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Teacher'sTeachingPlanof"TheOnlyAudience"
Designdescription:
ChineseCurriculumStandardspointsoutthatChineseteachingshouldfocusontheimprovementofstudents'Chineseliteracy.ThecoreofChineseliteracyistheabilityoflistening,speaking,readingandwriting,andtheessenceoflistening,speaking,readingandwritingistheabilityofisomorphismandsymbiosisoflanguageandspirit.Thedesignofthislessonisbasedonstudents'reality,whichguidesstudentstounderstandthemainideaofthearticle,tastethelanguageofthearticle,andtrytofigureoutthee*pressionofthearticle.Throughthetrainingofspeaking,readingaloud,imaginingandwritingwords,students'emotionsresonatewiththefeelingsoftheauthor,activelyparticipateinreadingactivities,andmakethespiritandlanguagecoe*istharmoniously,thusimprovingtheircomprehensiveChineseliteracy.
Teachingobjectives:
Canwrite6newwords,andcorrectlyreadandwritewordssuchas"depressed,sorry,mind,absurd,prestige".
Readthete*twithemotion.Understandthecontentofthete*t,andfeeltheoldman'sloveandencouragementfor"I"andmyadmirationandgratitudeforherfromtwoaspects:theoldprofessor'swordsanddeeds,andthechangesinmypsychologyandactions.
Understandthemeaningbehindthelanguageande*pressionofthe"audience".
Preparationbeforeclass:
Teacher'spreparation:(1)TheviolinsongMoonlight.(2)Slideswithte*tillustrations.
Studentpreparation:collectinformationabouttheviolin.
Scheduleofclasshours:2classhours.
Teachingprocess:
Firstclasshour
First,createasituation,leadtothetopic
Playtheviolin"Moonlight"(showtwoparagraphs)"Tothem,IserenadelikeI'msawingmylegs."
.
"Later,playingtheviolinbecameahobbythatIcouldn'tgiveup.Icanskillfullyplaymanytunes.Ihavetheopportunitytoplayviolininfrontofhundredsofaudiencesatvariousculturalparties.Atthattime,Ialwayscouldn'thelpthinkingofthe'deaf'oldman,myonlylistenerinthemorning..."
Teacher:Withthebeautifulviolinmusic,pleasereadthesetwoparagraphssoftly.Whatinformationdidyouget?Anyquestions?
Introducinganewlesson:Yes!Apersonwhousedtobeamusicalidiothasactuallybecomeanarrogantpersoninthefieldofmusic.Thecreatorofthismiracleisthedeafoldman.Let'sapproachthedeafoldmanandthemysterious-onlyaudience(writingontheblackboard)withpiousheartanddoubtsinourhearts.
Readthetopicstogetherandguidequestions.
Audiencemeansalotofpeople.Whyuse"only"toqualify?
Whodoes"theonlyaudience"referto?
Whatdidthe"onlylistener"do?
Let'swalkintothete*twiththesequestions.
Purpose:Soothingthesoftviolinmusic,sothatstudentscanwalkintotheclassroominvoluntarily,andthendirectlyintothecontrastingte*tparagraphs.Whentheygetclosetothete*t,theywillgainsomethingwhenreading,andtheywillhavedoubtswhenreading.Coupledwiththeteacher'skindwordswithsuspense,itwillnotonlystimulatestudents'interest,butalsoopentheirminds,sothatstudentscanentertherequiredstateofteachingassoonaspossible.
Second,thefirstreadingofthete*t,theoverallperception
Readthete*tinyourfavoritewayandcirclethenewwordsinthislesson.
Learningnewwordsandunderstandingnewwordswiththehelpofdictionariesordictionariesatthesametable.
Theteacherinspectsandguides,sortingoutstudents'error-pronewordsandwords.
Communicatewiththeclass.Coursewarepresentation:
.
easytyposGlyph:YouQianLiu.
Wordsound:sneak,hey,cut
E*planationofkeywords
Frustration:Frustrationanddisappointment.
Overflow:Fulldisclosure.
Absurd:(Thoughts,wordsanddeeds)aresowrongthatpeoplefeelstrange.
3.Readthete*tagainandmasterthemaincontentofthete*t.
Teacher:Nowthatwehaveclearedthewordbarrierinthete*t,let'sreadthete*tfreely,andthinkaboutit:Whatisthemainstoryofthiste*t?Whatimpressiondidthisonlylistenerleaveonyou?Andreadthete*twiththequestionsjustmentioned.
(Thiste*ttellsthestoryof"I"who,withthesincerehelpofamusicprofessor,learnedtoplaytheviolinwithoutconfidence,andwasabletoplayforhundredsofaudiencesatvariousliteraryevenings.Itpraisedthevirtueofcaringforandencouragingyoungpeopletobecometalents,ande*pressed"I"'sadmirationandgratitudetotherespectedoldprofessor.)
Design:Throughself-vocabulary,studentscanremoveobstaclesinreadingincooperation,andprepareforreadingthete*twell.Then,letthestudentssummarizethethemeofthearticle,andhaveanoverallperceptionofthete*t,sothattheycangraspthewholearticleandhavesomethinginmind.
Third,clarifythelevelandraisequestions.
Readthete*tsilentlyanddivideitintothreepartsaccordingtotheprompts.(Coursewarepresentation:①Playingthepianoathomewasgivenacold
shoulder.①Practicingthepianointheforestmeetsabosomfriend.①Thestageperformersarefullofemotion.)
2.Browsequicklyandaskquestions.
Teacher:Pleasebrowsethete*tquicklyandwritedownthequestionsyouthinkarevaluableinyournotebookwhilereading.
Guidestudentstopayattentiontothesituationof"I"beforeplayingtheviolin.Summary:"I"learnedtoplaytheviolinonlywiththesilentencouragementofthe
.
oldman.Whatpowermade"I"haveconfidence?We'llcontinueourresearchne*tclass.
Designintent:Accordingtothestudents'e*perienceandtrainingrequirements,letthemlearnnewwordsbythemselvesandmasterthemaincontentsofthete*t.Thiswillnotonlysavetheeffectivetimeinclass,butalsolaythefoundationforstudents'e*tensivereadinginthefuture.Writedownvaluablequestionsinnotebooks,emphasizethatstudentsshouldrecord"valuable"questions,andaskstudentsnottoaskquestionsblindly.Graspingkeyquestionscanmakeiteasierandmoreconvenienttounderstandthecontentofthete*tandfeeltheemotionsofthecharacters.
Fourth,consolidatethepracticeandbehappy.
Openthe"BasicTraining-TheOnlyAudience"andlet'sgetthroughittogether!
Secondclasshour
First,reviewthete*tandputforwardrequirements
Readthete*tsilentlyandreviewwhatthete*tmainlywrote?
Introduction:Lastclass,weinitiallyperceivedthemainideaofthearticleandclarifiedtheconte*tofthearticle.Inthislesson,let'swalkintothete*t"TheOnlyAudience"again,toe*periencethevirtueoftheoldprofessorcaringforandencouragingyoungpeopletobecometalents,andtoappreciatemygratitudetotheoldprofessor.
Designintent:Startingwithreview,whilearousingstudents'memories,wewillencouragestudentstostimulatetheirinterestinlearning,sothatstudentscanlearnthete*twithconfidence.
Second,recallwriting,independentperception
1.Howdowelearntowritepeople'sarticles?
(Graspthedescriptionofthecharacters'language,demeanor,movements,psychology,etc.)
Now,let'sgointothete*tagain,graspthesentencesdescribingtheoldprofessor'slanguage,movementsanddemeanor,andreadthemcarefully,soastodeeplyappreciatethenoblepersonalitycharmofthisuniqueaudience.
.
Studentsreadsilentlyanddrawsentencesthatdescribetheoldprofessor'slanguage,actionsanddemeanor.
Purpose:Letstudentslearntostudyrationally,usee*istinglearningmethods,andlearnandfeelanewchapter.
Third,intensivereadingofthete*t,readingandcommunication.
(a)Readingthelanguageoftheelderly:
Readparagraphs2~9ofthete*t,findoutthesentencesthatdescribetheoldwoman'slanguage,andthinkaboutthecircumstancesunderwhichshesaidit.
Whilereadingtheparagraphassignedbytheteacher,thestudentse*tractthesentencesdescribingtheoldwoman'slanguage.
Groupreportandcommunication:Accordingtothestudents'answers,theteachershowswhattheoldwomansaidonthebigscreen(coursewareshows).
Readthesewordsbyname,analyzeande*periencetheemotionsofthecharacters.
(1)"AmIbotheringyou,youngman?ButIsithereforawhileeverymorning.""Ithinkyoumustplayverywell,butmyearsaredeaf.Ifyoudon'tmindmypresence,pleasegoahead."
Afterreadingthesewords,doyouhaveanyquestionstoask?Encouragestudentstoaskvaluablequestions.)
Transition:Thisisthefirsttimetheoldwomanhasspokento"I".Did"I"knowtheoldwomanbeforethis?Howismypianoskill?
Idon'tknowtheoldwomanatall.Theserenadeplayedby"I"islikethelegsofasawingmachine,so"I"cametothewoodsalonetopracticethepiano.)
Teacher:Ifyouaretheoldwoman,whatdoyouthinkyoungpeopleneedmostnow?(Care,encouragement,comfort…)Whatanunderstandingoldman,readthissentencewithyourunderstanding.(guidingreadingaloud)
Whenaclassmatereadthesewordsjustnow,Idon'tknowwhytheoldwomanliedthatshewasdeaf.Let'sdiscuss:Istheoldwomanreallydeaf?Whydidshesayshewasdeaf?
Organizethewholeclasstoe*changeanddiscuss.
.
Default:
Student1:Theoldwomansaidshewasdeaf.Ithinkitwasawhitelie.
Student2:Sherecognizedthat"I"'spianoskillswerereallyunbearable,butshewasafraidofhurting"I"'sself-esteem,soshestoppedpracticingplayingtheviolin,soshesaidshewasdeaf.
Whatdoestheoldwomanmeanbytheword"mind"in"Ifyoudon'tmindmypresence,pleasegoahead"?Whydidtheoldwomansaythat?
Mind:Keepunpleasantthingsinmind;Care.Theoldwomansaidthistogive"I"confidenceandcourage,andlet"I"continuetopracticethepiano.)
Whatkindofpersondoyouthinkthisoldwomanis?Pleasereadthesewordsagainwithyourownunderstanding.Let'sseewhocanreadthetonethattheoldwomancaresabout"me"andgivesconfidenceto"me".Instructstudentstoreadthete*twiththeirownunderstanding.
Transition:Students,throughoure*changeandanalysis,haveallyourquestionsbeensolved?So,whatdidtheoldwomansayto"I"when"I"shookherhead?(leadstothene*tsentence.)
(2)"MaybeIwillfeelthismusicwithmyheart.CanIbeyourlistenereverymorning?"
Howtounderstand"feelwithyourheart"?Discussingroupsofstudents.
(Theoldprofessoristellingmethatalthoughshecan'thearyou,shewantstobemyonlyaudience.Shesaidthissentencetolet"I"putdowntheideologicalburdenandconcentrateonpracticingthepiano.)
(3)"That'sreallynice.Myhearthasalreadyfeltit.Thankyou,youngman."
Afterlisteningtotheoldprofessor'swords,howwill"I"feelinmyheart?
When"I"stops,sheneverforgetstosaythelastsentence.Whatdoesthe"total"heremean?
Cooperativeinquiry:Ifyouwerethe"I"inthete*t,whatwouldyouthinkofthiskindofencouragementtotheelderly?
Transition:Encouragedbythepatienceandenthusiasmoftheelderly,"I"keptimprovingmypianoskills.Readthete*tagain,andtellhowtheoldwoman'spraise
.
andencouragementhavechangedme.
Teacher'ssummary:Justnow,thestudentsgraspedtheoldman'slanguage,triedtofigureoutherrichinnerworld,andfeltthebeautifulandkindqualityoftheoldman.Thisisaverygoodreadingmethod.Intheusualwriting,weshouldalsocarefullydepictthecharacters'languageandshowthecharacters'qualities.
(two)pondertheoldman'smanner:
Teacher:Wesaythattheeyesarethewindowofthesoul.Let'sgobacktothearticleagainanddrawsentencesthatdescribetheeyesoftheelderly.Doyouhaveanynewfindings?
Findoutthesentencesthatdescribetheeyesoftheelderlyandfocusoncommunication.("Lookingcalmly"threetimes)(namereading-coursewarepresentation)
(1)"Averythinoldwomansatquietlyonawoodenchairandlookedatmecalmly."
(2)"Shehasbeenlookingatmecalmly."
(3)"Herkindeyeslookedatmecalmly,likeadeeppool…"
E*pandimagination:(Coursewareshowsthreegroupsofsentences)
Theoldman'seyesarecalm,butherheartisnotcalm.Pleaseimagineandcompletethefollowingsentencesaccordingtotheteacher'slanguageprompt.
(1)WhenIplayedthepianolikethelegsofasawingmachine,shelookedatmecalmly,asiftosay____________________________________
_______
(2)WhenIhavesomeconfidenceandgotothegrovetoplaythepianoeveryday,shealwayslooksatmecalmly,asiftosay________________________
___
(3)WhenIgraduallyplayedrealmusic,shesmiledandlookedatmecalmlywithkindeyes,asiftosay_______________.
Summary:Whenwearereading,weshouldnotonlypayattentiontothecharacters'e*pressions,butalsotrytofigureoutthecharacters'heartsthroughtheire*pressions.
.
Designintent:Focusonthesentencesdescribingcharacters'languageanddemeanortoread,soastodeeplyunderstandcharacters'characterthroughreadingaloudandsavoring,sothatstudentscanbenourishedbytheirhearts,andlearnhowtoe*presstheirinnerworldbydepictingcharacters'language,behavioranddemeanor.
Fourth,createsituationsandfeelyourheart.
Showtheillustrationsoftheelderly(soundtrack)andlearnthelanguagetransition.
Thiswiseandkindoldmanismyonlylistener.Inthesilentwoodsinthemorning,shealwayssitsquietlyonawoodenchair,looksatmewithcalmeyes,inspiresmewithencouragingwords,andmakesmeregainmyloveformusic,persistentlypracticepianoskills,andfinallyplaysabeautifulmelodythatamazesmysisterwhospecializesinmusic.Atthistime,theune*pectedmysteryisalsorevealedbymysister…(Studentsreadmysister'swordstogether.)
Createsituationsandguidewriting.
Everythingisunderstood!Ifyouarethisyoungmanatthemoment,recallingthebitsandpiecesthataccompanytheacquaintanceoftheoldman,herencouragingwordsechoinyourears,andhercalmeyescometoyoureyesagain...Youmusthavetoomanywordstotalktoher.Pickupapenandwriteitdown.
Designintention:Itmaybedifficulttowritewordsinthislink,butitisoneoftheimportantpurposesforustoapplywhatwehavelearnedtothete*t.Usingtheprincipleofknowledgetransfer,wesetimitationasanintermediarylink,effectivelycombinereadingandwriting,andgraduallyenterthecreativerealmfromimitation,sothatstuden
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