《中国电影导演》PPT课件.ppt

,Lets go!,Directors of Chinese Films,Directors of the first generation,Directing career: 1900s to 1920s Representatives: 郑正秋，张石川，绍醉翁，杨小仲,The features of their films,Against the feudalism Value the films effect of Social enlightenment Learn from the traditional drama,难夫难妻（die for marriage）1913,郑正秋（1889-1935),Born in 上海 Director Writer The pioneer of Chinese filmdom,The unique styles of his film,Catering to the audience Approving the level audiences appreciation,姐妹花 The two sisters,自由之花 The Flower of Freedom,一个上海女人 A Shanghai Woman,劳工的爱情 Labors Love,张石川（1890-1953）,浙江宁波人 156 films making a great contribution to Chinese movie art,The unique styles of his film,Pay more attention to Commercial interests Mainly focus on entertainment movie,火烧红莲寺 (1928 ) Burning of the Red Lotus Temple,歌女红牡丹 (1930 ) Sing-Song Red Peony,啼笑姻缘 (1932 ) Between Tears and Laughs,Directors of the second generation,Directing career: 1930s1940s Representatives: 蔡楚生 ，郑君里，费穆，吴永刚,The features of their films,Realism Reflecting the social life Gradually get rid of the traditional drama,蔡楚生（1906-1968）,Born in 上海 Awarded the century of direction of Chinese film prize in 1995 Praised as film the founder of Chinese realism film,The unique styles of his film,Very attractive Easy to understand Very good at shaping the characters,南海潮 (1962),一江春水向东流 (1947) The Spring River Flows East,都会的早晨 (1933) Morning in the Metropolis,渔光曲 (1934） Song of The Fishermen,渔光曲 （Song of The Fishermen）,Fisherman 徐福 小猴小猫 Awarded the Moscow international film prize in 1935) It was the beginning of Chinese realism film 电影原声-渔光曲 电影渔光曲主题曲 - 铃声.mp3,Directors of the third generation,Directing career ：After 1949 Representatives: 谢铁骊、水华、崔嵬、谢晋,The features of their films,Basing on the principle of realism, Reflecting the essence of life Explore the national style and regional characteristics,They experienced three periods,19491965 水华白毛女，崔嵬青春之歌、小兵张嘎，谢晋女篮五号等 19661976 谢铁骊海霞、闪闪的红星于彦夫 创业 1976 谢晋芙蓉镇 、鸦片战争 、 凌子风骆驼祥子 边城,谢晋(1923-2008 ),绍兴上虞人 Praised as the most reputation Chinese in the international filmdom He was awarded the Hundred Flower Awards for six times,The unique styles of his film,Keeping pace with the times Show the characters features through the historical or political background 谢晋作品剧照,芙蓉镇(Hibiscus Town )1896,Actors: 刘晓庆,姜文 Among three provinces:湘，粤，桂 Awarded at the Golden Rooster Awards and Hundred Flower Awards in 1987,The towns original name was 王村 which was located in 湖南省湘 西土家族苗族自治州永顺县 湖南芙蓉镇,Hibiscus Town,Directors of the forth generation,Graduated from Beijing Film Academy in 1960s Representatives: 吴贻弓、张暖忻、黄健中、滕文骥,The features of their films,Breaking up the structures of dramatic Advocating the realism Having the strong sense of social responsibility and historical mission,吴贻弓(1938 ),Born in重庆 Awarded the Chinese movie lifetime achievement award in the 15th Shanghai film festival in 2012 Gain the best director prize at the third Hundred Flower Awards in 1983,The unique styles of his film,Full of the passion of life Filled with a plenty of the truth of life,阙里人家 1992,流亡大学 (1985 ）,我们的小花猫1980,巴山夜雨1980,城南旧事My Memories of Old Beijing,A prosaic film Gain Many prizes at the Hundred Flower Awards in 1983 Became the permanent memory of a generation,The 5th generation,Mainly referring to Beijing Film Academy graduates of the early 1980s, the fifth generation of Chinese directors generally had some bumpy and uneasy experiences before actually becoming directors, witnessing the dramatic changes of the society. They accepted professional training in filming during the period when China first initiated its epoch-making reform and opening-up policy. After graduation, they worked with new passion and brought some new momentum into the Chinese film industry.,Differences,They: Be keen on new expressive ways and new thoughts. strive to find a new angle for each of their movies. desire to explore the history of Chinas culture as well as the structure of the national psychology. Be completely innovative in terms of selecting suitable themes. Employ narrative ways, portray figures, use cameras, and deal with movie frames. Their works : More subjective, individualistic, symbolic, and implicative.,Representatives,Tian Zhuangzhuang(1952- ) 猎场扎撒、盗马贼 Wu Ziniu (1953- ) 喋血黑谷、晚钟、 南京大屠杀 Huang Jianxin(1954- ) 黑炮事件建国大业 建党伟业 Zhang Yimou(1950- ) Chen Kaige(1952- ) Feng Xiaogang(1958- ),Zhang YiMou张艺谋,1950：Born in Shanxi. 1968: after middle school, he was sent to farms and factories during the Cultural Revolution. 1978:studied Cinematography in Beijing Film Academy . 1982: graduated from BFA.,His Roles,cinematographer 1984一个和八个One and Eight获中国电影优秀摄影奖； 1985黄土地Yellow Earth Best Cinematography of 5th Golden Rooster Awards；法国南特亚非拉三大洲国际电影节最佳摄影奖；美国夏威夷国际电影节最佳摄影奖 Supporting actor 1986老井Old Well 1989古今大战秦俑情Fight and Love with a Terracotta Warrior director,His films,His unique style,Pursue pure beauty especially in color. Describe strong faith Care about urban-rural gap,Red Sorghum 红高粱 1987,The story :MoYans novel Jiuer (Gong Li) Yu ZhanAo( Jiang Wen) Awards 38thBerlin International Film Festival, 1988Golden Bear Award Hundred Flowers Awards, 1988 Best Feature Golden Rooster Awards, 1988 7 awards,Chen Kaige,He was born in Beijing, in 1952. when he was young he have severed as a soldier, experienced the Cultural Revolution and gone to live and work in a production team. In 1976, he worked in a motion picture film processing plant in Beijing. Two years later, he was enrolled by the directing department of BFA, and graduated in1982.,Features of His Works,Philosophy Property: speculation, symbolism, metaphor. Cultural Property: overall reflection of Chinese culture. Movie Property: full of curiosity and anticipation for opening up movie language.,His Works,黄土地 ( 1984) 强行起飞 ( 1984) 大阅兵 ( 1986) 孩子王 ( 1987) 边走边唱 ( 1991) 霸王别姬 ( 1993) 风月(1996) 荆轲刺秦王 ( 1999) 大宅门 ( 2000) 和你在一起 ( 2003) 无极 ( 2005) 2008分之一 ( 2008) 梅兰芳 （2009） 赵氏孤儿 ( 2010) 搜索 ( 2012),His Peak Work,Farewell My Concubine,This movie tells a story about two mummers joys and sorrows of life ,with the development of Chinese history in half a century.,Farewell My Concubine,The leading role in this movie named Chengdie Yi , who is a very famous female role in Chinese opera.,Farewell My Concubine,Sweep the whole nation by playing the classical Peking Opera Farewell My Concubine,Farewell My Concubine,Chengdie Yi is so indulged in the role he plays, so he is fuzzy in gender. He thinks he is just the Yu Ji and his senior fellow apprentice is just the Ba Wang.,Farewell My Concubine,He feels satisfied and confident only when he is in the stage. He is weak in his appearance ,but obstinate and obsessed inside . He is a tragic character; the most glorious moment in his whole life is in the play Farewell My Concubine,Farewell My Concubine,This movie reveals the reflection and apperception of traditional culture, survival condition of human beings, and human nature. An representation cooperated by filmmaker of the mainland and Hong Kong and so succeed artistically and commercially.,Feng Xiaogang,He was born in Beijing, in 1958. He has been interested in painting and literature from a child. He took charge of many professions before he became a director, like stage designer, soldier, and screenwriter.,Xiaogang Feng,Famous for comedy Good at directing Commercial Film The father of the New Year Movie,More than 2,000,000,000 RMBs box office,Features of His Works,Express Desire: base on the values of the public, represent the dreams of citizens Reflections of Survive and Life: banter for life and mainstream culture Beijing Language Strategy of Superstar: fixed Ge You, changeful actresses,His Works,导演电影 手机 ( 2003) 永失我爱 ( 1995) 甲方乙方 ( 1997) 不见不散 ( 1998) 没完没了 ( 1999) 一声叹息 ( 2000) 大腕 ( 2001) 天下无贼 ( 2004) 夜宴 ( 2006) 集结号 ( 2007) 非诚勿扰 ( 2008) 风声 ( 2009) 唐山大地震 ( 2010) 非诚勿扰2 ( 2010) 温故1942 ( 2012) 出演电影 冤家父子 ( 1996) 甲方乙方 ( 1997) 让子弹飞 ( 2010) 苏乞儿 ( 2009) 建国大业 ( 2009) 爸爸 ( 1996) 童梦奇缘 ( 2005) 谁说我不在乎 ( 2001) 阳光灿烂的日子 ( 1994) 最爱 ( 2010) 破事儿 ( 2007) 功夫 ( 2004) 导演电视剧 北京人在纽约 ( 1994) 情殇 ( 1995) 一地鸡毛 ( 1995),Just for Fun,Do people need thick road. 做人要厚道 Uncle Lee is very angry, the consequences will be severe. 黎叔很生气，后果很严重。 When you are young, there is zeixin no zeidan, until the old I have got, and not a thief. 年轻的时候有贼心没贼胆，等到老了贼心贼胆都有了，贼又没了。,The Sixth Generation,Who are they,Born between 1960s to 1970s Began career in 1990s Representatives: Jia Zhangke, Zhang Yang, Wang Xiaoshuai, Zhang Yuan, Lu Xuechang, Guan Hu, Lu Chuan, etc.,Professional ones graduated from Beijing Film Academy and The Central Academy Of Drama -Academy & Individuation Less professional ones major in other professions such as literature- Realistic and close to life,Whats the features of their films？,Humanistic Ideas & humanistic concern Concentrate on marginal figures Tend to real light, color, sound Accept expression of western aesthetics Involve self-experiences Seldom released in cinemas Meet great challenge of ideology & market Invest with low cost,DirectorJia zhangke,Born in 1970 Leopard of Honour Winner of Locarno International Film Festival Golden Lion winner of Venice International Film Festival for Still Life三峡好人,Trilogy,Pickpocket 小武 Platform 站台 Unknown Pleasures任逍遥,DirectorWang Xiaoshuai,Born in 1966 His works featured by Sensitive portrayal of teens and youths Delicate film compositi