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本文格式为Word版,下载可任意编辑——欧洲文化入门RenaissanceandReforamtion
newperceptionandnewbeliefexploration
emergenceofmodernstatesandtherisingofbourgeoisiecriticismofchurchcorruptionandreformation
PartoneTheRenaissanceinItalyParttwoTheRenaissanceincountriesotherthanItalyPartthreeTheReformation
PartoneTheRenaissanceinItaly
Ⅰ.HistoricalContextⅡ.HumanismandRationalismⅢ.TheArts
Ⅳ.ScienceandTechnology
Ⅰ.HistoricalContext●EuropeancrisisinthelateMiddleAges
●TheeffectofwealthyChristianshipping--Italianbankingfamilies:Moneyeconomy
Ⅱ.HumanismandRationalism●HumanismanewattitudedevelopedtowardsthehumanbeingGiannozzoManetti(1396-1459)OntheDignityofManvalue,spirit,life,happinessofhumanbeingfreewillandfreechoicebelieveinknowledge●HumanistsFrancescoPetrarc(1304—1374),alsoPetrarch,crownedwithlaurelleaves,OnfamousMen(1337),Africa(1338),OnReligiousIdleness(1345),TheSolitaryLife(1345-1347),BucolicSong(1345-1347)
GiovanniBoccaccio(1313-1375)Decameron(1350)
humannature,earthlypleasure,trueloveandwisdom
●Rationalismalesseningoffaith,LorenzoValla(c.1406-1457),AboutEnjoymentsociallife,BaldassareCastiglione(1478-1529),TheBookoftheCourtier(1528)politicaltheory,NiccoloMachiavelli马基雅维利(1469-1527),ThePrince,1513,--theendjustifiesthemeans.OntheArtofWar(1520),DiscourseonLivy(1531)
Ⅲ.TheArts
●ArchitectureThecathedralinFlorence
--combinationofhumanwithuniverse;compoundstructureonaestheticnotspiritualappeal(Gothicstyle)
FilippoBrunelleschi(1377-1446):thedomeofcathedralinFlorence
LeonBattistaAlberti(1406-1472),emphasizedproportionandbalance,Greekinfluence,AboutPainting,AboutBuilding,AboutSculpture
AndreaPalladio(1508-1580),thegreathouses,whichreflectanelegantandwealthydomesticstyleofliving
●PaintingandsculpturesTheCrucifixion(1287-1288)TheVenusofUrbino(1538)
Thesubject,thesetting,anatomy,themood,themessage
GittodiBondone(1267-1337),founderofmodernart﹡naturaltendernessandsoftnessofcolor﹡real
TommasoMasaccio(1401-1428),﹡realismandnaturalismtheExpulsionofAdamandEve
Donatello(1386-1466),oneoffoundersofRenaissancestyleEquestrianstatueofVenetiangeneralGattemelata
DavidatBargelloMuseum,Florence
SandroBottcelli(1445-1510)TheBirthofVenusPrimavera(Spring)
LeonardodaVinci(1452-1519)
TheVitruvianMan.Self-portraitLeonardodacirca.Vinci’s(1452—1512-15151519)famousdrawinginwhichhelooksfortheproportionsoftheTheLastSupper(1498)humanbody.
MonaLisaorLaGioconda(1503–1505/1507)—Louvre,Paris,France
MichelangeloBuonarroti(1475—1564)StatueofDavid
theceilingoftheSistineChapel;(1508-1512)
PortraitofPopeJuliusIIbyRaphael(1483—1520)
Ⅳ.ScienceandTechnology●Criticalthought,doubtandquestioning
●LeonardodaVinci(1452-1519)-dissectionofhumanandanimals
●AndreasVesalius(1514-1564)
Humanbody
●NicolausCopernicus(1473—1543)TheLittleCommentary,1514
OntheRevolutionoftheHeavenlySpheres●ThetechnologyofwarthemanufactureoflargecannonlowerandthickerwallswithdeepprotectiveditchesandplatformsParttwoTheRenaissanceincountriesotherthanItaly●FranceFrancoisI(r.1515-1547),patron
FranRabelais(c.1483-1553)oisTheLifeofGargantuaandofPantagruel(1534-1546)
MichelEyquesdeMontaigne(1533—1592)Essays,1580PierredeRonsard(1524—1585)PoetWhatdoIknow?
●England
QueenElizabethIofEngland(1533—1603)SirThomasMore(1472—1535)Utopia,1516FrancisBacon(15611626)―Knowledgeispower‖EdmundSpenser(c.1552—1599),TheFaerieQueene
WilliamShakespeare(1564—1616)
38playsTheGlobeTheatre
●SpainKingFerdinandandQueenIsabellaElGreco(Dom
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