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阅读下面短文,根据其内容写一篇60词左右的内容概要。Whatmakesaniconicbookcover?ApairofeyesandredlipsfloatinginamidnightskyabovethebrightlightsofNewYorkon“TheGreatGatsby”.Twoorangesilhouettes(剪影)onDavidNichols’“OneDay”.Theoriginal“HarryPotter”colorillustrations.

There’safamoussayingaboutneverformingyouropinionofabookbythejacketdecoratingit.Butmostreadersknowthatwedo,infact,judgebooksbytheircoversallthetime.

Coverscanbeaswiftwaytosignalgenre,butthegoodonesdomorethanthat.Theygivefacetoabook’spersonality.They’rewhatwillmakeyoupickitupinthefirstplace,thenkeepitonyourshelftoremindyouwhatitmeanttoyou.

Asuccessfulcoverconveyssomethingaboutthewordsinside.“Ifyou’vegotavisceral(发自肺腑的)pieceofwritingthat’srisk-takingandbold,it’simportanttoputthatcoveronthatbook,”saysDonnaPayne,creativedirectoratFaber&Faber.

It’snotjustnewbookswherethecoverisfrettedover(发愁,苦恼).Iconicalbumcoversmightbesetinstone----butbooksoftengetseveralstabsatacover.Tocelebrateits30thanniversary,Vintagewillrepublishsomeofits10bestsellingbooks----including“ToKillAMockingbird”and“TheHandmaid’sTale”---withnewcovers.

AccordingtopenguinartdirectorJimStoddart:“Drawingshavealucidfacultytoconveytheinnatehumanmotiveattherootofallthesestories,whetherexperimental,humorousorchilling.”thepublisherchosecoverartistswho,liketheauthors,“havedevelopedalternativeandoftenvisionarywaysofpresentingreality.”Whatmakesaniconicbookcover?图片ApairofeyesandredlipsfloatinginamidnightskyabovethebrightlightsofNewYorkon“TheGreatGatsby”.Twoorangesilhouettes(剪影)onDavidNichols’“OneDay”.Theoriginal“HarryPorter”colorillustrations.There’safamoussayingaboutneverformingyouropinionofabookbythejacketdecoratingit.Butmostreadersknowthatwedo,infact,judgebooksbytheircoversallthetime.Coverscanbeaswiftwaytosignalgenre,butthegoodonesdomorethanthat.Theygivefacetoabook’spersonality.They’rewhatwillmakeyoupickitupinthefirstplace,thenkeepitonyourshelftoremindyouwhatitmeanttoyou.Asuccessfulcoverconveyssomethingaboutthewordsinside.“Ifyou’vegotavisceral(发自肺腑的)pieceofwritingthat’srisk-takingandbold,it’simportanttoputthatcoveronthatbook,”saysDonnaPayne,creativedirectoratFaber&Faber.It’snotjustnewbookswherethecoverisfrettedover(发愁,苦恼).Iconicalbumcoversmightbesetinstone----butbooksoftengetseveralstabsatacover.Tocelebrateits30thanniversary,Vintagewillrepublishsomeofits10bestsellingbooks----including“ToKillAMockingbird”and“TheHandmaid’sTale”---withnewcovers.AccordingtopenguinartdirectorJimStoddart:“Drawingshavealucidfacultytoconveytheinnatehumanmotiveattherootofallthesestories,whetherexperimental,humorousorchilling.”thepublisherchosecoverartistswho,liketheauthors,“havedevelopedalternativeandoftenvisionarywaysofpresentingreality.”是什么造就了一本标志性的书籍封面?《了不起的盖茨比》中,一双眼睛和红唇在午夜的天空中漂浮在纽约明亮的灯光之上。两个橙色轮廓(剪影)大卫·尼科尔斯的《一天》。原版《哈利·波特》彩色插图。有一句名言说,不要通过装潢书本的夹克来形成你对它的看法。但大多数读者都知道,事实上,我们总是根据封面来判断书籍。封面可能是一种快速传达流派的方式,但好的封面做得更多。他们展现了一本书的个性。它们会让你一开始就把它捡起来,然后把它放在架子上,提醒你它对你意味着什么。一个成功的封面传达了一些关于里面的文字。“如果你有内脏(发自肺腑的)Faber&Faber的创意总监唐娜·佩恩(DonnaPayne)表示:“这是一篇冒险和大胆的文章,在书上加上封面很重要。”。不仅仅是新书的封面让人烦恼(发愁,苦恼)。标志性的专辑封面可能是用石头砌成的,但一本书的封面往往会被多次戳伤。为了庆祝其成立30周年,Vintage将以新的封面重新发行其10本畅销书中的一些,包括《杀死一只知更鸟》和《婢女的故事》。企鹅艺术总监吉姆·斯托达特(JimStoddart)表示:“绘画有一种清晰的能力,可以表达所有这些故事的根源,即人类固有的动机,无论是实验性的、幽默的还是令人毛骨悚然的。”出版商选择了封面艺术家,他们与作者一样,“开发出了另一种往往富有远见的呈现现实的方式。”参考范文

·Despitetheoldsaying,peoplechooseabookpartiallyrelyingonitscover,forthebook’sgenre,styleandcontentareexpressedthroughbook-cover.

Notonlynewsbooksneeddelicatecoverdesign,oldclassicworksmaygetnewcoverswhenrepublished.

Illustratorswithinitiativeandforward-lookingawarenessarealwaysfavoredsincecoversexpresshuman'sinherentintention.

(60Words)阅读下面短文,根据其内容写一篇60词左右的内容概要。“Successaddicts”choosebeingspecialoverbeinghappyApairofeyesandredlipsfloatinginamidnightskyabovethebrightlightsofNewYorkon“TheGreatGatsby”.Twoorangesilhouettes(剪影)onDavidNichols’“OneDay”.Theoriginal“HarryPotter”colorillustrations.Thoughitisn’taconventionalmedicaladdiction,formanypeoplesuccesshasaddictiveproperties.Toacertainextent,praisestimulatestheneurotransmitterdopamine(神经递质多巴胺),whichisinvolvedinalladdictivebehaviors.Thedesireforsuccessmaybeinherenttohumannature,butspecialnessdoesn’tcomecheap.Successisbrutalwork,anditrequiressacrifices.Inthe1980s,thephysicianRobertGoldmanfamouslyfoundthatmorethanhalfofaspiringathleteswouldbewillingtotakeadrugthatwouldkilltheminfiveyearsinexchangeforwinningeverycompetitiontheyentered.Unfortunately,successisSisyphean(西西弗斯,永无休止的).Thegoalcan’tbesatisfied;mostpeopleneverfeel“successfulenough.”Thehighonlylastsadayortwo,andthenit’sontothenextgoal.Psychologistscallthisthehedonictreadmill(享乐的跑步机),inwhichsatisfactionwearsoffalmostimmediatelyandwemustrunontothenextrewardtoavoidthefeelingoffallingbehind.Peopleshouldgetoffthetreadmill.Butquittingisn’teasyforaddicts.Forpeoplehookedonsubstances,withdrawalcanbeabitterexperience,bothphysicallyandpsychologically.Aresearchfindsthatdepressionandanxietyarecommonamongeliteathletesaftertheircareersend.Olympicathletes,inparticular,sufferfromthe“post-Olympicblues.“Successinandofitselfisnotabadthing,anymorethanwineisabadthing.Bothcanbringfunandsweetnesstolife.Butbothbecometyrannical(专制的,残暴的)whentheyareasubstitutefor----insteadofacomplementto---therelationshipsandlovethatshouldbethecenterofourlives.“成功成瘾者”选择与众不同而不是快乐虽然这不是一种传统的医学上瘾,但对许多人来说,成功具有上瘾的特性。在一定程度上,表扬会刺激神经递质多巴胺(神经递质多巴胺),这涉及到所有成瘾行为。

对成功的渴望可能是人性所固有的,但特殊性并不便宜。成功是残酷的工作,需要牺牲。20世纪80年代,著名的内科医生罗伯特·戈德曼(RobertGoldman)发现,超过一半的有抱负的运动员愿意服用一种药物,这种药物会在五年内杀死他们,以换取他们赢得每一场比赛。

不幸的是,成功是

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