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1、ChinesepaintingasoneofChinesetraditionalartforms,comingfromChinesecalligraphy,isabridgetoshowChinesepeople's/alueinlifeandnature,individualandcollective,internalityandexternalism.Itissubjectivelyexpressingpeople'sinnerreactiontowardsthewholesociety.Conventionally,China'spaintingisdirectl
2、yconnectingwithcalligraphy.They|areintegrative.InChinesepeople'sthinking,atraditionalpoetshouldbeofthecapabilityofpainting,calligraphy,poemandmusic.Soasoneofthebasicskillstobeaneligibleliterator,|theskillofpaintingisindeedimportant.Thepaintingistheoutsideexpressionofthepoemcontentandtheimageofca
3、lligraphy,and|itisalsotheexteriorshowofpeople'sinnerworld.Thepoemispaintingandpaintingispoemaswell.Additionally,manypeople'spersonalambitionorlifelongaimcannotberealizedbytheearthlywork,andthenthepainttheiridealworldintotheirpainting.Thisisoneofthe|originsofChineseuniquepaintingschool,whichi
4、sliterary-painterschool.Thisisaspecial|oneonlyexistinginChina.Throughthisartisticform,manyexpressionsonculturecouldbefelt.Ingeneral,China'spaintingwasfloweringafterHanDynasty.DuringthetimeofthreekingdomsandtheperiodofWeiandJinDynasties,itwasaprocessfromunificationtoseparation.Theinstabilityofpol
5、itics,theturbulenceofsocietyanddepressionofeconomy|boughttheunusualchangeinideology.Atthistime,therulingclasswasthoroughlyinfluencedbytheConfucianismandthefolkethoswasalsochangedasitwent.Thetroubloussocietymadeagoodopportunityforreligionspread.TheurgentdemandandextensiveacceptanceofallwalksoflifetoB
6、uddhismwereavailable.Thecharacterpainting|extremelyexpandedanddevelopedinstantly.MostofthepaintingsareconcernedabouttheBuddhismandthestoriesrelated.InTangDynasty,duetothefreedomofreligion-believing,|theBuddhismpaintingextremelyexpanded,includingmostofChina'sworld-renowned|frescos.Themosttypicala
7、ndoutstandingrepresentativepainterinthisperiodwasWuDaozi,whowasfamousforhischaracterpaintings(religionpaintings)andpaintingsonmountainsandwaters.InSongandMingDynasties,itwasthegoldentimeforChinesepaintings.Astheflourishoftheliterature,thepaintingwasalsowidelywelcomedinpublic.ThegreatestmastersinSong
8、|andMingDynastiesmostlyweregoodatthepaintingwithhigh-levelimage.Nowadaysitis|valuedtoomuch!Manyschoolsofpaintingswereintheseperiods.EspeciallyinSongDynasty,therewasaveryoutstandingEmperorwasexcellentinpaintingandcalligraphy.Hecreatedhisownpaintingstyleandfoundedtherareroyalpaintingschool.Howeverhewa
9、snotadvisableandwelcomeinpoliticsasanEmperor.InMingDynasty,therewerealsomore|greatpaintersmeanwhiletheexcellentliteratorswhoweretragicallyfailinginroyalexamination.InChina,ifyouwanttounderstandthepainting,youwillbelearningalittlebitaboutthetraditionalpoem,calligraphyandtheexams.Besides,youalsoshould
10、knowthe|generallistofChinesehistory.ThepaintingaboveisoneofChinatop-tenclassicpaintingsinChineseancientdays.itisthemasterpieceofgreatpainter,GuKaizhi,thepainterlivedinEastJinDynasty.ThislongpaintingisnamedLuoshenfutu.ItisfocusingonthegoddessofLuoRiverwiththehisotryofmorethan1600years.人top人Thisisthem
11、asterpiececreatedbyWuDaoziwhowasthegreatmasterinTangDynasty.Hewasgoodatthepaintingofbuddhisiticstoriesorfairtales.Besideshealsodidwellinemperorpainting.Hewasanoutstandingpaintingonreligion.HisnameisalsoassociatedwithTaoism.ThispaintingisTianwangsozitu.ThisisthemasterpieceofZhanZixu,anothergreatmaste
12、rofpaintinginTangDynasty.ItisalsooneofChina'sclassicpaintingofolddays.itisfocusngonthelandscapeoftheirtraveldestination,whentheywerevisitinginSpring.topThisisararepaintingcreatedbyoneemperorofSongDynasty.ThisisanotherclassicpaintingofSongDynasty.Itishighlightedforitshistoricalimportance.Painting
13、inSongDynastywasemphasizedincomparably,becausetheemperorlovedpaintingverymuch.topThepaintingsabovearethemostfamousoneinChina'shistory.Currentlyitisthenationaltreasure.ItwascreatedinSongDynasty.ThepainterwasZhangZeduan.ItwasthefirstpaintingtodepictthedailylifeofcommonersinBianliang,thecapitalofSo
14、ngDynasty.Itshowstheprosperityofeconomyatthattime.人top人Thesetwopaintingarefocusingonthelandscapeofnaturemeanwhilealsomixedwithsomepaintersimaginationonthiridealimage.therewerebothcreatedinSongDynasty.中,-cJi4-i4L/q-t丸tt«二UELd:4ThepicturesaboveallcreatedbytheliteratorinMingDynasty.ActuallyitwasaprogressivewayfromTangDynastytoSongDynasty.|AtopAThepaintingsabovegenerallyinheritedthetraditionalfeaturesofMingDynasty.Itisdiversifiedandcolorful!SinceSongDynasty,Chineseculturevividlyrevealedintheaspectofpaintinginclinedtotheelitecultureortheelegantliterator'staste.Thesepaintingswer
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