安娜卡列妮娜

安娜·卡列尼娜主讲人：马兴召KeywordMazurka波兰舞

exonerate免除ridiculous荒谬的

chaste忠于配偶的

virile有男子气概的spirit精神

marriage婚姻

indiscretion不检点的

crime罪恶

weapon武装Allhappyfamiliesresembleoneanother,eachunhappyfamilyisunhappyinitsownway.幸福的家庭都是相似的,不幸的家庭各有各的不幸。Historicalandculturalbackground"AnnaKarenina"creativecapitalisminRussiaeverythinginliferampageseventies,theauthorofthisprofoundreflectionofRussiaduringthisperiodmanyimportantaspectsoflifeinsociety,particularlythereformofthesocialstatusquoafterserfdom.Therearetwocluesnovel,oneisAnna-OttawaperishChomsky-Kareninplotlines,reflectingthethinkingoftheseventiesaristocraticsocial,culturalandmorallifeandsocialrelations,oneisLevine-SeenThroughtheplotlines,Russianmanorlandlordsreflectsthesocialpoliticalandeconomiclife.Atthebeginningofthenovel"AubeWronskihomeallconfused."Thissentenceisthekeytounderstandingthebook,everythingthischaosisnotonlyone,Kareninfamily,Levinefamily,XueSharanskyhomeallthechaosandtensionanxiety,reflectedaristocraticsocietyinthefaceofcrisisgeneratedbythecapitalistinvasion,istheepitomeofturbulenttimes,thisgeneralideauneasymoodbothfictionwritersalsodecidedtoexplorethetensionofspiritandcharacterandcomplexityofthepenandcontradictoryattitude.《安娜·卡列尼娜》创作于资本主义在俄国一切生活中横冲直撞的七十年代，作者在此深刻地反映了这一时期俄国许多重要的社会生活面貌，特别是农奴制度改革后的社会现状。电影有两条线索，一条是安娜—渥沦斯基—卡列宁的情节线索，反映七十年代贵族社会的思想、文化和道德生活及其社会关系，一条是列文—吉提的情节线索，反映俄国庄园地主的社会政治经济生活。一切都乱了的不仅是这一家，卡列宁家、列文家、薛杰巴斯基家无不混乱与紧张不安，这反映贵族社会面对资本主义侵入产生的危机，是动荡不安的时代的缩影，这惶乱不安既是电影的总的思想情绪，也决定了原作家紧张的精神探索及对笔下人物的复杂而又矛盾的态度。ThebriefintroductionInthe19thcenturyRussia'supperclasssociety,seniorDirectorateKarenin'swifeAnnaYancrownQunfang,onthetrainshemetsuavecountVronsky.Vronsky’senthusiasmarousedtheloveofAnna'swhichhadbeenasleepforalongtime,theyfalledinatruelove,underthestrongpressureofpublicopinioninsuchatime,theyelopednomatterwhatwouldhappentothem,theirlovetragedybegan.AlthoughAnnabravelytoldherhusbandallofthetruth,hopingtodivorcewithherhusband,Kaleninwasamanwhocareforthevalueofthesocialstatus,itisdifficulttobeartheshameofthathiswifefallinlovewithsomebodyelse,hethreatAnnawithhermostbelovedson,refuseddivorcingandaskedtogiveuphisson

十九世纪俄罗斯的上流社会里，高层首长卡列宁之妻安娜艳冠群芳，在火车上她邂逅了风流倜傥的伯爵渥伦斯基。渥伦斯基的热情唤醒了安娜沉睡已久的爱情，二人产生了真爱，在当时社会强大的舆论压力下，不顾一切地私奔，他们的爱情悲剧就此展开。虽然安娜勇敢地告诉自己的丈夫一切实情，希望能离婚，但看重社会地位的卡列宁，难以忍受夺妻的耻辱，以安娜最心爱的儿子做威胁，拒绝和安娜离婚并逼她放弃儿子。Now,AnnahadlefthometolivewithVronsky,pregnantwithhischild,butunfortunatelyaborted,gotsequelaeanddependedonalcoholanddrugs,afteradifficulttwistsandturns,Anna'sspiritualpressurebecomesveryserious.Andthen,Vronskycouldn’tstandonthesocialpressure,sohebecameverycoldtoAnna,Annatolossoffamily,sonandpositioninsociety,andnowtheso-calledfreeandsincerelovealsobegantobeforsaken,herheartcouldnotgetsatisfactionandbalance.FinallyAnnadressedinablackvelvetdress,stoodinfrontofthethetracksinrailwaystationandletthehowlingtrainputanendtoherhopelessloveandlife,theaffairwhichwasnotallowedformoralandallthepeopleintheworld,finally,asaresultsonlyAnnapaidtheexpense,leavingtheadiencesendlesssentimentandsadness.此刻，安娜已离家与渥伦斯基同居，怀了他的孩子，却不幸流产，得了后遗症，又对酒与药物有了依赖性，经过重重困难波折后，安娜的精神压力变得非常大。后来，渥伦斯基承受不了社会压力开始对她表示冷淡，安娜付出了失去家庭、儿子和社会地位的高昂代价，而现在所谓真挚自由的爱情也开始要被遗弃，她内心无法获得满足和平衡。最后安娜身着一袭黑天鹅绒长裙，在火车站的铁轨前，让呼啸而过的火车结束了自己无望的爱情和生命，这段为道德和世间所不容的婚外情最后的结果由安娜独立承担，留下了无限感伤。Maincharactersandtheirrelationships

CharacterAnalysis1.安娜是一个19世纪70年代受资产阶级影响而争取个性解放的俄罗斯先进贵族妇女，是一个被虚伪道德所束缚和扼杀的悲剧人物。她善良、真诚、富有激情。个性解放色彩是安娜这个形象的鲜明特征，安娜之所以不被见容于上流社会，主要是由于她对真诚爱情生活的追求。然而安娜所向往的意义丰富的爱，实际上是缥缈的也是模糊。她并不知其所以然。而且，她没有也不可能义无反顾地同卡列宁痛痛快快的决裂。安娜的性格不仅仅是本能的天性，她的整个气质和趣味都打上了贵族阶级的印记，眼光与视野也都局限在贵族女性的范围内AnnaisaRussianadvancedandaristocraticwomenwhofightsforthereleaseofpersonalityundertheinfluenceofthebourgeoisieinthe1870s.sheisatragiccharacterwhoistrappedandkilledbyhypocriticalethics.Sheiskind,sincere,andisfullofpassion.

ThedistinctivefeatureofAnnaisthatshedaretopursuePersonalityliberation,Annaisnotcorrespondwiththehighsociety,islargelyduetoherpursuitofsincerelovelife.ButthemeaninglovethatAnnayearnsforisactuallywispyandmisty.Shedon'tknowwhathappens.And,shecan'tbreakwithkareninracily.

Anna'scharacterismorethanjustinstinctofnature,herwholetemperamentandinterestarewiththeimprintsofaristocracy,visionandsightarelimitedwithinthescopeofthearistocraticwomen.2.列文是一个庄园贵族。他强壮、热情、忠厚、有很高的文化修养。他代表了托尔斯泰这一时期的理想。他崇尚家庭伦理道德，列文经历了和基蒂的爱恋婚姻及家庭的悲喜哀乐，但却充分表明，爱情远不是生活的全部，他痛心地看到地主经济的没落，寻求避免资本主义发展蔓延的道路，希望借地主和农民合作来缓解阶级矛盾，并把这种“不流血的革命”推广至全世界Levinisamanornoble.Heisstrong,warm,loyal,hasahighculture.herepresentstheidealofTolstoyduringthisperiod.Headvocatedfamilyethics,andheexperiencedpeasure,anger,sorrowandjoyofhislovemarriagewithKittyandfamily,butitisstronglysuggestedthattheloveisfarfromthewholeoflife,hewassadtoseethelandlordeconomicdecline,soughttoavoidthespreadofcapitalismdevelopmentroad,hopesthatthelandlordsandthefarmers'cooperationtoeaseclasscontradictions,andspreadedthe"bloodlessrevolution"totheworld.3.Vronsky（渥伦斯基）Heishandsome,charming，andanofficerinaregimentofsoldiers.（他英俊潇洒，富有魅力，是一个士兵团的警官）Hebelievesthathumanrelationshipsshouldbeamatterofpleasureratherthanamoralissue.（他认为人际关系的建立应该建立在快乐的基础上而不是道德问题上）Vronskyrepresentstheopenandrebellious.（渥伦斯基代表开放与叛逆，是当时封建贵族社会叛逆者与归顺者的综合矛盾体）4.Karenin(卡列宁)1.acoldmanandconservative（他是一个冷酷的人，同时是一个保守主义者）2.He’sgotwealthandexcellentsocialandprofessionalconnections.（他很富有且具有良好的社会关系）3.Helivesaccordingtoastrictscheduleofeverything,andlackingasubstantialemotionallife.（他生活中的每件事遵循一个严格的准则，他缺乏充实的感情生活）Plot

TheheroineofthemoviecalledAnnaKarenina,whoisabeautifullady.Annahasabrotherandherbrotherhasafamilyoffourchildren,thoughwithfourchildren,hestillfellinlovewithayoungteacher,therefore,herwifeDollywentawayafteraquarrelwithhim.Tosaveherbrother’sfamily,shewenttoMoscowbytraintohelptohandletheproblem.Atthetrainstation,AnnametayoungmannamedVronsky。电影的女主安娜·卡列尼娜，是一个美丽的女士。安娜的哥哥奥布朗斯基公爵已经有四个孩子，尽管如此，他仍和法国家庭女教师恋爱，因此和妻子多丽闹翻。安娜为了拯救她哥哥的家庭，她坐火车去莫斯科为哥嫂调解，在火车站，安娜认识了青年军官渥伦斯基。Anna’shusbandKareninisanordinaryperson,notsmartorhandsome,buthehasahighfameinofficialdom.Hedidn’tunderstandwhatistrueloveandhejustthinkitisgod’swillthatcombinesthemtogether.Soangrywhenheheardthenews,heblamedAnnaforherindiscretions.Hewantedhertoknowthemeaningofmarriageandpayattentiontothepublicopinions.Infact,hedidn’tcarehiswife’sgettingalongwithothers,onlypeople’snoticemaymakehimfelluneasy.安娜的丈夫亚历山大·卡列宁其貌不扬，但在官场中却是个地位显赫的人物（是一个“完全醉心于功名”的人物）。他根本不懂什么是倾心相爱的情感，他认为：他和安娜的结合是神的意志。当他知道安娜出轨的消息时，他很愤怒，他责备妻子行为有失检点，要她注意社会性的舆论，明白结婚的宗教意义，以及对儿女的责任。实际上，他并不在乎妻子和别人相好，而是别人注意到才使他不安和不舒服。DollyhasasistercalledKitty,shelovedVronskyverymuchanddreamedthathewillmarryher.Butshedidn’tknowthathelovedAnnaatfirstsight.Ataparty,Kittyshowedherlovetohimandthoughtthathewillaccepther.Buttoherdisappointment,herejectedherdirectly.WhatdepressedhermostwasthatVronskywasverywarmandkindtoAnna.Butshedidn’tknowthatLevinisalwaysinloveher.Annafoundkitty’sunhappyandtoavoidembarrass,shewentbacktoPetersburgsoon.ButitsurprisedherthatVronskywenttoPetersburgsoonafter.Fromthenon,Vronskybegantopursuehercrazily.HeattendedeverypartythatcouldseeAnna.Alltheactionsmadeherfeltuncomfortableatfirst,buttrappedinalovelessmarriage,AnnasuccumbstotemptationandembarksonadangerousaffairwiththehandsomeVronsky.多丽有一个妹妹叫基蒂，她深爱着渥伦斯基，并梦想着能和他结婚。但是她不知道渥伦斯基对安娜一见钟情。在一个舞会上，基蒂向渥伦斯基表示好感，并想象着他会和她求婚。但是，让她失望的是，渥伦斯基直接拒绝了她。基蒂发现渥伦斯基和安娜异常地亲热，这使她感到很苦闷。但是她不知道康斯坦丁•列文一直爱慕着她。安娜发现基蒂的不开心，为避免尴尬便回彼得堡去了。随后渥伦斯基也来到彼得堡，开始对安娜的热烈的追求。他参加一切能见到安娜的舞会和宴会，从而引起上流社会的流言蜚语。起初，安娜还一直压抑着自己的情感，但被困在没有爱情的婚姻里，安娜屈从了诱惑，和英俊的渥伦斯基踏上了危险的恋情。Oneday,AnnaandKareninwenttoseeahorserace.Duringtherace,Vronskyfellthehorseheavily.Annacan’thelpscreamloudly.KareninfeltembarrassandforcedAnnatogobackhome.Annacan’tignoreherhusband’shypocrisyandselfish,sheshoutedathim“Ilovehim,Ihateyou…”有一天，安娜与丈夫卡列宁一起去看一场盛大的赛马会，比赛中渥伦斯基从马上摔了下来，安娜情不自禁地大声惊叫，卡列宁认为安娜有失检点让他感到尴尬，迫使她提前退场回家。安娜无法忍受丈夫的虚伪与自私，说出了自己的心声：“我爱他……我憎恶你……”。Now,let’stalkabouttheKitty’slife.KittyfinallyeliminatedtheestrangementwithLevinandgotmarrywith

him.

Thecoupleofloverslovedeachotherandlivedahappylifefromthenon.

现在，让我们来谈谈基蒂的生活。基蒂终于消除了列文的隔阂，嫁给

了他。这对夫妻彼此相爱过上了幸福的生活。Culturalanalysis

安娜的形象在作家创作过程中有过极大变化：从一个低级趣味的失足女人改写成真诚、严肃、宁为玉碎、不为瓦全的女性。托尔斯泰通过安娜的爱情、家庭悲剧寄寓了他对当时动荡的俄国社会中人的命运和伦理道德准则的思考。作家歌颂人的生命力，赞扬人性的合理要求；同时，他又坚决否定一切政治、社会活动（包括妇女解放运动）对改善人们命运的作用，强调母亲——妇女天职的重要性。作家世界观的矛盾构成安娜形象的复杂性。一百多年来各国作家按自己的理解把安娜搬上舞台、银幕、荧光屏。安娜形象一直激动着不同时代、不同民族的读者，这正说明安娜形象的艺术生命力是不朽的。Anna'simageintheprocessofthewriterhadgreatchanges:fromastumblebabbittrywomanrewriteinto,issincere,serious,bettertodiewhenlifeisadisgrace.TolstoybyAnna'slove,familytragedyembodieshisturbulentRussiansocietyatthattimethefateofthehumanthinkingandethicalcodeofethics.Authorpraisesvitality,praisedthereasonablerequirementsofhumannature;Atthesametime,andhefirmlydeniedallpoliticalandsocialactivities,includingthewomen'sliberationmovement)roleintheimprovementofpeople'sfate,emphasizedtheimportanceofmother,women'sduty.ThecomplexityofthewriterthecontradictionofworldviewconstituteAnnaimage.MorethanonehundredyearstheauthoraccordingtoownunderstandingtoAnnaontothestageandscreen,screen.Anna'simagehasbeenexcitedthereadersofdifferenttimes,differentna