骆驼祥子读书报告课件

TheComparisonandAppreciationofChineseTranslatedVersionsof

TheHappyPrinceContentTheAbstracttheIntroductionoftheAuthorOscarWilde

theIntroductionofTheHappyPrincetheIntroductionoftheTranslatorstheComparisonofthethreeChineseTranslationstheconclusionAbstract

随着翻译文化学派的兴起，翻译研究开始更多地关注翻译行为产生的外部环境。勒弗维尔认为对文学翻译的研究主要是一种社会性与历史性的研究，研究者的注意力不应该放在字、词的匹配上，而应该考虑译者为何选择这样的匹配方式，其背后隐藏的社会的、文学的与意识形态的因素。本文拟通过对周作人，巴金和高延征的《快乐王子》(HappyPrince)的三个不同时期的中译本的比较，探讨不同译者在特定社会历史文化语境下，尤其是在意识形态影响力下所做出的不同的翻译选择。关键词：《快乐王子》中译本，特定的历史文化背景，翻译目的，OscarWilde-playwright,novelist,poet,critic

Born:October16,1854Birthplace:Dublin,IrelandDied:November30,1900inParis,France(cerebralmeningitis)OscarWilde,Irish-bornwriterknownforhiswrywit,wasthechiefadvocateoftheaestheticmovementbasedontheprincipleofartforart'ssake(L'artpourl'art).HewasoneofthemostsuccessfulplaywrightsoflateVictorianLondonandoneofthegreatestcelebritiesofhisdays.WildeisregardedasoneofthemostproficientandversatilewritersoftheEnglishlanguage.

BriefIntroductionofOscarWilde

SomefamousquotationsofWilde’sIhavenothingtodeclareexceptmygenius.Experienceissimplythenamewegiveourmistakes.Amancanbehappywithanywomanaslongashedoesnotloveher.Oneshouldalwaysbeinlove.Thatisthereasonwhyoneshouldnevermarry.Artisthemostintenseformofindividualismthattheworldhasknown.TheHappyPrince'isastoryofametalstatuethatmakesfriendswithamigratorybirdtobringhappinesstoacity.Thefriendshipissparkedwhenaswallowdecidestosleepatthefeetofametalstatue.Justastheswallowwasabouttosleep,itwasawokenbyseveraldropsofwater,whichturnedouttobethetearsofthestatue.TheHappyPrincewascryingbecausehecouldseethemiseryofhisowncity.Heaskedtheswallowtobehismessengerandinstructedhimtotakesapphiresandjewelsfromhisstatuetogivetotownspeoplesufferingfrommisfortune.TheHappyPrinceInChina,thefirsttranslationofhisfairytalesisZhouZuoren’sAnleiWangzi,whichisProducedinthe“MayFourth”period,withtheaimofinfusingWestemthoughtsandchangingthesocietyfor

thebetter.Zhoumainlyadoptswenyanlanguagestyleandintentional

literaltranslation.Inthepost-liberationperiod,BaJin’s.KuaileWangziJicollected

Wilde’sallninefairytales,andusesitasaspiritualweapontofightagainstevilsideofwesterncapitalism.Hislanguageissimple,colloquial,andretainsrhetoricalexpressionsforchildren.Intermsofsentence

structures,ithasthefeatureofEuropeanization.TheThreeTranslations

ZhouZuoren

(16January1885-6May1967))wasaChinesewriter,primarilyknownasanessayistandatranslator.HewastheyoungerbrotherofLuXun(ZhouShuren),thesecondofthreebrothers.Hewasparticularlyinterestedinfolklore,anthropologyandnaturalhistory.Asaprolifictranslator,heproducedmanytranslationsofclassicalGreekandclassicalJapaneseliteratures.Mostofhistranslationsarepioneering.ZhouZuoren(1904.11.25.—2005.10.17)BaJinBaJin’sCareerasaTranslatorandWriter

BaJinisaprolificwriteraswellasaproductivetranslator,thelatterofwhich,however,isnotsothatwidelyknownbythereadersastheformeris.BaJinistheraretranslatorwhodevotedalottothetranslationofchildren’sliterature.Thesetranslationsnotonlyarevaluableforchildren,butalsoareusefulforthewritersofchildren’sliterature.Analysis1这三个译本都是按原文直译的，周译的字数最少，也是最难理解的，比如其中的“飞经水次”、“与苇邂逅”、“止与问询”这些表述。高译是最适合儿童阅读的，他的语言最生动形象。比如“他被她的纤纤细腰给迷住了”，其他两个译本分别是“爱其纤腰”和“她的细腰很引起他的注意”，高译用了“迷住了”、“纤纤细腰”，这样的表述更容易在读者面前呈现出栩栩如生的画面。而巴译“引起注意”意思就不是很明确，为什么会引起注意可能儿童读者也不是很清楚。2.InthedaytimeIplayedwithmycompanionsinthegarden,andintheeveningIledthedanceinthegreathall.Roundthegardenranaveryloftywall,butInevercaredtoaskwhatlaybeyondit,everythingaboutmewassobeautiful.周译：昼游苑中、夕就广殿、歌舞相乐、苑外围以崇墉、吾但见是中之美、更无暇问此外何有矣。巴译：白天有人陪我在花园里玩，晚上我又在大厅里领头跳舞。花园的四周围着一道高墙，我就从没有想到去问人墙外是什么样的景象，我眼前的一切都非常完美。高译：白天我和伙伴们在花园里玩耍，夜晚我在大厅里带头跳舞。花园的周围有一道很高很高的墙，但我从来就没想过要去了解墙外的世界，因为我周围的一切是那么的美。Examples2Thestreetslookedasiftheyweremadeofsilver,theyweresobrightandglistening;longicicleslikecrystaldaggershungdownfromtheeavesofthehouses,everybodywentaboutinfurs,andthelittleboysworescarletcapsandskatedontheice.周译：道路皆冻、皓然作银色。人家檐下冰筋下垂、如水精匕首。行人咸御重裘、儿童戴绛巾、群走冰上。巴译：街道仿佛是用银子筑成的，它们是那么亮，那么光辉，长长的冰柱像水晶的短剑似的悬挂在檐前，每个行人都穿着皮衣，小孩们也戴上红帽子溜冰取乐。高译：街道看上去好像是银子铺成的，亮晶晶的，闪闪发光。长长的冰柱就像一把把水晶短剑，从屋檐上垂下来。每个行人都穿着皮衣，小孩子们也戴上了猩红色的小帽在溜冰。Examples3巴译和高译都将这段话处理成了三句，而周译却只用了一句话。其实这三句话中每句话都描述的一个不同的主体，第一句表述的街道，第二句屋檐，第三句人。所以分开处理要更加合适，一目了然，适合大众阅读。高译中还用到了叠词“亮晶晶”、“闪闪发光”让文章更加有趣味，对场景的描写也跃然纸上。Analysis3Sotheswallowpickedoutthegreatrubyfromtheprince’ssword,andflewawaywithitinhisbeakovertheroofsofthetown..周译：燕取琼瑶、衔之咮间、越屋而去。巴译：燕子便从王子的剑柄上啄下了那块大红宝石，衔着它飞起来，飞过栉比的屋顶，向远处飞去了.高译：燕子于是从王子的剑柄上啄下了那块大红宝石，衔着它飞了起来。它飞过城里那一排排的屋顶，向远处飞去了。Examples4翻译“overtheroofs”时，周译用的是“越屋而去”，并没有体现出“roofs”这个附属概念。巴译则使用了“栉比”一词，没有身后的中国古文基础的人也很难明白这个栉比到底是什么意思。而高译使用的是“一排排”简单明了，也将原文的意思准确的表达了出来，适合儿童阅读。Analysis4Fromtheperspectiveoflanguagestyle,thesethreerepreseniative

ChinesetranslationsofOsearWildefairytalesshowthechangefromWenyanlanguagestyletobaihua;and