?WhyMarcia,orshouldIcallyouDr.Fieldstone.DR.Dr.Dr.Marcia.Idon’tmeantobeDR.....andIdon’twanttoinvadeyourprivacy.SAMANDSureyouDR.Goon,Sam.I’mlistening.Wehadaprettytoughtimethereatfirst,butwe’redealingwithit,andJonahandIwillgetalongjustfineagain,assoonasIbreakhisradio.DR.Ihavenodoubtthatyou’reawonderfulfather.Y’know,

lalotfrom YoucertainlyDR.ButsomethingmustbemissingifJonahstillfeelsyou’reunderacloud.Nowjustafewquestions:Areyousleeatnight?Hedoesn’tsleepatHowdoyouknowIlivehere,Look,it’sChristmas.Maggie,mywife,shereally..Imean,sheloved...shemadeeverythingbeautiful.It’sjusttoughthistimeofyear.Anykidneedsamother.DR.CoulditbethatyouneedsomeonejustasmuchasJonahDR.Don’tanswerthat.Let’sgetintothatrightafterthesemessages.Sam,Jonah,don’tgoaway.Ifyou’vejusttunedin,we’retalkingto“SleeplessinSeattle”,andwe’llberightback,afterthisbreak,withyourlistenerresponse.WhatisshetalkingThisiswhenotherpeoplegettocallinanddumponwhatyousaid.Oh.Oh.Thisisreallyfun,andhelpful.Movie4.10INT.TRUCKSTOP-

WAITRESSIbethe’stallwithacutebutt.WAITRESSIbethehasn’tbathedinweeksandhestinks.WAITRESSHarriet,shutup.Hi,canIhelpyou?Tea,withthebagoutWAITRESSY’know,maybeI’lljusthustlemyselfouttoSeattleandgivehimalittlegiftforNewYearEve.WAITRESSYeah,yougoonoutthereifyouwantto,butdon’topentherefrigerator.Theydon’tcoveranythingwhentheyputitinthefridge,theyjuststickitinthereandleaveit‘tilifitwalksoutbyitself.WAITRESSWhatI’msayingisIwouldn’tkickthisguyoutofmybedforeatingcrackers.65¢DR.Let’stakeacallbeforewegetbackto“Sleepless”Knoxville,Tennessee,you’reontheair,talktome.Yes,IwouldjustliketoknowwhereIcangetthisman’sWAITRESSHoney,getinlineDR.IftherewasonequestionIwasallowedtoask...Oh,goDR.Peoplewhohavetrulylovedoncearefarmorelikelytoloveagain.Sam,doyouthinkthere’ssomeoneouttherethatyoucouldloveasmuchasyourwife?

Well,Dr.Marciathat’shardtoimagineDR.WhatareyougoingtoWell,I’mgoingtogetoutofbed,everymorning,andbreatheinandoutalldaylongandthenafterawhile,Iwon’thavetoremindmyselftogetoutofbedinthemorningandbreatheinandoutandthenafterawhile,Iwon’thavetothinkabouthowIhaditgreatandperfectforawhile.DR. lmewhatwassospecialaboutyourHowlongisyourprogram?Well,itwasamilliontinylittlethings,andwhenyouaddthemallup,itjustmeantthatweweresupposedtobetogether.AndIknewit.IknewitthefirsttimeItouchedher.Itwaslikecominghome,onlytonohomeI’deverknown.Iwasjustherhand,herhand,outItacar,and...magicDR.Wellfolks,it’stimetowrapitup.I’mDr.MarciaFieldstoneinChicago,andtoallmylisteners,amagicalandmerryChristmas.Andtoyou,“SleeplessinSeattle”,wehopeyou’llcallagainsoonandletusknowhowit’s

Movie4.12INT.LIFESTYLESECTION-Thismansellsthegreatestsoupyou’veevereaten,andheisthemeanestmaninOh,youcancount

it

Ifeelverystronglyaboutthis,Becky,it’snotjustaboutsoup. MOVIE4.11EXT.LAKEUNIONMARINA-LATENIGHT-SONG

Doit.WhatNewYear’sEve.PleasemakemewriteListentothis:phoneserviceinthegreaterChicagoareawastiedupfortwohoursChristmasEvewhensomekidcallsaphone-inradioshowandsayshisdadneedsanewwife.2000womencalledthestationaskingfortheguy’snumber.Iheardit.Thekidcallsupandsayshisdadneedsawifeandtheshrinkettepracticallystheguyontothephoneandsays“Doyouwanttotalkaboutit?”andtheguysays“No,asamatteroffactIdon’t.andthensuddenly,fornoreasonatall,hestartstotalkabouthowmuchhelovedhiswifeandhowhejustfellinlovewithherlikehewasoneofthosecowsinMichiganWhatcowsinItwason“60-Minutes”therewerethosecowsthatgozappedbystrayvoltageandnooneknowswhy,andmaybeitwasWisconsin.But,anyway,IwaslisteningtohimtalkabouthowmuchhelovedhiswifeandsuddenlyIwascrying.It’slikewhathappenswhenIwatchthosephone ads.Idon’thavetoseethewhole

thing,justthepartwherethedaughtergivesthemothertherefrigeratorwiththebigredbowonit.Yes.AndthePolaroidcommercial:twofive-year-oldattheirgrandfather’sbirthdayparty.Thatkillsme.Youshouldwritesomethingaboutthis.AboutWhateverit lyouwhatitis:Twothousandwomencallingaradiostationlookingforahusband?TherearealotofdesperatewomenouttherelookingforEspeciallyoveracertainage.Youknowit’seasiertobekilledbyterroriststhanitistogetmarriedovertheageofforty.That’snottrue.statisticisnotThat’sright,it’snottrue...Butitfeelstrue.ItfeelstruebecauseitISThereispracticallyawholebookabouthowthatstatisticisnottrue.Calmdown.Youbroughtitup.Ididnot,Wyatt.Didyouevenreadthatbook?Didanybodyreadthatbookallthewaythrough?Areyoutwofinished?Fine.Nowwherewerewe?Ifsomeoneisawidower,whydotheysaythathewas

“widowed”?Whydon’ttheysaythathewas“widowered”?(Nooneanswers)IwasjustMovie4.13INT.BALTIMORE-WhatwasthataboutupWhatwasWhat’swithNothingwithSomething’swithWhatareyouWhateveritis,youcan

WhatwasIt’swassofunny;wewerehysterical,whatwasthat?....“Sleeplessin That’swhatshecalledhimattheshowbecausehecan’tAndnow2000womenwanthisnumber.Theguycouldbeacrackhead,atransvestite,aflasher,ajunkie,achain-sawmurderer someonereallysick,someone,likemyRick.Actually,hesoundedOh?Oh,really.NowgettingdowntoitPlease,Becky.I’mmadlyinlovewithWalter.Hedidthecraziestthingtheother

MOVIE4.14INT.NEWYEAR'SEVEPARTYINBALTIMORE-NIGHTWalterandAnnieare