莫奈简介全英ppt

Monet,AndTheImpressionMovementHeWasInOutline●HistoricalBackground●

TheIntroductionofImpressionism●

Monet,theImpressionist●

TheInfluenceofMonetandtheImpressionismHistoricalBackgroundWhatIsImpressionism?●

Impressionism,amajormovement,firstinpaintingandlaterinmusic,thatdevelopedchieflyinFranceduringthelate19thandearly20thcenturies.●

Impressionistpaintingcomprisestheworkproducedbyagroupofartistswhosharedasetofrelatedapproachesandtechniques.●

ThemostconspicuouscharacteristicofImpressionismwasanattempttoaccuratelyandobjectivelyrecordvisualrealityintermsoftransienteffects(瞬时效应)oflightandcolour.

RepresentativeFiguresImpressionistpainters:●Principal:

ClaudeMonet,PierreAugusteRenoir,CamillePissarro,AlfredSisley,etc●

EdgarDegas(德加)andPaulCézanne（塞尚）intheearly1870s.●

TheestablishedpainterManetadoptedtheImpressionistapproachabout1873.Inotheraspects:●

Music:ClaudeDebussy&MauriceRavel●Literature(closelyrelatedtosymbolism):Baudelaire,

Rimbaud,

Verlaine,etc.InnovationinScience&Technology→InnovationinImpressionism

●

ColourTheory●

Camera●

Innovation&ExperimentsTheemergingscienceofcolortheoryplayedanimportantroleinthedevelopmentofimpressionism.TheIssueofBlack●Pureblackisrarelyusedbytheimpressionistpainters.●Monetobtainedanappearanceofblackbycombiningblues,greensandreds.Heeliminatedalmostcompletelyblackfromhispainting,evenintheshadows.AvoidingblackwassodeeplyanchoredinMonet'smannerthatwhenhedied,hisfriendGeorgesClemenceauwouldnotstandtheblacksheetcoveringthecoffin.Heexclaimed:"No!NoblackforMonet!"andreplaceditbyafloweredmaterial.InfluencefromCamera●helpingtheartistsstudymovementandgesturestocaptureasenseofreal-lifespontaneity,tofullyunderstandthesurroundings,thedetails,contraststoviewfromanotherperspectiveandsoon;●Inspiringthemtoexperimentwiththecandidgroupings,off-centerfocus,deepperspectivesforeshortening;●recordingtherealworldratherthanhistoricalimagination-Impressionistsmotivatedtodepictpeopleandlandscapeswithoutmythologicalorhistoricalexaggerations.Innovation&ExperimentsBlurredmovingfigures-slowshutterspeed;blurryeffectMixingprimarycolours-apaletteofjusteighttotencolorstoachievemanyvariableandsubtleeffectsPaintingrealpeople-everydayactivities;variousclassesComplimentarycolours-createanespeciallyintenseeffect;vibrancyLifebeyondtheframe–seeminglycarelesscutofffigures;viewerstoacknowledgethatlifecontinuedbeyondtheframePublicOpinion●

PaintingswererejectedbySalondeParisandsomemuseumexhibitionsformanytimes●

IfImpressionistswerebecomingappreciatedfromthe1880s,theirsituationwasstillharsh;theSalonwasstillrefusingtheirpaintings,andin1894,25outof65artworksdonatedtotheLuxembourgmuseumwererejected.●

whenCamillePissarro,theImpressionistpatriarch,diedin1903,everybodyagreedthatthismovementwasthemain19thcenturyartisticrevolution,andthatallitsmemberswereamongthefinestpainters.ClaudeMonet'searlyworks:(1858~1873)TheBeginningofImpressionistArtAtthebeginningofhiscareer,Monetuseddarkcolors,ashedidinthe'StudioCorner'markedbyblackshades.HispaintingevokestheRealistSchool.From1860on,Monetabandoneddarkcolorsandworkedfromapalettelimitedtopurelightcolors.LuncheonOnTheGrass(1865)●

Monet’sfirstmasterpiece;●

usingthesamethemeandsamestyleasManettwoyearsbeforeforhisown"Luncheononthegrass",apaintingwhichscandalizedpeopleatthe"Salon"in1863.ExquisitecaptureoflightandcoloursTheReaderInthespringof1872ProbablytheportraitofhiswifeCamilleImpressionSunrise(1873)——TheImpressionismwasbornPaintingsofArgenteuil&Vétheuil

(1872~1882)"Itis

becauseIrediscoveredandallowedintuitiveandsecretforcestopredominatethatIwasabletoidentifywithcreationandbecomeabsorbedinit."ClaudeMonetLifeinArgenteuilTheLuncheon-familyhappinessatArgenteuil:Aquietsummerafternoon,JeanMonetissittingonthegroundandplaying,Camilleappearsinthebackground.Lifein

Vétheuil"Howmanyshadesofhowmanycolorsaretherewithinthenuancesoflightinthissimpletreetrunk?"ClaudeMonetTravels(1884~1908)"WhatI'llbringbackfromherewillbesoftnessitself,white,pink,blue,allofthiswrappedinthisfairyair."

ClaudeMonet

TheNetherlands(1886)Venice,Italy(1908)●affectedbycataract(白内障),visionalteredLondon,England(1900,1903)HousesofParliament,EffectofSunlightintheFog(1900)TheLateYear:

Giverny(1883-1926)

"Whereasyouarephilosophicallyseekingtheworldinitself,Iamsimplyfocusingmyeffortsonamaximumofappearancesinclosecorrelationswithunknownrealities."ClaudeMonet●Bought10yearsafterhisarrivalatGiverny;laterenlargedtotoday’ssize.●

Thewatergardenisfullofasymmetries(不对称)andcurves.ItisinspiredbytheJapanesegardensthatMonetknewfromtheprintshecollected.Water-LilyPondinGiverny"

MybadsightmeansthatIseeeverythingthroughamist.Evensoitisbeautiful,andthat'swhatIwouldliketoshow.”ClaudeMonetTwelvelargecanvas:TheWater-Lilies(1916~1926)●

donatedtoFrancetocelebrate1918victory●

laterbeinstalledinanarchitecturalspacedesignedspecificallyforthematanmuseuminParisInfluences●

InfluenceofMonet●

InfluenceofImpressionism●

InfluenceonMusicMonetwasafounderofFrenchimpressionistpainting.Hewasthemostconsistentandprolific(多产旳)practitionerofthemovement'sphilosophyofexpressingone'sperceptionsbeforenature,especiallyasappliedtoplain-airlandscapepainting.ThetermImpressionismisderivedfromthetitleofhispainting“Impression,Sunrise”.TheImpressionistscreatedamodelforfreedomandsubjectivitythatpromotedartisticfreedomthatwhichmanyartistsofthepastlongedfor.

Theirexampleempowered(允许,授权)laterartiststhattookitmuchfurtherthantheydid.Duetotheneverendingsupplyofresourceswehaveatourcommandinourpresentlives,artcontinuestoexpandandwillstillcontinuetogrowandbreaklimitsthatwillfascinatepeople.Itmarkedanewwayofpaintingthatwasmoreconcernedwithcreatingimpressionsofthetransienteffects(瞬时效应)oflight.Manyartistspaintedoutside,inanattempttocapturefleetingeffectsofsunlightoneverydayscenes.Coloursbecamemoreimportantthanlineinthecreationofshimmeringsurfacesofvibratingcolours.

VanGoghwasinfluencedbyhisfriendshipwithImpressionists.AfterseeingtheirpaintingsinParis,hebegantousebrightercolorsandbrokenbrushstrokes.Howeverhedifferedfromtheminoneimportantway.Ashewrotein1888,“InsteadoftryingtorenderwhatIseebeforeme,Iusecolorinacompletelyarbitrary(任意旳)wayinordertoexpressmyselfpowerfully”.InfluenceofImpressionismonVanGoghInfluencedbythepaintingsoftheFrenchimpressionistsandbyth