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BriefIntroductiontoAmericanLiteratureTeachingPurposesToenlargeyourbasicknowledgeaboutBritishandAmericanliterature;TounderstandsomeliteraryquotationsbehindEnglishlanguage;TohelpyouprepareTEM-8examandEntranceExamforPost-graduate;Tohelpyoucompleteyourdegreethesis1.mainthemesrecordofaquest/seekingthecontinuousnarrativeofthepursuitofsuccessandhappinessthelostcontinentofAtlantisthegolden“citiesofCibola”NorthwestPassagetotheOrientdreamsofsuccessreligiousfreedomwestwardmovementforhappiness3.ThreeMainAgestheAgeofRomanticismtheAgeofRealismModernAmericanLiteraturetheAgeofRomanticismAmericanliteraturebetweentheWarofIndependenceandtheCivilWarPre-Romanticism(1770s——1830s)Post-Romanticism(1830s——1875)floweringtimebeforeAmericanCivilWar(1830——1860)decliningtimeafterAmericanCivilWar(1860——1875)JeffersonpurchasedLouisiana

in1803manyEuropeanimmigrantsbeganarrivingintheUSinthe1840sTheUSboughtthelandbetweenTexas&Californiabytheendof1840sFarmers,ranchers(大牧场主),andgoldminerscontinuedtopourintoWesternUSinthe1860s.

WestwardExpansioninthe18thand19thCenturyoftheUSAwestwardmovementPre-Romanticism(1770s——1830s)WashingtonIrving华盛顿·欧文(1783—1859)the“fatheroftheAmericanLiterature”HistoryofNewYork《纽约外史》TheAlhambra《阿尔罕伯拉》TouronPrairies《草原漫游记》RipVanWinkle《瑞普.凡.温克尔》TheSketchBook《见闻札记》(1819—1820)TheLegendofSleepyHollow《睡谷的传说》shortstoriesacollectionofessaystheTranscendentalists(超验主义者)Post-Romanticism(1830s—1875)Walden《瓦尔登湖》/LifeintheWoods《林中生活》(1854)RalphWaldoEmerson拉尔夫·沃尔多·爱默生(1803—1882)Nature《论自然》(1836)theleaderoftheTranscendentalMovement/Transcendentalismpoet&essayistHenryDavidThoreau亨利.大卫.梭罗(1817——1862)challengedJohnCalvin’sdoctrineandPuritansPost-Romanticism(1830s—1875)powerofimaginationconcentratedonhumanimaginationandemotionratherthantheintellectNathanielHawthorne纳撒尼尔.霍桑(1804——1864)themostinfluentialAmericanromanticnovelistinthe19thcenturyTheScarletLetter《红字》(1850)pre-CivilWarperiodtheperiodofliberalreformin1850s——movementtoendtheinstitutionofslaveryHarrietBeecherStowe哈里叶特·比彻·斯托(1811—1896)Post-Romanticism(1830s—1875)“theladywholaunchedtheAmericanCivilWar”(Lincoln)

UncleTom’sCabin《汤姆叔叔的小屋》(1852)anantislaverynovelThenovelmadetheslaveryquestionbecameapassionatelydebatedpoliticalissue.ThenovelmakesthemiserablelifeofthenegroesinthesouthofAmericaexposedtotheworldandshowsgreatsympathyforthenegroes.poetryPost-Romanticism(1830s—1875)WaltWhitman沃尔特.惠特曼(1819—1892)themostoutstandingAmericanpoetinthe19thcenturythefirstAmericanpoettousefreeverse(自由诗体)——greatcontributiontoAmericanliteraturethethoughtofdemocracyhasbeeninfluentialinworldliterature.LeavesofGrass《草叶集》(1855)“SongofMyself”《自我之歌》——thefirstandthelongestpoeminLeavesofGrassLeavesofGrass《草叶集》(1855)American’sgreatestbookofpoemspraisedas“DemocraticBible”andasAmericanEpicthelifelongworkofWhitmantheidea——liberty,equality,fraternity(博爱)theAgeofRomanticismimportantliterarytermsappearedafter1830markedthematurityofAmericanRomanticismthefirstrenaissanceintheAmericanliteraryhistorylaidemphasisonspiritandindividualandnatureTranscendentalismFreeVersehasnoregularrhythmorlinelengthdependonnaturalspeechrhythmsandthecounterpoint(对照法)ofstressedandunstressedsyllables

theAgeofRealismAmericanliteraturebetweentheendoftheCivilWarandthebeginningofWorldWarIindustrializationdevelopmentoftheFarWestTheGildedAge镀金年代theAgeofRealismtheperiodofRegionalism(地方主义)MarkTwain(马克.吐温)pennameofSamuelClemens(塞谬尔·克莱门斯)thefirstmajorAmericanwritertobebornawayfromtheEastCoastTheAdventuresofHuckleberryFinn《哈克贝里.费恩历险记》(1884)TheAdventuresofTomSawyer《汤姆索亚历险记》(1876)thegreatestnovelinAmericanliteraturepeculiarlyAmericansenseofhumoroutrageousjokesandtalltalesinacalm,innocent,matter-of-factmannerlocaldialectforcomiceffectrichinmetaphor,newlyinventedwordsanddrawlingrhythmapparentshrewdsocialsatirewritingstyleThePrinceandthePauper《王子与贫儿》(1881)LifeontheMississippi《密西西比河上》(1883)otherworkscross-centurynovelisttheAgeofRealismHenryJames(亨利.詹姆斯)anAmericanlivinginEuropeexcellentat“international”novelsandstoriesaboutAmericanslivinginEuropeoneofthemostdistinguishednovelistsofthepost-CivilWareraearlyworks(19thcentury)lateworks(20thcentury)TheAmerican《一个美国人》(1877)PortraitofaLady《女士的画像》(1881)TheWingsoftheDove《鸽翼》TheAmbassadors《专使》TheGoldenBowl《金碗》womennoveliststheAgeofRealismEdithWharton(伊迪丝.华顿)KateChopin(凯特.肖邦):stoppedwritingafterherbookwascondemnedbyliterarycriticsWillaCather(薇拉.凯瑟):amajorAmericanwriterTheHouseofMirth《欢乐之家》TheAgeofInnocence《纯真年代》TheAwakening《觉醒》—storyintheheartoftheSouthAmericaOPioneers!《啊!拓荒者》—lifeinmidwesternNebraska(内布拉斯加)theAgeofRealismblackwriters

(Afro-Americanwriters)W.E.B.Dubois(杜波伊斯)thefirstblackwriterinAmericathemostinfluentialblackintellectual,leaderoftheliteratureandspiritsinthe20thcenturySoulsofBlackFolk《黑人的灵魂》(1903)ModernAmericanLiteratureAmericanliteratureafterWorldWarIAmericanLiteraturebetweenWorldWarIandII(1914—1945)AmericanLiteratureafterWorldWarII(1945—)Modernism(现代主义)appearedafterWorldWarIcuttingoffhistoryandasenseofdespairandlossrefusingtoacceptthetraditionalconceptofvalueandalltraditionalideologicalinfluencesModernAmericanLiteratureAmericanLiteraturebetweenWorldWarIandII(1914——1945)poem(imagists)novel&shortstory(theLostGeneration)drama(playwright)ModernAmericanLiteratureAmericanLiteraturebetweenWorldWarIandII(1914—1945)poets(imagists)意象派诗人whosepoemsfocusonstrong,concreteimagesEzraPound(伊兹拉.庞德)——thebeginneroftheImagistsT.S.Eliot(艾略特)dominatedtheModernisminpoetryTheWasteLand《荒原》(1922)RobertFrost(罗伯特.弗罗斯特)oneoftheundisputedmastersofmodernAmericanpoetrythebestknownandthemostwelcomeoftheNewEnglandpoetsNorthofBoston《波士顿以北》(1914)AmericanLiteraturebetweenWorldWarIandII(1914—1945)ModernAmericanLiteraturepoets(imagists)意象派诗人E.E.Cummings(肯明斯)WallaceStevens(华莱士.史蒂文斯)WilliamCarlos(威廉.卡洛斯)theforerunnerofconcretepoetry(具像诗)andvisualpoetry(视觉诗歌)ModernAmericanLiteratureAmericanLiteraturebetweenWorldWarIandII(1914—1945)novelists——

theLostGeneration“迷惘的一代”(1920s)thenovelistswhoproducedaliteratureofdisillusionmentintheaftermathofWorldWarI,andsomeofthemlivedabroad.usedtheirwartimeexperienceasthebasisfortheirworkswerecutofffromoldvaluesyetunabletocometotermswiththenewerawonderedpointlesslyandrestlesslywerefrustratedbythewarspokesman——HemingwayModernAmericanLiteratureAmericanLiteraturebetweenWorldWarIandII(1914—1945)novelists——

theLostGeneration“迷惘的一代”(1920s)ErnestHemingway(欧内斯特·海明威)oneofthegreatestAmericanwritersinthe20thcenturyNobelPrizewinnerforliterature(1954)TheSunAlsoRises《太阳照常升起》(1923)AFarewelltoArms《永别了,武器》(1929)ForWhomtheBell

Tolls《丧钟为谁而鸣》(1940)TheOldManandtheSea《老人与海》(1952)F.ScottFitzgerald(斯科特·菲兹杰拉德)capturedtherestless,pleasure-hungry,defiantmoodofthe1920sModernAmericanLiteratureAmericanLiteraturebetweenWorldWarIandII(1914—1945)novelists——

theLostGeneration“迷惘的一代”(1920s)TheGreatGatsby《了不起的盖茨比》(1925)TenderIstheNight《夜色温柔》(1934)ModernAmericanLiteratureAmericanLiteraturebetweenWorldWarIandII(1914—1945)novelists—theLostGeneration“迷惘的一代”(1920s)WilliamFaulkner(威廉.福克纳)oneofthemostimportantAmericannovelistsofthe20thcenturyNobelPrizewinnerforliterature(1949)TheSoundandtheFury《喧哗与骚动》(1929)LightinAugust《八月之光》(1932)ModernAmericanLiteratureAmericanLiteraturebetweenWorldWarIandII(1914—1945)theLostGenerationJazzEra(爵士年代)Americanliteratureofthe1920sJazz——alively,powerfulmusicwhichwasbroughtbyAfrican-AmericanswhocenteredinanartisticblackcommunityinHarlem(哈莱姆)ofNewYorkCityModernAmericanLiteratureAmericanLiteraturebetweenWorldWarIandII(1914—1945)novelists(1930s)JohnSteinbeck(约翰.斯坦贝克)MargaretMitchell(玛格丽特.米切尔)TheGrapesofWrath《愤怒的葡萄》(1939)GonewiththeWind《飘》/《乱世佳人》(1936)——historicalfictionModernAmericanLiteratureAmericanLiteraturebetweenWorldWarIandII(1914—1945)dramaEugeneO’Neill(尤金.奥尼尔)themostfamousplaywrightinAmericaleadingdramatisttheNobelPrizewinnerforliterature(1936)DesireUndertheElms《榆树下的欲望》(1924)MourningBecomesElectra《悲悼》(1931)TheIcemanCometh《卖冰的人来了》(1939)LongDay’sJourneyintoNight《长夜漫漫路迢迢》(1940)ModernAmericanLiteratureAmericanLiteratureafterWorldWarII(1945—)JosephHeller(约瑟夫.海勒)Catch22《第22条军规》(1961)intelligentnovelsshowinghowthepressuresofwarhighlightmen’scharactersBlackHumor(黑色幽默)African-American/Afro-American/blackwritersRichardWright(理查德.赖特)——

NativeSon《土生子》(1940)RalphEllison(拉尔夫.埃利森)——InvisibleMan《看不见的人》(1952)

(oneofthemostimportantworksofAmericanliteratureinthe20thcentury)JamesBaldwin(鲍德温)GoTell

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