荣格的基本理论(CarlJungx27sbasictheory)

1、荣格的基本理论(Carl Jung's basic theoryCarl Jung's basic theory of analytic psychology(1) collective unconsciousness;Collective unconscious is not only a development of Freud's individual subconsciousness, but also a creation of Carl Jung. Carl Jung uses it to express the common spiritual hered

2、ity contained in the human mind.Carl Jung himself in time to the collective unconscious definition, once said: "the collective unconscious is a part of the spirit, it is different from the individual unconscious, because unlike the latter it can be attributed to personal experience. Therefore,

3、they can not be obtained for individuals. A personal unconscious is something we had realized, but later because of forgotten or repressed and disappear from the consciousness of the contents of the collective unconscious;never appear in consciousness, so it is never for personal gain, they are tota

4、lly derived from genetic.(two) prototypeThe prototype concept of Carl Jung is closely related to the concept of collective unconsciousness. As he explicitly articulated, the individual unconscious relates to the formation of emotions, while the collective unconscious content is primarily a prototype

5、.Carl Jung said: "the archetype is the accumulation of human experience, they are like fate with each of us, and itsinfluence is felt in each of our lives.".The collective unconscious is through someform of inheritance or evolution, is composed of a prototype of this pre-existing form, giv

6、ing somepsychological prototype content to the unique form, the collective unconscious has universal form, it consists of a super personal psychological basis, generally exist in each of us, and at the level of consciousness and unconsciousness, affects everyone's psychology and behavior.(three)

7、 Archetypal ImageryCarl Jung used the prototype image to describe the prototypewill present itself to the form of consciousness, but Carl Jung has been trying to distinguish between prototype and the prototype image, the prototype itself is unconscious, our consciousness cannot recognize it, but thr

8、ough the prototype image to understand the existence of the prototype and its significance. Thus we can see the archetypal image as a symbolic representation of the archetype.Once the unconscious content is perceived, it is presented to consciousness in the symbolic form of the image.The material co

9、mponent of the symbol activates consciousness; the consciousness is activated by the symbol; the interest points to the symbol, and tries to understand it. That is to say, in addition to the dynamic role of the energy converter, the symbol is also a consciousness maker". It forces the mind to a

10、ssimilate one or more unconscious contents contained in the symbol. At the sametime, because of archetype and image always has its collective unconscious origins, and once these theories in the process of clinical psychology practice, is actually in the use of collective unconscious and archetype pr

11、ototype itself contains cure function and role, in this sense, imagery, symbolism and imagination. Has become the most important methods and features of psychological analysis of Carl Jung.Carl Jung was according to the analysis and experience of his own, as well as clinical observation and verifica

12、tion of their proposed Anima, a Nimes Adams, the wisdom of the elderly, the inner child, shadow and self and other psychological analysis of meaning of the prototype image. These archetypal images exist in each one of us, and affect the mental behavior of each of us at the level of consciousness and

13、 unconsciousness.1, AnimaAnima is the archetypal image Carl Jung used to describe the existence of a woman in a man. She is not only a kind of archetypal female image of man, but also a personal complex of Tian people towards women. When we pay attention to her, she would have to grow and develop, w

14、hen we ignore her, she will be through the projection mechanism, psychology and behavior to influence us, because this manarchetype inside, can become a man to move, can also become corrupt temptation.In fact, Carl Jung has described Anima as a soul image, often playing a special role in a man's

15、 mood, reaction, impulse, and any spontaneous psychological life, playing a certain role,Men always lean towards a realistic female object, where they see their inner Anima and their spiritual projection.Any unconscious mental content will always appear in dreams, and so does Anima. Carl Jung once d

16、escribed the four stages of Anima's development. Different stages have different images, namely: Xia Wa - Helen - Maria - Sophia.Eve: often expressed as a man's mother complex;Helen: it's more of a sex object;Maria: the divinity in love;Sophia: like Mousika, it's a source of inner cr

17、eation for men.2, Arnim JArnim J is a concept corresponding to Anima, which symbolizes the inner masculine elements of women, and the women occupied by his Arab Nimes will lose a lot of feminine color. However, women who can discriminate and pay attention to the existence of their Arab Nimes can der

18、ive positive power from this archetypal image.Nimes, a female inner development stage: Hull Chris - Alexander - Appollo - hermes. When a woman in Nimes, in the dream, initially often appear in some Hercules or athlete's image, then there will be action plan, and independent of the image, then th

19、ere will be similar to the "Professor", or "priest" significance of the image, and is full of inspiration and creation of image.3, shadowsCarl Jung uses shadows to describe the hidden or unconscious psychological aspects of our own hearts. The shadow of the composition or due to

20、a sense of self repression, or self consciousness is never recognized, but most is that we feel shame or embarrassment conscious self content, these are not satisfied with yourself and let us in our own no personality consciousness, we tend to be projected to other people.In the analysis of psycholo

21、gical sense, the shadow is not entirely just, aware of the presence of shadow itself, has a certain positive significance, mysterious shadow shadow. Perceiving one's shadow, or even one's psychological integration, is also an important goal in the analysis process.4, personaIn the analysis o

22、f the psychological meaning, the persona is actually what we call "me", and what we show ourselves to others. The word "Person" originates from the actors wearing masks, used to express his character and different with others;however, the role is not the true sense of the actor h

23、imself, or that persona is not our original self is our true.Personality mask and shadow are the prototype images corresponding to each other. We tend to hide our shadows and tend to modify and dress our persona. In the sense of psychoanalysis, our shadow becomes darker when we identify ourselves with some kind of goo