宫崎骏龙猫英语课前演讲课件

1、Miyazaki Hayaoand his world Miyazaki (Miyazaki, Miyazaki Hayao) is a famous Japanese animation director, January 5, 1941 Born in Tokyo. Hayao Miyazaki has no substitute in the global animation industry status, Disney called “animation industry Akira Kurosawa”, he was received numerous awards . 宫崎骏（宫

2、崎骏，Miyazaki Hayao）是日本著名动画片导演，1941年1月5日生于东京。宫崎骏在全球动画界具有无可替代的地位，迪斯尼称其为“动画界的黑泽明”，更是获奖无数。 Valley of the Wind, 1984 film 风之谷Castle in the Sky, 1986 film 天空之城My Neighbor Totoro, 1988 film龙猫 Kikis Delivery Service, 1989 film 魔女宅急电Princess Mononoke, 1997 film 幽灵公主Spirited Away, 2001 film千与千寻 (winner, Academ

3、y Award for Best Animated Feature, 2002) Howls Moving Castle, 2004 film霍尔的移动城堡(nominee, Academy Award for Best Animated Feature, 2005) Ponyo, 2008 film 悬崖岸上的金鱼姬Main films吉卜力工作室 Studio Ghibli Miyazaki takes a leading role when creating his films, frequently serving as both writer and director. He per

4、sonally reviewed every frame used in his early films.宫崎骏在电影创作扮演主导的角色，经常同时担任编剧及导演。他在早期的电影作品中会亲自审阅每幅画面.Miyazaki uses very human-like movements in his animation. In addition, much of the art is done using water colors. In contrast to American animation, the script and storyboards are created together,

5、and animation begins before the story is finished and while storyboards are developing.宫崎骏在他的动画作品中使用非常人性化的程序。此外，吉卜力工作室也大量使用水彩艺术。与美国动画相异，吉卜力工作室采用同时创造剧本及记事板的方法，动画及记事板在故事完成之前就已经开始制作Style：Miyazakis works are characterised by the recurrence of progressive themes, such as environmentalism, pacifism, femin

6、ism, and the absence of villains.His films are also frequently concerned with childhood transition and a marked preoccupation with flight.宫崎骏的动画电影大多涉及人类与自然之间的关系、和平主义及女权运动。他的作品也经常出现飞行、儿童心理及青春期的思想。画风 宫崎骏创作的影片背景的画风始终是清新浪漫的，总有一种能让人想要回归自然的感觉。尤其是影片中出现的天空背景，给人以广阔无垠的感觉，使人不禁生出一种遐想，似乎想要到那背景中去寻找远离城市污浊空气的清新中，去感

7、受自然之美。 再从人物形象来说。宫崎骏笔下的人物是全部采用手绘的方式创造出来的。人物（也包括动物）线条简洁明快，并不复杂，令人看后更觉简约朴实，贴近生活。这一切一切，都表现出宫崎骏对于自然与生活的热爱，也颇富有意义。 My Neighbor TotoroIn 1958 Japan, university professor Tatsuo Kusukabe and his two daughters, Satsuki and Mei move into an old house to be closer to the hospital where their mother Yasuko is r

8、ecovering from a long-term illness. Satsuki and Mei find that the house is inhabited by tiny animated dust creatures called susuwatari small, dark, dust-like house spirits seen when moving from light to dark places. One day, Mei sees two white, rabbit-like ears in the grass and follows the ears unde

9、r the house. Despite her many attempts, Mei is unable to show her family Totoros tree. Her father comforts her by telling her that this is the keeper of the forest, and that Totoro will reveal himself when he wants to.One rainy night, the girls are waiting for their fathers bus and grow worried when

10、 he does not arrive on the bus they expect him on. In return, he gives her a bundle of nuts and seeds. A bus-shaped giant cat halts at the stop, and Totoro boards it, taking the umbrella. Shortly after, their fathers bus arrives. The girls plant the seeds. A few days later, they awaken at midnight t

11、o find Totoro and his two miniature colleagues engaged in a ceremonial dance around the planted nuts and seeds. The girls join in, whereupon the seeds sprout, and then grow and combine into an enormous tree. Totoro takes his colleagues and the girls for a ride on a magical flying top. Meis disappear

12、ance prompts Satsuki and the neighbors to search for her Delighted to be of assistance, he summons the Catbus, which carries her to where the lost Mei sits. Having rescued her, the Catbus then whisks her and Satsuki over the countryside to see their mother in the hospital. The girls perch in a tree outside of the hospital, overhearing a conversation between their parents and discovering that she has been kept in hospital by a minor cold and is otherwise doing well. Miyazakis films often incorporate recurrent themes li